Newsletter – 15 May 2012 ISSN: 1178-9441
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Newsletter – 20 April 2012 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 20 April 2012 ISSN: 1178-9441 This is the 180th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. Victoria goes to the Olympics ................................................................................. 1 2. Victoria goes to Leipzig ........................................................................................... 2 3. Write poetry! No, write short stories! No, write for children! ............................ 2 4. Resonance ................................................................................................................. 2 5. We’re probably the last to tell you, but . ........................................................... 3 6. However, we'd like to be the first to tell you about . ............................................ 3 7. The expanding bookshelf......................................................................................... 3 8. Hue & Cry and crowdfunding ................................................................................ 4 9. Congratulations ........................................................................................................ 4 10. Fiction editing mentor programme - call for applications ................................. 4 11. Poems of spirituality: call for submissions ......................................................... -
Katherine Mansfield Menton Fellowship Application Form 2019
The Art Foundation Katherine Mansfield Menton Fellowship 2019 The Katherine Mansfield Menton Fellowship is for an established creative writer to spend three months or more in Menton in southern France to work on a project or projects. Tihe Mauriora, e nga iwi o te motu, anei he karahipi whakaharahara. Ko te Katherine Mansfield Menton Fellowship tenei karahipi. Kia kaha koutou ki te tonohia mo tenei putea tautoko. Mena he tangata angitu koe i tenei karahipi, ka taea e koe haere ki te Whenua Wiwi ki te whakamahi to kaupapa, kei te mohio koe, ko te manu i kai i te matauranga nona te ao. Ko koe tena? Amount $35,000 (includes travel and accommodation) Application closing date 5:00pm, Monday 1 July, 2019 The successful applicant will become an Arts Foundation Laureate. What can you write? The residency is open to creative writers across all genres including fiction, children's fiction, poetry, creative non-fiction and playwriting. What do we cover? The residency provides: • a grant of $35,000 to cover all costs including travel to Menton, insurance, living and accommodation costs. $15,000 is paid when your itinerary and insurance is confirmed, with $10,000 payments usually made in month two and three of the residency, assuming the Fellow remains in residency through this period. • a room beneath the terrace of Villa Isola Bella is available for use as a study. Accommodation is not available at the villa. Fellows make their own accommodation arrangements, often with advice from a previous Fellow. Katherine Mansfield spent long periods at Villa Isola Bella in 1919 and 1920 after she contracted tuberculosis. -
Ka Mate Ka Ora: a New Zealand Journal of Poetry and Poetics
ka mate ka ora: a new zealand journal of poetry and poetics Issue 4 September 2007 Poetry at Auckland University Press Elizabeth Caffin Weathers on this shore want sorts of words. (Kendrick Smithyman, ‘Site’) Auckland University Press might never have been a publisher of poetry were it not for Kendrick Smithyman. It was his decision. As Dennis McEldowney recalls, a letter from Smithyman on 31 March 1967 offering the manuscript of Flying to Palmerston, pointed out that ‘it is to the university presses the responsibility is falling for publishing poetry. Pigheaded and inclined to the parish pump, I would rather have it appear in New Zealand if it appears anywhere’.1 Dennis, who became Editor of University Publications in 1966 and in the next two decades created a small but perfectly formed university press, claimed he lacked confidence in judging poetry. But Kendrick and C. K. Stead, poets and academics both, became his advisors and he very quickly established an impressive list. At its core were the great New Zealand modernist poets. Dennis published five books by Smithyman, three by Stead and three by Curnow starting with the marvellous An Incorrigible Music in 1979.2 Curnow and Smithyman were not young and had published extensively elsewhere but most would agree that their greatest work was written in their later years; and AUP published it. Soon a further group of established poets was added: three books by Elizabeth Smither, one by Albert Wendt, one by Kevin Ireland. And then a new generation, the exuberant poets of the 1960s and 1970s such as Ian Wedde (four books), Bill Manhire, Bob Orr, Keri Hulme, Graham Lindsay, Michael Harlow. -
