DOCSLIB.ORG

Annual Miehigan

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Annual Miehigan SehooJernft CoUege July 21, 2002 12-10:30 pm 8th annual Miehigan TM Festival 2 Michigan~estival Midge was a major planner of the Jazz Nexus in cooperation with the Music Performance Trust Fund. She refers to this program as one of her favorite efforts. The program was presented free to eight high schools and consisted of five performances by established local bands, with narration describing the evolution of jazz from its early beginnings in the cotton fields through the present. It offered students and the to Midg~e""~ general public the opportunity to learn about America's only cultural art form, in the best possible way - jazz, live and free. Ellis learned from herfather in Corbin, Kentucky Me In those years she, along with Pete Reckenbeil, put how to listen to jazz and developed a passion for the music. She will try to share it with anyone who will sit still together another jazz project. The Showers Club was long enough to listen. She has spent her life volunteering started to showcase the art of jamming/improvisation. to bring this wonderful music to the masses. A group was formed of superb local musicians - George Benson, sax; Terry Pollard, piano; Lou Smith, She began booking bands into country clubs in trumpet; Jerry McKenzie, drums; and Dan Jordan, Greenwood and Jackson, Mississippi, Baton Rouge, bass. This group would perform every Sunday night. Louisiana and Louisville, Kentucky. She gave them the Incidentally, the night that the big bands performed at great swing bands of the day, such Clarenceville. Midge would invite the big as Kay Kaiser, Gene Krupa, Les bands to sit in at the Shower's Club Brown, Jimmy Dorsey, Jan Garber sessions. The bands of Buddy Rich, and others. When she moved to Maynard Ferguson, Harry James, Stan Livonia, Michigan, the beat went Kenton and Lionel Hampton showed up on. to jam after performing at Clarenceville. She helped introduce Detroit to Mama Jazz, the name given to her by the big bands and the swinging Bob Talbert, joined Schoolcraft College combos, beginning in 1969 and in the 70's to become special events into early 19S0 , when she coordinator. Bob penned it right when he promoted jazz concerts at wrote "Next to her family and jazz, Midge Clarenceville High School's Ellis-Mama Jazz-loves Schoolcraft Schmidt Auditorium, as a College and it loves her in return." That fundraiserforthe Children's love was key to transferring the Michigan Cultural Series. The big bands Jazz Festival from the Botsford Inn to enjoyed performing at Clarenceville because of the Schoolcraft College where her mission is still giving the venue and the fact that Midge treated them all like students and the general public the opportunity to royalty. The auditorium was recently presented with a learn about America's only cultural art form , in the best historic plaque as a result of the Jazz Series. possible waY-Jazz, live and free! Festival Guide------------- Salute to Midge Ellis ......................................... 3 Map of Events ..................................................... 8 General Information (food, gifts) .................... 4 Performing Artists (alphabetical listing) ........ 10 Festival Sponsors .............................................. 5 Music at Schoolcraft College .......................... 12 Your Guide to the Concerts ............................. 6 Acknowledgments ....................... ...................... 14 Schedule of the Bands ... .................................. 7 Jazz Festival Mission Statement ..................... 15 Michigan ~ estival 3 FOOD COURT Located in the grassy courtyard south of the Waterman Center and west of the Forum Buildings. Check out the Herrold/Gordon Small Band Menu includes hot dogs, sandwiches, pizza, ice at 9:00 in the Red Tent cream and assorted soft drinks. Provided by the Schoolcraft College Food Service Department dining room and excellent service. Prices range underthe able direction of Tom Savage. from $7 -1'2 for a luncheon entree. An outstanding selection of freshly prepared desserts are offered daily Reservations are necessary Please phone OCELOT GRILL 734-46'2-4488 at least one week in advance. Located in Lower Waterman Center. Menu includes hot dogs, sandwiches, pizza, ice cream and assorted JAZZ FESTIVAL INFORMATION soft