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Louisa Wood Ruby
CHAPTER ONE DUTCH ART AND THE HUDSON VALLEY PATROON PAINTERS Louisa Wood Ruby One of the earliest "schools" of American painting, the Hudson Valley patroon painters, has often been considered to have derived from seventeenth-century English portraiture. Portraits of English aristo- crats appealed to Dutch patroons as displays of the kind of social status they aspired to in their new country. British mezzotints after original paintings by Sir Godfrey Kneller and others provided the patroon painters with readily available models on which to base their portraits of wealthy Dutch Americans. Unfortunately, this convincing analysis vastly underestimates the influence of Dutch art and taste on the development of these paintings. Frequently overlooked in the discussion of the appeal of British portraiture to Dutch patroons is the fact that English portraiture of the seventeenth century was, in fact, a direct descendant of the Netherlandish portrait tradition. Kneller, the main source for the mez- zotints that flooded New York, was trained in Amsterdam. Sir Peter Lely was born in Holland, and of course Sir Anthony Van Dyck was from Antwerp. Wealthy Dutch families in New York would have been aware of the Netherlandish tradition through works of art they brought with them from their homeland. Indeed, the first paintings produced in New Amsterdam and early New York were essentially Dutch, since no other tradition existed here at the time. When British mezzotints finally arrived in 17 10, they did indeed appeal to the patroon families, most likely because they were works grounded in the Dutch tradition, then overlaid with elements of British culture and style. -
Nimham Article Images Final
The Sherwood House in Yonkers is an example of what a typical tenant farmer house in the Hudson Valley might have looked like. (Image Credit: Yonkers Historical Society) Statue of Chief Nimham by local sculptor Michael Keropian. Michael based the likeness on careful research and correspondence with Nimham relatives. (Image Credit: https://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Sachem_Daniel_Nimham.jpg/1200px- Sachem_Daniel_Nimham.Jpg) Memorial to Chief Nimham in Putnam County Veterans Park in Kent, NY. Sculpture by Michael Keropian. (Image Credit: Artist Michael Keropian) Recently issued Putnam County Veteran’s Medal by Sculptor Michael Keropian (Image Credit: Artist Michael Keropian) Sketch of Stockbridge Indians by Captain Johann Ewald. Ewald was in a Hessian Jager unit involved in the ambush of Nimham and his men in 1778. His sketch was accompanied by a vivid description of the Stockbridge fighters in his journal: “Their costume was a shirt of coarse linen down to the knees, long trousers also of linen down to the feet, on which they wore shoes of deerskin, and the head was covered with a hat made of bast. Their weapons were a rifle or a musket, a quiver with some twenty arrows, and a short battle-axe which they know how to throw very skillfully. Through the nose and in the ears they wore rings, and on their heads only the hair of the crown remained standing in a circle the size of a dollar-piece, the remainder being shaved off bare. They pull out with pincers all the hairs of the beard, as well as those on all other parts of the body.” (Image Credit: https://en.wikipedia.org/wiki/Stockbridge_Militia) Portrait of Landlord Beverly Robinson, landlord of approximately 60,000 acres in Putnam County. -
Hike,Bike &Explore Westchester
White Plains, New York 10601 York White Plains, New Suite 104 Martine Ave., 148 VisitWestchesterNY.com ................................................. Westchester Bird Watching Birders flock to Westchester’s natural surroundings to spot the more than 300 species of birds that have been identified in is Funtastic. Westchester County. Many rare birds and hawks have been Here for a day or a getaway? spotted at the different parks and reservations listed. Westchester has it all. Blue Mountain Reservation: Welcher Ave., Peekskill To help map out your 862-5275. The Spitzenberg and Blue Mountains are located on this property. 