Jaarverslag VAF/Filmfonds 2015

Total Page:16

File Type:pdf, Size:1020Kb

Jaarverslag VAF/Filmfonds 2015 VAF/FILMFONDS JAARVERSLAG 2015 Vlaams Audiovisueel Fonds vzw Uitgegeven door het Vlaams Audiovisueel Fonds vzw Huis van de Vlaamse Film Bischoffsheimlaan 38 BE – 1000 Brussel T 02 226 06 30 – F 02 219 19 36 [email protected] – www.vaf.be Met de steun van de Vlaams minister van Cultuur, Media, Jeugd en Brussel INHOUDSOPGAVE VOORWOORD VAN DE VOORZITTER .................................................................................................................... 1 VOORWOORD VAN DE DIRECTEUR-INTENDANT ................................................................................................. 3 1 DE OPDRACHT VAN HET VAF BINNEN HET VLAAMS AUDIOVISUEEL BELEID, 2015 .............................. 9 2 FINANCIEEL .................................................................................................................................................... 11 2.1 VAF vzw – operationele entiteiten ............................................................................................................ 11 2.2 VAF/Filmfonds .......................................................................................................................................... 12 3 TALENTONTWIKKELING ................................................................................................................................ 17 3.1 Inleiding .................................................................................................................................................... 17 3.2 De atelierwerking ...................................................................................................................................... 18 3.3 Beurzen .................................................................................................................................................... 23 3.4 Steun aan externe opleidingsinitiatieven .................................................................................................. 26 3.5 VAF-campussen, -seminaries en -workshops .......................................................................................... 27 3.6 Partnerschappen met (inter)nationale opleidingsinitiatieven .................................................................... 27 3.7 Conclusie & vooruitzichten ....................................................................................................................... 29 4 DUURZAAM FILMEN....................................................................................................................................... 31 4.1 e-Mission – een methodologie voor een groene audiovisuele sector in Vlaanderen .............................. 31 4.2 Pulse / Transitienetwerk Cultuur ............................................................................................................... 38 5 STEUN AAN CREATIE .................................................................................................................................... 39 5.1 Inleiding .................................................................................................................................................... 39 5.2 Coaching ................................................................................................................................................... 39 5.3 Financiële steun per categorie ................................................................................................................. 40 5.4 Tax Shelter ............................................................................................................................................... 58 5.5 Overzicht van alle aanvragen creatiesteun: in aantallen .......................................................................... 60 5.6 Overzicht van alle ingediende bezwaarschriften: in aantallen .................................................................. 62 5.7 Conclusie en vooruitzichten ...................................................................................................................... 62 6 FLANDERS IMAGE ......................................................................................................................................... 