drinks. Provided by the Schoolcraft College Food Service Department. Beer and wine will be Michigan Jazz Festival Headquarters is located in available at the festival. See alcohol restrictions W 102 in Lower Waterman Center. below. Festival T-shirts, hats and pins are available at the Jazz Shops. Look for them next to the Waterman AMERICAN HARVEST RESTAURANT Center near the Red Tent (under a tree) and (Upper Waterman - NE Corner) inside the Lower Waterman Center. This restaurant will be open from 1 :00-8:00 PM. under the supervision of the Food Service Depart­ ALCOHOL RESTRICTIONS ment. The room is adjacent to the stage in the Upper Schoolcraft's alcoholic beverage license limits sale Waterman and will feature a buffet with salad, two and consumption to the Waterman Center. Beer and entrees, vegetable , potato, dessert, coffee, tea or wine available in American Harvest and lemonade. Beer and wine extra. Price is $9.95 plus Ocelot Grill MUST BE CONSUMED IN tax and gratuity. No reservations. WATERMAN CENTER The restaurant is open during Fall and Winter Schoolcraft's Public Safety officers are semesters, Tuesday through Friday, 11 :45 AM.-1 ready to enforce this restriction. P.M. and is open to the public. The menu changes daily, featuring original gourmet dishes, created by students and chefs. The faculty includes four Certified Master Chefs. The success of this program is acclaimed all over the world . The fine dining experience is enhanced by the newly renovated 4 Michigan ~estival Michigan Jazz F sors The U.S. Recording Companies furnish funds John E. & Marlene Boll Foundation in part for the instrumental music for these performances through the Music Performance Trust Funds, as arranged by Local No. 5, American ~ Southeastern Michigan Jazz Federation of Musicians. ~ - Association (SEMJA) produces a monthly SEMJA Update, profiling jazz events and musicians and a very thorough calendar of both Lear Corporation, a Fortune 150 on-going and special events. SEMJA is dedicated to the company headquartered in education, performance and furtherance of Jazz. Southfield, Michigan, USA, focuses on integrating automotive interiors, including seat systems, interior trim and electrical systems. With annual net Intier Automotive is a full seat systems sales of $13.6 billion, Lear ranks as the world's fifth-largest INTIER provider with specialized expertise in automotive supplier. The company's world-class products are delivering feature-based functionality designed, engineered and manufactured by over 115,000 through mechanical systems. employees in more than 300 facilities in 33 countries. Headquartered in Livonia, Michigan, Intier Automotive is a global Information about Lear and its products is available on the Internet automotive supplier with more than 10,000 employees and at http://www.lear.com. operations worldwide. Intier Automotive is a Magna go-to company. InmartGroup Limited Inmartliroup is a multi-faceted marketing LIMI T ED I ~ I THE WOODBRIDGE GROUpS corporation that specializes In promoting your company's goals, image and marketing The Woodbridge Group is a global leader in the strategies through personalized programs and special events. production of automotive polyurethane foam components for They offer award programs for safety-on-the-job, recognition for seating, interior safety, headliners and acoustical applications. years of service, incentives including merchandise and travel for Also providing slab and roll goods foam products, contract sales people and employees. Establishing your company's assembly and sequencing services, engineering, prototyping, professional identity through custom imprinted merchandise, development and testing capabilities. including screened and embroidered wearables, is our specialty. Morry Cohen Since developer Morry Cohen's Somerset North opened, he has devoted much of his time to charitable organizations such as Variety, Senior Citizens, Hospices of Southeastern Michigan and most recently to the Child Abuse and Neglect Council. Morry and Margo Cohen's generous contributions to keeping the music playing are significant, including Michigan Opera Theater, Orchestra Hall and the Michigan Jazz Festival. They match the funds provided by the Music Performance Trust Funds, Detroit Federation of Musicians-LocaI5, making this festival's fund raising much easier. Thank you, Margo and Morry! ~ d~ule of the