2019 Program Bibliography

LAND ARTS OF THE AMERICAN WEST

2019 PROGRAM BIBLIOGRAPHY

Abbey, Edward. The Monkey Wrench Gang. Philadelphia: Lippincott, 1975. ______. Desert Solitaire. Tucson: University of Arizona Press, 1988. Abram, David. The Spell of the Sensuous: perception and language in a more-than- human world. New York: Viking, 1997. Abrams, Janet, and Peter Hall (eds.). Else/Where: Mapping. Minneapolis: University of Minnesota Design Institute, 2006. Acconci, Vito & Craig Douglas Dworkin . Language to Cover a Page: the early writings of Vito Acconci. Cambridge: MIT Press, 2006. Adams, John Luther. The Place Where You Go to Listen: in search of an Ecology of Music. Middletown, Connecticut: Wesleyan University Press, 2009. Adcock, Craig. James Turrell: the Roden Crater Project. Tucson: University of Arizona Musuem of Art, 1986. Allen, Terry with texts by Dave Hickey and essays by Marcia Tucker and Michael Ventura. Terry Allen. Austin: University of Texas Press, 2010. Allen, Stan and Marc McQuade (eds.). Landform Building: architecture’s new terrain. Baden, Switzerland: Lars Mueller and Princeton University School of Architecture, 2011. Allen, Terry, with texts by Dave Hickey and essays by Marcia Tucker and Michael Ventura. Terry Allen. Austin: University of Texas Press, 2010. Alonso Zuniga, Pedro Ignacio (ed). Deserta: ecologia e industria en el Desierto de Atacama. Santiago, Chile: ARQ, 2012. Ambroziak, Brian M. and Jeffery R. Ambroziak. Inﬁnite Perspective: two thousand years of three-dimensional map making. New York: Princeton Architectural Press, 1999. Andrews, Max (ed.). Land, Art: a cultural ecology handbook. Manuf: Royal Society for the Encouragement of the Arts, 2006. Aravena, Alejandro and Andras Iacobelli (eds). Elemental: incremental housing and participatory design manual. Ostﬁldern, Germany: Hatje Cantz, 2016 (second edition). Aronson, Shlomo. Aridscapes: proyectar en tierras asperas y fragiles / designing in harsh and fragile lands. Barcelona: Editorial Gustavo Gili, 2008. Avedon, Richard. Richard Avedon in the American West. New York and Ft. Worth: Abrams and Amon Carter Museum, 1985. Baker, Kenneth. The Lightning Field. New Haven and London: Yale University Press, 2008. Ballard, J.G.. Crash. New York: Picador, 1973. ______. The Best Short Stories of J.G. Ballard. New York: Picador, 1978. Banham, Reyner. Scenes in America deserta. Salt Lake City: Gibbs M. Smith, 1982.

Chris Taylor — Director of Land Arts of the American West at Texas Tech University Aug 16, 2019 College of Architecture — 3016 18th Street, Rm 1005 — Lubbock, Texas 79409-2091 Page 1 of 17 806-834-1589 — [email protected] LANDARTS.ORG LAND ARTS OF THE AMERICAN WEST

2019 PROGRAM BIBLIOGRAPHY

Bargellesi-Serveri, Guglielmo (ed.). Robert Smithson Slideworks. Verona, Italy: Carolo Frua, 1997. Barreto, Igor. The Blind Plain / El Llano Ciego. Portland: Tavern Books, 2018. Basso, Keith. Wisdom Sits in Places. Albuquerque: University of New Mexico Press, 1996. Bateson, Gregory. Steps to an Ecology of Mind. Chicago : University of Chicago Press, 1972. Bauer, Curtis. Fenceline. Kansas City, MO: BkMk Press and University of Missouri, 2004. ______. The Real Cause for Your Absence. Chattanooga, TN: C&R Press, 2013. Baum, Kelly (ed.). Nobody’s Property. Princeton and New Haven: Princeton University Art Museum and Yale University Press, 2010. Beardsley, John. Earthworks and Beyond. New York: Abberville Press, 1998, 3rd Edition. Beck, Jarrod. Balance. Caracas: Backroom CCS and Universidad Central de Venezuela, 2015. ______. The Moon. New York: Jarrod Beck, 2016. Balanger, Pierre and Alexander Arroyo. Ecologies of Power: counter mapping the logistical landscapes and military geographies of the U.S. Department of Defense. Cambridge, Mass & London: MIT Press, 2016. Berger, Alan. Reclaiming the American West. New York: Princeton Architectural Press, 2002. ______. Drossscape: wasting land in urban America. New York: Princeton Architectural Press, 2006. Berman, Michael and Mary Anne Redding (ed). Gila. Santa Fe, NM: Museum of New Mexico Press, 2012. Bey, Hakim. T.A.Z.: the temporary autonomous zone, ontological anarchy, poetic terrorism. New York: Autonomedia, 2004. Blauvelt, Andrew. Hippie Modernism: the struggle for utopia. Minneapolis: Walker Art Center, 2015. Blondet, Josa Luis, Candice Hopkins and Ruba Katrib. Sitelines 2018: Casa Tomada. Santa Fe, NM: SITE Santa Fe, 2018. Blume, Eugen, Matilda Felix, Gabriele Knapstein, & CAterine Nichols (eds). Black Mountain: an interdisciplinary experiment 1933-1957. Berlin: Spector Books, 2015. Bogard, Paul. The End of Night: searching for natural darkness in an age of artiﬁcial light. New York: Little Brown & Co, 2013. Bogener, Steve & William Tydeman, Barry Lopez. Llano Estacado: an island in the sky. Lubbock: Texas Tech University Press, 2011. Bourdon, David. Designing the Earth: the human impulse to shape nature. New York: Abrams, 1995.

