DOCSLIB.ORG

Denys Arcand Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Denys Arcand Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​ Denys Arcand Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​ Le confort et l'indifférence https://bg.listvote.com/lists/film/movies/le-confort-et-l%27indiff%C3%A9rence-3221713/actors On est au coton https://bg.listvote.com/lists/film/movies/on-est-au-coton-3352213/actors Québec : Duplessis and after... https://bg.listvote.com/lists/film/movies/qu%C3%A9bec-%3A-duplessis-and-after...-3414828/actors Jesus of Montreal https://bg.listvote.com/lists/film/movies/jesus-of-montreal-1675125/actors Love and Human Remains https://bg.listvote.com/lists/film/movies/love-and-human-remains-1759628/actors An Eye for Beauty https://bg.listvote.com/lists/film/movies/an-eye-for-beauty-17632824/actors The Crime of Ovide Plouffe https://bg.listvote.com/lists/film/movies/the-crime-of-ovide-plouffe-23303580/actors Alone or with Others https://bg.listvote.com/lists/film/movies/alone-or-with-others-23900052/actors Days of Darkness https://bg.listvote.com/lists/film/movies/days-of-darkness-2579095/actors Gina https://bg.listvote.com/lists/film/movies/gina-3106691/actors Poverty and Other Delights https://bg.listvote.com/lists/film/movies/poverty-and-other-delights-3187248/actors Dirty Money https://bg.listvote.com/lists/film/movies/dirty-money-3210629/actors Montreal Stories https://bg.listvote.com/lists/film/movies/montreal-stories-3323004/actors Stardom https://bg.listvote.com/lists/film/movies/stardom-3497106/actors Réjeanne Padovani https://bg.listvote.com/lists/film/movies/r%C3%A9jeanne-padovani-376108/actors The Barbarian Invasions https://bg.listvote.com/lists/film/movies/the-barbarian-invasions-549012/actors The Fall of the American Empire https://bg.listvote.com/lists/film/movies/the-fall-of-the-american-empire-55080207/actors https://bg.listvote.com/lists/film/movies/%D0%B7%D0%B0%D0%BB%D0%B5%D0%B7%D1%8A%D1%82- Залезът на %D0%BD%D0%B0- американÑÐ​ ºÐ°Ñ‚а %D0%B0%D0%BC%D0%B5%D1%80%D0%B8%D0%BA%D0%B0%D0%BD%D1%81%D0%BA%D0%B0%D1%82%D0%B0- империÑ​ %D0%B8%D0%BC%D0%BF%D0%B5%D1%80%D0%B8%D1%8F-1197742/actors.
Load more

Recommended publications
  • A Film by DENYS ARCAND Produced by DENISE ROBERT DANIEL LOUIS
    ÉRIC MÉLANIE MELANIE MARIE-JOSÉE BRUNEAU THIERRY MERKOSKY CROZE AN EYE FOR BEAUTY A film by DENYS ARCAND Produced by DENISE ROBERT DANIEL LOUIS before An Eye for Beauty written and directed by Denys Arcand producers DENISE ROBERT DANIEL LOUIS THEATRICAL RELEASE May 2014 synopsis We spoke of those times, painful and lamented, when passion is the joy and martyrdom of youth. - Chateaubriand, Memoirs from Beyond the Tomb Luc, a talented young architect, lives a peaceful life with his wife Stephanie in the stunning area of Charlevoix. Beautiful house, pretty wife, dinner with friends, golf, tennis, hunting... a perfect life, one might say! One day, he accepts to be a member of an architectural Jury in Toronto. There, he meets Lindsay, a mysterious woman who will turn his life upside down. AN EYE FOR BEAUTY | PRESS KIT cast Luc Éric Bruneau Stéphanie Mélanie Thierry Lindsay Melanie Merkosky Isabelle Marie-Josée Croze Nicolas Mathieu Quesnel Roger Michel Forget Mélissa Geneviève Boivin-Roussy Karine Magalie Lépine-Blondeau Museum Director Yves Jacques Juana Juana Acosta Élise Johanne-Marie Tremblay 3 AN EYE FOR BEAUTY | PRESS KIT crew Director Denys Arcand Producers Denise Robert Daniel Louis Screenwriter Denys Arcand Director of Photography Nathalie Moliavko-Visotzky Production Designer Patrice Bengle Costumes Marie-Chantale Vaillancourt Editor Isabelle Dedieu Music Pierre-Philippe Côté Sound Creation Marie-Claude Gagné Sound Mario Auclair Simon Brien Louis Gignac 1st Assistant Director Anne Sirois Production manager Michelle Quinn Post-Production Manager Pierre Thériault Canadian Distribution Les Films Séville AN EYE FOR BEAUTY | PRESS KIT 4 SCREENWRITER / DIRECTOR DENYS ARCAND An Academy Award winning director, Denys Arcand's films have won over 100 prestigious awards around the world.
