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Historic-Cultural Monument (HCM) List City Declared Monuments
Historic-Cultural Monument (HCM) List City Declared Monuments No. Name Address CHC No. CF No. Adopted Community Plan Area CD Notes 1 Leonis Adobe 23537 Calabasas Road 08/06/1962 Canoga Park - Winnetka - 3 Woodland Hills - West Hills 2 Bolton Hall 10116 Commerce Avenue & 7157 08/06/1962 Sunland - Tujunga - Lake View 7 Valmont Street Terrace - Shadow Hills - East La Tuna Canyon 3 Plaza Church 535 North Main Street and 100-110 08/06/1962 Central City 14 La Iglesia de Nuestra Cesar Chavez Avenue Señora la Reina de Los Angeles (The Church of Our Lady the Queen of Angels) 4 Angel's Flight 4th Street & Hill Street 08/06/1962 Central City 14 Dismantled May 1969; Moved to Hill Street between 3rd Street and 4th Street, February 1996 5 The Salt Box 339 South Bunker Hill Avenue (Now 08/06/1962 Central City 14 Moved from 339 Hope Street) South Bunker Hill Avenue (now Hope Street) to Heritage Square; destroyed by fire 1969 6 Bradbury Building 300-310 South Broadway and 216- 09/21/1962 Central City 14 224 West 3rd Street 7 Romulo Pico Adobe (Rancho 10940 North Sepulveda Boulevard 09/21/1962 Mission Hills - Panorama City - 7 Romulo) North Hills 8 Foy House 1335-1341 1/2 Carroll Avenue 09/21/1962 Silver Lake - Echo Park - 1 Elysian Valley 9 Shadow Ranch House 22633 Vanowen Street 11/02/1962 Canoga Park - Winnetka - 12 Woodland Hills - West Hills 10 Eagle Rock Eagle Rock View Drive, North 11/16/1962 Northeast Los Angeles 14 Figueroa (Terminus), 72-77 Patrician Way, and 7650-7694 Scholl Canyon Road 11 The Rochester (West Temple 1012 West Temple Street 01/04/1963 Westlake 1 Demolished February Apartments) 14, 1979 12 Hollyhock House 4800 Hollywood Boulevard 01/04/1963 Hollywood 13 13 Rocha House 2400 Shenandoah Street 01/28/1963 West Adams - Baldwin Hills - 10 Leimert City of Los Angeles May 5, 2021 Page 1 of 60 Department of City Planning No. -
The Weeping Line PR Copy 2
The Weeping Line Koak Mattea Perrotta Mindy Rose Schwartz Alter Space in Los Angeles Four Six One Nine 4619 W Washington Blvd Los Angeles, CA 90019 September 8 – October 8, 2016 Reception: September 8 at 6-9pm Alter Space is pleased to present The Weeping Line, a three-person exhibition featuring San Francisco-based Koak, Los Angeles-based Mattea Perrotta and Chicago-based Mindy Rose Schwartz. The body is a depletive metaphor Exposing a sudden, physical rift Distinguishing memory, Unearthing decay in place Slowing the process of loss, Leaking that of an emotional drain. Koak lives and works in San Francisco, CA. Recent exhibitions include Et al (San Francisco), Material Art Fair 2016 (Mexico City), TBD Gallery (San Francisco), Alter Space | 1158 Howard St. San Francisco CA 94103 | 415.735.1158 | http://alterspace.gallery Ampersand Gallery and Fine Books (Portland), and Current Space (Baltimore). Koak has an upcoming solo exhibition at Alter Space in 2016. Mindy Rose Schwartz lives and works in Chicago, IL. Selected recent exhibitions include Queer Thoughts (New York), Éric Hussenot (Paris), Paramount Ranch (Agoura Hills), Terrain Gallery (Oak Park), Heaven Gallery (Chicago), Arcadia Missa (London), and hotel-art.us (New York). Mattea Perrotta lives and works in Los Angeles, CA. Recent exhibitions include MAMA (Los Angeles), IDIO Gallery (Brooklyn), Abbot Kinney (Venice), and J Gallery (Venice). GALLERY HOURS Thursday - Saturday from 1-6 pm or by appointment. Gallery is located at 4619 W Washington Blvd, Los Angeles CA. INQUIRIES Please contact gallery Director Kevin Krueger at [email protected] Koak Alter Space | 1158 Howard St. San Francisco CA 94103 | 415.735.1158 | http://alterspace.gallery Duck Tooth Nude, 2016 Graphite and milk casein on rag paper 10.5 x 7 in. -
A Rccaarchitecture California the Journal of the American Institute Of
