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The Iowa Homemaker Vol.6, No.1 Volume 6 Article 1 Number 1 The Iowa Homemaker vol.6, no.1 1926 The oI wa Homemaker vol.6, no.1 Gladys Branson Iowa State College Idamae Miles Iowa State College Cleo Fitzsimmons Iowa State College Berenice Millerke Iowa State College Follow this and additional works at: http://lib.dr.iastate.edu/homemaker Part of the Home Economics Commons Recommended Citation Branson, Gladys; Miles, Idamae; Fitzsimmons, Cleo; and Millerke, Berenice (1926) "The oI wa Homemaker vol.6, no.1," The Iowa Homemaker: Vol. 6 : No. 1 , Article 1. Available at: http://lib.dr.iastate.edu/homemaker/vol6/iss1/1 This Article is brought to you for free and open access by the Student Publications at Iowa State University Digital Repository. It has been accepted for inclusion in The oI wa Homemaker by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. ~---------------------------------------------- · -----1 i I I I I I I I I I I I TABLE CONTENTS !I ~ !I I I I I I I I ~·~ I - ~ I I I 1 Personality in Children's Clothing ------------------------------------------------------------------ 1 1 I I I I I I 1 We Borrow From Our Predecessors -------------------------------------------------------------- 2 1 1 By Gladys Branson 1 I I 1 Care Gives Wear ------------------------------------------------------------------------------------------------ 3 I I By Helen Dahl I I I 1 Individuality in Dress ---------------------------------------------------------------------------------------- 4 1 I l j I To Gather or Scatter Dust ---- -- ------------------------------------------------------------------------ 4 I I I By Idamae Miles I I I I Girls' 4-H Club Page ------------------------------------------------------------------------------------------ 5 I I I I With the Iowa State Home Economics Association ----------------------- --------------- 6 1 I I I I I Editorial -------------------------------------------------------------------------------------------------------------- 7 I I I I I I1 Who's There and Where ------------------------------------------------------------------------------------ 8 I1 1 By Cleo Fitzsimmons 1 I I 1 The Art of Batik ------------------------------------------------------------------------------------------------ 9 1 I By Berenice Millerke I I I I The Eternal Question ------------------------------------------------ --- ------------- --- ---------------------10 1 I I I I I I I I I I I I i ------------------------ ! THE lOW A HOMEMAI(ER "A Magazine tor Homemakers from a Homemakers' School" MAY, 1926 NUMBER 1 Personality tn Children's. Clothing F you were a three-year-old and re­ EO good. Usually the children themselves Jane is so opposed to colored fabrics, she ceived such an invitation in an en­ would say which co'ors they liked best. will have to introduce color by the ju­ velope of marbelized paper all tied Their reactions to the· colors and tex­ dicious use of stitchery. in bright yarn and wooden beads. tiles were vario>us and interesting to Another child, Rose Marie was just as you be ready to go with your watch. Little two-year-old Mary Jane emPhatic as Mary Jane as to what colon to the children';; color and tex­ cried every time even the palest color and textures she should wear. She told reading given by the girls in the was brought near her. Her color read- the girls to begin witJh, just what colors of Children's she would wear, and experiment proved elephants that she was right. charming gir­ Rose Marie is the s gamboling type of child one a piece of tex- hardly ever sees to_ . the day-cute little pig­ of the small tails t i e d behind and kept their each ear, big brown wandering from eyes and the quest­ reflections in ioning I o o k of a long mirrors. dreamer. vVe can yet as a whole imagine her as a del­ remarkable to icate child of colon_ interest the ial days with ruffietl took in the pantalettes or as a and textiles Roumanian peasant them. child in a lavishly laboratory had embroidered smock. especially ar­ The very name Rose to suit the Marie is fascinating, Low stools is it n o t ? Rose in front Marie loves blue, length mirrors green and soft wood on either shades . She is an by screens cov­ elf - like personage with interesting too, you see. She One of the has a delicate color fascinating of sense and will al­ textiles was ways know the right that used pic­ thing to wear. drawn by a On chubby fair­ boy. This was haired Virginia we red school put soft pastel colors smoke that enhance h e r from a blondness delightfuL n e y slightly ly and when we tri­ there was the ed the same color on steaming red-haired s a u c v Carolyn the mothers an imaginary began to realize how and grotesque important