    [Show full text]
  • Festival Centerpiece Films
    50 Years! Since 1965, the Chicago International Film Festival has brought you thousands of groundbreaking, highly acclaimed and thought-provoking films from around the globe. In 2014, our mission remains the same: to bring Chicago the unique opportunity to see world- class cinema, from new discoveries to international prizewinners, and hear directly from the talented people who’ve brought them to us. This year is no different, with filmmakers from Scandinavia to Mexico and Hollywood to our backyard, joining us for what is Chicago’s most thrilling movie event of the year. And watch out for this year’s festival guests, including Oliver Stone, Isabelle Huppert, Michael Moore, Taylor Hackford, Denys Arcand, Liv Ullmann, Kathleen Turner, Margarethe von Trotta, Krzysztof Zanussi and many others you will be excited to discover. To all of our guests, past, present and future—we thank you for your continued support, excitement, and most importantly, your love for movies! Happy Anniversary to us! Michael Kutza, Founder & Artistic Director When OCTOBEr 9 – 23, 2014 Now in our 50th year, the Chicago International Film Festival is North America’s oldest What competitive international film festival. Where AMC RIVER EaST 21* (322 E. Illinois St.) *unless otherwise noted Easy access via public transportation! CTA Red Line: Grand Ave. station, walk five blocks east to the theater. CTA Buses: #29 (State St. to Navy Pier), #66 (Chicago Red Line to Navy Pier), #65 (Grand Red Line to Navy Pier). For CTA information, visit transitchicago.com or call 1-888-YOUR-CTA. Festival Parking: Discounted parking available at River East Center Self Park (lower level of AMC River East 21, 300 E.
    [Show full text]
  • De Montréal : Le Sacré Et Le Profane
    JÉSUS DE MONTRÉAL : LE SACRÉ ET LE PROFANE Danielle Conway Mémoire présenté à l'École des Études Supérieures comme exigence partielle de la Maîtrise ès Arts en Études françaises Département d'Études françaises et hispaniques Université Mernorial Saint-Jean, Terre-Neuve août 1998 National Library Bibliothèque nationale 191 of Canada du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395. rue Wellington OttawaON KtAW Ottawa ON KIA ON4 Canada Canada The author has granted a non- L'auteur a accorde une licence non exclusive licence allowing the exclusive permettant a la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distriiute or seU reproduire, prêter, distribuer ou copies of this thesis in microfom, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm. de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts £kom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. RÉs& Ce mémoire consiste essentiellement en une analyse intention sémiotique de Jésus de Montréal, film du cinéaste québécois Denys Arcand sorti en 1989. Ce film est basé sur la confrontation du Sacré et du Profane, comme l'indique le titre du film même (Jésus/Montréal), qui résulte en la folie et la mort du Sujet, le personnage principal, Daniel Coulombe.
    [Show full text]
  • Critiques / Love and Human Remains / Secret Nation / Visions Of
    Document généré le 6 oct. 2021 04:39 Ciné-Bulles Le cinéma d’auteur avant tout Critiques Love and Human Remains Secret Nation Visions of Light: the Art of Cinematography The Last Days of Chez Nous In the Line of Fire Germinal Mensonge Fanfan André Lavoie, Louise-Véronique Sicotte, Paul Beaucage, Michel Euvrard, Stéphane Morin et Sandrine Fillipetti Volume 13, numéro 1, hiver 1994 URI : https://id.erudit.org/iderudit/33936ac Aller au sommaire du numéro Éditeur(s) Association des cinémas parallèles du Québec ISSN 0820-8921 (imprimé) 1923-3221 (numérique) Découvrir la revue Citer ce compte rendu Lavoie, A., Sicotte, L.-V., Beaucage, P., Euvrard, M., Morin, S. & Fillipetti, S. (1994). Compte rendu de [Critiques / Love and Human Remains / Secret Nation / Visions of Light: the Art of Cinematography / The Last Days of Chez Nous / In the Line of Fire / Germinal / Mensonge / Fanfan]. Ciné-Bulles, 13(1), 46–55. Tous droits réservés © Association des cinémas parallèles du Québec, 1994 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ Critiques LOVE AND HUMAN REMAINS Lors de la première de son dernier film au Festival of de Denys Arcand Festivals de Toronto, Arcand n'a pas exposé 50 raisons pour justifier son choix d'adapter la pièce de par André Lavoie l'Albertain Brad Fraser, Unidentified Human Remains and the True Nature ofLove.