1,583 acres of wooded, hilly terrain excellent for adventure, here’s a sampling bird watching, picnicking or walking. Three lakes located on site of Westchester favorites. attract plenty of waterfowl. Park admission fee. Cranberry Lake Preserve: Old Orchard St., North White ................................................. ................................................. ................................................. Plains 428-1005. A 165-acre preserve of unspoiled forest and wetlands including a five-acre lake, trails and boardwalks. Family Fun Boating Fishing Open year-round, 9-4, Tues. – Sat. Westchester is full of great stuff to do for all ages, so (Sailing, Rowing, Kayaking): Westchester is the ideal destination Fishing enthusiasts are hooked on Westchester with fishing bring the kids and don’t miss out on this family fun. for water sports and recreation, so join us for boating, kayaking permitted in all streams and lakes under the control of the Croton Point Nature Center: Croton Point Park, and more. Set sail on Westchester's lakes, the Long Island Sound Westchester County Parks Department (except in the nature Croton-on-Hudson 862-5297. -
6 Stops in Washington Irving's Sleepy Hollow
Built in 1913, Kykuit was the home of oil tycoon 6 STOPS IN WASHINGTON John D. Rockefeller. Depending on which Kykuit tour you choose, you’ll want to set aside 1.5 to 3 hours IRVING’S SLEEPY HOLLOW (includes a shuttle bus to the location). Book on the Historic Hudson Valley website. • Philipsburg Manor • Sculpture of the Headless Horseman Sculpture of the Headless Horseman • The Headless Horseman Bridge 362 Broadway, Sleepy Hollow, New York • The Old Dutch Church and Burying Ground After purchasing the guidebook Tales of The Old • Sleepy Hollow Cemetery Dutch Burying Ground from Philipsburg Manor, walk • Sunnyside towards the Old Dutch Burying Ground. There are _______________________ several photo opportunities along the way. Approximately 300 feet (100 metres) up the road Notes you’ll find the sculpture of the Headless Horseman. Double-check opening times before you travel to Sleepy Hollow. At the time of writing, locations like Sunnyside and This sculpture was created for those visiting Sleepy Philipsburg Manor are open Wednesday to Sunday, May to Hollow to help us explore and relive the town’s rich early November. heritage, keeping the legend alive. Looking for public restrooms along the way? Plan for stops at Philipsburg Manor,Tarrytown station and Sunnyside. The Headless Horseman Bridge _______________________ “Over a deep black part of the stream, not far from the church, was formerly thrown a wooden bridge; the road Take the CROTON-HARMON STATION bound Metro- that led to it, and the bridge itself, were thickly shaded by North Train from Grand Central Terminal and get off overhanging trees, which cast a gloom about it, even in the daytime; but occasioned a fearful darkness at night. -
10Th International Congress on Marine Corrosion and Fouling, University of Melbourne, February 1999
10th International Congress on Marine Corrosion and Fouling, University of Melbourne, February 1999 Additional Papers John A Lewis (Editor) Maritime Platforms Division Aeronautical and Maritime Research Laboratory DSTO-GD-0287 ABSTRACT This volume contains nineteen papers from the 10th International Congress on Marine Corrosion and Fouling, held at the University of Melbourne in Melbourne, Australia, in February 1999. The scope of the congress was to enhance scientific understanding of the processes and prevention of chemical and biological degradation of materials in the sea. Papers in this volume range across the themes of marine biofilms and bioadhesion, macrofouling processes and effects, methods for prevention of marine fouling, biocides in the marine environment, biodeterioration of wood in the sea, and marine corrosion. RELEASE LIMITATION Approved for public release Published by DSTO Aeronautical and Maritime Research Laboratory 506 Lorimer St Fishermans Bend, Victoria 3207 Australia Telephone: (03) 9626 7000 Fax: (03) 9626 7999 © Commonwealth of Australia 2001 AR-011-880 May 2001 APPROVED FOR PUBLIC RELEASE 10th International Congress on Marine Corrosion and Fouling, University of Melbourne, February 1999 Additional Papers Executive Summary The fouling and corrosion of vessels and structures immersed in the sea continues to pose significant economic and operational costs to the owner. Fouling growth can interfere with the operation of submerged equipment, impose increased loading stresses and accelerate corrosion on marine structures, and adversely affect the performance of ships by increasing hydrodynamic drag, which necessitates the use of more power and fuel to move the ship through the water. Similarly, marine corrosion and biodegradation of materials can compromise the operation and structural integrity of vessels, structures and other immersed equipment. -
