(Repeal of the Copyright Act 1911) (Jersey) Order 2012

Total Page：16

File Type：pdf, Size：1020Kb

(Repeal of the Copyright Act 1911) (Jersey) Order 2012

Status: This is the original version (as it was originally made). UK Statutory Instruments are not carried in their revised form on this site. STATUTORY INSTRUMENTS 2012 No. 1753 COPYRIGHT The Copyright (Repeal of the Copyright Act 1911) (Jersey) Order 2012 Made - - - - 10th July 2012 Coming into force in accordance with article 1 It appears to Her Majesty that provision with respect to copyright has been made in the law of the Bailiwick of Jersey otherwise than by extending the provisions of Part 1 of the Copyright Designs and Patents Act 1988(1) to the Bailiwick of Jersey. Accordingly, Her Majesty, by and with the advice of Her Privy Council, in exercise of the powers conferred on Her by section 170 of, and paragraph 36(3) of Schedule 1 to, the Copyright, Designs and Patents Act 1988 makes the following Order: Citation and Commencement 1. This Order may be cited as the Copyright (Repeal of the Copyright Act 1911) (Jersey) Order 2012 and comes into force on the day on which Part 1 of the Intellectual Property (Unregistered Rights) (Jersey) Law 2011(2) comes into force in its entirety. Repeal of the Copyright Act 1911 as it extends to Jersey 2. To the extent that it has effect in the Bailiwick of Jersey, the Copyright Act 1911(3) is repealed. Richard Tilbrook Clerk of the Privy Council (1) 1988 c.48. Amendments have been made to the 1988 Act but none are material for the purposes of this Order. (2) L.29/2011. (3) 1911 c.46. The 1911 Act was maintained in force in relation to Jersey by paragraph 41 of Schedule 7 to the Copyright Act 1956 (c.74) and when the 1956 Act was repealed, by paragraph 36(1) of Schedule 1 to the Copyright, Designs and Patents Act 1988. Document Generated: 2013-09-11 Status: This is the original version (as it was originally made). UK Statutory Instruments are not carried in their revised form on this site. EXPLANATORY NOTE (This note is not part of the Order) The Intellectual Property (Unregistered Rights) (Jersey) Law 2011 received Royal Assent on 16th November 2011 and will be brought into force in accordance with provision made under it. The provisions of Part 1 of the 2011 Law will replace those contained in the Copyright Act 1911. The provisions of the 1911 Act are maintained in force in Jersey by virtue of paragraph 36 of Schedule 1 to the Copyright, Designs and Patents Act 1988 notwithstanding the repeal of the 1911 Act in the United Kingdom. This Order repeals the Copyright Act 1911 as it applies to Jersey on the day on which Part 1 of the Intellectual Property (Unregistered Rights) (Jersey) Law 2011 is brought into force in its entirety. No impact assessment has been prepared in relation to this instrument. 2.

Copy Link

Recommended publications

Comparative Landowner Property Defenses Against Eminent Domain
University of Windsor Scholarship at UWindsor Electronic Theses and Dissertations Theses, Dissertations, and Major Papers 6-18-2021 Comparative Landowner Property Defenses Against Eminent Domain Thomas A. Oriet University of Windsor Follow this and additional works at: https://scholar.uwindsor.ca/etd Recommended Citation Oriet, Thomas A., "Comparative Landowner Property Defenses Against Eminent Domain" (2021). Electronic Theses and Dissertations. 8611. https://scholar.uwindsor.ca/etd/8611 This online database contains the full-text of PhD dissertations and Masters’ theses of University of Windsor students from 1954 forward. These documents are made available for personal study and research purposes only, in accordance with the Canadian Copyright Act and the Creative Commons license—CC BY-NC-ND (Attribution, Non-Commercial, No Derivative Works). Under this license, works must always be attributed to the copyright holder (original author), cannot be used for any commercial purposes, and may not be altered. Any other use would require the permission of the copyright holder. Students may inquire about withdrawing their dissertation and/or thesis from this database. For additional inquiries, please contact the repository administrator via email ([email protected]) or by telephone at 519-253-3000ext. 3208. COMPARATIVE LANDOWNER PROPERTY DEFENSES AGAINST EMINENT DOMAIN by Thomas A. Oriet A Thesis Submitted to the Faculty of Graduate Studies through the Faculty of Law in Partial Fulfillment of the Requirements for the Degree of Master of Laws at the University of Windsor Windsor, Ontario, Canada © 2021 Thomas Oriet COMPARATIVE LANDOWNER PROPERTY DEFENSES AGAINST EMINENT DOMAIN by Thomas A. Oriet APPROVED BY: ______________________________________________ C. Trudeau Department of Economics ______________________________________________ B.