architecture california the journal of the american institute of architects california council a r cCA aiacc design awards issue 04.3 photo finish ❉ Silent Archives ❉ AIACC Member Photographs ❉ The Subject is Architecture arcCA 0 4 . 3 aiacc design a wards issue p h o t o f i n i s h Co n t e n t Tracking the Awards 8 Value of the 25 Year Award 10 ❉ Eric Naslund, FAIA Silent Archives: 14 In the Blind Spot of Modernism ❉ Pierluigi Serraino, Assoc. AIA AIACC Member Photographs 18 ❉ AIACC membership The Subject is Architecture 30 ❉ Ruth Keffer AIACC 2004 AWARDS 45 Maybeck Award: 48 Daniel Solomon, FAIA Firm of the Year Award: 52 Marmol Radziner and Associates Lifetime Achievement 56 Award: Donlyn Lyndon, FAIA ❉ Interviewed by John Parman Lifetime Achievement 60 Award: Daniel Dworsky, FAIA ❉ Interviewed by Christel Bivens Kanda Design Awards 64 Reflections on the Awards 85 Jury: Eric Naslund, FAIA, and Hugh Hardy, FAIA ❉ Interviewed by Kenneth Caldwell Savings By Design A w a r d s 88 Co m m e n t 03 Co n t r i b u t o r s 05 C r e d i t s 9 9 Co d a 1 0 0 1 arcCA 0 4 . 3 Editor Tim Culvahouse, AIA a r c C A is dedicated to providing a forum for the exchange of ideas among mem- bers, other architects and related disciplines on issues affecting California archi- Editorial Board Carol Shen, FAIA, Chair tecture. a r c C A is published quarterly and distributed to AIACC members as part of their membership dues. -
July 1, 2012–June 30, 2013 FY13: a LOOK BACK
Georgia Museum of Art Annual Report July 1, 2012–June 30, 2013 FY13: A LOOK BACK One of the brightest spots of FY13 was the On October 22, the museum celebrated inaugural UGA Spotlight on the Arts, a nine-day its official reaccreditation by the American festival held November 3–11, highlighting visual, Alliance of Museums (formerly the American performing, and literary arts all over campus, Association of Museums). Although the in which the museum participated eagerly. The museum is usually closed on Mondays, it was vision of vice-provost Libby Morris, the festival open to the public for the day. AAM director was planned by the UGA Arts Council, of which Ford Bell attended the event and spoke about museum director William U. Eiland is a member, the museum, followed by an ice cream social. and its subsidiary public relations arm (at Less than 5 percent of American museums are which Michael Lachowski and Hillary Brown accredited, and the process is not a simple one. represented the museum). The festival attracted Reaccreditation is a lengthy process, involving great attendance, especially from students, and a self-study that the museum worked on for demonstrated the administration’s commitment several years and a site visit lasting several days, to making the arts an essential part of the during which AAM representatives toured the university experience. Later in the fiscal year, the facility from top to bottom, met with university Arts Council began working on a strategic plan, upper administration, and interviewed staff with brainstorming meetings held by both the members, volunteers, students, and patrons of executive and PR committees in the museum’s the museum. -
Eames House Case Study #8 : a Precedent Study Lauren Martin Table of Contents
EAMES HOUSE CASE STUDY #8 : A PRECEDENT STUDY LAUREN MARTIN TABLE OF CONTENTS 1. TITLE PAGE 2. TABLE OF CONTENTS 3. WHO? 4. WHERE & WHY? 5. DESIGN 6. PROPERTY DETAILS & SPECS 7.PLANS & SECTIONS 8. ELEVATIONS 9. PROGRAM 10. EXPERIENCE 11. SUSTAINABILITY 12. BIBLOGRAPHY WHO? C “EVENUTALLY, EVERYTHING CONNECTS” The Eameses are best known for their H -CHARLES EAMES groundbreaking contributions to architecture, furniture design, industrial A design and manufacturing, and the photographic arts. R “THE ARCHITECT & THE PAINTER” L Charles Eames was born in 1907, in St. Louis Missouri. He attended school there, developing an interest in engineering and architecture. By 1930 he E had opened his own architectural office. Later, he became the head of the design department at Cranbrook Academy. Ray Eames was born in 1912 in Sacramento, California. She studied painting with Hans Hofmann in New York before moving on to Cranbrook Academy where she met and assisted S Charles and Eero Saarinen in preparing designs for the MOMA’s Organic Furniture Competition. Married in 1941, they continued furniture design and later architectural design. & R A Y WHERE? WHY? In 1949, Charles and Ray designed and built their own home in Pacific Palisades, California, as part of the Case Study House Program sponsored by Arts & Architecture magazine. Located in the Pacific Palisades area Their design and innovative use of materials made the house a mecca for architects and designers from both near and far. Today, it is of Los Angeles, California. The Eames considered one of the most important post-war residences anywhere in House is composed of a residence and the world. -