Yonkers' History
YONKERS’ HISTORY Village History & Economy Was Built Upon the River: The Hudson River and its rich water resources play prominently in the settlement history, social development, economic health and stability of the City of Yonkers. SETTLEMENT Early Role of the Native Americans - The Algonquin Native Americans were some of the earliest settlers of Yonkers. Clustered in a village at the intersection (confluence) of two waterways called the Muhheakantuck (or Shatemuc) and the Neperah. They called their village ‘Nappeckamack’ which meant either ‘trap fishing place’ or ‘rapid water settlement’. Both translations focus on the importance of the water, and its food supply, to the tribe. Today these same two waterways continue to flow in the area, but we know them now as the Hudson and the Saw Mill Rivers. This location met many of the settlement needs of the Native Americans, including: • Protection from attack – shelter – good visibility • Rich food sources from fish, nuts, small animals • Fresh water and • Ready transit opportunities either on foot or by canoe Henry Hudson: The Native people’s settlement needs were the same as those the Europeans looked for in selecting their settlement locations. In the fall of 1609 Henry Hudson sailed the “Half Moon” up the river that would later bear his name, in search of the Northwest Passage. He stopped at Yonkers to trade with the Native people. He noted the Native American settlement, its excellent location and resources. Records show he obtained oysters from the local tribe. Hudson claimed the Hudson River for the Dutch. The Dutch & De Jonkeer - Adriaen van der Donck was a young lawyer working for the Dutch West India Company. -
Early Irish in Old Albany, NY, with Special
F http://stores.ebay.com/Ancestry-Found copy Z EARLY IRISH IN OLD ALBANY, N. Y. http://stores.ebay.com/Ancestry-Found Oass f i^g Book , A3 D> J 'ON ^. http://stores.ebay.com/Ancestry-Found HON. FRANKLIN M. DANAHER. EARLY IRISH IN OLD ALBANY, N. Y., WITH SPECIAL MENTION OF JAN ANDRIESSEN, " DE lERSMAN VAN DUBLINGH." BY HON. FRANKLIN M. DANAHER. Member of the New York State Board of I^aw Examiners ; Many Years Judge of tMe City Court of Albany. Paper read before the American-Irish Historical Society at the Annual Meeting of the latter in New York City, Jan. 19, 1903. BOSTON, MASSACHUSETTS, THE AMERICAN -IRISH HISTORICAL SOCIETY, 1903. /4 3i3n . Ja 03 A BRIEF INTRODUCTORY. WE assert that each and every member of the Ameri- can-Irish Historical Society assumes an obligation with his membership to do his share towards carrying out one of the objects of the Society, namely: To examine records wherever found, concerning the Irish in America ; to investigate specially the immigration of the people of Ire- land to this country ; to endeavor to correct erroneous, distorted, and false views of history in relation to the Irish race in America, to the end that Irishmen may receive due recognition from chroniclers of American history, for their important, but little appreciated and less understood, labors in the upbuilding of this great republic. That desired work can only be accomplished by the local historian, who, with patience, will garner for preser- vation in the archives of our Society, from the official and church records of his locality and from well-authenticated tradition all there is concerning the Irishmen who first set- tled in the place about which he writes, so that the future historian, writing of the Irish people as of the founders of this nation dedicated to liberty and religious freedom, may do them full justice, and exhibit to the gaze of the doubting the value that their manhood, strength and sturdy character gave to all that is good and great in our beloved country. -
