Official Transcript of Proceedings NUCLEAR REGULATORY COMMISSION
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Mark Summers Sunblock Sunburst Sundance
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red Total Hits : 1 Total Weeks : 11 indicates a Number 1, a line in blue indicate a Top 10 hit. SUNFREAKZ Belgian male producer (Tim Janssens) MARK SUMMERS 28 Jul 07 Counting Down The Days (Sunfreakz featuring Andrea Britton) 37 3 British male producer and record label executive. Formerly half of JT Playaz, he also had a hit a Souvlaki and recorded under numerous other pseudonyms Total Hits : 1 Total Weeks : 3 26 Jan 91 Summers Magic 27 6 SUNKIDS FEATURING CHANCE 15 Feb 97 Inferno (Souvlaki) 24 3 13 Nov 99 Rescue Me 50 2 08 Aug 98 My Time (Souvlaki) 63 1 Total Hits : 1 Total Weeks : 2 Total Hits : 3 Total Weeks : 10 SUNNY SUNBLOCK 30 Mar 74 Doctor's Orders 7 10 21 Jan 06 I'll Be Ready 4 11 Total Hits : 1 Total Weeks : 10 20 May 06 The First Time (Sunblock featuring Robin Beck) 9 9 28 Apr 07 Baby Baby (Sunblock featuring Sandy) 16 6 SUNSCREEM Total Hits : 3 Total Weeks : 26 29 Feb 92 Pressure 60 2 18 Jul 92 Love U More 23 6 SUNBURST See Matt Darey 17 Oct 92 Perfect Motion 18 5 09 Jan 93 Broken English 13 5 SUNDANCE 27 Mar 93 Pressure US 19 5 08 Nov 97 Sundance 33 2 A remake of "Pressure" 10 Jan 98 Welcome To The Future (Shimmon & Woolfson) 69 1 02 Sep 95 When 47 2 03 Oct 98 Sundance '98 37 2 18 Nov 95 Exodus 40 2 27 Feb 99 The Living Dream 56 1 20 Jan 96 White Skies 25 3 05 Feb 00 Won't Let This Feeling Go 40 2 23 Mar 96 Secrets 36 2 Total Hits : 5 Total Weeks : 8 06 Sep 97 Catch Me (I'm Falling) 55 1 20 Oct 01 Pleaase Save Me (Sunscreem -
NMI R the INTERNATIONAL NEWSWEEKLY of MUSIC, VIDEO, and HOME ENTERTAINMENT JULY 10, 1999
$5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) 11.1..11...1..1,11.1...1..11..1..111 I Iln.11 908 #BXNCCVR 3-DIGIT BLBD 690 A06 B0059 #90807GEE374EM002# 001 032500 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 Elmo/ NMI r THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT JULY 10, 1999 Z 2 GEORGE Top Court Ruling As Used -CD Biz O Vid Biz In Transition Spurs Concerns Grows, Chains IAMOND Internet, DVD, Chains Among factors Reshaping Landscape Over Copyright BY SETH GOLDSTEIN of those rental fixtures in the U.S., Get In On Act Ills first SALSA production and EILEEN FITZPATRICK the neighborhood stores. "I hate to BY BILL HOLLAND NEW YORK -Independent video say it, but I believe" the small indies BY ED CHRISTMAN WASHINGTON, D.C. -The retailers used to control video retail- are an endangered species, says con- NEW YORK -With the used- containsENNANCED CE with June 23 U.S. Supreme Court rul- ing. No longer. sultant Richard Kelly CD business apparently on an video and interview ing that gives states immunity The growth of of Cambridge Associ- upswing at independent stores, from private lawsuits seeking chains like Blockbuster ates in Stamford, Conn. more U.S. chains are beginning His first single damages for patent and trade- and Hollywood Enter- Rentrak, the rev- to add the prod- mark violations tainment, the emer- enue-sharing specialist uct category to "QUE 111 VAS" NEWS does not yet gence of the Internet that regularly collects their stores. -
Music-Week-1998-08-0
ANALYSIS: An A&R:14 years after A&R: Having ruled 41>04 ee. extra £5m has been he produced his first the world, Essex duo pledged by MATTHEW record JERMAINE ALISHA'S ATTIC BANNISTER to boost DUPRI has finally return with their BBC radio's coverage made his debut album second album 414> BBC RADIO 6 Talent 8 Talent 8 FOR EVERYONE IN THE BUSINESS OF MUSIC 1 AUGUST 1994 ,457// musicweek Indie sector turns thecorner by Robert Ashton share was as high as 22.7%. bigger cake," he says. According estimate they can lose as much SHARE OF ALBUM SALES Parallel imports have helped halt The improvement, reported in to the BPI Handbook the sector as 25% of sales to imports on key the misery years for indie retailers theBPIStatistical Handbook BY TYPE OF RETAILER sold 20.1% of singles last year releases. with new industry figures showing 1998 published last week, comes compared with 26.0% in 1996. With small indies suffering the the sector's share of total