LAND ARTS OF THE AMERICAN WEST

2021 PROGRAM BIBLIOGRAPHY

Abbey, Edward. The Monkey Wrench Gang. Philadelphia: Lippincott, 1975. Abbey, Edward. Desert Solitaire. Tucson: University of Arizona Press, 1988. Abram, David. The Spell of the Sensuous: perception and language in a more-than- human world. New York: Viking, 1997. Abrams, Janet, and Peter Hall (eds.). Else/Where: Mapping. Minneapolis: University of Minnesota Design Institute, 2006. Acconci, Vito & Craig Douglas Dworkin . Language to Cover a Page: the early writings of Vito Acconci. Cambridge: MIT Press, 2006. Adams, John Luther. The Place Where You Go to Listen: in search of an Ecology of Music. Middletown, Connecticut: Wesleyan University Press, 2009. Adcock, Craig. James Turrell: the Roden Crater Project. Tucson: University of Arizona Musuem of Art, 1986. Allen, Stan and Marc McQuade (eds.). Landform Building: architecture’s new terrain. Baden, Switzerland: Lars Mueller and Princeton University School of Architecture, 2011. Allen, Terry with texts by Dave Hickey and essays by Marcia Tucker and Michael Ventura. Terry Allen. Austin: University of Texas Press, 2010. Alonso Zuniga, Pedro Ignacio (ed). Deserta: ecologia e industria en el Desierto de Atacama. Santiago, Chile: ARQ, 2012. Ambroziak, Brian M. and Jeffery R. Ambroziak. Infinite Perspective: two thousand years of three-dimensional map making. New York: Princeton Architectural Press, 1999. Andrews, Max (ed.). Land, Art: a cultural ecology handbook. Manuf: Royal Society for the Encouragement of the Arts, 2006. Aravena, Alejandro and Andrés Iacobelli (eds). Elemental: incremental housing and participatory design manual. Ostfildern, Germany: Hatje Cantz, 2016 (second edition). Aronson, Shlomo. Aridscapes: proyectar en tierras ásperas y frágiles / designing in harsh and fragile lands. Barcelona: Editorial Gustavo Gili, 2008. Avedon, Richard. Richard Avedon in the American West. New York and Ft. Worth: Abrams and Amon Carter Museum, 1985. Baker, Kenneth. The Lightning Field. New Haven and London: Yale University Press, 2008. Ballard, J.G.. Crash. New York: Picador, 1973. Ballard, J.G.. The Best Short Stories of J.G. Ballard. New York: Picador, 1978. Banham, Reyner. Scenes in America deserta. Salt Lake City: Gibbs M. Smith, 1982. Bargellesi-Serveri, Guglielmo (ed.). Robert Smithson Slideworks. Verona, Italy: Carolo Frua, 1997.

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Basso, Keith. Wisdom Sits in Places. Albuquerque: University of New Mexico Press, 1996. Bateson, Gregory. Steps to an Ecology of Mind. Chicago : University of Chicago Press, 1972. Bauer, Curtis. Fenceline. Kansas City, MO: BkMk Press and University of Missouri, 2004. Bauer, Curtis. The Real Cause for Your Absence. Chattanooga, TN: C&R Press, 2013. Baum, Kelly (ed.). Nobody’s Property. Princeton and New Haven: Princeton University Art Museum and Yale University Press, 2010. Beardsley, John. Earthworks and Beyond. New York: Abberville Press, 1998, 3rd Edition. Beck, Jarrod. Balance. Caracas: Backroom CCS and Universidad Central de Venezuela, 2015. Beck, Jarrod. The Moon. New York: Jarrod Beck, 2016. Bélanger, Pierre and Alexander Arroyo. Ecologies of Power: counter mapping the logistical landscapes and military geographies of the U.S. Department of Defense. Cambridge, Mass & London: MIT Press, 2016. Berger, Alan. Reclaiming the American West. New York: Princeton Architectural Press, 2002. Berger, Alan. Drossscape: wasting land in urban America. New York: Princeton Architectural Press, 2006. Berman, Michael