65 6.1 Promotie ................................................................................................................................................... 65 6.2 Distributiesteun ......................................................................................................................................... 67 6.3 Communicatie ........................................................................................................................................... 67 6.4 Partners .................................................................................................................................................... 68 6.5 Doelstellingen voor de toekomst .............................................................................................................. 69 7 PUBLIEKSWERKING ...................................................................................................................................... 71 7.1 Uitvoering van de goedkeuringen vastgelegd in het Kunstendecreet ...................................................... 71 7.2 Projecten en microprojecten publiekswerking 2015 ................................................................................. 72 7.3 Een nieuw beleid voor publiekswerking .................................................................................................... 73 7.4 Rapport Filmcultuur in cultuurcentra ......................................................................................................... 73 8 KENNISOPBOUW ........................................................................................................................................... 75 8.1 Dataverzameling ....................................................................................................................................... 75 8.2 Onderzoek ................................................................................................................................................ 75 9 SCREEN FLANDERS ...................................................................................................................................... 77 9.1 Communicatie ........................................................................................................................................... 77 9.2 Steun aan productie.................................................................................................................................. 78 9.3 Toegekende steun Screen Flanders in 2015............................................................................................ 80 10 INTERNATIONALE BETREKKINGEN EN EUROPESE ZAKEN ............................................................. 83 10.1 Samenwerking met andere fondsen ................................................................................................... 83 10.2 Europese zaken .................................................................................................................................. 85 11 OVERLEG MET DE SECTOR .................................................................................................................. 89 12 INTERNE ORGANISATIE ........................................................................................................................ 91 12.1 Algemene Vergadering........................................................................................................................ 91 12.2 Raad van Bestuur ................................................................................................................................ 91 12.3 De regeringscommissaris .................................................................................................................... 92 12.4 Het team (situatie in 2015) .................................................................................................................. 92 12.5 De commissieleden ............................................................................................................................. 92 13 BIJLAGEN ................................................................................................................................................ 