Bands ___ GEORGE BENSON QUARTET #1 HERROLD/GORDON SMALL BAND #7 7:45-8:45/Lower Waterman 9:00-10:00/Red Tent Band Member Instrument Bands Band Member Instrument Bands George Benson sax 1 2 Edie Herrold bass 7 Don Mayberry bass 1 15 Nell Gordon gUitar 7 Tom Brown drums 1 ..esan Glttlnger drums 7 Chuck Shermetaro plano 1, 21 23 MarkKleme sax 5.710 Paul Finkbeiner trumpet 7 10 BESS BONNIER QUARTET #2 (bring your .. x) #8 4:30-5:30/Red Tent JAM SESSION Band Member Instrument Bands 3:00-4:00/Red Tent Bess Bonnier plano 2 Band Member Instrument Bands Paul Keller bass 210 ...effTrudell drums 8.23 Pete Siers drums 2 10.11 Ernie Daunter bass 3.8 George Benson sax 2.1 Leith Alsaad gUitar 8 ..bse Carre taro PIBno 8 BROOKSIDE JAZZ ENSEMBLE W/JUOI&COCHILL #3 Don SWindell trumpet 8.13 4:30-6:00/Upper Waterman NAIMA SHAMBORGUER QUARTET #9 Band Member Instrument Bands J.Jde Cochlll vocals 3 3:
Load more

Recommended publications
  • 2003 12-10:30 Pm the Following Volunteers Are Largely Responsible for the Successful Operation of the Festival
    Michi an Festival Schoolcraft College July 20, 2003 12-10:30 pm The following volunteers are largely responsible for the successful operation of the festival. They are wearing navy blue T-shirts and will assist you in finding your way to your favorite performances, dining, the Jazz Walk and Steinway Jazz Cafe. Just ask! Enjoy! Richard Aja Jim Gumley Shroyer Family Rose Apple Carol & Fritz Patti Smith Molly Berkau Hansen Betty Smolinski Phyllis Berryman Jeanette Harris Dave, Carol & John Brady Pat Hill Travis Sneary Robin Bringard Kristin Hoy Lynne Standley- Ryan Mary Beth Busto Paul Hunt Ray & Shirley Jack Campau Karen Kendall Steinke Judi Cartright Barbara Lawlor Sam & Bonnie Ted & Liz Janie Clark Stock Linderman Jim & Sharon Mary Ann Edward Methot Cooper Sutherland Ken Murray Mary Ann Cripps Barbara Taylor Jim Newman Deborah Dani Jean & Karen Peter Davis Marcel Niemiec Tomalis Brenda & Fred Cindy Pierson Tom Tomczak Durling Kristin & Pat Linda & Steve Van Michele Elias Prouty Haverbeke M.J. Falls Arnie Robinson Fred Welsh Joyce Galindo Catherine Sailus Marlene Werts Anne Gallagher Joan Schott Marnee Westberg Chris Geinzer Dianne See Patricia Wheatley Nancy Gillis Mary Sen Bob, Betty & Ann Zimmerman Charles & Louise David Sharpe Greenwald Salute to Jack Pierson The Pied Piper of Jazz Just mention Jack Pierson's name to a group of jazz fans and someone will always tell you they were in one of his bands at Fordson High School, Henry Ford Community College or Schoolcraft College. These students follow him around as though he was the Pied Piper. They love playing for him, admire him and say they never fail to learn something .1_ new each time.
    [Show full text]
  • Blue Note Iis Musicianship the FINEST in JAZZ RALPH J
    and willuighcu z can show. er-an anger By. blue note iis musicianship THE FINEST IN JAZZ RALPH J. GLEASON mire his troin- SINCE 1939 I his solos here (San Francisco Chronicle) ce chances and Band—Duke 1111ngtr sonni clârk resting solos in Miles Davis. is going to lie ■ conception u! rhythm section, >eems Io me tar I enor Sax—John Coltrane (James a teal alliance Clay) . Baritone Sax — Harry Carney (No choice) . Clarinet- Orleans No choice (No choice) . Piano— ESTREETS THE GRAS—Folk »ay । Ei loll (.arner (Red Garland) . Bass—Paul Chambers (Scott LaFaro) it cries (veritable A lone and Timet . Guitar ■ Alexander); Street ph); Liebestraum Montgomery ) Drums Mean Old Trite a-Bac-A-Way, Tht SONNY CLARK ' Blue Coot, Tht Cool Strvtttn* with Art Farmer, Jackie Me .Milt Jackson (Budch Montgomery) RELAXIN' WITH THE nd "The Indians" Lean, Paul Chamber», "Philly” Joe Jones. ("Hank”); Bour- . .Malt Singer—Louis Armstrong, MILES DAVIS QUINTET FRLP 7129 Cool Sfruffin'. Blue Minor, Sippin' al Belli ■ of The Krewe of Flank Sinatra (No choice) . Fe­ MORE OF THE FABULOUS "COOKIN' " SET YOU Go Marching It, Deep Night. LIKtC SO MUCH' RELAXIN' WITH THE MILES e (various street BLUE NOTE 1588 male Singer—Sarah Vaughan (Ernes­ DAVIS QUINTET is one of the most informally ac­ tine Andri son). curate definitions of jazz recorded in some time". Nat Hentoff: Noted Jou Critic As time goes on, it seems to me, BRASS BAND- MORNIN' LONG (reheartall, Troth that the stature ol Ellington grows REO GARLAND QUINTET r To Stay Hert, aryland My Mary­ inexorably while the promise that is inherent in others frequently dies .