Dutchess County
History of Dutchess County Bench and Bar Albert M. Rosenblatt The Historical Society of the New York Courts Dutchess County Legal History Albert M. Rosenblatt1 I. County Origins 2 a. General Narrative 2 b. Legal Beginnings 3 c. Timeline 5 II. County Courthouses; from the First to the Present (Fifth) 7 III. The Bench and the Bar 10 a. Judges 10 b. Attorneys and District Attorneys 19 c. Dutchess County Bar Association 26 d. Women 31 e. African Americans 34 f. Current Judiciary (2015) 35 IV. Cases and Trials of Note 37 V. County Resources 40 a. Bibliography 40 b. County Legal Records and their locations 42 c. County History Contacts 43 i. County, City, Town, and Village Historians 43 ii. Locations of Records 49 iii. County Clerk Records Index 49 Acknowledgements With thanks to the Dutchess County Judiciary, the Dutchess County Bar Association, its Executive Director Janna DeVito Whearty and former Executive Director Marie Meehan Komisar, Dutchess County Clerk Brad Kendall and his assistant, Maria Bell; the Dutchess County Historical Society, the Historical Society of the New York Courts and its Executive Director Marilyn Marcus, and special thanks to Assistant Director Michael Benowitz for his help in formatting and readying it for publication. 1 Judge Rosenblatt, a graduate of the University of Pennsylvania and Harvard Law School, is retired from the New York Court of Appeals. For his judicial biography, see p. 12. 1 07/07/2015 I. County Origins a. General Narrative In 1609, while under commission from the Dutch and looking for an efficient trade route to the Far East, Henry Hudson discovered the river that bears his name. -
Title an Attempt of Interpreting Some Dutch Genre Paintings As A
An Attempt of Interpreting Some Dutch Genre Paintings as a Title Variation of De Hollandse Tuin and De Hollandse Maagd Author(s) Kobayashi-Sato, Yoriko Citation Kyoto Studies in Art History (2016), 1: 85-105 Issue Date 2016-03 URL https://doi.org/10.14989/229452 © Graduate School of Letters, Kyoto University and the Right authors Type Departmental Bulletin Paper Textversion publisher Kyoto University 85 An Attempt of Interpreting Some Dutch Genre Paintings as a Variation of De Hollandse Tuin and De Hollandse Maagd Yoriko Kobayashi-Sato 1. Dutch Genre Paintings of the Seventeenth Century Genre paintings depicting scenes of everyday life seriously began to be executed in Holland from the beginning of the seventeenth century. Their sub-genres mainly consist of paintings representing scenes with peasants, maidservants, and shopkeepers from the working class, and citizens from the middle or higher class who were all deeply absorbed in their matters of concern, amusing themselves and conversing 1 Their origin could be traced back to the background scenes or auxiliary details of some religious paintings such as the annunciation, Christ in the housewith each of Mary other and (fig. Martha, 1). and the brothel scenes with the prodigal son as well as the last supper or the supper at the house of Simon, to name just a few.2 In the Dutch Republic which had newly got independent as a protestant and pre- modern civic nation at the end of the sixteenth century, painters could expect few orders of religious paintings from churches. Nor was that all. They almost lost chances to produce large-size history paintings which had used to be requested by aristocratic layers, though with some exceptions. -
Volume 26 , Number 2
The hudson RIVeR Valley ReVIew A Journal of Regional Studies HRVR26_2.indd 1 5/4/10 10:45 AM Publisher Thomas s. wermuth, Vice President for academic affairs, Marist College Editors Christopher Pryslopski, Program director, hudson River Valley Institute, Marist College Reed sparling, writer, scenic hudson Editorial Board Art Director Myra young armstead, Professor of history, Richard deon Bard College Business Manager Col. lance Betros, Professor and head, andrew Villani department of history, u.s. Military academy at west Point The Hudson River Valley Review (Issn 1546-3486) is published twice Kim Bridgford, Professor of english, a year by the hudson River