93 VOORWOORD VAN DE VOORZITTER Voor het VAF/Filmfonds startte het jaar 2015 met zijn nieuwe ‘domeinen’-structuur. Naast de vertrouwde opdrachten: Vorming, Promotie & Communicatie en Creatie verzorgt het VAF/Filmfonds ook de nieuwe bevoegdheden: Versprei- ding Filmcultuur en Kennisopbouw. Verspreiding filmcultuur heet voortaan ‘Publiekswerking’. En de eerste publiekswerking-studiedag tijdens het Film- FestGent: : ‘CCinema - Filmcultuur in de CC-huizen’, behandelde een onderzoeksrapport met verrassende info en relevante perspectieven voor de versterking van het arthouse circuit. Om de Kennisopbouw te ondersteunen werd in 2015 geïnvesteerd in een volledig nieuw online aanvraagplatform met onderliggende database om van het VAF meer dan ooit het unieke loket voor het professionele filmberoep in Vlaanderen te maken. En voor de domein Economische maatregelen werkt het VAF/Filmfonds nauw samen met het Screen Flanders- team van het Vlaio (Vlaams Agentschap Innoveren en Ondernemen). Om al deze hervormingen, nieuwe uitdagingen en vele aanvragen binnen budget en op tijd tot een goed einde te brengen, bevestigt de raad van bestuur graag haar vertrouwen in het team
Recommended publications
  • Phoenix Films 1999-2019/20 Sorted by Film Title 10
    Phoenix Films 1999-2019/20 Sorted by Film Title Film Date Rating(%) 2046 1-Feb-2006 68 120BPM (Beats Per Minute) 24-Oct-2018 75 3 Coeurs 14-Jun-2017 64 35 Shots of Rum 13-Jan-2010 65 45 Years 20-Apr-2016 83 5 x 2 3-May-2006 65 A Bout de Souffle 23-May-2001 60 A Clockwork Orange 8-Nov-2000 81 A Fantastic Woman 3-Oct-2018 84 A Farewell to Arms 19-Nov-2014 70 A Highjacking 22-Jan-2014 92 A Late Quartet 15-Jan-2014 86 A Man Called Ove 8-Nov-2017 90 A Matter of Life and Death 7-Mar-2001 80 A One and A Two 23-Oct-2001 79 A Prairie Home Companion 19-Dec-2007 79 A Private War 15-May-2019 94 A Room and a Half 30-Mar-2011 75 A Royal Affair 3-Oct-2012 92 A Separation 21-Mar-2012 85 A Simple Life 8-May-2013 86 A Single Man 6-Oct-2010 79 A United Kingdom 22-Nov-2017 90 A Very Long Engagement 8-Jun-2005 80 A War 15-Feb-2017 91 A White Ribbon 21-Apr-2010 75 Abouna 3-Dec-2003 75 About Elly 26-Mar-2014 78 Accident 22-May-2002 72 After Love 14-Feb-2018 76 After the Storm 25-Oct-2017 77 After the Wedding 31-Oct-2007 86 Alice et Martin 10-May-2000 All About My Mother 11-Oct-2000 84 All the Wild Horses 22-May-2019 88 Almanya: Welcome To Germany 19-Oct-2016 88 Amal 14-Apr-2010 91 American Beauty 18-Oct-2000 83 American Honey 17-May-2017 67 American Splendor 9-Mar-2005 78 Amores Perros 7-Nov-2001 85 Amour 1-May-2013 85 Amy 8-Feb-2017 90 An Autumn Afternoon 2-Mar-2016 66 An Education 5-May-2010 86 Anna Karenina 17-Apr-2013 82 Another Year 2-Mar-2011 86 Apocalypse Now Redux 30-Jan-2002 77 Apollo 11 20-Nov-2019 95 Apostasy 6-Mar-2019 82 Aquarius 31-Jan-2018 73
    [Show full text]
  • Sight & Sound Annual Index 2017
    THE INTERNATIONAL FILM MAGAZINE Index to Volume 27 January to December 2017 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 6:52(r) Amour (2012) 5:17; 6:17 Armano Iannucci Shows, The 11:42 Ask the Dust 2:5 Bakewell, Sarah 9:32 Film review titles are also interview with Koreeda Amours de minuit, Les 9:14 Armisen, Fred 8:38 Asmara, Abigail 11:22 Balaban, Bob 5:54 included and are indicated by Hirokazu 7:8-9 Ampolsk, Alan G. 6:40 Armstrong, Jesse 11:41 Asquith, Anthony 2:9; 5:41, Balasz, Béla 8:40 (r) after the reference; age and cinema Amy 11:38 Army 2:24 46; 10:10, 18, 44 Balch, Antony 2:10 (b) after reference indicates Hotel Salvation 9:8-9, 66(r) An Seohyun 7:32 Army of Shadows, The Assange, Julian Balcon, Michael 2:10; 5:42 a book review Age of Innocence, The (1993) 2:18 Anchors Aweigh 1:25 key sequence showing Risk 8:50-1, 56(r) Balfour, Betty use of abstraction 2:34 Anderson, Adisa 6:42 Melville’s iconicism 9:32, 38 Assassin, The (1961) 3:58 survey of her career A Age of Shadows, The 4:72(r) Anderson, Gillian 3:15 Arnold, Andrea 1:42; 6:8; Assassin, The (2015) 1:44 and films 11:21 Abacus Small Enough to Jail 8:60(r) Agony of Love (1966) 11:19 Anderson, Joseph 11:46 7:51; 9:9; 11:11 Assassination (1964) 2:18 Balin, Mireille 4:52 Abandon Normal Devices Agosto (2014) 5:59 Anderson, Judith 3:35 Arnold, David 1:8 Assassination of the Duke Ball, Wes 3:19 Festival 2017, Castleton 9:7 Ahlberg, Marc 11:19 Anderson, Paul Thomas Aronofsky, Darren 4:57 of Guise, The 7:95 Ballad of Narayama, The Abdi, Barkhad 12:24 Ahmed, Riz 1:53 1:11; 2:30; 4:15 mother! 11:5, 14, 76(r) Assassination of Trotsky, The 1:39 (1958) 11:47 Abel, Tom 12:9 Ahwesh, Peggy 12:19 Anderson, Paul W.S.