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2019 PROGRAM BIBLIOGRAPHY

Bowden, Charles. Killing the Hidden Waters. Austin: University of Texas Press, 1977. Bowden, Charles with Michael Berman. Inferno. Austin: University of Texas Press, 2006. Bowden, Charles. Some of the Dead are Still Breathing: living in the future. Orlando: Houghton Mifflin Harcourt, 2009. Bowden, Charles with Michael Berman. Trinity. Austin: University of Texas Press, 2009. Boyd, Carolyn E. . The White Shaman: an enduring creation narrative in the rock art of the Lower Pecos. Austin: University of Texas Press, 2016. Brody, J.J., and Swentzell, Rina. To Touch the Past: The Painted Pottery of the Mimbres People. New York: Hudson Hills Press, 1996. Brower, Kenneth. The Starship and the Canoe. New York: Perennial, 1983. Burnham, Jack. Great Western Salt Works. New York: George Braziller, 1974. Burton, Johanna, Lynne Cooke, and Josiah McElheny (eds.). Interiors. Annadale-on- Hudson, NY and Berlin: Bard Center for Curatorial Studies and Sternburg Press, 2012. Butler, Cornelia H., Lee Weng Choy & Francis Pound. Flight Patterns. Los Angeles: The Museum of Contemporary Art, 2000. Campany, David. a Handful of Dust: from the cosmic to the domestic. London: MACK, 2015. Canfield, Michael, (ed.). Field Notes on Science and Nature. Cambridge: Harvard University Press, 2011. Careri, Francesco. Walkscapes: walking as an aesthetic practice. Barcelona: Editorial Gustavo Gili, 2002. Carvajal, Rina (ed.). Tacita Dean: Film Works. New York: Charta Books, 2007. Castleberry, May, et al.. Perpetual Mirage: Photographic Narratives of the Desert West. New York: Whitney Museum of Art, 1996. Caswell, Kurt. In the Sun's House: My Year Teaching on the Navajo. San Antonio: Trinity University Press, 2009. Cerizza, Luca. Alighiero e Boetti: Mappa. Cambridge: MIT Press, 2008. Childs, Craig. The Secret Knowledge of Water. Seattle: Sasquatch Books , 2000. Chinati Foundation, and authors. Art and Architecture. Marfa: The Chinati Foundation, 2000. ______. Art in the Landscape. Marfa: The Chinati Foundation, 2000. Christensen, Julia. Big Box Reuse. Cambridge: MIT Press, 2008. Christov-Bakargiev, Carolyn, Bettina Funcke and Katrin Sauerlander. dOCUMENTA (13). Ostfildern, Germany: Hatje Cantz, 2012. Chronic, Halka. Roadside Geology (series by state). Missoula, Montana: Mountain Press, 2003.

Chris Taylor — Director of Land Arts of the American West at Texas Tech University Aug 16, 2019 College of Architecture — 3016 18th Street, Rm 1005 — Lubbock, Texas 79409-2091 Page 3 of 17 806-834-1589 — [email protected] LANDARTS.ORG LAND ARTS OF THE AMERICAN WEST

2019 PROGRAM BIBLIOGRAPHY

Ciudad Abierta, . Amereida. Valparaiso, Chile: Escuela de Arquitectura y Diseao PUCV, 2011 (originally published 1967). Cohen, Paul E. Mapping the West: America’s Westward Movement 1524-1890. New York: Rizzoli, 2002. Connor, Linda, Polly Schaafsma, Keith Davis, et al. Marks in Place: contemporary responses to rock art. Albuquerque: University of New Mexico Press, 1988. Cooke, Lynne, Karen Kelly (eds.). Robert Smithson: Spiral Jetty. Berkeley: University of California Press, 2005. Coolidge, Matthew. The Nevada Test Site: a guide to America’s nuclear proving ground. Culver City: Center for Land Use Interpretation, 1996. Coolidge, Matthew, Sarah Simons (eds.). Overlook: Exploring the Internal Fringes of America with the Center for Land Use Interpretation. New York: Metropolis Books, 2006. Cordell, Linda. Archaeology of the Southwest. San Diego, California: Academic Press, 1997, 2nd Edition. Corner, James. Taking measures: across the American landscape. New Haven: Yale University Press, 1996. Cortazar, Julio. Blow Up and Other Stories. New York: Pantheon Books, 1967. Cosgrove, Dennis. Apollo’s Eye: A Cartographic Genealogy of the Earth in the Western Imagination. Baltimore: Johns Hopkins University Press, 2003. Cronin, Elizabeth, Zachary Wignall, Levi Wiegand, Johnathon Smith and Amanda Rutherford (eds.). VORKURS: Making (Volume 1). Gainesville, Florida: University of Florida Graduate School of Architecture, 2017. Cummins, Ann. Red Ant House: stories. New York: Houghton Mifﬂin Company, 2003. Davey, Moyra & Alison Strayer. Moyra Davey: burn the diaries. Brooklyn, NY: Dancing Foxes Press, 2014. Dean, Tacita, and Alan Hollinghurst et al. Tacita Dean: landscape, portrait, still life. London: Royal Academy of Arts, 2018. Dean, Tacita and Nicholas Cullinan. Film. London: Tate Publishing, 2011. Dean, Tacita. JG: a ﬁlm project by Tacita Dean. Glenside, PA: Arcadia University Gallery, 2013. deBuys, William & Alex Harris. River of Traps. Albuquerque: University of New Mexico Press in association with the Center for Documentary Studies at Duke University, 1990. deBuys, William & Joan Myers. Salt Dreams: land & water in low-down California. Albuquerque: University of New Mexico Press, 1999. Decker, Julie. Unsettled : art + environment conference 2017. Munich: Hirmer Verlag, 2017. Deleuze, Gilles & Felix Guattari. Nomadology: the war machine. New York: Semiotext(e); distributed by MIT Press, 1986.

