Festival Programme
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Newsletter – 20 April 2012 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 20 April 2012 ISSN: 1178-9441 This is the 180th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. Victoria goes to the Olympics ................................................................................. 1 2. Victoria goes to Leipzig ........................................................................................... 2 3. Write poetry! No, write short stories! No, write for children! ............................ 2 4. Resonance ................................................................................................................. 2 5. We’re probably the last to tell you, but . ........................................................... 3 6. However, we'd like to be the first to tell you about . ............................................ 3 7. The expanding bookshelf......................................................................................... 3 8. Hue & Cry and crowdfunding ................................................................................ 4 9. Congratulations ........................................................................................................ 4 10. Fiction editing mentor programme - call for applications ................................. 4 11. Poems of spirituality: call for submissions ......................................................... -
Katherine Mansfield Menton Fellowship Application Form 2019
The Art Foundation Katherine Mansfield Menton Fellowship 2019 The Katherine Mansfield Menton Fellowship is for an established creative writer to spend three months or more in Menton in southern France to work on a project or projects. Tihe Mauriora, e nga iwi o te motu, anei he karahipi whakaharahara. Ko te Katherine Mansfield Menton Fellowship tenei karahipi. Kia kaha koutou ki te tonohia mo tenei putea tautoko. Mena he tangata angitu koe i tenei karahipi, ka taea e koe haere ki te Whenua Wiwi ki te whakamahi to kaupapa, kei te mohio koe, ko te manu i kai i te matauranga nona te ao. Ko koe tena? Amount $35,000 (includes travel and accommodation) Application closing date 5:00pm, Monday 1 July, 2019 The successful applicant will become an Arts Foundation Laureate. What can you write? The residency is open to creative writers across all genres including fiction, children's fiction, poetry, creative non-fiction and playwriting. What do we cover? The residency provides: • a grant of $35,000 to cover all costs including travel to Menton, insurance, living and accommodation costs. $15,000 is paid when your itinerary and insurance is confirmed, with $10,000 payments usually made in month two and three of the residency, assuming the Fellow remains in residency through this period. • a room beneath the terrace of Villa Isola Bella is available for use as a study. Accommodation is not available at the villa. Fellows make their own accommodation arrangements, often with advice from a previous Fellow. Katherine Mansfield spent long periods at Villa Isola Bella in 1919 and 1920 after she contracted tuberculosis. -
Ka Mate Ka Ora: a New Zealand Journal of Poetry and Poetics
ka mate ka ora: a new zealand journal of poetry and poetics Issue 4 September 2007 Poetry at Auckland University Press Elizabeth Caffin Weathers on this shore want sorts of words. (Kendrick Smithyman, ‘Site’) Auckland University Press might never have been a publisher of poetry were it not for Kendrick Smithyman. It was his decision. As Dennis McEldowney recalls, a letter from Smithyman on 31 March 1967 offering the manuscript of Flying to Palmerston, pointed out that ‘it is to the university presses the responsibility is falling for publishing poetry. Pigheaded and inclined to the parish pump, I would rather have it appear in New Zealand if it appears anywhere’.1 Dennis, who became Editor of University Publications in 1966 and in the next two decades created a small but perfectly formed university press, claimed he lacked confidence in judging poetry. But Kendrick and C. K. Stead, poets and academics both, became his advisors and he very quickly established an impressive list. At its core were the great New Zealand modernist poets. Dennis published five books by Smithyman, three by Stead and three by Curnow starting with the marvellous An Incorrigible Music in 1979.2 Curnow and Smithyman were not young and had published extensively elsewhere but most would agree that their greatest work was written in their later years; and AUP published it. Soon a further group of established poets was added: three books by Elizabeth Smither, one by Albert Wendt, one by Kevin Ireland. And then a new generation, the exuberant poets of the 1960s and 1970s such as Ian Wedde (four books), Bill Manhire, Bob Orr, Keri Hulme, Graham Lindsay, Michael Harlow. -
Our Finest Illustrated Non-Fiction Award
Our Finest Illustrated Non-Fiction Award Crafting Aotearoa: Protest Tautohetohe: A Cultural History of Making Objects of Resistance, The New Zealand Book Awards Trust has immense in New Zealand and the Persistence and Defiance pleasure in presenting the 16 finalists in the 2020 Wider Moana Oceania Stephanie Gibson, Matariki Williams, Ockham New Zealand Book Awards, the country’s Puawai Cairns Karl Chitham, Kolokesa U Māhina-Tuai, Published by Te Papa Press most prestigious awards for literature. Damian Skinner Published by Te Papa Press Bringing together a variety of protest matter of national significance, both celebrated and Challenging the traditional categorisations The Trust is so grateful to the organisations that continue to share our previously disregarded, this ambitious book of art and craft, this significant book traverses builds a substantial history of protest and belief in the importance of literature to the cultural fabric of our society. the history of making in Aotearoa New Zealand activism within Aotearoa New Zealand. from an inclusive vantage. Māori, Pākehā and Creative New Zealand remains our stalwart cornerstone funder, and The design itself is rebellious in nature Moana Oceania knowledge and practices are and masterfully brings objects, song lyrics we salute the vision and passion of our naming rights sponsor, Ockham presented together, and artworks to Residential. This year we are delighted to reveal the donor behind the acknowledging the the centre of our influences, similarities enormously generous fiction prize as Jann Medlicott, and we treasure attention. Well and divergences of written, and with our ongoing relationships with the Acorn Foundation, Mary and Peter each. -