    [Show full text]
  • Long Métrage
    05.2016 LONG MÉTRAGE FEATURE FILM CENTRE DU CINÉMA ET DE L’AUDIOVISUEL WALLONIE BRUXELLES IMAGES MINISTÈRE DE LA FÉDÉRATION WALLONIE-BRUXELLES Service général de l’Audiovisuel et des Médias Centre du Cinéma et de l’Audiovisuel Promotion en Belgique 44, boulevard Léopold II B-1080 Bruxelles T +32 (0)2 413 22 44 [email protected] www.centreducinema.be WALLONIE BRUXELLES IMAGES Promotion internationale 18, place Flagey B-1050 Bruxelles T +32 (0)2 223 23 04 [email protected] www.wbimages.be [email protected] ÉDITEUR RESPONSABLE Frédéric Delcor-Secrétaire Général 44, Boulevard Léopold II B-1080 Bruxelles Couv/cover : La fille inconnue de Jean-Pierre et Luc Dardenne Les Films du Fleuve © Christine Plenius 05.2016 LONG MÉTRAGE FEATURE FILM SOMMAIRE TABLE OF CONTENTS PRODUCTIONS TERMINÉES OU EN FINITION / COMPLETED OR IN POST PRODUCTION WORKS Avant-terme . Matthieu Donck, Xavier Seron, Antoine Russbach, . Emmanuel Marre, Banu Akseki . 6 Le Cœur régulier . Vanja d’Alcantara . 7 L’économie du couple . Joachim Lafosse . 8 En amont du Fleuve . Marion Hänsel . 9 Even lovers get the blues . Laurent Micheli . 10 Faut pas lui dire . Solange Circurel . 11 La fille inconnue . Luc et Jean-Pierre Dardenne . 12 Je suis resté dans les bois . Vincent Solheid, Erika Sainte et Michaël Bier . 13 Mon ange . Harry Cleven . 14 Noces . Stephan Streker . 15 Paris pieds nus . Dominique Abel et Fiona Gordon . 16 Les premiers Les derniers . Bouli Lanners . 17 Le Roi de la Vallée . Olivier Ringer et Yves Ringer . 18 Sonar . Jean-Philippe Martin . 19 Les survivants . Luc Jabon . 20 Un homme à la mer .
    [Show full text]
  • Alliancefrançaise Ofgreenwich
    AllianceFrançaise ofGreenwich Greenwich, CT Stamford, CT New York, NY Friday-Sunday Monday Tuesday April 27-29 April 30 May 1 #FFC2018 2018 Film Festival PRESENTING SPONSOR Where Performance Meets Peace of Mind Fiera Capital is a leading independent asset management fi rm that provides insti tuti onal, retail and private wealth clients with access to full-service, integrated portf olio-management soluti ons across a spectrum of traditi onal and alternati ve asset classes. fieracapital.com AllianceFrançaise ofGreenwich Proudly Presents the 14th Edition of Focus on French Cinema Welcome from Alliance Française of Greenwich Renée Ketcham, Chair President of the Alliance Francaise of Greenwich BIENVENUE... Welcome to Focus on French Cinema 2018, the annual festival of French- language film from around the world presented by the Alliance Française of Greenwich. Established in 2005, Focus on French Cinema is a wide- ranging festival embracing the best of cinema from France, Switzerland, Canada, Belgium, Lebanon and French- speaking African countries. Now in its 14th year, FFC2018 returns to Connecticut and Manhattan for 5 days of the best of French cinema from April 27 to May 1, 2018. The line- up represents César winning feature films as well as a selection of short films and our continued support of Québecois cinema coordinated by Guilhem Caillard, the Director Général of our partner festival, Cinemania. This year FFC is honoring some extraordinary women. Brilliant visionaries, these women are fearless new voices as directors, actors and producers...women who are driven by a sense of freedom and independence. The inclusion of multiple genres of cinema continues to be the hallmark of the year’s FFC selections.
    [Show full text]
  • Open Your Eyes to Belgian Cinema
    THE BEST OF BELGIAN CINEMA Co-productions, institutions, festivals, vital forces: OPEN YOUR EYES TO BELGIAN CINEMA BY BAS DEVOS, PANORAMA SECTION magazine_be_screen_berlin.indd 1 25/01/19 10:20 EDITO Belgium on the big screen #2 For many years, Belgian talent has been festival and share their passion in a professional well represented in the main European fi lm context that is particularly enriching. festivals and this fi ne tradition will be upheld By The Name of Tania (Mary Jiménez, co-director) © DR By The Name of Tania (Bénédicte Liénard, co-director) once again at the 69 th edition of the Berlinale, Although far from exhaustive yet as one of the most important fi lm representative as possible, events in the world. BE.SCREEN gives you an overview of what Belgium’s Competition, Panorama, three regions and various Generation 14plus, Short Films linguistic communities have Generation Kplus... : the Belgian to off er in terms of fi lmmaking (co-)productions are present in talent and the diversity which most of the various sections of contributes largely to the the Festival! cultural and cinematographic wealth of this country, small in But aside from the various Olivier Clinckart size but large in dynamism. Belgian actors and fi lmmakers Editor-in-chief that are in the spotlight again Sacha Guitry, one of the most this year, all professions of the 7 th Art are also distinguished French artists of his time, represented in Berlin to promote the knowhow said: « The Belgians are very clever: they’ve of this neighbouring country of Germany, taken their appetite from the Germans, their small in size but large in expertise.