and Mary Anne Redding (ed). Gila. Santa Fe, NM: Museum of New Mexico Press, 2012. Blauvelt, Andrew. Hippie Modernism: the struggle for utopia. Minneapolis: Walker Art Center, 2015. Blondet, José Luis, Candice Hopkins and Ruba Katrib. Sitelines 2018: Casa Tomada. Santa Fe, NM: SITE Santa Fe, 2018. Blume, Eugen, Matilda Felix, Gabriele Knapstein, & CAterine Nichols (eds). Black Mountain: an interdisciplinary experiment 1933-1957. Berlin: Spector Books, 2015. Bogard, Paul. The End of Night: searching for natural darkness in an age of artificial light. New York: Little Brown & Co, 2013. Bogener, Steve & William Tydeman, Barry Lopez. Llano Estacado: an island in the sky. Lubbock: Texas Tech University Press, 2011. Bourdon, David. Designing the Earth: the human impulse to shape nature. New York: Abrams, 1995. Bowden, Charles. Killing the Hidden Waters. Austin: University of Texas Press, 1977. Bowden, Charles. Some of the Dead are Still Breathing: living in the future. Orlando: Houghton Mifflin Harcourt, 2009. Bowden, Charles with Michael Berman. Inferno. Austin: University of Texas Press, 2006. Bowden, Charles with Michael Berman. Trinity. Austin: University of Texas Press, 2009.

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Boyd, Carolyn E. . The White Shaman: an enduring creation narrative in the rock art of the Lower Pecos. Austin: University of Texas Press, 2016. Brody, J.J., and Swentzell, Rina. To Touch the Past: The Painted Pottery of the Mimbres People. New York: Hudson Hills Press, 1996. Brower, Kenneth. The Starship and the Canoe. New York: Perennial, 1983. Burnham, Jack. Great Western Salt Works. New York: George Braziller, 1974. Burton, Johanna, Lynne Cooke, and Josiah McElheny (eds.). Interiors. Annadale-on- Hudson, NY and Berlin: Bard Center for Curatorial Studies and Sternburg Press, 2012. Butler, Cornelia H., Lee Weng Choy & Francis Pound. Flight Patterns. Los Angeles: The Museum of Contemporary Art, 2000. Campany, David. a Handful of Dust: from the cosmic to the domestic. London: MACK, 2015. Canfield, Michael, (ed.). Field Notes on Science and Nature. Cambridge: Harvard University Press, 2011. Careri, Francesco. Walkscapes: walking as an aesthetic practice. Barcelona: Editorial Gustavo Gili, 2002. Carvajal, Rina (ed.). Tacita Dean: Film Works. New York: Charta Books, 2007. Castleberry, May, et al.. Perpetual Mirage: Photographic Narratives of the Desert West. New York: Whitney Museum of Art, 1996. Caswell, Kurt. In the Sun's House: My Year Teaching on the Navajo. San Antonio: Trinity University Press, 2009. Cerizza, Luca. Alighiero e Boetti: Mappa. Cambridge: MIT Press, 2008. Childs, Craig. The Secret Knowledge of Water. Seattle: Sasquatch Books , 2000. Chinati Foundation, and authors. Art and Architecture. Marfa: The Chinati Foundation, 2000. Chinati Foundation, and authors. Art in the Landscape. Marfa: The Chinati Foundation, 2000. Christensen, Julia. Big Box Reuse. Cambridge: MIT Press, 2008. Christov-Bakargiev, Carolyn, Bettina Funcke and Katrin Sauerländer. dOCUMENTA (13). Ostfildern, Germany: Hatje Cantz, 2012. Chronic, Halka. Roadside Geology (series by state). Missoula, Montana: Mountain Press, 2003. Ciudad Abierta, . Amereida. Valparaiso, Chile: Escuela de Arquitectura y Diseño PUCV, 2011 (originally published 1967). Cohen, Paul E. Mapping the West: America’s Westward Movement 1524-1890. New York: Rizzoli, 2002. Connor, Linda, Polly Schaafsma, Keith Davis, et al. Marks in Place: contemporary responses to rock art. Albuquerque: University of New Mexico Press, 1988.