UK at the expense of specialist and specialist general indies super multiplesmultiples markets* Manybelieve theindies' greatest number of shop closures album sales increased last year general multiples, which lost 0.8 '9237.7%39.6%22.7% n/a improved albums performance in - 98 compared with only 11 large for the first time in at least five and 9.6 percentage points '9649.3%36.5%14.2% n/a a year when their total number of independents - within the sector, years. respectively. Bard chairman outlets actually fell from 1,207 in '9748.5%26.9%14.9%9.6% Barnes also attributes a large The grey market, the popularity Richard Wootton hails it as a sig- 1996 to 1,085 came through par- measure of the overall upturn to of indie-friendly genres such as nificant success. -
L F Kennedy Thesis FINAL
THE UNIVERSITY OF HULL Functions of Genre in Metal and Hardcore Music being a Thesis submitted for the Degree of PhD in Music in the University of Hull by Lewis F. Kennedy (MMus, BA) September 2017 Table of Contents List of Figures ........................................................................................................ iv List of Tables .......................................................................................................... v Acknowledgements ............................................................................................... vi Abstract .............................................................................................................. viii Introduction ........................................................................................................... 1 Chapter Outline ...................................................................................................... 3 Chapter One – Metal, Hardcore, and Discourse ...................................................... 6 Forging Metal Studies ..................................................................................................... 7 Early Metal Studies (1990s) .............................................................................................. 8 Metal Studies Expands (21st Century) ............................................................................. 11 Hardcore and/or Punk Studies ....................................................................................... 16 Metal Studies, Hardcore -
Music-Week-1998-07-1
N EWS: First it was PROFILE: A part- A&R:If guitar bands the Peel sessions, time job startedPAUL are suddenly out of CO CO now THE CLASH are CURRANon the track fashion, just tell set to star as Capital of being one of the PLACEBOas they go CO CO for that second album CO opens up the vaults UK's top publishers N MC deal 5 10 years in 6 Talent 8 FOR EVERYONE IN THE BUSINESS OF MUSIC 11 JULY 1998 E350 music week East West's Grenfell takes on bigger role Goldsmith links with Tring Warner UK chairman Rob Dickins has named a general manager at East West, his first appointment since taking over daily control at the company in March. Ian Grenfell has been promoted to forge live power house from head of international to gen- eral manager, reporting directly by Robert Ashton company will now invite other UK Goldsmith Presents label could, to Dickins. Grenfellwillretain The UK concert business is facing live operators to join the umbrella potentially, issue a recording of an responsibilities for the interna- a radical shake-up following a deal structure. event promoted by another com- tional department. between Harvey Goldsmith "A lot of people in this business panywithinthegroupwith Meanwhile, East West's head Entertainment (HGE) and Tring arestrong individuals andwill advertising handled by athird of club promotions, Jean Branch, International intended to create a want to keep their identities, but division. is to extend her role to WEA, promotion powerhouse. they can do so here because they Simons believes the group will including its Eternal label. -
Rat-Zine.Pdf