    [Show full text]
  • Acoustic Sounds Catalog Update
    WINTER 2013 You spoke … We listened For the last year, many of you have asked us numerous times for high-resolution audio downloads using Direct Stream Digital (DSD). Well, after countless hours of research and development, we’re thrilled to announce our new high-resolution service www.superhirez.com. Acoustic Sounds’ new music download service debuts with a selection of mainstream audiophile music using the most advanced audio technology available…DSD. It’s the same digital technology used to produce SACDs and to our ears, it most closely replicates the analog experience. They’re audio files for audiophiles. Of course, we’ll also offer audio downloads in other high-resolution PCM formats. We all like to listen to music. But when Acoustic Sounds’ customers speak, we really listen. Call The Professionals contact our experts for equipment and software guidance RECOMMENDED EQUIPMENT RECOMMENDED SOFTWARE Windows & Mac Mac Only Chord Electronics Limited Mytek Chordette QuteHD Stereo 192-DSD-DAC Preamp Version Ultra-High Res DAC Mac Only Windows Only Teac Playback Designs UD-501 PCM & DSD USB DAC Music Playback System MPS-5 superhirez.com | acousticsounds.com | 800.716.3553 ACOUSTIC SOUNDS FEATURED STORIES 02 Super HiRez: The Story More big news! 04 Supre HiRez: Featured Digital Audio Thanks to such support from so many great customers, we’ve been able to use this space in our cata- 08 RCA Living Stereo from logs to regularly announce exciting developments. We’re growing – in size and scope – all possible Analogue Productions because of your business. I told you not too long ago about our move from 6,000 square feet to 18,000 10 A Tribute To Clark Williams square feet.
    [Show full text]
  • January and February
    VIETNAM VETERANS OF AMERICA Office of the National Chaplain Taps January/February 2015 ERIC C. ADAMS - Died Friday, September 26, 2014 at Duke Raleigh Hospital in Raleigh, North Carolina at the age of 67. He was a resident of Raleigh and formerly of Jay, New York. The cause of death is unknown. He was born to the late Ralph and Alice (née McDonald) Adams of Jay, New York on September 10, 1947. He received his early education in a two-room school house in Jay and graduated in 1965 from AuSable Forks High School, Au Sable Forks, NY. Upon graduating Eric volunteered to serve his country in the United States Army. He was first trained as a Construction Engineer at Fort Leonard Wood, Missouri, then at Fort Riley, Kansas trained in carpentry. He served the next 13 months in Vietnam. Upon his return from Vietnam he married Elaine Furnia, his high school sweetheart, on July 29, 1967. He was a retired maintenance mechanic with Cornell University. Eric was an active member of Northside Community Church in Knightdale, NC and until his health declined assumed many roles as usher, greeter, janitor and painter. He was always willing to help wherever he was needed. He was an At-Large Member of Vietnam Veterans of America – North Carolina. Eric leaves behind his mother Alice Adams of Plattsburg; wife, Elaine; daughters: Carrie (Jay) of Lake Royale, Jaime (Scott) Rose of Wendell and son Eric (Tami) of Gatlinburg, TN; grandchildren: Breanna and Garrett Bassett, Karl Golden, Brennen and Liam Rose; brother, Ralph Adams of Jay, NY; sister, Madeline (Gary) Senecal of Peru, NY.