Our Finest Illustrated Non-Fiction Award
Our Finest Illustrated Non-Fiction Award Crafting Aotearoa: Protest Tautohetohe: A Cultural History of Making Objects of Resistance, The New Zealand Book Awards Trust has immense in New Zealand and the Persistence and Defiance pleasure in presenting the 16 finalists in the 2020 Wider Moana Oceania Stephanie Gibson, Matariki Williams, Ockham New Zealand Book Awards, the country’s Puawai Cairns Karl Chitham, Kolokesa U Māhina-Tuai, Published by Te Papa Press most prestigious awards for literature. Damian Skinner Published by Te Papa Press Bringing together a variety of protest matter of national significance, both celebrated and Challenging the traditional categorisations The Trust is so grateful to the organisations that continue to share our previously disregarded, this ambitious book of art and craft, this significant book traverses builds a substantial history of protest and belief in the importance of literature to the cultural fabric of our society. the history of making in Aotearoa New Zealand activism within Aotearoa New Zealand. from an inclusive vantage. Māori, Pākehā and Creative New Zealand remains our stalwart cornerstone funder, and The design itself is rebellious in nature Moana Oceania knowledge and practices are and masterfully brings objects, song lyrics we salute the vision and passion of our naming rights sponsor, Ockham presented together, and artworks to Residential. This year we are delighted to reveal the donor behind the acknowledging the the centre of our influences, similarities enormously generous fiction prize as Jann Medlicott, and we treasure attention. Well and divergences of written, and with our ongoing relationships with the Acorn Foundation, Mary and Peter each. -
Literacy Forum NZ
Literacy Forum NZ TE KORERO PANUI TUHITUHI O AOTEAROA Vol.34, No. 1, 2019 is published by The New Zealand Literacy Association (Inc.) which is an affiliate of the International Reading Association Literacy Forum NZ is a peer reviewed journal, the official publication of the New Zealand Literacy Association, which is an affiliate of the International Reading Association. It is published three times per year and is free to NZLA members. Subscription cost for non-members is available on application. Ideas and statements expressed in Literacy Forum NZ are not necessarily the official viewpoint of the New Zealand Literacy Association. Editorial Board Glenice Andrews Sue Bridges Trish Brooking Wendy Carss Sue Dymock Joy Hawke Libby Limbrick Wendy Morgan Mal Thompson Editor: Mal Thompson Local Editorial team: Manawatu Literacy Association, led by Sarah McCord and Mal Thompson. The panel of reviewers are members of the NZLA, plus academics and teachers from New Zealand and overseas. Address for correspondence Dr Mal Thompson (General Editor) 178 Burt Street Wakari Dunedin 9010 [email protected] NZLA website: http://www.nzla.org.nz/ Published March 2019 © Copyright NZLA ISSN 2324-3643 CONTENTS From the President .......................................................................................................4 Advocating for children: Not all literacy interventions, approaches and resources are equal Janet S. Gaffney, Suzanne Smith, Frances Commack, Annabelle Ash, Margot Mackie, Sonia Mudgway ...........................................................................................5 -
Newsletter – 21 November 2011 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 21 November 2011 ISSN: 1178-9441 This is the 175th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. A real e-book ........................................................................................................... 1 2. Making Baby Float ................................................................................................. 2 3. Bernard Beckett ....................................................................................................... 2 4. A possible Janet Frame sighting? ........................................................................... 2 5. A poetry masterclass ................................................................................................ 3 6. Awards and prizes ................................................................................................... 3 7. Eric Olsen meets the muse ..................................................................................... 3 8. The expanding bookshelf......................................................................................... 4 9. Best New Zealand Poems ....................................................................................... 4 10. Peter Campbell RIP ............................................................................................. 4 11. Gossipy bits ........................................................................................................... -