Newsletter – 21 November 2011 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 21 November 2011 ISSN: 1178-9441 This is the 175th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. A real e-book ........................................................................................................... 1 2. Making Baby Float ................................................................................................. 2 3. Bernard Beckett ....................................................................................................... 2 4. A possible Janet Frame sighting? ........................................................................... 2 5. A poetry masterclass ................................................................................................ 3 6. Awards and prizes ................................................................................................... 3 7. Eric Olsen meets the muse ..................................................................................... 3 8. The expanding bookshelf......................................................................................... 4 9. Best New Zealand Poems ....................................................................................... 4 10. Peter Campbell RIP ............................................................................................. 4 11. Gossipy bits ........................................................................................................... -
Metafiction in New Zealand from the 1960S to the Present Day
Metafiction in New Zealand from the 1960s to the present day A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Massey University, Albany, New Zealand Matthew Harris 2011 Metafiction in New Zealand from the 1960s to the present day (2011) by Matthew Harris (for Massey University) is licensed under a Creative Commons - Attribution -NonCommercial -NoDerivs 3.0 Unported License. Permissions beyond the scope of this license may be available at www.matthewjamesharris.com. ii ABSTRACT While studies of metafiction have proliferated across America and Europe, the present thesis is the first full-length assessment of its place in the literature of New Zealand. Taking as its point of reference a selection of works from authors Janet Frame, C.K. Stead, Russell Haley, Michael Jackson and Charlotte Randall, this thesis employs a synthesis of contextual and performative frameworks to examine how the internationally- prevalent mode of metafiction has influenced New Zealand fiction since the middle of the 20 th century. While metafictional texts have conventionally been thought to undermine notions of realism and sever illusions of representation, this thesis explores ways in which the metafictional mode in New Zealand since the 1960s might be seen to expand and augment realism by depicting individual modes of thought and naturalising unique forms of self-reflection, during what some commentators have seen as a period of cultural ‘inwardness’ following various socio-political shifts in the latter -
“It's Hard to Keep Track”
―It‘s Hard to Keep Track‖: Mapping a Shifting Nation in Dylan Horrocks‘s Hicksville Hamish Clayton A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in English Literature School of English, Film, Theatre & Media Studies Victoria University of Wellington 2009 Contents Acknowledgements 3 Note 4 Abstract 5 Introduction: Local and Special 6 Chapter One: Local Heroes 14 Chapter Two: Going Global 36 Chapter Three: Local Knowledge 58 Chapter Four: Art as Comics as Taonga 84 Chapter Five: Mapping Hicksville 105 Conclusion: Standing Upright Here 123 Works Cited 128 2 Acknowledgements I would like to offer special thanks to my primary supervisor, Mark Williams, whose enthusiasm for this project has been boundless. Without his friendship and guidance I would not have been able to write the thesis I wanted to write. Thanks also to Tina Barton, my Art History supervisor, for her support throughout. I would like to thank the staff of both English and Art History programmes at Victoria University for their extended support and friendship over the last five years, as well as that of my former colleagues at Victoria University‘s Student Learning Support Service. I gratefully acknowledge the financial support of the University, and the provision of a Scholarship for Masters study 2008-09. I am indebted to Dylan Horrocks, who very generously sent me copies of his comics no longer available for purchase in shops or online. Thanks also to the many friends and family who have supported me immeasurably. In particular, Stephen McDowall, whose professionalism and achievements have been an inspiration; Kirsten Reid, whose unconditional support and enthusiasm have been truly invaluable; and Rosie Howell, for her unwavering faith in me. -
Newsletter – 11 October 2011 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 11 October 2011 ISSN: 1178-9441 This is the 174th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. MA and PhD application deadlines ........................................................................ 1 2. The Turbine deadline .............................................................................................. 2 3. The Iowa deadline .................................................................................................... 2 4. O Le Tulafale ............................................................................................................ 2 5. Writers on Mondays ................................................................................................ 2 6. Two readings ............................................................................................................ 3 7. Commonwealth Prizes ............................................................................................. 3 8. Morningstar .............................................................................................................. 3 9. Bird North takes flight ............................................................................................ 4 10. Working briefs ....................................................................................................... 4 11. -