    [Show full text]
  • Long Métrage 02/2017
    LONG MÉTRAGE FEATURE FILM 02/2017 CENTRE DU CINÉMA ET DE L’AUDIOVISUEL WALLONIE BRUXELLES IMAGES MINISTÈRE DE LA FÉDÉRATION WALLONIE-BRUXELLES SERVICE GÉNÉRAL DE L’AUDIOVISUEL ET DES MÉDIAS CENTRE DU CINÉMA ET DE L’AUDIOVISUEL PROMOTION EN BELGIQUE Boulevard Léopold II 44 - B-1080 Bruxelles T +32 (0)2 413 22 44 [email protected] www.centreducinema.be WALLONIE BRUXELLES IMAGES PROMOTION INTERNATIONALE Place Flagey 18 - B-1050 Bruxelles T +32 (0)2 223 23 04 [email protected] - www.wbimages.be Eric Franssen - Directeur [email protected] ÉDITEUR RESPONSABLE Frédéric Delcor - Secrétaire Général Boulevard Léopold II 44 - B-1080 Bruxelles COUVERTURE / COVER Il était une fois en Allemagne de/by Sam Garbarski Production: Entre Chien et Loup © Entre Chien et Loup LONG MÉTRAGE FEATURE FILM 02/2017 CENTRE DU CINÉMA ET DE L’AUDIOVISUEL WALLONIE BRUXELLES IMAGES SOMMAIRE CONTENTS AU-DESSUS DES LOIS . JEAN-FRANÇOIS HENSGENS & FRANÇOIS TROUKENS . 6 BITTER FLOWERS . OLIVIER MEYS . 7 CARNIVORES (LES) . JÉRÉMIE . & YANNICK RENIER . 8 . CHEZ NOUS . LUCAS . BELVAUX . 9 DODE HOEK . NABIL. BEN YADIR . 10 DRÔLE DE PÈRE . AMÉLIE VAN ELMBT . 11 EVEN LOVERS GET THE BLUES . LAURENT MICHELI . 12 FAUT PAS LUI DIRE . SOLANGE . CICUREL . 13 HAMSTERS . MARTINE . DOYEN . .14 . IL ÉTAIT UNE FOIS EN ALLEMAGNE . SAM. GARBARSKI . .15 . INSYRIATED . PHILIPPE VAN LEEUW . 16 JE SUIS RESTÉ DANS LES BOIS . VINCENT SOLHEID, ERIKA SAINTE & MICHAËL BIER . .17 LAISSEZ BRONZER LES CADAVRES . BRUNO . FORZANI & HÉLÈNE CATTET . 18. MÉPRISES . BERNARD . DECLERCQ . 19. MON ANGE . HARRY . CLEVEN . 20 NOCES . STEPHAN . STREKER . 21 . PARIS PIEDS NUS . DOMINIQUE ABEL & FIONA GORDON . 22 PART SAUVAGE (LA) .