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2019 PROGRAM BIBLIOGRAPHY

Demos, T.J. Decolonizing Nature: contemporary art and the politics of ecology. Berlin: Sternberg Press, 2016. ______. Against the Anthropocene: visual culture and environment today. Berlin: Sternberg Press, 2017. Denton, Craig. People of the West Desert: finding common ground. Logan, Utah: Utah State University Press, 1999. Dolnick, Edward. Down the Great Unknown: John Wesley Powell’s 1869 journey of discovery and tragedy through the Grand Canyon. New York: Perennial, 2002. Driecher, Gregory K. (ed.). Between Fences. New York: Princeton Architectural Press, 1996. Drutt, Matthew. Olafur Eliasson: photographs. Houston: Menil Foundation, 2004. Ehrlich, Gretel. Solace of Open Spaces. New York: Viking, 1985. Eldon, Kathy (ed.). The Journey is the Destination: the journals of Dan Eldon. San Francisco: Chronicle Books, 1997. Eleey, Peter and Philip Blither. Trisha Brown: So that the Audience Does Not Know Whether I have Stopped Dancing. Minneapolis: Walker Art Center, 2008. Engberg, Siri (ed.), with contributions by Thomas Crow, Siri Engberg, Aram Moshayedi, Mathew S. Witkovsky, and Allen Ruppersberg. Allen Ruppersberg: Intellectual Property 1968-2018. Minneapolis: Walker Art Center, 2018. Ewing, Suzanne, Jeremie Michael McGowan, Chris Speed & Victoria Clare Bernie (eds.). Architecure and Field/Work. New York: Routledge, 2011. Farber, Manny, and Helen Molesworth. One Day at a Time: Manny Farber and Termite Art. Los Angeles and New York : Museum of Contemporary Art and DelMonico Books/ Prestel, 2018. Farquharson, Alex (ed.), Dave Hickey, Libby Lumpkin, Ralph Rugoff, Robert Venturi. The Magic Hour: the convergence of art and Las Vegas. Ostfildern, Germany: Hatje Cantz, 2002. Farrelly, Elizabeth. Blubberland: the dangers of happiness. Cambridge: MIT Press, 2008. Fetter-Vorm, Jonathan. Trinity: a graphic history of the first atomic bomb. New York: Farra, Straus and Giroux, 2012. Fitch, Steve. Gone: photographs of abandonment on the High Plains. Albuquerque: University of New Mexico Press, 2003. Flam, Jack, (ed.). Robert Smithson: The Collected Writings. Berkeley: University of California Press, 1996. Flaeckiger, Urs Peter. Donald Judd Architecture in Marfa, Texas. Basel: Birkhauser Verlag AG, 2007. ______. How Much House? Thoreau, Le Corbusier and The Sustainable Cabin. Basel: Birkhauser Verlag AG, 2016.

Chris Taylor — Director of Land Arts of the American West at Texas Tech University Aug 16, 2019 College of Architecture — 3016 18th Street, Rm 1005 — Lubbock, Texas 79409-2091 Page 5 of 17 806-834-1589 — [email protected] LANDARTS.ORG LAND ARTS OF THE AMERICAN WEST

2019 PROGRAM BIBLIOGRAPHY

Forbes, Peter. The Great Remembering: further thoughts on land, soul, and society. San Francisco: The Trust for Public Lands, 2001. Fox, William L. Driving by Memory. Albuquerque: University of New Mexico Press, 1999. ______. Mapping the empty: eight artists and Nevada. Reno: University of Nevada Press, 1999. ______. The void, the grid & the sign: traversing the Great Basin. Salt Lake City: University of Utah Press, 2000. ______. View ﬁnder: Mark Klett, photography, and the reinvention of landscape. Albuquerque: University of New Mexico Press, 2001. ______. Playa Works: The Myth of the Empty. Reno: University of Nevada Press, 2002. ______. In the Desert of Desire: Las Vegas and the Culture of Spectacle. Reno: University of Nevada Press, 2005. ______. Making Time: essays on the nature of Los Angeles. Emeryville, CA: Shoemaker & Hoard, 2007. ______. Aereality: on the world from above. Berkeley, CA: Counterpoint, 2009. Francaviglia, Richard V. Believing in place: a spiritual geography of the great basin. Reno: University of Nevada Press, 2003. Gablic, Suzi. The Re-enchantment of Art. New York: Thames and Hudson, 1991. Galeano, Eduardo. Genesis: Memory of Fire, Volume 1. New York: Nation Books, 1985 / 2010. ______. Faces and Masks: Memory of Fire volume 2. New York: Nation Books, 1987 / 2010. ______. Century of Wind: Memory of Fire volume 3. New York: Nation Books, 1988 / 2010. Galofaro, Luca. Artscapes: el arte como aproximacian al paisaje contemporaneo / art as an approach to contemporary landscape. Barcelona: Editorial Gustavo Gili, 2007. Geoff, Manaugh (ed). The BLDG Blog book : architectural conjecture, urban speculation, landscape futures. San Francisco: Chronicle Books, 2009. ______. Landscape Futures: Instruments, Devices and Architectural Inventions. Barcelona: Actar D, 2012. Gissen, David. Subnature: architecture’s other environments. New York: Princeton Architectural Press, 2009. Glendinning, Chellis. My Name is Chellis & I’m in Recovery from Western Civilization. Gabriola Island: New Society Publishers, 2002. Goetzmann, William H. Exploration and Empire: The Explorer and the Scientist in the Winning of the American West. New York: W.W. Norton & Co., 1966. Gorgoni, Gianfranco. Spiral Jetty. Milan: Photology, 2010.