[Show full text]
Malawi Independence Act 1964 CHAPTER 46
Malawi Independence Act 1964 CHAPTER 46 ARRANGEMENT OF SECTIONS Section 1. Fully responsible status of Malawi. 2. Consequential modifications of British Nationality Acts. 3. Retention of citizenship of United Kingdom and Colonies by certain citizens of Malawi. 4. Consequential modification of other enactments. 5. Judicial Committee of Privy Council. 6. Divorce jurisdiction. 7. Interpretation. 8. Short title. SCHEDULES : Schedule 1-Legislative Powers in Malawi. Schedule 2-Amendments not affecting the Law of Malawi. Malawi Independence Act 1964 CH. 46 1 ELIZABETH II 1964 CHAPTER 46 An Act to make provision for and in connection with the attainment by Nyasaland of fully responsible status within the Commonwealth. [ 10th June 1964] BE IT ENACTED by the Queen's most Excellent Majesty, by and with the advice and consent of the Lords Spiritual and Temporal, and Commons, in this present Parliament assembled, and by the authority of the same, as follows:- 1.-(1) On and after 6th July 1964 (in this Act referred to as Fully " the appointed day ") the territories which immediately before responsible protectorate status of the appointed day are comprised in the Nyasaland Malawi. shall together form part of Her Majesty's dominions under the name of Malawi ; and on and after that day Her Majesty's Government in the United Kingdom shall have no responsibility for the government of those territories. (2) No Act of the Parliament of the United Kingdom passed on or after the appointed day shall extend or be deemed to extend to Malawi as part of its law ; and on and after that day the provisions of Schedule 1 to this Act shall have effect with respect to legislative powers in Malawi.
[Show full text]
(Jersey) Law 2011 (Appointed Day) Act 201
STATES OF JERSEY r DRAFT INTELLECTUAL PROPERTY (UNREGISTERED RIGHTS) (JERSEY) LAW 2011 (APPOINTED DAY) ACT 201- Lodged au Greffe on 30th October 2012 by the Minister for Economic Development STATES GREFFE 2012 Price code: B P.111 DRAFT INTELLECTUAL PROPERTY (UNREGISTERED RIGHTS) (JERSEY) LAW 2011 (APPOINTED DAY) ACT 201- REPORT Overview The Intellectual Property (Unregistered Rights) (Jersey) Law 2011 was adopted by the States on 1st December 2010, sanctioned by Order of Her Majesty in Council on 16th November 2011 and registered in the Royal Court on 9th December 2011. Article 411(2) of the Law provides for it to come into force on such day or days as the States may appoint. The Draft Intellectual Property (Unregistered Rights) (Jersey) Law 2011 (Appointed Day) Act 201- will bring the whole of the Intellectual Property (Unregistered Rights) (Jersey) Law 2011 into force 7 days after the Act is adopted by the States. Background The Intellectual Property (Unregistered Rights) (Jersey) Law 2011 completely replaces and modernises current copyright law in the Island. The current law is provided by an extension to the Island of the UK Copyright Act 1911, an Act which has not provided copyright law in the UK since 1956. The Law also makes provision about other unregistered intellectual property rights. The provisions in the Law comply with major international conventions and treaties about unregistered intellectual property rights, and so the Law paves the way for Jersey to have the UK’s membership of these extended to the Island. Convention membership delivers automatic protection for the relevant creative content in all convention countries.