Valley Fairfield university Institute at Marist College. Michael Groth, Professor of history, wells College James M. Johnson, Executive Director susan Ingalls lewis, assistant Professor of history, state university of new york at new Paltz Research Assistants sarah olson, superintendent, Roosevelt- Gail Goldsmith Vanderbilt national historic sites elizabeth Vickind Roger Panetta, Professor of history, Hudson River Valley Institute Fordham university Advisory Board h. daniel Peck, Professor of english, Todd Brinckerhoff, Chair Vassar College Peter Bienstock, Vice Chair Robyn l. Rosen, Professor of history, dr. Frank Bumpus Marist College Frank J. doherty david schuyler, Professor of american studies, shirley handel Franklin & Marshall College Marjorie hart Maureen Kangas Thomas s. wermuth, Vice President of academic Barnabas Mchenry affairs, Marist College, Chair alex Reese david woolner, -
FEMA Study on Old Albany Post Road
Report HISTORIC RESOURCE STUDY OF THE OLD ALBANY POST ROAD Philipstown, New York April 2013 U.S. Department of Homeland Security Federal Emergency Management Agency Region II, 26 Federal Plaza, NY, NY 10278 This document was prepared by 12420 Milestone Center Drive Suite 150 Germantown, MD 20876 Contract No. HSFEHQ-06-D-0489 Task Order No. HSFEHQ-06-J-0021 P00002 15708821.00200 TABLE OF CONTENTS EXECUTIVE SUMMARY ......................................................................................................................... ES-1 SECTION ONE PROJECT DESCRIPTION AND METHODOLOGY ................................................... 1-1 SECTION TWO THE OLD ALBANY POST ROAD IN PUTNAM COUNTY, NEW YORK ................... 2-1 2.1 Contact Period through Post-Revolutionary War Years, ca. 1609- 1799.......................................................................................................... 2-1 2.2 Growth and Decline, 1800-1899 ............................................................ 2-14 2.3 From Grass-Grown Track to City Retreat, 1900-2009 .......................... 2-25 SECTION THREE BIBLIOGRAPHY ....................................................................................................... 3-1 Figures Figure 1: “Draft of the Lands Disputed by Philipse Patent against Beekmans & Rambaults,” Jona Hampton, 1753 (Source: Library of Congress) ...................................... 2-2 Figure 2: “Map of Lot No. 2, Philipse Patent,” Daniel Lambert, 1769. (Source: Roebling, The Journal of the Reverend Silas Constant, 1903) -
Color Symbolism in Seventeenth- Century Dutch Painting
ABSTRACT Title of Document: COLORING THE NARRATIVE: COLOR SYMBOLISM IN SEVENTEENTH- CENTURY DUTCH PAINTING Brighton Kelley Hanson Master of Arts, 2008 Directed By: Professor Arthur K. Wheelock, Jr. Department of Art History and Archaeology Numerous attributes grace the allegorical personifications in Cesare Ripa’s 1593 Iconologia; included among these are colored gowns. In the seventeenth-century, Karel van Mander, Samuel van Hoogstraten, and Gesina ter Borch also write of the symbolism found in color. However, such color symbolism is rarely mentioned in modern interpretations of Dutch narrative paintings. Three case studies seek to test the applicability and limitations of color symbolism as an interpretative tool in narrative paintings by Karel van Mander, Samuel van Hoogstraten and Gerard ter Borch. In these, color symbolism provides the meaning behind decorum when interpreted through figures’ garments. The appendix contains a comparative chart of the color symbolism in texts by Cesare Ripa, Karel van Mander, Justus de Harduijn, Gesina ter Borch, and Samuel van Hoogstraten. Coloring the Narrative: Color Symbolism in Seventeenth- Century Dutch Painting By Brighton K. Hanson Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2008 Advisory Committee: Professor Arthur K. Wheelock, Jr., Chair Professor Marjorie Venit Professor Anthony Colantuono © Copyright by Brighton K. Hanson 2008 ii Disclaimer The thesis or dissertation document that follows has had referenced material removed in respect for the owner's copyright. A complete version of this document, which includes said referenced material, resides in the University of Maryland, College Park's library collection.