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2019 PROGRAM BIBLIOGRAPHY

Gowin, Emmet. Changing the Earth. New Haven: Yale University Art Gallery, 2002. Greenhorn, David. Mapping. Chicago: University of Chicago Press, 1973. Grey, Zane. Rainbow Bridge. Roslyn, New York: Walter J. Black, 1943. Grover, Andrea. Radical Seafaring. Munich: DelMonico Books - Prestel, 2016. Gwynn, J. Wallace (ed.). Great Salt Lake: an overview of change. Salt Lake City: Utah Department of Natural Resources, 2002. Haeg, Fritz. Edible Estates: attack on the front lawn. New York: Metropolis Books, 2008. Hailey, Charlie. Camps: a guide to 21st-Century space. Cambridge: MIT Press, 2009. Hämäläinen, Pekka. Comanche Empire. New Haven and London: Yale University Press, 2008. Hamm, Manfred. Dead Tech: a guide to the archeology of tomorrow. Santa Monica, CA: Hennessey + Ingalls, 2000. Handwerker, Margo and Richard Saxton (eds.). A Decade of Country Hits: art on the rural frontier. Heijningen, The Netherlands: Jap Sam Books, 2014. Haraway, Donna J. Staying with the Trouble: making kin in the Chthulucene. Durham & London: Duke University Press, 2016. Harmon, Katharine. You are Here: personal geographies and other maps of the imagination. New York: Princeton Architectural Press, 2004. Hayden, Dolores. A Field Guide to Sprawl. New York: W.W. Norton, 2004. Hayes, Brian. Infrastructure: a ﬁeld guide to the industrial landscape. New York: W.W. Norton, 2006. Hays, David L. (ed.). 306090 Architecture Journal: 07 landscape within architecture. New York: Princeton Architectural Press, 2004. Hays, K. Michael and Dana Miller (eds.). Buckminster Fuller: starting with the universe. New Haven and London: Yale University Press, 2008. Herbst, Marc. Journal of Aesthetics & Protest 9: Tectonic Disobedience. Los Angeles: Journal of Aesthetics and Protest, 2015. Herbst, Marc, and Christina Ulke (eds.). The Journal of Aesthetics and Protest 8: Grassroots Modernism. Los Angeles: Journal of Aesthetics and Protest, Winter 2011/2012. Hodgson, Naomi, Joris Vlieghe & Piotr Zamojski (eds.). Manifesto for a Post-Critical Pedagogy. Earth, Milky Way: punctum books, 2017. Hoffman, Dan. Architecture studio: Cranbrook Academy of Art, 1986-1993. New York: Rizzoli, 1994. Hofmann, Irene, Janet Dees, Candice Hopkins & Lucia Sanroman. Unsettled Landscapes. Santa Fe: SITE Santa Fe, 2015. Hofmann, Irene, Candice Hopkins, Brandee Caoba, & Joanne Lefrak (eds). much wider than a line. Santa Fe: SITE Santa Fe, 2016.

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2019 PROGRAM BIBLIOGRAPHY

Hogue, Martin. Thirtyfour Campgrounds. Cambridge, MA: MIT Press, 2016. Howell, Rebecca Gayle. American Purgatory. London: Eyewear Publishing, 2017. Hubbard, Teresa and Alexander Birchler. Sound Speed Marker. Marfa, Texas: Ballroom Marfa, 2014. Irwin, Robert & Matthew Thomas Simms. Notes Toward a Conditional Art. Los Angeles: J. Paul Getty Museum, 2011. Jackson, John Brinkerhoff. The Necessity for Ruins and other topics. Amherst: University of Massachusetts Press, 1980. ______. A Sense of Place, A Sense of Time. New Haven: Yale University Press, 1994. Jackson, John Brinkerhoff and Helen Lefkowitz Horowitz (ed.). Landscape in Site: looking at America. New Haven and London: Yale University Press, 1997. Jonas, Joan, Lynne Cooke with Karen Kelly (ed.). Joan Jonas: The shape, the scent, the feel of things.. New York: Dia Art Foundation, 2006. Jonas, Joan, Paul Ha, Ute Meta Bauer, Ann Morris Reynolds and Ingrid Schaffner. Joan Jonas: they come to use without a word. Cambridge, MA: List Visual Arts Center, 2015. Jongerius, Marie-Josa and Hans Germmen (eds). Edges of the Experiment: The Making of the American Landscape. Amsterdam: FW: Amsterdam, 2015. Judd, Flavin and Caitlin Murray (eds.). Donald Judd Writings. Marfa, Texas and New York: Judd Foundation and David Zwirner Books, 2016. Kaiser, Philipp and Miwon Kwon (eds.). Ends of the Earth: Land Art to 1974. Los Angeles: Museum of Contemporary Art, 2012. Kaltenbach, Bart, Barbara Anschel and Steve Fitch. Sun, Sticks & Mud: 1000 years of earth building in the desert soutwest. Madrid, NM: La Sombra Books, 2012. Kastner, Jeffrey (ed.), survey by Brian Wallis. Land and Environmental Art. London: Phaidon Press, 1998. Kelley, Caffyn. Art and Survival: Patricia Johnason’s Environmental Projects. Salt Spring Island, BC Canada: Islands Institute of Interdisciplinary Studies, 2006. Kett, Robert J. & Anna Kryczka. Learning by Doing at The Farm: craft, science, and counterculture in modern California. Chicago : Soberscove Press, 2014. Klett, Mark, et al. Third View, Second Sights: a rephotographic survey of the American West. Santa Fe: Museum of New Mexico Press, 2004. Klingan, Katrin, Ashkan Sepahvand, Christoph Rosol & Bernd M. Scherer. Textures of the Anthropocene: grain, vapor, ray. Cambridge: MIT Press, 2015. Kanig, Kasper, Britta Peters, Marianne Wagner, LWL-Museum far Kunst und Kultur, Hermann Arnhold (eds.). Muenster Skulptur Projekte 2017. Leipzig, Germany: Spector Books, 2017. Krupp, E. C. Skywatchers, Shamans & Kings. New York: John Wiley and Sons, 1997. Krutch, Joseph Wood. The Desert Year. New York: William Sloan, 1951.