    [Show full text]
  • Brochure-28P-177,8X215,95 V3 Happy End Corrigé.Indd
    FRENCH SEPTEMBER FILMS 07 - 17, 2017 IN TORONTO IN A CHANGING WORLD, YOU WILL ALWAYS BE INSPIRED BY CINEMA BNP PARIBAS SPONSOR OF CINEMA BNP Paribas supports cinematographic production, through film fund, festival sponsoring and digital platform dedicated to Cinema. EXE_FRENCHNIGHT_215,9x177,8_V2.indd 1 01/08/2017 14:20 IN A CHANGING WORLD, “The presence of French YOU WILL ALWAYS cinema in the film market continues to become more diverse, thanks in part to its collaboration in international BE INSPIRED BY CINEMA co-productions. Undoubtedly, it remains a major player on © Sébastien Vincent / UniFrance © Sébastien Vincent the international scene.” Piers Handling TIFF Director & CEO EMERGING TALENTS UNDER THE SPOTLIGHT With a line-up of 40 French films (28 feature films and TIFF provides a fabulous showcase for emerging 12 shorts), Toronto is this year giving pride of place talent in French cinema while remaining true to its to premieres and to discovering young filmmakers. values of openness and diversity. At a time when From Deniz Gamze Ergüven, whose second film the festival is launching a fundraising campaign for is presented in the Gala section, to Teddy Lussi- women directors (“Share Her Journey”), the presence Modeste, Xavier Legrand, Mélanie Laurent and of many French women filmmakers in the selection Joan Chemla, whose first feature is screening in highlights a particularity of our industry, a pioneer competition, along with Coralie Fargeat, who is on the international movie scene which is still largely making her first foray into the horror genre Revenge( ), masculine. WOMEN TAKE CENTER STAGE Women’s struggle for creative freedom has put its mention Master Agnès Varda’s latest opus Faces stamp on the selection this year, whether in France, Places.
    [Show full text]
  • Admissions 2014-2017
    Admission database (declared on the Automatic scheme) Admissions 2014-2017 Country of Original film title Year of Admission Distributor distribution [REC] 3 GENESIS 2014 WILD SIDE FILMS SAS FR [REC] 3 GENESIS 2014 KINO SWIAT SP ZOO PL [REC] 3 GENESIS 2015 WILD SIDE FILMS SAS FR [REC] 4 APOCALYPSE 2014 CINEART BE [REC] 4 APOCALYPSE 2014 WILD SIDE FILMS SAS FR [REC] 4 APOCALYPSE 2014 CINEART LU [REC] 4 APOCALYPSE 2014 KINO SWIAT SP ZOO PL [REC] 4 APOCALYPSE 2015 WILD SIDE FILMS SAS FR ¡ VIVAN LAS ANTIPODAS! 2014 THIMFILM GMBH AT ¡ VIVAN LAS ANTIPODAS! 2014 FARBFILM VERLEIH GMBH DE 10 MILLIARDEN 2015 THIMFILM GMBH AT 10 MILLIARDEN 2016 THIMFILM GMBH AT 10 PRAVIDEL 2014 CONTINENTAL FILM SRO SK 10.000 KM 2014 HAGI FILM SP ZOO PL 10.000 KM 2015 CIRKO FILM KFT HU 10.000 KM 2015 CUTTINGEDGE ENTERTAINMENT AB SE 100 METROS 2017 SEVEN GROUP PSYHAGOGIKI AE EL 100 METROS 2017 BIG PICTURE 2 FILMS SA PT 100% CACHEMIRE 2014 ALTERNATIVE FILMS BE 100% CACHEMIRE 2014 VERTIGO FILMS SL ES 100% CACHEMIRE 2014 NOS LUSOMUNDO AUDIOVISUAIS SA PT PANDORA FILM GMBH & CO. VERLEIH 1001 GRAMS 2014 DE KG FILMCASINO & POLYFILM BETRIEBS 1001 GRAMS 2015 AT GMBH Admission database (declared on the Automatic scheme) Admissions 2014-2017 Country of Original film title Year of Admission Distributor distribution 1001 GRAMS 2015 FILM EUROPE SRO CZ PANDORA FILM GMBH & CO. VERLEIH 1001 GRAMS 2015 DE KG 1001 GRAMS 2015 41SHADOWS APS DK 1001 GRAMS 2015 ESTINFILM OU EE 1001 GRAMS 2015 ANGELIDOU SOFIA EL 1001 GRAMS 2015 LES FILMS DU LOSANGE FR VERTIGO MEDIA KORLATOLT 1001 GRAMS 2015