Words That Make Worlds. Arguments That Change Minds. Ideas That Illuminate. Publishing Books That Make a Difference – 2016 Edition
Words that make worlds. Arguments that change minds. Ideas that illuminate. Publishing books that make a difference – 2016 edition. Summer 2016 POLITICS AND THE MEDIA: SECOND EDITION Edited by Geoff Kemp, Babak Bahador, Kate McMillan & Chris Rudd Journalists and presidents, hacks and spin doctors, media moguls and prime ministers: in New Zealand and around the world, politics and the media are deeply intertwined. Politics and the Media introduces students to the rich literature on media and politics internationally, covering history, political economy and contemporary trends, and then analyses the particular shape of the media in New Zealand and its political role. This second edition features extensive coverage of the 2014 ‘Dirty Politics’ campaign, the increasing importance of online media, and updated material in all chapters. Geoff Kemp is a senior lecturer in Politics and International Relations at the University of Auckland, Babak Bahador is a senior lecturer at the University of Canterbury in New Zealand, Kate McMillan is a senior lecturer in politics at Victoria University of Wellington, and Chris Rudd is a senior lecturer in the Department of Politics at the University of Otago. February 2016, 230 x 165 mm, 360 pages Paperback, 978 1 86940 847 3, $59.99 2/3 Summer 2016 THIS PAPER BOAT Gregory Kan This Paper Boat follows the author as he traces his own history through the lives and written fragments of Iris Wilkinson (aka Robin Hyde), of his parents and grandparents. He explores old territories of Robin Hyde’s, still dripping with the past – the tide pool at Island Bay, the garden at Laloma. -
30 June 2006
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯u tahi Tuhi Auaha o te Ao Newsletter – 30 June 2006 This is the 89th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email [email protected]. 1. Writers on Mondays returns............................................................................... 1 2. TV literature ........................................................................................................ 1 3. People are always stealing your stuff, New Zealand .......................................... 2 4. From the whiteboard........................................................................................... 2 5. Poetry month? ..................................................................................................... 2 6. Laureates in Auckland ........................................................................................ 3 7. The expanding bookshelf..................................................................................... 3 8. Copyright licensing awards................................................................................. 4 9. The expanding bookshelf (2) ............................................................................... 4 10. Recent web reading................................................................................................4 11. Great lists of our time....................................................................................... -
Katherine Mansfield on the French Riviera
Katherine Mansfield on the French Riviera Menton, France 24–25 September 2020 An international symposium organised by the Katherine Mansfield Society, celebrating the 50th anniversary of the Katherine Mansfield Menton Fellowship Hosted by the Town Hall of Menton, and supported by the Katherine Mansfield Menton Fellowship The Symposium will feature a keynote panel of prestigious New Zealand authors, all former Mansfield Menton Fellows CALL FOR ABSTRACTS The New Zealand short story writer Katherine Mansfield (1888–1923) spent all her adult life in Europe, of which approximately three years in total were spent in France, where she later died. For much of this time she was on the French Riviera, firstly in Bandol and subsequently in Menton during the spring of 1920, and then staying at the Villa Isola Bella from September 1920 to May 1921. Both Bandol and Menton proved fertile ground for Mansfield’s creativity. During two sojourns in Bandol (1916 and 1918), she completed ‘The Aloe’ and wrote ‘Je ne parle pas français’, ‘Sun and Moon’, and ‘Bliss’. The time she spent at the Villa Isola Bella in Menton resulted in ‘The Singing Lesson’, ‘The Young Girl’, ‘The Stranger’, ‘Miss Brill’, ‘Poison’, ‘The Lady’s Maid’, ‘The Daughters of the Late Colonel’, and ‘Life of Ma Parker’. Mansfield’s life in the south of France also engendered comments in her notebooks and diaries, as well as in her letters. For example, near the end of a letter to her husband, John Middleton Murry, written from Menton, she wrote, ‘You will find ISOLA BELLA in poker work on my heart’. -
Newsletter – 15 May 2012 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 15 May 2012 ISSN: 1178-9441 This is the 181st in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. Journeys and graduations ....................................................................................... 1 2. Menton comes to Wellington .................................................................................. 2 3. Teju Cole comes to Wellington ............................................................................... 2 4. Our second semester workshops ............................................................................ 2 5. New Zealand poetry goes to the USA ..................................................................... 3 6. German poetry comes to Wellington ..................................................................... 3 7. The Brothers Grimm come to the Pacific .............................................................. 4 8. The expanding bookshelf (1) ................................................................................... 4 9. The expanding bookshelf (2) ................................................................................... 4 10. The expanding bookshelf (3) ................................................................................. 4 11. Making The Orator ..............................................................................................