    [Show full text]
  • The Avant-Garde in Jazz As Representative of Late 20Th Century American Art Music
    THE AVANT-GARDE IN JAZZ AS REPRESENTATIVE OF LATE 20TH CENTURY AMERICAN ART MUSIC By LONGINEU PARSONS A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2017 © 2017 Longineu Parsons To all of these great musicians who opened artistic doors for us to walk through, enjoy and spread peace to the planet. ACKNOWLEDGMENTS I would like to thank my professors at the University of Florida for their help and encouragement in this endeavor. An extra special thanks to my mentor through this process, Dr. Paul Richards, whose forward-thinking approach to music made this possible. Dr. James P. Sain introduced me to new ways to think about composition; Scott Wilson showed me other ways of understanding jazz pedagogy. I also thank my colleagues at Florida A&M University for their encouragement and support of this endeavor, especially Dr. Kawachi Clemons and Professor Lindsey Sarjeant. I am fortunate to be able to call you friends. I also acknowledge my friends, relatives and business partners who helped convince me that I wasn’t insane for going back to school at my age. Above all, I thank my wife Joanna for her unwavering support throughout this process. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................. 4 LIST OF EXAMPLES ...................................................................................................... 7 ABSTRACT
    [Show full text]
  • Fall 2013 Cat Enti a Edi Ng N D Th I Is E Zz T Ve Ja a Ry Best in Board of Directors H T T I F O R P President
    ening s l lis pace ifu . ut ea ted to pre e b Fall 2013 ica ntin a ed g t in d h is e zz t ve Ja a ry be t in Board of Directors h t t o r p President - r Tim Coakley o From f - the o Treasurer n President Don Nania A Off and Swinging! Secretary Jerry Gordon The 2013 season of A Place for Jazz will get off to a dynamic start on September 20 with a fiery quintet co-led by trumpeter Joe Magnarelli and tenor saxophonist Jerry Weldon. These two have performed on their own several times in the Capital Region Al Brooks but this time they will join forces for an evening of hard-hitting and lyrical music. A Syracuse native, Joe Magnarelli moved to New York City in 1986 and soon became a regular participant in the New York and international jazz scene. From 1987, he Beverly Elander toured and recorded with Lionel Hampton and Brother Jack McDuff. He currently has nine records out as a leader, and has played on numerous jazz labels as a sideman. In 1990, he was a semifinalist at the Thelonious Monk International Trumpet Com- Al Haugen petition in Washington, D.C. He made his debut as a leader with 1994’s “Why Not” (Criss Cross). He followed that with three other CDs on the Criss Cross label: “Always There” (1997), “Mr. Mags” (2000) and “Hoop Dreams” (2005). Anita Haugen He subsequently released “Persistence” (2007) and “My Old Flame” (2010), his first big band recording as a leader.
    [Show full text]
  • Ravi Coltrane Steps out of His Parents' Shadows And
    001_COVER.qxd 7/18/08 3:49 PM Page 1 DOWNBEAT RAVI COLTRANE COURTNEY PINE KENNY WERNER CRAIG TABORN COLTRANE RAVI DownBeat.com $4.99 SEPTEMBER 2008 09 0 09281 01493 5 SEPTEMBER 2008 U.K. £3.50 002-005_MAST.qxd 7/18/08 3:54 PM Page 2 002-005_MAST.qxd 7/18/08 3:55 PM Page 3 002-005_MAST.qxd 7/18/08 3:55 PM Page 4 September 2008 VOLUME 75 – NUMBER 9 President Kevin Maher Publisher Frank Alkyer Editor Jason Koransky Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser Intern Mary Wilcop ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 800-554-7470 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Kansas: Kevin Whitehead; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, Willard Jenkins, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]
  • DE TRINITATE Newsletter of the Society of the Holy Trinity Societas Trinitatis Sanctae Volume 18, Number 2 After Pentecost 2015
    DE TRINITATE Newsletter of the Society of the Holy Trinity Societas Trinitatis Sanctae Volume 18, Number 2 After Pentecost 2015 From the Senior blessed memory), Louis Smith (of blessed memory), Ronald I expect this to be my last newsletter column. I have had Bagnall, Philip Max Johnson, Larry Yoder, and myself. Our a column in every issue of De Trinitate since its inception, work was further honed by the 22 others who signed it at the either as vicar or as senior---nearly 18 years of reflections on first general retreat at Loyola House in Morristown, NJ. I our life together in the Society. I consider writing newsletter think the Rule set a high bar for all of us and we’ve had to say articles to be a very important activity because the newsletter that we’re “growing into it.” (I suspect that’s the case with the reaches our widest audience including ALL members of our rules of all religious orders.) But we’ve also discerned over Society. It’s an opportunity to announce and sometimes clar - the years that many members who come into the Society have ify and always to reflect on what is happening in our Society. no experience of such items in the Rule as praying the daily I have long since learned that the members of STS are a prayer offices, participating in spiritual retreats, engaging in bunch of free-thinkers. You are not easily herded and you all mutual visitation of pastoral colleagues, and practicing have your own opinions on issues. But the other officers and Confession and Absolution.