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Cooke, Lynne, Karen Kelly (eds.). Robert Smithson: Spiral Jetty. Berkeley: University of California Press, 2005. Coolidge, Matthew. The Nevada Test Site: a guide to America’s nuclear proving ground. Culver City: Center for Land Use Interpretation, 1996. Coolidge, Matthew, Sarah Simons (eds.). Overlook: Exploring the Internal Fringes of America with the Center for Land Use Interpretation. New York: Metropolis Books, 2006. Cordell, Linda. Archaeology of the Southwest. San Diego, California: Academic Press, 1997, 2nd Edition. Corner, James. Taking measures: across the American landscape. New Haven: Yale University Press, 1996. Cortazar, Julio. Blow Up and Other Stories. New York: Pantheon Books, 1967. Cosgrove, Dennis. Apollo’s Eye: A Cartographic Genealogy of the Earth in the Western Imagination. Baltimore: Johns Hopkins University Press, 2003. Cronin, Elizabeth, Zachary Wignall, Levi Wiegand, Johnathon Smith and Amanda Rutherford (eds.). VORKURS: Making (Volume 1). Gainesville, Florida: University of Florida Graduate School of Architecture, 2017. Cummins, Ann. Red Ant House: stories. New York: Houghton Mifflin Company, 2003. Davey, Moyra & Alison Strayer. Moyra Davey: burn the diaries. Brooklyn, NY: Dancing Foxes Press, 2014. Dean, Tacita. JG: a film project by Tacita Dean. Glenside, PA: Arcadia University Gallery, 2013. Dean, Tacita and Nicholas Cullinan. Film. London: Tate Publishing, 2011. deBuys, William & Alex Harris. River of Traps. Albuquerque: University of New Mexico Press in association with the Center for Documentary Studies at Duke University, 1990. deBuys, William & Joan Myers. Salt Dreams: land & water in low-down California. Albuquerque: University of New Mexico Press, 1999. Decker, Julie. Unsettled : art + environment conference 2017. Munich: Hirmer Verlag, 2017. Deleuze, Gilles & Felix Guattari. Nomadology: the war machine. New York: Semiotext(e); distributed by MIT Press, 1986. Demos, T.J. Decolonizing Nature: contemporary art and the politics of ecology. Berlin: Sternberg Press, 2016. Demos, T.J. Against the Anthropocene: visual culture and environment today. Berlin: Sternberg Press, 2017. Denton, Craig. People of the West Desert: finding common ground. Logan, Utah: Utah State University Press, 1999. Dolnick, Edward. Down the Great Unknown: John Wesley Powell’s 1869 journey of discovery and tragedy through the Grand Canyon. New York: Perennial, 2002.