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2019 PROGRAM BIBLIOGRAPHY

Kubler, George. The Shape of Time: remarks on the history of things. New Haven and London: Yale University Press, 1962. Kubo, Michael, Irene Hwang, and Jaime Salazar (eds.). Desert America: territory of paradox. Barcelona: Actar D, 2006. Kuletz, Valeria L.. The Tainted Desert: environmental and social ruin in the American West. New York: Routledge, 1998. Kuoni, Carin and Chelsea Haines. Entry Points: The Vera List Center Field Guide on Art and Social Justice No. 1. New York and Durham, NC: The New School and Duke University Press, 2015. Kwon, Miwon. One Place After Another: site-speciﬁc art and locational identity. Cambridge: MIT Press, 2002. Lane, John. Anthropocene Blues. Macon, Georgia: Mercer University Press, 2017. Latimer, Quinn and Adam Szymczyk (eds.). dOCUMENTA (14) Daybook. Munich: Prestel, 2017. Leonard, Zoe & Ann Bremner. Analogue. Columbus, OH: Wexner Center for the Arts, 2007. Leonard, Zoe. Zoe Leonard: Available Light. Brooklyn, NY: Dancing Foxes Press, 2014. ______. I Want A President: transcript of a rally. New York: Hauser and Wirth, 2017. Leopold, Aldo. A Sand County Almanac. New York: Oxford University Press, 1949. Leski, Kyna. The Storm of Creativity. Cambridge, Mass & London: MIT Press, 2015. Lewallen, Constance M. and Steve Seid. Ant Farm: 1968-1978. Berkeley and Los Angeles: University of California Press, 2004. Light, Michael. Some Dry Place: an inhabited West. Reno: Nevada Museum of Art, 2008. Light, Michael, Rebecca Solnit and Lucy Lippard. Lake Las Vegas / Black Mountain. Santa Fe, NM: Radius Books, 2014. Lippard, Lucy. Six years: the dematerialization of the art object from 1966 to 1972. New York: Praeger, 1973. ______. Overlay: Contemporary Art and the Art of Prehistory. New York: New Press; Distributed by Norton, 1995. ______. The Lure of the Local: Senses of Place in a Multicentered Society. New York: New Press, 1997. ______. On the Beaten Track: tourism, art, and place. New York: The New Press, 1999. Lippard, Lucy & William L. Fox, Nancy Marie Mithlo, MaLin Wilson-Powell. Land/Art: New Mexico. Santa Fe: Radius Books, 2009. Lippard, Lucy (text) and Peter Goin (photographs/commentary). Time and Time Again: history, rephotography, and preservation in the Chaco world. Santa Fe: Museum of New Mexico Press, 2013.

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2019 PROGRAM BIBLIOGRAPHY

Lippard, Lucy. Undermining: a wild ride through land use, politics, and art in the changing west. New York: The New Press, 2014. Lister, Florence and Robert. Earl Morris & Southwestern Archaeology. Albuquerque: University of New Mexico Press, 1968. Long, Richard. Richard Long: walking the line. London & New York: Thames & Hudson, 2002. Lopez, Barry. Desert Notes: Reﬂections in the Eye of a Raven. New York: Avon Books, 1981, 1976. ______. Crossing Open Ground. New York: Scribner's, 1988. ______. The rediscovery of North America. Lexington, Kentucky: University Press of Kentucky, 1990. ______. Horizon. New York: Alfred A. Knopf, 2019. Louis, Adrian C. Fire Water World / Among the Dog Eaters. Portland, OR: Tavern Books, 2014. Lucy, Ives. The Worldkillers. Ann Arbor: Split Level Texts, 2014. Macfarlane, Robert. Landmarks. London: Hamish Hamilton / Penguin Books, 2015. MacLean, Alex. Designs on the Land: exploring America from the Air. New York: Thames & Hudson, 2003. ______. Over: the American landscape at the tipping point. New York: Harry N. Abrams, 2008. MacMahon, James A. Deserts. New York: Alfred A. Knopf, 1985. Malmgren, Peter and Kay Matthews. Los Alamos Revisited: a workers history. El Prado, New Mexico: Wink Books, 2017. Malville, J. McKim and Claudia Putnam. Prehistoric astronomy in the Southwest. Boulder, Colorado: Johnson Books, 1993. Mangolte, Babette. Babette Mangolte Selected Writings 1998-2015. Berlin: Sternberg Press, 2017. Mann, Charles C. 1491: new revelations of the Americas before Columbus. New York: Knopf, 2005. Martanez, Ruban. Desert America: boom and bust in the new old west. New York: Metropolitan Books, 2012. Masco, Joseph. “Desert Modernism: from the Nevada test site to Liberace’s sequined suits”. Cabinet: Issue 13, Futures, 2004. McElheny, Josiah. Josiah McElheny: Dusty Groove. Chicago: Corbett vs Dempsey, 2014. McFadden, Jane. “Earthquakes, Photoworks, and Oz: Walter de Maria’s Conceptual Art” in Art Journal Vol. 68, No. 3. : , Fall 2009. McHarg, Ian. Design with Nature. Philadelphia: The Falcon Press, 1969.