Before the Public Utilities Commission of the State of California
BEFORE THE PUBLIC UTILITIES COMMISSION OF THE STATE OF CALIFORNIA Application of PacifiCorp (U 901 E) for Approval of its Application ____________ 2017 Transportation Electrification Programs CERTIFICATE OF SERVICE I, Rosa Gutierrez, certify that I have on this 30th day of June 2017 caused a copy of the foregoing APPLICATION OF PACIFICORP (U 901 E) FOR APPROVAL OF ITS 2017 TRANSPORTATION ELECTRIFICATION PROGRAMS to be served on all known parties to R.13-11-007 listed on the most recently updated service list available on the California Public Utilities Commission website, via email to those listed with email and via U.S. mail to those without email service. I also caused copies to be hand- delivered as follows: Commissioner Carla Peterman ALJ John S. Wong California Public Utilities Commission California Public Utilities Commission 505 Van Ness Avenue 505 Van Ness Avenue San Francisco, CA 94102 San Francisco, CA 94102 Amy Mesrobian Energy Division California Public Utilities Commission 505 Van Ness Avenue San Francisco, CA 94102 I declare under penalty of perjury that the foregoing is true and correct. Executed this 30th day of June 2017 at San Francisco, California. /s/ Rosa Gutierrez Rosa Gutierrez 3219/003/X192215.v1 CPUC - Service Lists - R1311007 Page 1 of 17 CPUC Home CALIFORNIA PUBLIC UTILITIES COMMISSION Service Lists PROCEEDING: R1311007 - CPUC - OIR TO CONSID FILER: CPUC LIST NAME: LIST LAST CHANGED: JUNE 27, 2017 Download the Comma-delimited File About Comma-delimited Files Back to Service Lists Index Parties CAMERON SEAN GRAY JEREMY WAEN ENERGY AND TRANSPORTATION MANAGER SR. REGULATORY ANALYST COMMUNITY ENVIRONMENTAL COUNCIL MARIN CLEAN ENERGY EMAIL ONLY EMAIL ONLY EMAIL ONLY, CA 00000 EMAIL ONLY, CA 00000 FOR: COMMUNITY ENVIRONMENTAL COUNCIL FOR: MARIN CLEAN ENERGY JOHN BOESEL JOHN W. -
Public Art, Cultural Landscapes, and Urban Space in Venice, California
The Contours of Creativity: Public Art, Cultural Landscapes, and Urban Space in Venice, California Zia Salim California State University, Fullerton Abstract This cross-sectional study examines spatial and thematic patterns of public art in Venice, Los Angeles’s bohemian beach community, to de- termine how public wall art marks the cultural landscape. To do this, 353 items of public art were field surveyed, photographed, and mapped, with the resulting inventory being subjected to content analysis. Data from secondary sources, including the city’s history and demographics, were used to contextualize the results. The results indicate that most public art is located on commercial buildings, with a smaller concentration on residential buildings. A majority of public art in Venice includes three main types of elements: local elements, people, and nature. Although public art is an especially dynamic and ephemeral subject of study, I conclude that an analysis of the locations and themes of public art helps to explain its aesthetic and historic functions and demonstrates its role in Venice’s cultural landscape. Keywords: cultural landscape, public art, street art, murals, Venice Introduction The beach community of Venice is the eclectic epicenter of Los Angeles: for decades wanderers, non-conformers, hippies, and tourists have congregated in this seaside spot to partake in Venice’s unconventional atmosphere and unique architecture. Images of the beach, the boardwalk, and the canals and their bungalows are predominant in popular imaginations of Venice’s urban geography, while popular understandings of Venice’s social geography con- sider its (counter)cultural dimensions as a haven for poets and performers, surfers and skaters, bodybuilders and bohemians, musicians and mystics, and spiritualists and free spirits. -
Digital Photo Proof Pages