^W) WT ^E !>^/</rfTi>/ Tbl^-W ~/65^ ro^~-^f-9f73 1 OA^A-^- |RIP AND TEAR (STAFF: IJohn Hiebert [Craig Marshall If you are interested in inquiring about add space please write the above adress , [^306 317 19 a.v.e. s.w. or call: A~a<9-/^M MWA €6^ |t2s Qel Rip and Tear would like to thank Yes, we finally got this rag out,, after the following for their contributions dealing with numerous set backs and personal and help: crisises, we £•. ';<in did it. Also it's hard Dave Westlake in a town tn which things to write about ais B.Y.O. few. Yet this town is picking up. There vss Carla Grief a great turn out for the Stretch Marks, and Stretch Marks locals Beyond Possession, HOO-RAY for the Ken Wall support, and the formation of a lethal Juvenile Truth skankers cirle through out the evening. Black. Black Flag Flag passed through town with a rcx:k n roll Dead Kennedys side show, on December 27th. The first bani Faction (Gavin 0) "defiance" were tons shabby yet the bands cot Ron Hadley better as the night wore on. Saint Vitus wre Bill Martinsen good (some songs atleast). Black Flag put on Kent Douglas a good shsw, and it was good to here some Subterranean Records older stuff like Police Story, Nervous Ron Scott Breakdown, and My War. They seemed to loose Futile Effort the crowd on the new ones, they sound good, Love Canal but don't have the spirit or punch like the; Mike Binder used to, oh well. -
Razorcake Issue #32 As A
us had just downed a six-pack while perusing an online inter- Gus and I were both at a loss. active global atlas. He panned across satellite pictures of the I’ve never pondered why I do this work for a fanzine. It doesn’t pay Amazon and zoomed into the small side streets of his home- a cent and it can be as intensely time-consuming and retardedly stressful G town, Titusville, Pennsylvania. The enormity of Earth flashed as any other deadline-driven job. with each pixel across the screen and everything in our lives just seemed But it still isn’t a ‘job.’ Regardless of the tireless hours, it is work so tiny. that I take great pride in—my heart glows like a thousand-watt bulb “We’re just a small cancer in this,” he concluded. from a swell of joyous satisfaction every time I crack open another issue Sometimes Gus becomes an existentialist asshole when he’s been to see my imprint inked permanently across the pages. Regardless of the drinking. As soon as he became bored with virtually flying across the lack of cash compensation, it is work that I do with friends—passionate globe, he turned his attention to me. I was hunched over a glowing mon- people for whom I care about deeply rather than folks that I’m forced to itor, going blind as I grappled with another technological obstacle. tolerate for 40-hours a week. “Why do you do this?” He demanded. His breath was heavy with the Gus was condescending when he asked if this was important work. -
Top 75 11 July 1998
THE OFFICIAL UK SINGLES CHART TOP 75 11 JULY 1998 Title Label CD/Cass (Distributor) , Tale Label CD/Cass (Distributor) g Artist (Producer) Publisher (Writer) 7712" E 5 Artist (Producer) Publisher (Writer) 7712"TITLES A -Z Mow Does It Feel To Be) On Top Of The World. Big Life BLRD 143/BLRC 143 (V) rom BECAUSE WE WANT TO Innocent SINCD 2/SINC 2 (E) rriWANNA GET UP 3 Lions '98.... Billie (Marr/Page) Chrysalis (Rambo/Richmond/PageMarr) 38m."112 Unlimited (Wilde/De Coster) MCA (Wilde/De Coster/Bauwens/Tracey) -/BLRT 143 1 39TinIT'S OVER (DISTORTION) Incredible Music INCRL 3CD/- ISM) Be ken And Drive (FarAway) 50 Pianoheadz (Morillo/Nunez) Mega Platinum/Seysey (Morillo/Nunez/Martin) -/INCRL 3 Because We Want To 1 Begin Again. 40 3 GHETTO SUPASTAR THAT IS WHAT YOU ARE Interscope IND 95593/INC 95593 (BMG) 2 BEGIN AGAIN G ut CDGUT 019/CAGUT 019 (V) 4 Body Bumpin' lYippie-YhYol 67 2 Pras MicheVODB/MYA(Various)EMINarious (Michel/Jean/Jones/Gibbabb/Gibb/Brown/Byrd(Lenhoff) -LINT 95593 40 2, Space (Wheatley/Space) Gut/Hit & Run IScott/Space) -/- Boy Is Mine, The . 9 Virgin VSCDT 168ONSC 1680 (E) 3 6 C'EST LA VIE * Glow Worm/Epic 6660532/6660534 (SM) 3 GO DEEP C'est La Vie.. 3 41 23 -NST 1680 3 B*witched (Hedges) Chrysalis/PolyGram/Sugarfree/Bucks/BMG (Vwitched/Hedges/Ackerman/Brannigan) -/- Janet Jackson (Jam/Lewis/Jackson) EMI (Jackson/Harris III/Lewis/Elizondo) Carnaval De Paris 17 4 3 LIONS '98 * Epic 6660982/6660984 (SM) 12 FEEL IT Pepper 0530032/0530034 (P) Carry On .65 1 4 Baddiel & Skinner & Lightning Seeds (Broudie) Chrysalis (Broudie/BaddieVSkinner)