[Show full text]
The Engraving Copyright Acts in the Age of Enlightenment in England
International Journal of Arts Humanities and Social Sciences Studies Volume 5 Issue 12 ǁ December 2020 ISSN: 2582-1601 www.ijahss.com The Engraving Copyright Acts in the Age of Enlightenment in England Dominika Cora Department of History, Jagiellonian University Abstract : The beginnings of the copyright law date back to the Stationer's Company established in 1403. This group, initially referred to as the Guild of Stationers, was to be a guild of authors of texts, illuminators, bookbinders, and booksellers. The scope of its activities included writing, illumination, and book distribution, and later printing. The restriction of freedom and the control of published publications led to certain social divisions, to which the Statute of Queen Anne of 1710, was a reaction. The article analyses the regulations concerning the authors' copyright, which were first regulated in The Engraving Copyright Acts, of 1735, 1767, and 1777. The content of the analysis of all legal acts described was selected from the original acts, which were obtained during the search in the archives of the British Parliament. Their transcriptions are found in the Appendixes. Keywords : copyright, copyright law, England, engraving, law, mezzotint I. INTRODUCTION Great Britain is currently a hereditary monarchy with a parliamentary cabinet system. The formation of one’s own state system, based on the head of state, which was and is this monarchy, took several centuries. To describe the phenomenon related to publishing and publishing figures in eighteenth-century England, it is worth tracing the outline of the formation of this system. It influences the formation of one of the most important elements related to publishing and copyright.
[Show full text]
Laying the Foundation for Copyright Policy and Practice in Canadian Universities
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 11-29-2016 12:00 AM Laying the Foundation for Copyright Policy and Practice in Canadian Universities Lisa Di Valentino The University of Western Ontario Supervisor Samuel E. Trosow The University of Western Ontario Graduate Program in Library & Information Science A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Lisa Di Valentino 2016 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Intellectual Property Law Commons Recommended Citation Di Valentino, Lisa, "Laying the Foundation for Copyright Policy and Practice in Canadian Universities" (2016). Electronic Thesis and Dissertation Repository. 4312. https://ir.lib.uwo.ca/etd/4312 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. i Abstract Due to significant changes in the Canadian copyright system, universities are seeking new ways to address the use of copyrighted works within their institutions. While the law provides quite a bit of leeway for use of copyrighted materials for educational and research purposes, the response by Canadian universities1 and related associations has not been to fully embrace their legal rights – rather, they have taken an approach that places emphasis on risk avoidance rather than maximizing use of materials, unlike their American counterparts. In the U.S., where educational fair use is arguably less flexible in application than fair dealing, there is a higher level of copyright advocacy among professional associations, and several sets of best practices have been created to guide the application of copyright to educational use of materials.
[Show full text]
Centenary of Statutory Crown Copyright
CENTENARY OF STATUTORY CROWN COPYRIGHT Timeline Copyright Act 1911: Also known as the Imperial Copyright Act since it applied across the British Empire, with local adaptation as required. It brought together and rationalised the law on copyright which had previously been set out in many different statutes as well as previously being a part of the common law. It also enabled the UK to ratify the latest version of the Berne Convention, the principal (and at that time the only) international treaty on copyright. It came into force on 1 July 1912. References Enrolled statute (1&2 Geo 5 c46) in C 65/6288, see s18. Not freely available online. Treasury minute of 31 July 1912: This set out the terms for the publication of Crown copyright material by commercial companies. It drew attention to the fact that publication of any work by the Crown itself made that work Crown copyright. References T 243/10 Official War artists: At the beginning of both World Wars, many artists were commissioned to create artistic works relating to or inspired by the War. All such artists assigned their copyrights to the Crown. After the end of each War, the resulting works were distributed to galleries and museums in the UK and the Commonwealth. Recipient institutions in the UK were given delegated authority by the Controller of HMSO to license the use of the works they had received. References STAT 14/138 - There is a complete list of Second World War recipient institutions and works in T 162/744, file E40396/2 BBC v Wireless League Gazette Publishing [1926] LR Ch 433: In 1926, the BBC sued for infringement of its rights in the listings of radio programmes in the Radio Times.