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2019 PROGRAM BIBLIOGRAPHY

McPhee, John. The Control Of Nature. New York: The Noonday Press, 1989. ______. Annals of a Former World. New York: Farra, Straus and Giroux, 1998. Medina, Cuauhtamoc, Dawn Ades and Katerina Gregos (eds.). Manifesta 9: the deep of the modern, a subcyclopaedia. Milan: Silvana Editoriale, 2012. Minge, Ward Alan. Acoma: Pueblo in the Sky. Albuquerque: University of New Mexico Press, 1976. Misrach, Richard. Desert Cantos. Albuquerque: University of New Mexico Press, 1987. Misrach, Richard and Kate Orff. Petrochemical America. New York: Aperture Foundation, 2014. Mogel, Lize (ed.). An Atlas of Radical Cartography. Los Angeles: Journal of Aesthetics and Protest, 2008. Molesworth, Helen. Josiah McElheny: Some Pictures of the 1nﬁnite. Ostﬁldern, Germany and Boston: Hatje Cantz and ICA Boston, 2012. Momaday, Scott. House Made of Dawn. New York: Harper Perennial, 1989. Moore, Kathleen Dean. Holdfast: At Home in the Natural World. New York: Lyons Press, 1999. Morgan, Susan. Joan Jonas: I want to live in the Country (and other romances). London: Afterall Books, 2006. Morris, Catherine and. Vicent Bonin (eds.). Materializing Six Years: Lucy R. Lippard and the Emergence of Conceptual Art. Cambridge, Mass & London: MIT Press, 2012. Morsiani, Paola. Andrea Zittel: critical space. New York: Prestel, 2005. Mysliwski, Wieslaw. A Treatise on Shelling Beans. Brooklyn, NY: Archipelago Books, 2013. Nabokov, Peter and Robert Easton. Native American Architecture. New York: Oxford University Press, 1989. Noever, Peter. James Turrell: the other horizon. Vienna, Austria: MAK & Hatje Cantz Verlag, 2002. O’Brien, Emma-Lucy and Mario Canal Boyle (eds.). An Oasis of Horror in a Desert of Boredom: Brian Maguire, Teresa Margolles, Lise Bjorne Linnert, Mark McLoughlin, Lanka Haouche Perren. Carlow, Ireland: VISUAL Centre for Contemporary Art and George Bernard Shaw Theatre, 2012. Oglesby, Christopher J. Fire in the Water, Earth in the Air: legends of West Texas music. Austin: University of Texas Press, 2006. Olsen, Daniel, and Henk van Assen. Ranch Gates of the Southwest. San Antonio: Trinity University Press, 2009. Paglen, Trevor. Blank Spots on the Map: the dark geography of the Pentagon’s secret world. New York: Dutton, 2009.

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2019 PROGRAM BIBLIOGRAPHY

______. I could tell you but then you would have to be destroyed by me. New York: Melville House, 2010. Pallasmaa, Juhani. The Eyes of the Skin: architecture and the senses. London: Academy Editions, 1996. ______. The Thinking Hand: existential and embodied wisdom in architecture. New York: Wiley, 2009. ______. Sfeer Bouwen / Building Atmosphere - Oase #91. Rotterdam: NAI, 2013. Panza, Guiseppe. Art of the Sixties and Seventies. New York: Rizzoli, 1988. Peljhan, Marko. Here We Go Again . . . system 317 : a situation of the Resolution series — Pavilion of the Republic of Slovenia at the 58th International Art Exhibition - La Biennale di Venezia. Llubljana, Slovenia: Moderna Galeria, 2019. Pendleton-Jullian, Ann M. The Road That is Not a Road and the Open City, Ritoque, Chile. Cambridge: MIT Press, 1996. Perez de Arce, Rodrigo & Fernando Perez Oyarzun, Raul Rispa. Valparaiso School / Open City Group. Montreal: McGill-Queen's University Press, 2003. Peterson, David. Tale of the Lucin: a boat, a railroad and the Great Salt Lake. Trinidad, CA: Old Waterfront Publishing, 2001. Ponte, Alessandra. The House of Light and Entropy. London: Architectural Association, 2014. Pool, Peter (ed.). The Altered Landscape. Reno: University of Nevada Press, 1999. Prat, Ramon (ed.). Desert America: territory of paradox. Barcelona: Actar, 2006. Pyne, Stephen J. How the Canyon Became Grand: a short history. New York: Penguin, 1999. Ray, Mary-Ann. Seven Partly Underground Rooms and Buildings for Water, Ice, and MIdgets -- Pamphlet Architecture No. 20. New York: Princeton Architectural Press, 1997. Reisner, Marc. Cadillac Desert: The American West and Its Disappearing Water. New York: Viking Press , 1986. Reynolds, Ann. Robert Smithson: learning from New Jersey and Elsewhere. Cambridge: MIT Press, 2003. Riebsame, William E. (ed.). Atlas of the New West: portrait of a changing region. New York: WW Norton, 1997. Roberts, David. In Search of the Old Ones: exploring the Anasazi world of the Southwest. New York: Simon & Schuster, 1996. Robinson, Alexander. The Spoils of Dust: Reinventing the Lake that Made Los Angeles. San Rafael: ORO Editions, 2018. Roth, Andrew, and Neville Wakeﬁeld. Desert X 2017 Catalogue. New York: PPP Editions, 2019.