    [Show full text]
  • Curriculum Vitae
    CURRICULUM VITAE NAME: André Loiselle DATE : October, 2015 BIRTH: 8 January, 1963 Full Professor of Film Studies Assistant Vice-President (Academic) EDUCATION: Degrees received Department University Year PhD. Theatre and Film U. of British Columbia 1995 M.A. Theatre and Film UBC 1989 Diploma Theatre and Film UBC 1988 (Film production) B.A. Arts Dramatiques U du Québec à Montréal 1986 ACADEMIC EMPLOYMENT: Dates Rank Department Institution 2008 - present Full Professor School for Studies Carleton U. in Art and Culture 2001 - 2008 Associate Professor S.S.A.C. Carleton U. 1997 - 2001 Assistant Professor S.S.A.C. Carleton U. 1995 - 1997 Assistant Professor Film and Video U. of Regina 1994 -1995 Contract Instructor School of Contemporary Simon Fraser Arts 1993 - 1995 Contract Instructor Theatre and Film UBC Page 1 of 17 MAIN ADMINISTRATIVE POSITIONS HELD AT CARLETON UNIVERSITY: 2015 – Present Asst Vice-President Office of the Provost & VP (Academic) 2011 – 2014 Associate Dean Faculty of Graduate and Postdoctoral Affairs (Student & Postdoctoral affairs) 2007 – 2010 Director School of Canadian Studies 2005 – 2006 Acting Director School for Studies in Art & Culture MAIN ADMINISTRATIVE POSITIONS HELD OUTSIDE CARLETON: 2014 – Present Member of the provincial Adjudication Committee #13 (Cinema) for the master’s and doctoral grants of the “Fonds de recherche du Québec – Société et culture.” 2013 – Present Member of the provincial Appraisal Committee, Ontario Universities Council on Quality Assurance. 2009 – 2015 Member of the national Award to Scholarly Publication Program committee (area Film and Theatre Studies), Canadian Federation for the Humanities and Social Sciences. 2004 – 2005 Member of the provincial Adjudication Committee (arts and humanities) for the standard grants of the “Fonds québécois de la recherche - société et culture.” 2001 – 2005 Member of the national Adjudication Committee #3 (Fine Arts) for SSHRC Standard Research Grants Program.
    [Show full text]
  • Denys Arcand L’Esclave De La Beauté Mathieu Perreault
    Document generated on 09/30/2021 5:19 p.m. Séquences La revue de cinéma Denys Arcand L’esclave de la beauté Mathieu Perreault Fin de siècle et cinéma italien Number 210, November–December 2000 URI: https://id.erudit.org/iderudit/48783ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this document Perreault, M. (2000). Denys Arcand : l’esclave de la beauté. Séquences, (210), 52–54. Tous droits réservés © La revue Séquences Inc., 2000 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ -LES FILMS EN laisser porter par les événements et ses nombreux coups de tête. bien et voltige même avec grâce au-dessus de ce film dans lequel C'est que Tina n'est pas prête pour cette vie qu'elle n'a pas elle apparaît dans un très grand nombre de plans. Il faut dire demandée. Tout ce qu'elle veut, en fait, c'est s'amuser (« It was fun, cependant qu'Arcand lui a confié un rôle plus ingrat que difficile. it was all fun... until it was not fun anymore. »), d'être aimée, Arcand n'exige de Paré aucune véritable démarche d'actrice, désirée..
    [Show full text]
  • Zoning Board Rejects ARI Housing Project Who Did Not Respond, One Shouki Re­ by JAM£S S
    • 11 '"'4 *4| >;'H Caucus survey sixyw« » candidates* views RocHEsrak L«MAN AND GAV Po* LinCALClUOI» !&bd» year the Rochestor Lebian mid Gay I%}iiticsd Caucus seiTKfe out ques­ tionnaires to candidates running fbr oflSoe in Monroe County. The ptimary function of thc questionnaires is to educate the members ofthe gay, fes­ bian arid bisexual cotnniurary on where their candidates statKl on its issues. Thc Poiitical Caucus also uses the quesrionnaires to evduate to what ex­ tent its edtication efforts have been suc­ cessful, and to deteiTnine wl^ie more work needs to be done. In addition, the questionnaires serve as reminders to candidates that thc gay, lesbian and bisexual community exists and diat we are part of dieir constituency. \i This year abnost 150 qucstioniiaites t were sent to candkiates tunnir^ ftx* of­ fice in Mcxiroe County. Unfortunatdy, the vast majonty of carxfidates diose not to respond. In fiimcss to those Zoning board rejects ARI housing project who did not respond, one shouki re­ BY JAM£S S. C. BLOOMFIELD AND member diat candkiates ate inundated that it was i^) to ARI to prove their don't thkik it's put^'a skig^ fiimiiy ne^- widi questkxmaires fiom gtx^ups tai^ SUSAN JORDAN case, and that'^tfaey cfid not fiJiy prove bcxhocxi We abo dcxi*t think it^s purely a ing fiom die ACLU to die Knig^its of AIDS Rochester's proposal for hous­ scxne ofthe pcrints, such as whedier that zoning issue. VC'e had questions asked Columbus, and it maj"^ bc too time OOTv ing for people with HIV/AIDS was use was the only remedy fix-thc prop­ like '>X'hat*s going to be in your trash?' w suming for a candidate with a small rejected by the Rochestef Zonir^ erty or whether it was going to make a VC'e heard there was a barber in the staff to respond to questionnaires Board of Appeals on Oct.