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Driecher, Gregory K. (ed.). Between Fences. New York: Princeton Architectural Press, 1996. Drutt, Matthew. Olafur Eliasson: photographs. Houston: Menil Foundation, 2004. Ehrlich, Gretel. Solace of Open Spaces. New York: Viking, 1985. Eldon, Kathy (ed.). The Journey is the Destination: the journals of Dan Eldon. San Francisco: Chronicle Books, 1997. Ewing, Suzanne, Jeremie Michael McGowan, Chris Speed & Victoria Clare Bernie (eds.). Architecure and Field/Work. New York: Routledge, 2011. Farquharson, Alex (ed.), Dave Hickey, Libby Lumpkin, Ralph Rugoff, Robert Venturi. The Magic Hour: the convergence of art and Las Vegas. Ostfildern, Germany: Hatje Cantz, 2002. Farrelly, Elizabeth. Blubberland: the dangers of happiness. Cambridge: MIT Press, 2008. Fetter-Vorm, Jonathan. Trinity: a graphic history of the first atomic bomb. New York: Farra, Straus and Giroux, 2012. Fitch, Steve. Gone: photographs of abandonment on the High Plains. Albuquerque: University of New Mexico Press, 2003. Flam, Jack, (ed.). Robert Smithson: The Collected Writings. Berkeley: University of California Press, 1996. Flüeckiger, Urs Peter. Donald Judd Architecture in Marfa, Texas. Basel: Birkhäuser Verlag AG, 2007. Flüeckiger, Urs Peter. How Much House? Thoreau, Le Corbusier and The Sustainable Cabin. Basel: Birkhäuser Verlag AG, 2016. Forbes, Peter. The Great Remembering: further thoughts on land, soul, and society. San Francisco: The Trust for Public Lands, 2001. Fox, William L. Driving by Memory. Albuquerque: University of New Mexico Press, 1999. Fox, William L. Mapping the empty: eight artists and Nevada. Reno: University of Nevada Press, 1999. Fox, William L. The void, the grid & the sign: traversing the Great Basin. Salt Lake City: University of Utah Press, 2000. Fox, William L. View finder: Mark Klett, photography, and the reinvention of landscape. Albuquerque: University of New Mexico Press, 2001. Fox, William L. Playa Works: The Myth of the Empty. Reno: University of Nevada Press, 2002. Fox, William L. In the Desert of Desire: Las Vegas and the Culture of Spectacle. Reno: University of Nevada Press, 2005. Fox, William L. Making Time: essays on the nature of Los Angeles. Emeryville, CA: Shoemaker & Hoard, 2007. Fox, William L. Aereality: on the world from above. Berkeley, CA: Counterpoint, 2009.

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Francaviglia, Richard V. Believing in place: a spiritual geography of the great basin. Reno: University of Nevada Press, 2003. Gablic, Suzi. The Re-enchantment of Art. New York: Thames and Hudson, 1991. Galofaro, Luca. Artscapes: el arte como aproximación al paisaje contemporáneo / art as an approach to contemporary landscape. Barcelona: Editorial Gustavo Gili, 2007. Geoff, Manaugh (ed). The BLDG Blog book : architectural conjecture, urban speculation, landscape futures. San Francisco: Chronicle Books, 2009. Geoff, Manaugh (ed). Landscape Futures: Instruments, Devices and Architectural Inventions. Barcelona: Actar D, 2012. Gissen, David. Subnature: architecture’s other environments. New York: Princeton Architectural Press, 2009. Glendinning, Chellis. My Name is Chellis & I’m in Recovery from Western Civilization. Gabriola Island: New Society Publishers, 2002. Goetzmann, William H. Exploration and Empire: The Explorer and the Scientist in the Winning of the American West. New York: W.W. Norton & Co., 1966. Gorgoni, Gianfranco. Spiral Jetty. Milan: Photology, 2010. Gowin, Emmet. Changing the Earth. New Haven: Yale University Art Gallery, 2002. Greenhorn, David. Mapping. Chicago: University of Chicago Press, 1973. Grey, Zane. Rainbow Bridge. Roslyn, New York: Walter J. Black, 1943. Grover, Andrea. Radical Seafaring. Munich: DelMonico Books - Prestel, 2016. Gwynn, J. Wallace (ed.). Great Salt Lake: an overview of change. Salt Lake City: Utah Department of Natural Resources, 2002. Haeg, Fritz. Edible Estates: attack on the front lawn. New York: Metropolis Books, 2008. Hailey, Charlie. Camps: a guide to 21st-Century space. Cambridge: MIT Press, 2009. Hamm, Manfred. Dead Tech: a guide to the archeology of tomorrow. Santa Monica, CA: Hennessey + Ingalls, 2000. Handwerker, Margo and Richard Saxton (eds.). A Decade of Country Hits: art on the rural frontier. Heijningen, The Netherlands: Jap Sam Books, 2014. Haraway, Donna J. Staying with the Trouble: making kin in the Chthulucene. Durham & London: Duke University Press, 2016. Harmon, Katharine. You are Here: personal geographies and other maps of the imagination. New York: Princeton Architectural Press, 2004. Hayden, Dolores. A Field Guide to Sprawl. New York: W.W. Norton, 2004. Hayes, Brian. Infrastructure: a field guide to the industrial landscape. New York: W.W. Norton, 2006. Hays, David L. (ed.). 306090 Architecture Journal: 07 landscape within architecture. New York: Princeton Architectural Press, 2004.