    [Show full text]
  • Multimedia Processing Techniques for Retrieving, Extracting, and Accessing Musical Content
    Multimedia Processing Techniques for Retrieving, Extracting, and Accessing Musical Content Techniken der Multimediaverarbeitung zur Suche, Extraktion und den Zugriff auf musikalische Inhalte Dissertation Der Technischen Fakult¨at der Friedrich-Alexander-Universit¨atErlangen-N¨urnberg zur Erlangung des Doktorgrades Doktor der Ingenieurwissenschaften (Dr.-Ing.) vorgelegt von Stefan Balke aus H¨oxter Als Dissertation genehmigt von der Technischen Fakult¨at der Friedrich-Alexander-Universit¨atErlangen-N¨urnberg Tag der m¨undlichen Pr¨ufung: 21.03.2018 Vorsitzender des Promotionsorgans: Prof. Dr.-Ing. Reinhard Lerch 1. Gutachter: Prof. Dr. Meinard M¨uller 2. Gutachter: Prof. Dr. Gerhard Widmer Abstract Music constitutes a challenging multimedia scenario. Besides music recordings, there exist a number of other media objects including symbolic music representations, video recordings, scanned sheet music, or textual metadata. Developing tools that allow users to retrieve information from different types of music-related data is central to the research area known as Music Information Retrieval (MIR). This requires techniques from various engineering fields such as digital signal processing, image processing, data management, and machine learning. In this thesis, we develop novel multimedia processing techniques and explore their capabilities and limitations within different complex music scenarios. The thesis consists of three main parts. In the first part, we consider retrieval scenarios within a Western classical music setting. For example, given a short monophonic melodic theme in symbolic notation as a query, retrieve all corresponding documents in a collection of polyphonic music recordings. In another related retrieval scenario, we aim to link the score of musical themes, scanned from book pages, to their symbolic counterparts given in MIDI format.
    [Show full text]
  • PAUL CHAMBERS Bakalárska Práca
    JANÁČKOVÁ AKADEMIE MÚZICKÝCH UMĚNÍ V BRNE Hudební fakulta Katedra jazzové interpretace Hra na kontrabas PAUL CHAMBERS Bakalárska práca Autor práce: Vladimír Micenko Vedúci práce: BcA Rastislav Uhrik Oponent práce: BcA Jaromír Honzák Brno 2014 Bibliografický záznam: Micenko, Vladimír. Paul Chambers Brno: Janáčková akademie múzických uměni v Brne, Hudební fakulta, Katedra jazzové interpretace, rok 2014 (24 stran) Vedúci diplomovej práce BcA, Rastislav Uhrik. Anotácia: Diplomová práca „Paul Chambers“ zahrňuje život, dielo a hráčske umenie kontrabasisty Paula Chambersa. Annotation: Diploma thesis „Paul Chambers“ include life, work and the art of playing of the basist Paul Chambers. Kľúčové slová : Paul Chambers, jazz, univerzalita Keywords: Paul Chambers, jazz, universality Prehlásenie: Prehlasujem, že som svoju prácu spracoval samostatne a použil iba pramene a literatúru, ktoré sú v nej uvedené. V Brne, dňa 26. apríla 2014 Vladimír Micenko Obsah: Úvod...................................................................................................1 1.Zhodnotenie prameňov a literatúry....................................3 1.1 Nahrávky........................................................................................3 1.2 Transkripcie...................................................................................4 1.3Literatúra o P. Chambersovi...........................................................4 2. Začiatky a kariera v NYC....................................................5 2.1 Chambers a rytmické sekcie..........................................................8
    [Show full text]
  • Rube FAUS Pdf VERSION