    [Show full text]
  • 29, 2017 Filmadelphia.Org 2
    October 19 - 29, 2017 Filmadelphia.org 2 AKA proudly sponsors the 26th Annual Philadelphia Film Festival, October 19–29, 2017, along with the Lumiere Celebration at AKA Washington Square. HOTEL RESIDENCES STayaka.COm fILmaDELpHIa.ORG 3 DIRECTOR’S NOTE 3 It’s been a whirlwind year. Kicking off our 25th anniversary last October with quite possibly our most memorable Festival ever and continuing through last month with screenings at the Prince and Roxy, celebrating PFF25 has been a year to remember. From the Opening Night magic of La La Land (with Damien Chazelle in attendance) to the brilliance of Moonlight to the presentation of our inaugural Lumière award to M. Night Shyamalan, last year’s Festival set the tone of our exciting anniversary year. We’ve worked hard over this year to bring both the Prince and Roxy into the celebration. The Roxy played home to our 25 for 25 screening series, featuring some of our favorite films from the past 25 years of Philadelphia Film Festivals, as well as delivering new films from Festival alumni on a week-in, week-out basis. Likewise, the Prince hosted our annual Oscar party celebrating the great success of many films that had their Philadelphia premieres with last October’s Festival, as well as a selection of curated films and events throughout the year. Even more significantly, this past summer we installed brand new, top of the line audio-visual equipment in the Black Box at the Prince, allowing us to program much more film content in the venue. We very much look forward to unveiling extensive film programming following this year’s Festival.
    [Show full text]
  • Catalogue of French VOD/SVOD Platform Filmotv
    20 22 WHEN 01 EAST 19 MEETS WEST organized by 2019 partners with the support of 20 22 0119 under the patronage of in partnership with LST partners in collaboration with WHEN EAST MEETS WEST Polish Film Institute In collaboration with JANUARY 20/22, 2019 Screen Brussels Dox Consulting Screen Flanders Confartigianato Udine organized by Slovak Film Commission Estonian Film Institute Fondo Audiovisivo Friuli Venezia Giulia Slovak Film Institute EWA European Women’s Audiovisual Trieste Film Festival/Alpe Adria Cinema Ukrainian State Film Agency Network Wallimages Festival Scope with the support of Creative Europe Desk Belgium Flow Postproduction (Wallonie-Bruxelles) Creative Europe - MEDIA Programme Heretic Asterisk Creative Europe Desk Czech Republic MiBAC - Direzione Generale per il Hot Docs Creative Europe Desk Flanders Cinema Italian Film Commissions Creative Europe Desk Italy CEI (Central European Initiative) Laser Film Creative Europe Desk Luxembourg Film Center Serbia Lithuanian Film Centre Creative Europe Desk Netherland Regione Autonoma del Friuli Venezia MIA Creative Europe Desk Poland Giulia National Film Centre of Latvia Creative Europe Desk Serbia OLFFI under the patronage of Producers Network - Marché du Film LST partners Eurimages BDC Discoveries by Balkan database Documentary Center in partnership with Eventival Baltic Sea Docs EAVE Docu Rough Cut Boutique at Sarajevo with the technical support of database with the technical support of Maia workshops Film Festival Starhotels Savoia Excelsior Palace MIDPOINT Ex Oriente Film –