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Hays, K. Michael and Dana Miller (eds.). Buckminster Fuller: starting with the universe. New Haven and London: Yale University Press, 2008. Herbst, Marc. Journal of Aesthetics & Protest 9: Tectonic Disobedience. Los Angeles: Journal of Aesthetics and Protest, 2015. Herbst, Marc, and Christina Ulke (eds.). The Journal of Aesthetics and Protest 8: Grassroots Modernism. Los Angeles: Journal of Aesthetics and Protest, Winter 2011/2012. Hodgson, Naomi, Joris Vlieghe & Piotr Zamojski (eds.). Manifesto for a Post-Critical Pedagogy. Earth, Milky Way: punctum books, 2017. Hoffman, Dan. Architecture studio: Cranbrook Academy of Art, 1986-1993. New York: Rizzoli, 1994. Hofmann, Irene, Candice Hopkins, Brandee Caoba, & Joanne Lefrak (eds). much wider than a line. Santa Fe: SITE Santa Fe, 2016. Hofmann, Irene, Janet Dees, Candice Hopkins & Lucia Sanroman. Unsettled Landscapes. Santa Fe: SITE Santa Fe, 2015. Hogue, Martin. Thirtyfour Campgrounds. Cambridge, MA: MIT Press, 2016. Howell, Rebecca Gayle. American Purgatory. London: Eyewear Publishing, 2017. Hubbard, Teresa and Alexander Birchler. Sound Speed Marker. Marfa, Texas: Ballroom Marfa, 2014. Irwin, Robert & Matthew Thomas Simms. Notes Toward a Conditional Art. Los Angeles: J. Paul Getty Museum, 2011. Jackson, John Brinkerhoff. The Necessity for Ruins and other topics. Amherst: University of Massachusetts Press, 1980. Jackson, John Brinkerhoff. A Sense of Place, A Sense of Time. New Haven: Yale University Press, 1994. Jackson, John Brinkerhoff and Helen Lefkowitz Horowitz (ed.). Landscape in Site: looking at America. New Haven and London: Yale University Press, 1997. Jonas, Joan, Lynne Cooke with Karen Kelly (ed.). Joan Jonas: The shape, the scent, the feel of things.. New York: Dia Art Foundation, 2006. Jonas, Joan, Paul Ha, Ute Meta Bauer, Ann Morris Reynolds and Ingrid Schaffner. Joan Jonas: they come to use without a word. Cambridge, MA: List Visual Arts Center, 2015. Jongerius, Marie-José and Hans Germmen (eds). Edges of the Experiment: The Making of the American Landscape. Amsterdam: FW: Amsterdam, 2015. Judd, Flavin and Caitlin Murray (eds.). Donald Judd Writings. Marfa, Texas and New York: Judd Foundation and David Zwirner Books, 2016. Kaiser, Philipp and Miwon Kwon (eds.). Ends of the Earth: Land Art to 1974. Los Angeles: Museum of Contemporary Art, 2012. Kaltenbach, Bart, Barbara Anschel and Steve Fitch. Sun, Sticks & Mud: 1000 years of earth building in the desert soutwest. Madrid, NM: La Sombra Books, 2012.