co 1 or s cats follow- really are to the be­ little fat comingness of their with straight children's clothing. and spind­ Each c h i 1 d who They we-re came for a color tex_ kind of ture reading took that you your­ home another envel­ when you ope tied with bright in the first yarn and gaily dang­ ling wooden beads. the mothers in which there was the children sat three packets of ma­ chairs a little terial. One w a s from the marked "excellent," on which the child sat, girls in the ing as far as she was concerned was one "good" and one "fair." They were tried on color after color and fab­ limited to one color-white. The mother chosen with close regard for becoming­ a!ter fabric, asking the opinion of of Mary Jane is up against quite a prob­ ness both in color and texture. Some mother from time to time and point­ lem. She naturally wants to dress her brought out the eyes, others the hair, out why a certain color was good in colors now that she is getting old but all were becoming. Betty and why a certain color wasn't enough to wear them but since Mary (Continued on page 16) 2 THE IOWA HOMEMAKER We Borrow From Our Predecessors By GLADYS BRANSON 0 you like my new blouse· Rosa?" broidery. Peasant embroidery in itself " D "Indeed I do, it is so individ­ is one of the· lovely tyPes of trimming ual looking. That painted band used now. It is very charming and ef­ aro'Und the bottom resembles an ancient fective yet before civilization people us­ Roman design yet it has that unmistak­ ed almost the same kind of trimming in able touch of modern chicness which the grotesque symbols and figures W'l makes it very attractive." still like·. "You've guessed it already. Perhaps The woman of today probably never you remember my college chum who is suspects the origin of the tiny folding now a designer in the East? She de­ comb she carries in her hand bag or coat signed and ib.ad this made from a picture pocket. Exact reproductions of these are of an old costume and I'm going to wear .shown from the true barbarian days in it with my new spring suit." Denmark; more crude in workmanship of "She says that the newest styles are course· since they were cut from bone but adapted from the oldest ones and keeps in size and style th.e variations are negli­ her desk just piled with Pictures of an­ gible. cient Roman, Egyptian, European and 'l'he Grecian people made a lasting con­ American costumes. Our costumes now tribution to the modern wardrobe in the are in general construction q•uite the form of the low sandal and one strap sam6' as they have been since the time shoe. The spikH heels and unique colors of the pyramids; the accessories and are true modern adaptations but the com­ modifications of a few or several parts fortable low shoe so popular with the make up our mode in "latest vogue." Greeks seems to retain its popularity The chic boyish suits, new flare ·skirts, even now with little comPetition. As flaming colored scarfs floating in the early as the tenth century sturdy, leather spring breezes, capes and decorative shoes with heavy soles even a few which smocking are being displayed as new or in pictures resemble our spiked soles for the very latest in spring modes but how special sport wear are clearly the fore­ new really are these? One can sca.·cely runners of the· present sport oxford. The beliHve our grandmother's garments at all resemblance was even more heightened similar to these. Yet, get out the family by the combination then of the two kinds album and find a resemblance to some of colored leather similar to the prHsent modern feature. snake skin or alligator shoes. The scarf, an added necessity to every American or girl's wardrobe was a luxury Hand painting and applique make love­ to our grandmother in the earlier part of ly forms of decoration on the modern the· nineteenth century. In every ward­ dress b•ut again we must give the honor obe this spring is at least one frock of originating the idea to the ancient trimmed with smocking. This has been Grecian people. They were especially an effective·, 'Useful decoration to the fond of clever geometric figures, figures American for many years with bursts of and animal designs. popularity from time to time but who The straight line· boyish suits for this would guess that it is a modification of spring are so attractive and convenieut early peasant methods of fitting and em- that one thinks they ar.e surely a true modern creation, however fashion plates from the time of Napoleon reveal the actly the same kind of hats were yet we call our styles modern. same tendencies in women's suits. And Look at the dresses you see in capes! Man's first kind of outer garment shops and on the street.
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