    [Show full text]
  • 9780521868761 Index.Pdf
    Cambridge University Press 978-0-521-86876-1 - The Cambridge History of Canadian Literature Edited by Coral Ann Howells and Eva-Marie Kröller Index More information Index Aboriginal drama 518–35, 624–5 Okanagan 499, 508, 509 beginnings of 520 Oneida 21, 22 (Illustration) community theater 534 oral traditions, oratory and early playwrights 520, 521–30, 532–4 (French) graphic forms 16–20, 27, 533–4, 535, 624, 625 508–9 white theater presentations of Aboriginal Pan-Aboriginality 526–7, 533, 534 themes 519–20 protests and activism since 1960s 499, 500, see also Métis 501, 505, 512, 526–7 Aboriginal peoples residential schools and abuse 500, 502, Algonquins 15, 119 512–13, 527, 531, 532 Beothuks 10, 484 Royal Commission on Aboriginal and Centennial debates 319–20 Peoples 509 Chipewyans 70, 75, 92, 96 Aboriginal writing (poetry and prose) Cree 74, 439, 503, 506, 508, 511, 516, anthologies 500, 501, 504, 507–8, 515 528, 534 En’owkin Center 507, 508 European representations of: (C17)10–28, 21 fiction 238–9, 396–7, 398, 505–6, 510, 512–14, (Illustration) 515, 516 see also exploration narratives (French); life-writing 502–3, 504, 512, 513, 551–2, Jesuit Relations 553–4 European representations of: (C18) poetry 439–40, 479, 499, 501–2, 503, 506–7, 51, 68, 70, 71, 72, 74;(C19) 75, 82, 85, 86, 511, 515, 516 92–3, 118–19, 121, 139, 142;(C20) post-1960 499–517 4, 296–7, 307, 403, 440, 442, 445, pre-1960 57–62, 93, 139, 168, 206, 215, 485, 487, 489, 496, 519–20, 637–8, 644, 305, 511 649, 651 publishers/publishing 503–4, 505 first contact 10–11 Trickster
    [Show full text]
  • The Representations of HIV/AIDS in Québec Cinema, 1986-1996
    The Representations of HIV/AIDS in Québec Cinema, 1986-1996 Andrew Gordon Bailey Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Languages, Cultures and Societies September 2016 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2016 The University of Leeds and Andrew Gordon Bailey iii Acknowledgements There are several people and entities, who have all contributed tremendously to the realisation of this thesis, to whom I would like to offer my deepest appreciation. I would first like to thank the Centre for Canadian Studies, without whose scholarship this thesis would never have come to fruition. It is an honour to count myself among the recipients of the award. I am also grateful to the travel award I received which enabled me to conduct vital research in Montréal in the summer of 2013. It has been a pleasure to be a part of the Centre’s activities as well as its wonderful sense of comradery. Running around Leeds taking photographs of Canadian-themed road signs for Light Night remains one of my fondest memories of my time at Leeds. Particular thanks go to the Centre’s Directors during my period of attachment, Professor Graham Huggan and Drs Martin Thornton and Catherine Bates, for ensuring the Centre’s continued existence.