New Zealand and Pacific Literatures in Spanish Translation
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Open Journal Systems at the Victoria University of Wellington Library Reading (in) the Antipodes: New Zealand and Pacific Literatures in Spanish Translation PALOMA FRESNO-CALLEJA Abstract This article considers the Spanish translations of New Zealand and Pacific authors and explores the circumstances that have determined their arrival into the Spanish market as well as the different editorial and marketing choices employed to present these works to a Spanish readership. It considers the scarcity of canonical authors, the branding of Maori and other “ethnic” voices, the influence of film adaptations and literary prizes in the translation market, and the construction of the “New Zealand exotic” in works written by non-New Zealand authors which, in the absence of more translations from Spain’s literary Antipodes, have dominated the Spanish market in recent years. Introduction In October 2012, New Zealand was chosen as guest of honour at the Frankfurt Book Fair, the world’s largest and most prominent event of this type. The motto of the New Zealand delegation was: “He moemoea he ohorere / While you were sleeping,” an ingenious allusion to the geographical distance between Europe and its Antipodes, but also a reminder of the country’s literary potential, which Europeans were invited to wake up to. The choice of New Zealand as a guest of honour reflected the enormous interest of German readers for its literature and culture, summarized in Norman Franke’s remark that “Germans are crazy about all things Kiwi.”1 As Franke points out, more New Zealand books have been translated into German than into any other European language, and the impact of the fair resulted in an immediate increase of sales and a thirst for new titles.2 Spanish newspapers reported the event with curiosity but on a slightly skeptical note. -
The Best of New Zealand's Book Designs Come Under Tight Scrutiny
MEDIA RELEASE – Monday 11 June 2018 The best of New Zealand’s book designs come under tight scrutiny but the shortlist has been announced It appears it’s not just the cover a book is judged on as the judges announce the finalists in the 2018 PANZ Book Design Awards. The weight of stock, the binding and the smell of the entries all came under close scrutiny from the judging panel. ‘The judges all did their fair share of lifting, sniffing, flipping and pondering the multifaceted design decisions,’ says the convening judge, David Coventon. ‘From paper stocks to spines and binding, print finish, typographic tendencies and idiosyncrasies, we were impressed by the high-quality outcomes.’ From some 110 entries, the judges have whittled out a finalist list of 33 books across eight categories: Penguin Random House New Zealand Award for Best Illustrated Book Aberhart Starts Here by Lara Strongman with Laurence Aberhart (Christchurch Art Gallery Te Puna o Waiwhetū), designed by Peter Bray, Christchurch Art Gallery Te Puna o Waiwhetū The Domain by Gavin Hipkins (Victoria University Press), designed by Philip Kelly the merrier by Miranda Parkes, Sharon Dell, Robyn Notman, Sophie Bannan, Andrea Bell (Hocken Collections, Uare Taoka o Hākena, University of Otago), designed by Daniel Blackball Alexander New China Eyewitness: Roger Duff, Rewi Alley and the art of museum diplomacy edited by James Beattie and Richard Bullen (Canterbury University Press), designed by Aaron Beehre Strangers Arrive by Leonard Bell (Auckland University Press), cover design by -
Keynote Speech - Storylines National Children’S Writers and Illustrators’ Hui, 6 October 2017
Keynote speech - Storylines National Children’s Writers and Illustrators’ Hui, 6 October 2017 The rise and rise of New Zealand children’s publishing Tessa Duder Once upon a time – about 1978 - a young mother of four was struck in the middle of the night with an idea for a children’s novel. A sailing adventure! A family in peril! Would they survive the night?! This was very odd: she’d never written a word of fiction in her life. Sometime during the four years it took to write the story and get it published, she cut out the cartoon below from the Listener and filed it away. (Elderly man to non-so-young woman at cocktail party: And what are you falling back on to writing children’s books from?) Miraculously, 35 years and about 50 books later, she was able to find it in a musty box file. We may laugh at the sub-text of that remark, but actually ‘falling back onto children’s books’ from success as adult writers has some noble exemplars: Leo Tolstoy, Oscar Wilde, Ian Fleming, A.A. Milne. Our own Janet Frame, Joy Cowley, William Taylor, Kate De Goldi, Graeme Lay, Barbara Else. Though it’s more often the reverse: highly skilled children’s writers ‘falling back’ onto writing for adults: think Mandy Hagar, Gaelyn Gordon, David Hill, Bernard Beckett, Fleur Beale, Roald Dahl, John Marsden, J.K. Rowling. The long path to success of Under the Mountain To consider one such fallen angel of the ‘falling back on to children’s’ variety, let’s recall the New Zealand of 1974. -