    Descendants of Reuben Roland Paul Faus Generation No. 1 1. Reuben Roland Paul5 Faus (George Weicker4, William Delong3, Henry (II)2, Henry I1) was born March 04, 1904 in Range Oklahoma March 14???, and died November 17, 1981 in Spearman Tx Hansford County interred Ochiltree Cementary Nov 19. He married Julia Rosa Hibbs February 24, 1930 in Guymond Oklahoma, daughter of Samuel Hibbs and Lura Luke. Notes for Reuben Roland Paul Faus: Obituary Amarillo Daily News Thursday Nov 19 1981 of Rube Faus Rube Faus Spearman: ---Rube Faus 77 died yesterday. Services will be held 2pm tomorrow in Union Church with the Rev Steve Rogers, pastor, officiating. Burial will be in Ochiltree Cemetery by Boxwell Brothers Funeral Directors. Mr. Faus was born in Range, Ok. He moved to Spearman in 1910 He was the owner and operator of Rube's Bootshop since 1932. Survivors include five daughters, Rosa Steele of Vernonia Ore., Juanita Pierce of Spearman TX, Phyllis Mann and Bertha Elene Willison both of Gage Ok. and Ruby Saltness of Amarillo; a son of Harry Faus of Fountain Valley CA. a sister Ella Faus Bushman of Alex, Ark, 26 grandchildren, and 17 Great grand children. casketbearers; Kem Mann Ruben Mann Tracy Mann Lynn Pierce Mike Pierce Tylan Pierce David Oakley John Willison Richard Pierce Jody Willison Pallbearers: Sam Janzen Daniel Newman Carl ScroggsFloyd Fike Jana Janzen J M Randolph Article about Rube Faus and his boot shop Feb. 19 1950 New West Provides Wide Market for Cowboy Boots By Margaret Kirk Amarillo News-Globe Correspondent Spearman: Feb. 18 1950 Rube Faus traded himself into Spearman's industrial stream back in 1933.
    [Show full text]
  • Notre Dame Collegiate Jazz Festival Program, 1973
    Archives of the University of Notre Dame I I r . , I 100­ Archives of the University of Notre Dame ..................... to 0 mmm~m\\\\\\\\~\: ·-"" .''''':. ' ••ill 11: '11..... 1111: · f1111 - . ­ • ~~ ~staff list 1973 NOTRE DAME COLLEGIATE JAZZ FESTIVAL APRIL 12, 13 & 14 Chairman Bob Syburg Advertisements Roger Foley Applications & Accommodations Chuck Leader Artist .............................. Barbara Simonds Black Studies Director , Granville Cleveland Cultural Arts Commissioner . .. Roche Schulfer Super-Coupe... Faculty Advisor James S. Phillips ONLY AT GATES DOWNTOWN High School Contest .................... Mario Avalos START WITH YOUR PICK OF A VEGA Judges Bob Syburg MODEL AND COLOR FROM THE BIG THERE ARE BIG SAVINGS ON SELECTION AT GATES DOWNTOWN. Photographer ........................... Roger Foley VEGA AT GATES DOWNTOWN BECAUSE THERE'S ALWAYS Design yourself a Super-Coupe Prizes .................................. Kenneth Lee A BIG SELECTION. • Start with a Vega Hatchback or Notchback. • Choose your own distinctive hood, side, and rear deck striping. Producer . .. Damian Leader • Pick a contrasting color for your vinyl landau roof. • You can personalize your Vega and choose any of the many Vega Prog~~m options for your added driving comfort. i_ ., , ,. Ellen Syburg I we may not be perfect... but we're working at it. • \ PublICIty T om Roche ~i!.\.1: -,11.11'.11111, .\-·111 ,. '0' -'0'­ •to 0 •••••••••••• , ••••••••••••'0' •••••• . ~ . l· ,1I11~1II' . \~ \~\\N~\j1\\\W\\ lI,i.lIlll.~ ". ._ __-;......: . .... -I_ __. .. J .. • Archives of the University of Notre Dame It is easy for one so young to think fifteen years is Thanks to this year's diverst and talented judges' an eternity. I was six and probably in bed when the panel, Dan Morgenstern, Alvin Batiste, Gil Evans, Joe first "cool" tones of the Midwest Collegiate Jazz Fes­ Farrell, Hubert Laws, Jimmy Owens and Roy Haynes, tival echoed through the rafters and across the dirt and to our master of ceremonies Willis Conover, who floors of the old Fieldhouse.
    [Show full text]