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Ruby, Ika and Andreas Ruby. Groundscapes: el reencuentro con el suelo en la arquitectura contemporanea / the rediscovery of the ground in contemporary architecture. Barcelona: Editorial Gustavo Gili, 2007. Rugoff, Ralph. Circus Americanus. New York: Verso, 1995. Ruwedel, Mark. Westward: the course of empire. New Haven: Yale University Art Gallery, 2008. Savoy, Lauret. Trace: memory, history, race, and the American landscape. Berkeley: Counterpoint, 2015. Schaafsma, Polly. Indian Rock Art of the Southwest. Albuquerque: University of New Mexico Press, 1992. Schaffner, Ingrid. Salvador Dali’s Dream of Venus: the surrealist funhouse from the 1939 World’s Fair. New York: Princeton Architectural Press, 2003. ______. Queer Voice: Laurie Anderson, Harry Dodge & Stanya Kahn, Sharon Hayes, John Kelly, Kalup Linzy, Jack Smith, Ryan Trecartin, Andy Warhol. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2010. ______. Jason Rhoades, Four Roads. Munich: DelMonico Books, 2014. Schaffner, Ingrid, and Jenelle Porter. Dirt on Delight: impulses that form clay. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2009. Schaffner, Ingrid, and Lisa Jacobs. Julien Levy: portrait of an art gallery. Cambridge, MA: MIT Press, 1998. Schaffner, Ingrid, and Matthias Michalka. Moyra Davey: burn the diaries (a supplement). Philadelphia and Wien: Institute of Contemporary Art, University of Pennsylvania and Musuem Moderner Kunst Stiffung Ludwig, 2014. Schaffner, Ingrid, Donna Ghelerter, Stamatina Gregory, Kenneth E. Silver, and Maira Kalman. Maira Kalman: various illuminations (of a crazy world). Philadelphia and Munich/ New York: Institute of Contemporary Art, University of Pennsylvania and Prestel, 2010. Schaffner, Ingrid, John Ashberry, and Lisa Jarnot. Jess: to and from the printed page. New York: Independent Curators International, 2007. Schaffner, Ingrid, Matthias Winzen, Geoffrey Batchen, and Hubertus Gassen. Deep Storage: collecting, storing and archiving in art. Munich/New York: Prestel, 1998. Schaffner, Ingrid, with Liz Park. Carnegie International, 57th Edition, 2018: The Guide. Pittsburgh: Carnegie Museum of Art, 2018. ______. Dispatch: CI57 — 2018. Pittsburgh: Carnegie Museum of Art, 2019. Schalansky, Judith. Atlas of Remote Islands: ﬁfty islands I have never set foot on and never will. New York: Penguin, 2009. Scheinbaum, David. Bisti. Albuquerque: University of New Mexico Press, 1987. Scott, Felicity. Ant Farm: Living Archive 7. Barcelona: Actar D, 2008. Scott, Emily Eliza & Kirsten Swenson. Critical Landscapes: art, space, politics. Oakland, California: University of California Press, 2015.

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Sebald, W.G.. The Rings of Saturn. New York: New Directions, 1998. Sébire, Adam, Ania Malinowska, Bernard Dionysius Geoghegan, Bogna Konior, Carla Nappi, Dominic Pettman, Drew S. Burk, Evdoxia Ragkou, IG Liddell, Kári Driscoll, Leila Taylor, Lindsey A. Freeman, Margret Grebowicz, Mari Bastashevski, Nina Hien, Öykü Tekten, Thom Donovan, Tyran Grillo, Witold van Ratingen, and Felipe Mancheno. Dispatches from The Institute of Incoherent Geography. Pittsburgh and New York: FlugSchriften, 2019. Shepheard, Paul. What Is Architecture? An Essay on Landscapes, Buildings, and Machines. Cambridge: MIT Press, 1994. ______. The Cultivated Wilderness: Or, What is Landscape?. Cambridge: MIT Press, 1997. Simonds, Charles. Dwelling. Kaln, Germany: Verlag der Buchhandlung Walter Kanig , 2015. Smith, Samuel P. Starting from ‘I Don’t Know’: interviews on architecture and craft. Chicago: Soberscove Press, 2015. Smith, Valerie (ed). Juan Downey: The Invisible Architect. Cambridge, Mass & Bronx, NY: MIT List Visual Arts Center & Bronx Museum of the Arts, 2011. Smout, Mark and Laura Allen. Pamphlet Architecture 28: Augmented Landscapes. New York: Princeton Architectural Press, 2007. Snyder, Gary. Riprap & Cold Mountain Poems. San Francisco: Four Seasons Foundation; distributed by City Lights Books, 1965. ______. Earth Household. New York: New Directions, 1969. ______. Turtle Island. New York: New Directions, 1974. ______. The Practice of the Wild: essays. Berkeley: Counterpoint, 2003. Sofaer, Anna. Chaco Astronomy: an ancient American Cosmology. Santa Fe: Ocean Tree Press, 2008. Solnit, Rebecca. Savage Dreams : a journey into the hidden wars of the American West . San Francisco: Sierra Club Books, 1994. ______. Wanderlust: A History of Walking. New York: Penguin, 2001. ______. River of Shadows: Eadweard Muybridge and the technological wild west. New York: Viking, 2003. ______. A Field Guide to Getting Lost. New York: Viking, 2005. Spaid, Sue. Ecovention: Current Technologies to Transform Ecologies. Cincinnati: The Contemporary Art Center, Greenmuseum, Ecoartspace, 2002. Stegner, Wallace. Angle of Repose. New York: Doubleday, 1971. ______. Beyond the Hundredth Meridian: JohnWesley Powell and the Second Opening of the West. Lincoln: University of Nebraska Press, 1982, 1954. ______. The Artist as Environmental Advocate. : Bancroft Library, 1983.