[Show full text]
Intellectual Property (Unregistered Rights) (Application, Transitional Provisions and Savings) (Jersey) Regulations 2012
INTELLECTUAL PROPERTY (UNREGISTERED RIGHTS) (APPLICATION, TRANSITIONAL PROVISIONS AND SAVINGS) (JERSEY) REGULATIONS 2012 Revised Edition 05.350.10 Showing the law as at 1 January 2013 This is a revised edition of the law Intellectual Property (Unregistered Rights) (Application, Transitional Provisions and Savings) (Jersey) Regulations 2012 Arrangement INTELLECTUAL PROPERTY (UNREGISTERED RIGHTS) (APPLICATION, TRANSITIONAL PROVISIONS AND SAVINGS) (JERSEY) REGULATIONS 2012 Arrangement Regulation PART 1 7 GENERAL 7 1 Interpretation ................................................................................................... 7 PART 2 8 COPYRIGHT 8 2 Interpretation of this Part ................................................................................ 8 3 Continuity of law relating to copyright – construction of enactments, instruments, etc. .............................................................................................. 9 4 Application of Part 1 to things in existence at commencement ...................... 9 5 Subsistence of copyright in existing works .................................................... 9 6 Definition “unauthorized” – Article 2 ........................................................... 10 7 Definition “author” – Article 3 ..................................................................... 10 8 Databases ...................................................................................................... 11 9 Sound recordings .........................................................................................
[Show full text]
Why the U.K. Adaptation Right Is Superior to the U.S. Derivative Work Right Patrick R
Nebraska Law Review Volume 92 | Issue 4 Article 5 2014 Why the U.K. Adaptation Right Is Superior to the U.S. Derivative Work Right Patrick R. Goold University of California, Berkeley, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/nlr Recommended Citation Patrick R. Goold, Why the U.K. Adaptation Right Is Superior to the U.S. Derivative Work Right, 92 Neb. L. Rev. (2014) Available at: https://digitalcommons.unl.edu/nlr/vol92/iss4/5 This Article is brought to you for free and open access by the Law, College of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Nebraska Law Review by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Patrick R. Goold* Why the U.K. Adaptation Right Is Superior to the U.S. Derivative Work Right TABLE OF CONTENTS I. History of the Derivative Work Right in Anglo- American Copyright ................................... 849 A. Anglo-American Copyright During the Eighteenth and Nineteenth Centuries ......................... 850 B. Derivative Works in Twentieth Century U.S. Copyright ......................................... 856 1. The 1909 Copyright Act........................ 856 2. From 1909 to 1976 ............................ 858 a. Motion Pictures ............................ 860 b. Radio Broadcasting ........................ 862 c. Cable Television ........................... 865 3. The Copyright Act 1976........................ 866 C. Derivative Works in Twentieth Century U.K. Copyright ......................................... 868 1. The 1911 Act and the Gramophone Case ....... 869 2. The Copyright Act 1956 and the Copyright, Designs, and Patents Act 1988 ................. 871 D. Summary ......................................... 874 II. Modern Doctrine of the Derivative Work Right in Anglo- American Copyright ................................... 874 A. The Right of Reproduction ........................
[Show full text]
Copyright Law--A Reappraisal
University of Pennsylvania Law Review FOUNDED 1852 Formerly American Law Register VOL. 104 JUNE, 1956 No. 8 THE COPYRIGHT LAW-A REAPPRAISAL Herman Finkelstein t "Our copyright laws urgently need revision. They are imperfect in definition, confused and inconsistent in expres- sion; they omit provision for many articles which, under modern reproductive processes, are entitled to protection; they impose hardships upon the copyright proprietor which are not essential to the fair protection of the public; they are dif- ficult for the courts to interpret and impossible for the Copy- right Office to administer with satisfaction to the public. Attempts to improve them by amendment have been frequent, no less than twelve acts for the purpose having been passed since the Revised Statutes. To perfect them by further amendment seems impracticable. A complete revision of them is essential." Message of President Theodore Roosevelt to Congress, December 1905.1 NEED FOR REVISION A half century after President Theodore Roosevelt delivered the message quoted above, it is still timely and descriptive of the legal problems besetting the protection of authors' rights in America. To t Member, New York and Connecticut bars; General Attorney, American Society of Composers, Authors and Publishers; Chairman, Committee on Program for Copyright Law Revision, Amer. Bar Ass'n; Chairman, Copyright Committee, New York City Bar Ass'n; member of U. S. delegation, Intergovernmental Conference on Universal Copyright Convention, Geneva, Switzerland, 1952. 1. 40 CONG. REc. 102 (1905). 1026 UNIVERSITY OF PENNSYLVANIA LAW REVIEW [Vol. 104. understand why the law seems to have stood still, we must observe the pace of progress in science, literature and the arts during the past half century.