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Kastner, Jeffrey (ed.), survey by Brian Wallis. Land and Environmental Art. London: Phaidon Press, 1998. Kelley, Caffyn. Art and Survival: Patricia Johnason’s Environmental Projects. Salt Spring Island, BC Canada: Islands Institute of Interdisciplinary Studies, 2006. Kett, Robert J. & Anna Kryczka. Learning by Doing at The Farm: craft, science, and counterculture in modern California. Chicago : Soberscove Press, 2014. Klett, Mark, et al. Third View, Second Sights: a rephotographic survey of the American West. Santa Fe: Museum of New Mexico Press, 2004. Klingan, Katrin, Ashkan Sepahvand, Christoph Rosol & Bernd M. Scherer. Textures of the Anthropocene: grain, vapor, ray. Cambridge: MIT Press, 2015. König, Kasper, Britta Peters, Marianne Wagner, LWL-Museum für Kunst und Kultur, Hermann Arnhold (eds.). Muenster Skulptur Projekte 2017. Leipzig, Germany: Spector Books, 2017. Krupp, E. C. Skywatchers, Shamans & Kings. New York: John Wiley and Sons, 1997. Krutch, Joseph Wood. The Desert Year. New York: William Sloan, 1951. Kubler, George. The Shape of Time: remarks on the history of things. New Haven and London: Yale University Press, 1962. Kubo, Michael, Irene Hwang, and Jaime Salazar (eds.). Desert America: territory of paradox. Barcelona: Actar D, 2006. Kuletz, Valeria L.. The Tainted Desert: environmental and social ruin in the American West. New York: Routledge, 1998. Kuoni, Carin and Chelsea Haines. Entry Points: The Vera List Center Field Guide on Art and Social Justice No. 1. New York and Durham, NC: The New School and Duke University Press, 2015. Kwon, Miwon. One Place After Another: site-specific art and locational identity. Cambridge: MIT Press, 2002. Lane, John. Anthropocene Blues. Macon, Georgia: Mercer University Press, 2017. Latimer, Quinn and Adam Szymczyk (eds.). dOCUMENTA (14) Daybook. Munich: Prestel, 2017. Leonard, Zoe. Zoe Leonard: Available Light. Brooklyn, NY: Dancing Foxes Press, 2014. Leonard, Zoe. I Want A President: transcript of a rally. New York: Hauser and Wirth, 2017. Leonard, Zoe & Ann Bremner. Analogue. Columbus, OH: Wexner Center for the Arts, 2007. Leopold, Aldo. A Sand County Almanac. New York: Oxford University Press, 1949. Leski, Kyna. The Storm of Creativity. Cambridge, Mass & London: MIT Press, 2015. Lewallen, Constance M. and Steve Seid. Ant Farm: 1968-1978. Berkeley and Los Angeles: University of California Press, 2004. Light, Michael. Some Dry Place: an inhabited West. Reno: Nevada Museum of Art, 2008.

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Light, Michael, Rebecca Solnit and Lucy Lippard. Lake Las Vegas / Black Mountain. Santa Fe, NM: Radius Books, 2014. Lippard, Lucy. Six years: the dematerialization of the art object from 1966 to 1972. New York: Praeger, 1973. Lippard, Lucy. Overlay: Contemporary Art and the Art of Prehistory. New York: New Press; Distributed by Norton, 1995. Lippard, Lucy. The Lure of the Local: Senses of Place in a Multicentered Society. New York: New Press, 1997. Lippard, Lucy. On the Beaten Track: tourism, art, and place. New York: The New Press, 1999. Lippard, Lucy. Undermining: a wild ride through land use, politics, and art in the changing west. New York: The New Press, 2014. Lippard, Lucy (text) and Peter Goin (photographs/commentary). Time and Time Again: history, rephotography, and preservation in the Chaco world. Santa Fe: Museum of New Mexico Press, 2013. Lippard, Lucy & William L. Fox, Nancy Marie Mithlo, MaLin Wilson-Powell. Land/Art: New Mexico. Santa Fe: Radius Books, 2009. Lister, Florence and Robert. Earl Morris & Southwestern Archaeology. Albuquerque: University of New Mexico Press, 1968. Long, Richard. Richard Long: walking the line. London & New York: Thames & Hudson, 2002. Lopez, Barry. Desert Notes: Reflections in the Eye of a Raven. New York: Avon Books, 1981, 1976. Lopez, Barry. Crossing Open Ground. New York: Scribner's, 1988. Lopez, Barry. The rediscovery of North America. Lexington, Kentucky: University Press of Kentucky, 1990. Lucy, Ives. The Worldkillers. Ann Arbor: Split Level Texts, 2014. Macfarlane, Robert. Landmarks. London: Hamish Hamilton / Penguin Books, 2015. MacLean, Alex. Designs on the Land: exploring America from the Air. New York: Thames & Hudson, 2003. MacLean, Alex. Over: the American landscape at the tipping point. New York: Harry N. Abrams, 2008. MacMahon, James A. Deserts. New York: Alfred A. Knopf, 1985. Malmgren, Peter and Kay Matthews. Los Alamos Revisited: a workers history. El Prado, New Mexico: Wink Books, 2017. Malville, J. McKim and Claudia Putnam. Prehistoric astronomy in the Southwest. Boulder, Colorado: Johnson Books, 1993. Mann, Charles C. 1491: new revelations of the Americas before Columbus. New York: Knopf, 2005.