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2019 PROGRAM BIBLIOGRAPHY

______. The Big Rock Candy Mountain. New York: Penquin Books, 1991. ______. Where the Bluebird Sings to the Lemonade Springs. New York: Random House, 1992. Sternfeld, Joel. On This Site: landscape in memoriam. San Francisco: Chronicle Books, 1996. Stilgoe, John. Outside Lies Magic: regaining history and awareness in everyday places. New York: Walker, 1998. Stockebrand, Marianne. Chinati: the vision of Donald Judd. New Haven: Yale University Press, 2010. Stringfellow, Kim. Greetings from the Salton Sea: folly and intervention in the Southern California landscape, 1905-2005. Santa Fe: Center for American Places, 2005. ______. Jackrabbit Homestead: tracing the small tract act in the Southern California landscape, 1938-2008. Chicago: Center for American Places and University of Chicago Press, 2009. Stringfellow, Kim (ed.). The Mojave Project Reader, Volume 1. Joshua Tree, California: The Mojave Project, 2017. ______. The Mojave Project Reader, Volume 2. Joshua Tree, California: The Mojave Project, 2017. Stuart, David. Anasazi America: Seventeen Centuries of the Road from Center Place. Albuquerque: University of New Mexico Press, 2000. Suderburg, Erika. Space, Site, Intervention: situating installation art. Minneapolis: University of Minnesota Press, 2000. Sussman, Elisabeth (ed.). Gordon Matta-Clark: “You Are the Measure”. New York: Whitney Museum of American Art and Yale University, 2007. Taylor, Chris. “Projecting Artlies into the Void”. Artlies: No. 53, 2007. Taylor, Chris. Troubling Troublemakers. Art Journal: v75 n2, 2016, pp. 88-91. Taylor, Chris, et al. Incubo: Atacama Lab. Santiago, Chile: Incubo, 2008. Taylor, Chris and Bill Gilbert. Land Arts of the American West. Austin: University of Texas Press, 2009. Taylor, David. Working the Line. Santa Fe: Radius Books, 2010. Thompson, Nato. Experimental Geography: radical approaches to landscape, cartography, and urbanism. New York: Melville House, 2009. Thybony, Scott. Burntwater. Tucson: University of Arizona Press, 1997. ______. Dry rivers and standing rocks: a word ﬁnder for the American West. Albuquerque: University of New Mexico Press, 2000. Tiberghien, Gilles A. Land Art. New York: Princeton Architectural Press, 1995. Tsai, Eugenie. Robert Smithson: Unearthed. New York: Columbia University Press, 1991.

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2019 PROGRAM BIBLIOGRAPHY

Tsing, Anna Lowenhaupt. The Mushroom at ht End of the World: on the possibility of life in capitalist ruins. Princeton and Oxford: Princeton University Press, 2015. Tuan, Yi-Fu. Topophilia: a study of environmental perception, attitudes, and values. New York: Columbia University Press, 1990. ______. Passing Strange and Wonderful. Washington, DC: Island Press, 1993. Turnbull, David. Maps are Territories: science is an atlas. Chicago: University of Chicago Press, 1993. Turpin, Etienne (ed). Architecture in the Anthropocene: Encounters among Design, Deep Time, Science and Philosophy. Ann Arbor: Open Humanities Press / Michigan Publishing, 2014. Turrell, James, and Julia Brown (ed.). Occluded Front. Los Angeles: Fellows of Contemporary Art, Lapis Press, 1985. Turrell, James, and Peter Noever (ed.). James Turrell: the other horizon. New York: Cantz, 1999. Ursprung, Philip. Allan Kaprow, Robert Smithson, and the Limits to Art. Berkeley and Los Angeles: University of California Press, 2013. Vale, V. and Andrea Juno (eds.). Re/Search: J.G. Ballard (No 8/9). San Francisco: Re/ Search Publications, 1988. Vanderbilt, Tom. Survival City: adventures among the ruins of atomic America. Chicago and London: University of Chicago Press, 2002. ______. Trafﬁc: why we drive the way we do (and what it says about us). New York: Knopf, 2008. Ventura, Michael. If I Was a Highway. Lubbock: Texas Tech University Press, 2011. Viso, Olga. Ana Mendieta: earth body. Washington, DC: Hirshorn Museum and Hatje Cantz, 2004. ______. Unseen Mendieta: the unpublished works of Ana Mendieta. New York: Prestel, 2008. Vollmann, William T. Imperial. New York: Viking, 2008. ______. Imperial: Photographs. New York: powerHouse Books, 2008. von Humbolt, Alexander, Ottmar Ette and Julia Maier. Alexander von Humbolt: the complete drawings from the American travel journals. Munich, London, New York: Prestel, 2018. Waugh, Emily & Martha Schwartz. Recycling Spaces: curating urban evolution, the work of Martha Schwartz Partners. Novato, California: ORO Editions, 2011. Weschler, Lawrence. Seeing is Forgetting the Name of the Thing One Sees: a Life of Contemporary Artist Robert Irwin. Berkeley: University of California Press, 1982. Williams, Terry Tempest. Refuge: an unnatural history of family and place. New York: Vintage Books, 1992.

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2019 PROGRAM BIBLIOGRAPHY

Williams, Terry Tempest and Mary Frank. Desert Quartet: An Erotic Landscape. New York: Pantheon Books, 1995. Williams, Terry Tempest. Red: Passion and Patience in the Desert. New York: Vintage Books, 2001. Williams, Alena (ed.). Nancy Holt: sightlines. Berkeley: University of California Press, 2011. Williams, Terry Tempest. The Hour of Land: a personal topography of America’s National Parks. New York: Sarah Crichton Books / Farrar, Straus & Giroux, 2016. Wilson, Chris and Paul Groth (eds.). Everyday America: cultural landscape studies after J.B. Jackson. Berkeley: University of California Press, 2003. Wolf D. , Prix, with Martina Kandeler-Frtisch and Thomas Kramer (eds). Get Off of My Cloud: Wolf D. Prix Coop Himmelb(l)au Texas 1968-2005. Ostﬁldern, Germany: Hatje Cantz, 2005. Woodward, Joan. Waterstained Landscapes. Baltimore: John Hopkins University Press, 2000. Wu, Xin. Patricia Johanson and the Re-Invention of Public Environmental Art, 1958-2010. Surrey, England: Ashgate , 2014. Wulf, Andrea. The Invention of Nature: Alexander von Humbolt’s New World. New York: Vintage Books, 2015. Zelevansky, Lynn, Elisabeth Sussman, James Rondeau and Donna De Salvo with Anna Katherine Brodbeck. Halio Oiticica: to organize delirium. Pittsburgh and Munich: Carnegie Museum of Art and DelMonico Books - Prestel, 2016. Zoellner, Tom. Uranium: war, energy, and the rock that shaped the world. New York: Viking, 2009.

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