    [Show full text]
  • Mavis Gallant
    UNIVERSITÀ DEGLI STUDI DI UDINE CORSO DI DOTTORATO DI RICERCA IN SCIENZE LINGUISTICHE E LETTERARIE CICLO XXIV TESI DI DOTTORATO DI RICERCA NEGOTIATING LANGUAGES AND IDENTITIES IN THE FICTION OF MAVIS GALLANT Relatore Dottoranda Chiar.mo Prof. VALERIO BRUNI ROBERTA BORGNA ANNO ACCADEMICO 2011/2012 CONTENTS ROBERTA BORGNA ~ NEGOTIATING LANGUAGES AND IDENTITIES IN THE FICTION OF MAVIS GALLANT Contents List of Abbreviations iv Introduction v 1. Mavis Gallant: The Identity of a Writer 1 1. Why, when, and what interest in Gallant’s biography? 2 1.1 A voice lost in snow: brief survey on early critical interest 5 1.2 Preliminary remarks 7 2. The several lives of Mavis Gallant 10 2.1 Contents and aims of a new biography 10 2.2 Parents and life at home 12 2.3 The school of life 20 2.4 Mavis at work 27 2.5 Flying Mavis 32 2.6 Gallant today 38 2.7 How to look at these data? 39 3. A case of ‘fictional biography’ 40 3.1 Step 1: ‘coherence’. Notes on reliability 41 3.2 Step 2: ‘control’. Who is interviewing whom? 43 3.3 Step 3: ‘style’. Is Gallant good at doing the gardening? 46 Notes and References to Chapter 1 48 i Tesi di Dottorato di Roberta Borgna, discussa presso l’Università degli Studi di Udine CONTENTS ROBERTA BORGNA ~ NEGOTIATING LANGUAGES AND IDENTITIES IN THE FICTION OF MAVIS GALLANT 2. Identi fying Language(s): essential theoretical framework and exemplificative case studies 64 1. The word and the world: a theory on theory 66 2.
    [Show full text]
  • DP LCEA VA.Pdf
    1 The Fall of the American Empire After the decline… the fall. We are all subjects of the American Empire. The moral rot of the Empire has started to infect us. Money’s omnipotence is but one of the symptoms. Will we find antibiotics powerful enough to fight the gangrene? - Denys Arcand Synopsis Pierre-Paul Daoust, 36, an intellectual with a PhD in philosophy is forced to work as a deliveryman to afford a decent living. One day, while delivering a parcel, he gets caught in a hold up gone terribly wrong: two dead and millions in money bags laying on the ground. Pierre-Paul is confronted with a dilemma leave empty handed, or take the money and run? This new Denys Arcand film takes a witty yet touching look at, as only Arcand knows how, the predominance of money in a society where all other values seem to have crumbled. 1 Denys Arcand Director & screenwriter An Academy Award winning director, Denys Arcand's films have won over 100 prestigious awards around the world. In 2003, he wrote and directed The Barbarian Invasions which was nominated for Best Original Screenplay and won the Oscar for Best Foreign Language Film. In France, it won three César – Best Film, Best Screenplay and Best Director; in Italy, the Donatello for Best Foreign Language Film; at the Cannes Film Festival, the Best Actress and Best Screenplay awards, amongst many. In 1989, Denys Arcand directed the powerful Jesus of Montreal which won the Jury’s Grand Prize and the Ecumenical Prize in Cannes. The film also earned 12 Genie Awards in addition of being nominated for the Oscar in the Best Foreign Language Film category.
    [Show full text]
  • Spring 2019 Best-Selling Titles IPG –– Spring 2019
    Spring 2019 Best-Selling Titles IPG –– Spring 2019 9780970601971 9781947026025 9781935879510 9781936693771 9781771681452 9781771681360 9781771681339 9781613737002 9781613737217 9781613739358 9781613738207 9781641600415 9781613738955 9781613731895 9780912777252 9780912777740 9781613735473 9780912777429 9780914090359 9781613743416 9781613737545 9780897339292 9781613747964 9781556520747 9780897337038 IPG –– Spring 2019 Best-Selling Titles 9781613735718 9780915864126 9781555917432 9781555914639 9781682570890 9780918172020 9781940842226 9781942733799 9781681121703 9781604864175 9781629634401 9781629635101 9781892005281 9781939650870 9781943156306 9780824522919 9780991399703 9781629374116 9781629372518 9781629375601 9781629375731 9781629375441 9781629371450 9781629374765 9781629375328 Spring 2019 Arts & Entertainment ��������������������������������� 1–7 History & Humanities ������������������������������ 8–33 Comics & Graphic Novels ���������������������� 34–39 Fiction �������������������������������������������������� 40–58 Activities & Crafts ���������������������������������� 59–64 Sports & Recreation ������������������������������ 65–76 Health & Self-Help �������������������������������� 77–78 Business & Travel ���������������������������������� 79–85 Index ���������������������������������������������������� 86–87 IPG General Trade Spring 2019 Arts & Entertainment Dutch Girl Audrey Hepburn and World War II 1st Edition Robert Matzen Foreword by Luca Dotti A fascinating account of the future superstar’s life under Nazi occupation in the
    [Show full text]