[Show full text]
Freedom of Speech & Expression and the Issues of Intellectual Property
Freedom of Speech & Expression and the Issues of Intellectual Property and Copyright ∗ ∗∗ Dr. Sreenivasulu N.S. and Somashekarappa The right to freedom of speech and expression is a development of the political philosophy regarding the form of the government in any country. The nature of the polity implies clearly by or by expressed words signals the role of freedom of speech and expression. A democracy or a democratic form of state is synonymous with the existence right to freedom speech and expression. The true significance of the freedom of speech and expression for the democrat lies in the fact that thousands of martyrs have shed their blood in defense of those liberties and the modern citizen who breathes the air of democracy should consider those liberties as sacred and invaluable and try to preserve them. In fact the very essence of democracy lies in free debate and free discussion. Without them it is impossible to build up an opinion. This could only be done by conferring on the citizens the right to freedom of speech and expression, which is the basic importance in a democratic way of life. It is characteristic of democracy that it should provide the fullest opportunity to the citizens to develop their personality in any way they choose and they must be free to propagate their views without fear. Introduction In a country like India, U.S.A or U.K. there are different political parties professing different political ideologies and economic philosophies. Each of those parties must have full freedom to express themselves, despite the views conflicting with those of others.
[Show full text]
Download the Article in PDF Format
COPYRIGHT NEWS FROM CYPRUS TATIANA ELENI SYNODINOU Associate Professor, Department of Law, University of Cyprus Due to its geopolitical situation, Cyprus has always been a crossroads of civilisation. Private law here is derived from British common law. But at the same time, common law rules are codified into a set of laws that strongly resembles a civil code. Language is also an important factor in the foundation of a legal philosophy and it must be noted that after independence, English, although not an official language of the Republic, was the language used in drafting legislation and in the courts until 1990, when it was replaced by Greek.1 From that point on, the influence of Greek authors increased. 1. Law 67/1988, Gazette, Section I, Appendix 2327, 27 May 1988, p. 2275 and Law 146/1989, Gazette, Section I, Appendix 2433, 11 August 1989 p. 3481. 59 REVUE INTERNATIONALE DU DROIT D’AUTEUR COPYRIGHT NEWS FROM CYPRUS The legal framework for copyright protection in Cyprus is based on the law. Through this prism, the second section will look at the consequences of principles of the Anglo-Saxon model. In this respect, characteristically, UK European integration, at how the as yet embryonic development of European law, more specifically the UK Copyright Act 1911, applied in Cyprus up to copyright law has prompted Cyprus to update its legal arsenal. 1978. Law 59/1976, as amended by Law 63/1977, came into force in 1978 and can also be considered as inspired and influenced by Anglo-Saxon law. I. CYPRIOT COPYRIGHT LAW: BETWEEN ARCHAISM AND The prospect of Brexit therefore places Cyprus in a relatively isolated position, INACTION inasmuch as the country remains one of the rare models of copyright left in the European Union.
[Show full text]
(Unregistered Rights) (Application, Transitional Provisions and Savings) (Jersey) Regulations 2012 Arrangement
Intellectual Property (Unregistered Rights) (Application, Transitional Provisions and Savings) (Jersey) Regulations 2012 Arrangement INTELLECTUAL PROPERTY (UNREGISTERED RIGHTS) (APPLICATION, TRANSITIONAL PROVISIONS AND SAVINGS) (JERSEY) REGULATIONS 2012 Arrangement Regulation PART 1 5 GENERAL 5 1 Interpretation ................................................................................................... 5 PART 2 6 COPYRIGHT 6 2 Interpretation of this Part ................................................................................ 6 3 Continuity of law relating to copyright – construction of enactments, instruments, etc. .............................................................................................. 7 4 Application of Part 1 to things in existence at commencement ...................... 7 5 Subsistence of copyright in existing works .................................................... 7 6 Definition “unauthorized” – Article 2 ............................................................. 8 7 Definition “author” – Article 3 ....................................................................... 8 8 Databases ........................................................................................................ 9 9 Sound recordings ............................................................................................ 9 10 Films ............................................................................................................... 9 11 Broadcasts ......................................................................................................
[Show full text]