    [Show full text]
  • 1 I DETTE NUMMER: Omtale Af SAMTLIGE Film I Det Næste Halve År
    Nr. 138 - Pr. 1. marts 2017 – 31 sider – Udarbejdet af Brancheforeningen Danske Biografer I DETTE NUMMER: Omtale af SAMTLIGE film i det næste halve år samt HIGHLIGHTS 2017-2021 Fuldstændig premiereliste på side 23 1 2017: Omtaler af samtlige de næste halve år: LOGAN (2:14) (SF Studios/Fox) DK-premiere: 2/3-2017. (Action/sci-fi) 15 år Hjemmeside: http://www.imdb.com/title/tt3315342/ Med Hugh Jackman, Elizabeth Rodriguez og Patrick Stewart. Instr.: James Mangold. (“Heavy” (1.477), “Copland” (38.702), “Girl, Interrupted” (13.374), “Kate & Leopold” (19.815), “Identity” (18.638), “Walk the Line” (119.256), “3:10 til Yuma” (20.724), “Knight and Day” (115.976) og “The Wolverine” (89.792)). Wolverine er tilbage i et sidste action-eventyr. De to foregående film i denne franchise blev set af hhv. 120.280 og 89.792 tilskuere i DK. Budget: $127 mio. Rotten tomatoes: 96% T2: TRAINSPOTTING (1:50) (UIP/Sony) DK-premiere: 2/3-2017. (Drama) 15 år Hjemmeside: http://www.imdb.com/title/tt2763304/ Med Ewan McGregor, Robert Carlyle og Jonny Lee Miller. Instr.: Danny Boyle. (”Mord mellem venner” (40.445), ”Trainspotting” (73.764), ”Et ikke helt almindeligt liv” (16.258), ”The Beach” (98.708), ”28 dage senere” (27.240), ”Sunshine” (26.852), ”Slumdog Millionaire” (212.336), ”127 Hours” (16.981) og ”Steve Jobs” (6.679)). Vi vender tilbage til Edinburghs værste rødder 20 år senere. Skuespillerne fra den orignale film er tilbage. ”Trainspotting” fra 1996 blev set af 73.764 tilskuere. Rotten tomatoes: 78% MESTEREN (1:34) (SF Studios/SF) DK-premiere: 2/3-2017.
    [Show full text]
  • CREATIVE EUROPE MEDIA BELGIUM: Selection Results 2018 Girl © Kris De Witte 1
    CREATIVE EUROPE MEDIA BELGIUM: Selection Results 2018 Girl © Kris de Witte 1 Creative Europe Creative Europe is the 7-year European Commission’s subsidy programme (2014- 2020) for the promotion of international co-operation in the cultural, creative and audiovisual sectors with a total budget of 1.46 billion euros. Creative Europe consists of three sub-programmes: 1. a MEDIA sub-programme in support of the audiovisual sector 2. a Culture sub-programme in support of the cultural and creative sectors 3. a cross-sectoral component, including resources for policy co-operation, cross- sectoral activities and the Financial Guarantee Facility. In 2018 more than 112 million euros was spent on the MEDIA sub-programme. BREAKDOWN OF THE SUBSIDIES TO THE EUROPEAN AUDIOVISUAL SECTOR 12,75% 14,65% DEVELOPMENT 6,65% CO-PRODUCTION 19,35% PROMOTION DISTRIBUTION 46,70% TRAINING 10.3 million euros MEDIA support for Belgium In 2018, almost 7.8 million euros were directly invested in the Belgian audiovisual sector by the Creative Europe MEDIA programme. Moreover, an extra indirect support of 2,541,138 euros was assigned to the 32 Belgian members of Europa Cinemas (312,262 euros) and for the non-national distribution of Belgian films (2,228,876 euros). In total, the Belgian audiovisual sector was MEDIA supported by 10,332,269 euros in 2018 (up by 50.50% in 2017). 2018 proves to be the best year ever for Belgium, in 3rd place after France and Germany. 2 s ) ) € € application Ssupported Ssupported projects BE selection rate (BE) rate selection support ( BE Sector
    [Show full text]