F cover 42 summer14:ToC 4/9/14 12:30 PM Page 1 john entenza house 12 texas & florida updates 34, 60 the past perfected 46 SUMMER 2014 $6.95 us/can On sale until August 31, 2014 AtomicRanch 42 3/19/14 6:21 PM Page 1 AUDREY DINING made to order made in america made to last KYOTO DINING SOHO BEDROOM FUSION END TABLE Available near you at: California Benicia - Ironhorse Home Furnishings (707) 747-1383, Capitola - Hannah’s Home Furnishings (831) 462-3270, Long Beach - Metropolitan Living (562) 733-4030, Monterey - Europa Designs (831) 372-5044, San Diego - Lawrance Contemporary Furniture (800) 598-4605, San Francisco - Mscape (415) 543-1771, Santa Barbara - Michael Kate Interiors (805) 963-1411, Studio City - Bedfellows (818) 985-0500, Torrance - Contemporary Lifestyles (310) 214-2600, Thousand Oakes - PTS (805) 496-4804, Colorado Fort Collins - Forma Furniture (970) 204-9700, Connecticut New Haven - Fairhaven (203) 776-3099, District of Columbia Washington - Urban Essentials (202) 299-0640, Florida Sarasota - Copenhagen Imports (941) 923-2569, Georgia Atlanta - Direct Furniture (404) 477-0038, Illinois Chicago - Eurofurniture (800) 243-1955, Indiana Indianapolis - Houseworks (317) 578-7000, Iowa Cedar Falls - Home Interiors (319) 266-1501, Manitoba Winnipeg - Bella Moda (204) 783-4000, Maryland Columbia - Indoor Furniture (410) 381-7577, Massachusetts Acton - Circle Furniture (978) 263-7268, Boston - Circle Furniture (617) 778-0887, Cambridge - Circle Furniture (617) 876-3988, Danvers - Circle Furniture (978) 777-2690, Framingham - Circle -
Eames House: a Precedent Study
EAMES HOUSE: A PRECEDENT STUDY Lea Santano & Lauren Martin Table Of Contents LOCATED in the Pacific Palisades General Information THE EAMESES are best known for area of Los Angeles, California. The Eames their groundbreaking contributions to House is composed of a residence and architecture, furniture design, industrial studio overlooking the Pacific Ocean. design and manufacturing, and the photographic arts. “The Architect & The Painter” THE DESIGN is one of the few architectural works DESIGNED by Charles and Ray Eames, the original attributed to Charles Eames, and embodies many of design of the house was proposed by Charles and Ray the distinguishing characteristics and ideals of postwar as part of the famous Case Study House program for Modernism in the United States. John Entenza’s Arts & Architecture magazine. DATES OF SIGNIFIGANCE for THE EAMES HOUSE THE IDEA of a Case Study house was the Eames House coincide with the has been regarded as one of to hypothesize a modern household, residency of its designers, extending the most significant elaborate its functional requirements, have from 1949 until 1988. experiments in American an esteemed architect develop a design Other dates include 1978. domestic architecture. that met those requirements using modern materials and construction processes. SITE INFORMATION AND SPECIFICS PLANS/AXO/SECTIONS The Studio Bay Above is a picture of the original design of the Eames House. It was later adjusted to fit in with the The Resdiential Bay environment surrounding the property. The Eameses wanted to build something that worked with the site, not just something placed on top of it. This axonometric drawing breaks down the Case Study House concept and construction #8 of the Eames House. -
Development Guidelines for Division 6 Joint Development
Los Ange les County Metropolitan Transportation Authority DEVELOPMENT GUIDELINES FOR DIVISION 6 JOINT DEVELOPMENT June 2019 ®Metrd TABLE OF CONTENTS 1. OVERVIEW 1 Joint Development Process Community Outreach Site Description 2. VISION FOR DEVELOPMENT 10 Context and Value of Venice Vision for the Site Primary Goals 3. REGULATORY AND POLICY FRAMEWORK 16 City of Los Angeles - General Plan and Zoning City of Los Angeles - Venice Community Plan California Coastal Commission - Venice Local Coastal Program Metro Joint Development Program: Policies and Process Metro Complete Streets Policy Metro First Last Mile Strategic Plan Los Angeles Department of City Planning - Bicycle Plan and Mobility Element Los Angeles Department of City Planning - Plan for a Healthy Los Angeles Metro Green Places Toolkit Vision Zero City of Los Angeles Stormwater Program 4. PROGRAM GUIDELINES 20 Uses Mixed-Income Housing Community- and Visitor-Serving Retail Dedicated Community Space Hotel Parking Mobility Features and Facilities Open Space and Walk Street Public Art 5. DEVELOPMENT GUIDELINES 27 Community Connectivity Community Space Architecture and Building Design Sustainability and Resilience Mobility APPENDIX 39 A. Outreach Summary Report B. Site Development Scenarios Evaluation C. Design Guidelines Checklist D. Market Fact Sheet This page was intentionally left blank. 