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Martínez, Rubén. Desert America: boom and bust in the new old west. New York: Metropolitan Books, 2012. Masco, Joseph. “Desert Modernism: from the Nevada test site to Liberace’s sequined suits”. Cabinet: Issue 13, Futures, 2004. McElheny, Josiah. Josiah McElheny: Dusty Groove. Chicago: Corbett vs Dempsey, 2014. McHarg, Ian. Design with Nature. Philadelphia: The Falcon Press, 1969. McPhee, John. The Control Of Nature. New York: The Noonday Press, 1989. McPhee, John. Annals of a Former World. New York: Farra, Straus and Giroux, 1998. Medina, Cuauhtémoc, Dawn Ades and Katerina Gregos (eds.). Manifesta 9: the deep of the modern, a subcyclopaedia. Milan: Silvana Editoriale, 2012. Minge, Ward Alan. Acoma: Pueblo in the Sky. Albuquerque: University of New Mexico Press, 1976. Misrach, Richard. Desert Cantos. Albuquerque: University of New Mexico Press, 1987. Misrach, Richard and Kate Orff. Petrochemical America. New York: Aperture Foundation, 2014. Mogel, Lize (ed.). An Atlas of Radical Cartography. Los Angeles: Journal of Aesthetics and Protest, 2008. Molesworth, Helen. Josiah McElheny: Some Pictures of the 1nfinite. Ostfildern, Germany and Boston: Hatje Cantz and ICA Boston, 2012. Momaday, Scott. House Made of Dawn. New York: Harper Perennial, 1989. Moore, Kathleen Dean. Holdfast: At Home in the Natural World. New York: Lyons Press, 1999. Morgan, Susan. Joan Jonas: I want to live in the Country (and other romances). London: Afterall Books, 2006. Morris, Catherine and Vicent Bonin (eds.). Materializing Six Years: Lucy R. Lippard and the Emergence of Conceptual Art. Cambridge, Mass & London: MIT Press, 2012. Morsiani, Paola. Andrea Zittel: critical space. New York: Prestel, 2005. Mysliwski, Wieslaw. A Treatise on Shelling Beans. Brooklyn, NY: Archipelago Books, 2013. Nabokov, Peter and Robert Easton. Native American Architecture. New York: Oxford University Press, 1989. Noever, Peter. James Turrell: the other horizon. Vienna, Austria: MAK & Hatje Cantz Verlag, 2002. O’Brien, Emma-Lucy and Mario Canal Boyle (eds.). An Oasis of Horror in a Desert of Boredom: Brian Maguire, Teresa Margolles, Lise Bjorne Linnert, Mark McLoughlin, Lanka Haouche Perren. Carlow, Ireland: VISUAL Centre for Contemporary Art and George Bernard Shaw Theatre, 2012. Oglesby, Christopher J. Fire in the Water, Earth in the Air: legends of West Texas music. Austin: University of Texas Press, 2006.

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