Festival Programme
The Bell Gully National Schools Writing Festival 20-21 August 2005 Festival Pr ogramme At the start of each day, students and teachers should meet in the Maclaurin Foyer. The main festival sessions will be held in Maclaurin Lecture Theatre 101. Small group workshops will be held in adjacent buildings. Students and teachers will be directed to their workshops rooms by their workshop coordinator. All refreshment breaks will be in the Maclaurin Foyer. The Maclaurin Building is accessible from Gate 5 off Kelburn Parade. Campus maps are available at www.vuw.ac.nz/home/about_victoria/maps.html Saturday 20 August 8.30 am Registration (please be punctual) 9.00 am Official opening and welcome 9.30 am First round of small-group workshops (students and teachers) 12.30 pm Lunch (Vic Books stall operating) 1.30 pm Their Dark Materials: novelists Nigel Cox and Fiona Farrell on where ideas come from. (Chair Damien Wilkins.) 2.45 pm Afternoon tea (Vic Books stall operating) 3.15 pm Twenty (Poetic) Questions: Nick Ascroft and Bernadette Hall in conversation. (Introduced by Bill Manhire.) 4.30 pm End of day one Sunday 21 August 9.15 am Meet in Maclaurin Foyer 9.30 am Students Second round of small-group workshops Teachers Forum with Damien Wilkins, Ken Duncum, Linda Burgess and Bill Manhire (participating Chair) 12.30 pm Lunch (Vic Books stall operating) 1.30 pm Write Out Loud: workshop leaders present and discuss writing emerging from the workshops with Nigel Cox, Eirlys Hunter, Vivienne Plumb and Marty Smith (Chair: Chris Price.) 2.45pm Reading: Te Mata -
Newsletter – 11 October 2011 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 11 October 2011 ISSN: 1178-9441 This is the 174th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. MA and PhD application deadlines ........................................................................ 1 2. The Turbine deadline .............................................................................................. 2 3. The Iowa deadline .................................................................................................... 2 4. O Le Tulafale ............................................................................................................ 2 5. Writers on Mondays ................................................................................................ 2 6. Two readings ............................................................................................................ 3 7. Commonwealth Prizes ............................................................................................. 3 8. Morningstar .............................................................................................................. 3 9. Bird North takes flight ............................................................................................ 4 10. Working briefs ....................................................................................................... 4 11. -
Creative New Zealand Grants SECOND PROJECT FUNDING ROUND 2000/2001
Creative New Zealand Grants SECOND PROJECT FUNDING ROUND 2000/2001 This is a complete list of project grants offered in the second funding round for the 2000/2001 year. Grants are listed within artforms under Creative New Zealand funding programmes. In this round, 265 project grants totalling more than $3 million were offered to artists and arts organisations. More than $13 million was requested from 788 applications. Arts Board: Creative & Becca Wood: to attend an intensive workshop in Out Of Hand Productions: to develop “Salvage” Arizona $30,000 Professional Development $3,090 CRAF T FINE ARTS Rotaction: to develop a multimedia performance installation $8,000 Greg Barron: towards a research and workshop Art & Industry Biennial Trust: towards research for Art & Industry 2002 tour of ceramics in China MUSIC $10,000 $10,000 Soren Beech: to continue postgraduate study in Tina Barton: towards international research cello in USA This includes $2,500 from the Belinda Hager: towards a research trip $3,750 $10,000 Butland Music Scholarship. $3,000 Saskia Leek: towards a research trip to Holland Jason Hall: towards a jewellery workshop at $5,000 Manu Berkeljon: towards postgraduate violin Fluxus $2,775 studies in Australia $3,000 Anna Petersen: towards a study tour of American photographic collections Lyn Kelly: to promote a joint jewellery exhibition $5,000 $2,970 Brass Bands Association of NZ (Inc): towards an annual youth development programme LITERATURE $12,000 National Association of Woodturners NZ Inc: towards international demonstrators