1. OVERVIEW The Los Angeles County Metropolitan Transportation Authority (“Metro”) has prepared these Development Guidelines (“Guidelines”) to communicate community stakeholders’ and Metro’s desires for the joint development of the Metro-owned property known as Division 6 (see Figure 1). Division 6 (“Site”) is a 3.12-acre property located at 100 Sunset Avenue in Venice. On January 28, 2016, the Metro Board of Directors adopted a motion calling for a community-based process to determine a new use for Division 6 through Metro’s Joint Development program. -
Palm Canyon (Lyric Landscape), 1968 Artist
Title - Palm Canyon (Lyric Landscape), 1968 Artist - Edward Biberman American, 1904-1986 Oil on Masonite Gift of the Estate of Genevieve U. Gilmore; Courtesy of Mrs. Martha Parfet, Mrs. Carol Boudeman and Mrs. Jane Vojnovich Spotlight Paper - Josie Gomez, 2019 Artist’s Background Information; Edward Biberman was born in Philadelphia on October 23, 1904. He died in 1986 at the age of 81 in the Hollywood Hills home he shared with his wife Sonja. Biberman was born to Jewish immigrant parents from Russia. His father, Joseph, left his homeland at the age of 18 to come to the United States seeking the “American Dream”. By the time he was 30 years old Edward’s father was a very successful businessman. Edward was the youngest of three children. He was 16 years old when he graduated from high school. He received a scholarship to the University of Pennsylvania and graduated at the age of 19 with a degree of Bachelor of Science in Economics. In 1924 at the age of 20 he enrolled as a full-time student at the Academy of Fine Arts in Pennsylvania. Edward was now fully committed to a life in art. Edward’s father resigned himself to the fact that his youngest son would not take over the family business. In June of 1926 after graduating from the Fine Arts Academy he sailed to Europe, living in Paris from 1926-29 where he met many artists and writers. While he enjoyed his time in Europe he realized he wanted to return to America. His career as an artist was launched with an exhibition in Paris in 1927. -
Historical Resource Assessment for 1639–1641 Abbot Kinney Boulevard, City and County of Los Angeles, California
HISTORICAL RESOURCE ASSESSMENT FOR 1639–1641 ABBOT KINNEY BOULEVARD, CITY AND COUNTY OF LOS ANGELES, CALIFORNIA Dec ember 2019 PREPARED FOR Thomas S. Shin Balios Capital, LLC 22 Village Circle Manhattan Beach, CA 90266 PREPARED BY SWCA Environmental Consultants 51 W. Dayton Street Pasadena, CA 91105 This page intentionally left blank. Historical Resource Assessment for 1639–1641 Abbot Kinney Boulevard, City and County of Los Angeles, California Prepared for Thomas S. Shin Balios Capital, LLC 22 Village Circle Manhattan Beach, CA 90266 Prepared by Nelson White, M.S.H.P. SWCA Environmental Consultants 51 W. Dayton Street Pasadena, CA 91105 (626) 240-0587 www.swca.com Contact Nelson White, M.S.H.P. Project Manager [email protected] SWCA Project No. 50531 SWCA CRRD No. 18-518 December 11, 2019 This page intentionally left blank. Historical Resource Assessment for 1639–1641 Abbot Kinney Boulevard, City and County of Los Angeles, California EXECUTIVE SUMMARY Purpose and Scope: Thomas S. Shin of Balios Capital, LLC retained SWCA Environmental Consultants (SWCA) to prepare a Historical Resource Assessment (HRA) for the property (Assessor Parcel No. [APN] 4241-036-035) located at 1639–1641 Abbot Kinney Boulevard (subject property) in the City and County of Los Angeles, California (City). Located on the property are two buildings: the older is a one-story wood- clad building constructed in 1918 and located toward the rear of the property, and the other is a three-story building constructed in 1935. Mr. Shin proposes to preserve the rear building onsite by elevating it and creating an open carport below, and to expand the front building.