Newsletter – 7 September 2011 ISSN: 1178-9441
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Maori and Aotearoa/New Zealand's 1981 Springbok Tour
Kunapipi Volume 23 Issue 1 Article 13 2001 ‘Almost the same, but not quite.... Almost the same, but not white’ : Maori and Aotearoa/New Zealand’s 1981 Springbok Tour Malcolm Maclean Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Maclean, Malcolm, ‘Almost the same, but not quite.... Almost the same, but not white’ : Maori and Aotearoa/New Zealand’s 1981 Springbok Tour, Kunapipi, 23(1), 2001. Available at:https://ro.uow.edu.au/kunapipi/vol23/iss1/13 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] ‘Almost the same, but not quite.... Almost the same, but not white’ : Maori and Aotearoa/New Zealand’s 1981 Springbok Tour Abstract The contradictions exposed by Maori responses to the 1981 Springbok rugby tour are clearly seen on the East Coast of New Zealand’s North Island, as they were in every other iwi.1 The Springboks were welcomed at Te Poho-o-Rawiri marae at the same time as other Ngati Porou, Rongowhakaata and other local Maori were spreading broken glass across the playing field at Gisborne’s Rugby Park — the visitors were told in no uncertain terms that they would not be welcomed again. Others from the region could not see the problem. Rugby great, George Nepia, said in 1985 ‘we have got what we wanted — the Maori in All Black teams that play in South Africa. I can’t make out why other teams can visit South Africa without all the fuss’ (Romanos 39). -
NZSA Bulletin of New Zealand Studies
NZSA Bulletin of New Zealand Studies Issue Number 2 Edited by Ian Conrich ISSN 1758-8626 Published 2010 by Kakapo Books 15 Garrett Grove, Clifton Village, Nottingham NG11 8PU © 2010 Kakapo Books © 2010 for the poetry, which remains with the authors. No part of this publication may be reprinted or reproduced in any form or by any means, electronic, recording or otherwise, or stored in an information retrieval system without written permission from the publisher. Editor: Ian Conrich Assistant Editor: Tory Straker Typesetter: Opuscule Advisory Board: Dominic Alessio (Richmond The American International University) Clare Barker (University of Birmingham) Kezia Barker (Birkbeck, University of London) Claudia Bell (University of Auckland, New Zealand) Judy Bennett (University of Otago, New Zealand) Roger Collins ( Dunedin, New Zealand) Sean Cubitt (University of Melbourne, Australia) Peter Gathercole (Darwin College, University of Cambridge) Nelly Gillet (University of Technology of Angoulême, France) Manying Ip (University of Auckland, New Zealand) Michelle Keown (University of Edinburgh) Yvonne Kozlovsky-Golan (Sapir Academic College, Israel) Geoff Lealand (University of Waikato, New Zealand) Martin Lodge (University of Waikato, New Zealand) Bill Manhire (Victoria University of Wellington, New Zealand) Rachael Morgan (Edinburgh) Michaela Moura-Koçuglu (Goethe University, Frankfurt, Germany) David Newman (Simon Fraser University, Canada) Claudia Orange (Te Papa Tongarewa Museum of New Zealand) Vincent O’Sullivan (Victoria University of Wellington, -
Newsletter – 20 April 2012 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 20 April 2012 ISSN: 1178-9441 This is the 180th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. Victoria goes to the Olympics ................................................................................. 1 2. Victoria goes to Leipzig ........................................................................................... 2 3. Write poetry! No, write short stories! No, write for children! ............................ 2 4. Resonance ................................................................................................................. 2 5. We’re probably the last to tell you, but . ........................................................... 3 6. However, we'd like to be the first to tell you about . ............................................ 3 7. The expanding bookshelf......................................................................................... 3 8. Hue & Cry and crowdfunding ................................................................................ 4 9. Congratulations ........................................................................................................ 4 10. Fiction editing mentor programme - call for applications ................................. 4 11. Poems of spirituality: call for submissions ......................................................... -
Course Title
English Literature Programme Faculty of Humanities and Social Sciences School of English, Film, Theatre, & Media Studies Te Kura Tānga Kōrero Ingarihi, Kiriata, Whakaari, Pāpāho ENGL 112 Cultural Encounters: The Literature of Aoteroa New Zealand Trimester 2 2016 11 July to 13 November 2016 20 Points Bill Manhire (1986) - Robert Cross IMPORTANT DATES Teaching dates: 11 July to 16 October 2016 Mid-trimester break: 22 August to 4 September 2016 Study period: 17 – 20 October 2016 Examination/Assessment period: 21 October to 12 November 2016 Note: Students who enrol in courses with examinations must be able to attend an examination at the University at any time during the scheduled examination period. Withdrawal dates: Refer to www.victoria.ac.nz/students/study/withdrawals-refunds. If you cannot complete an assignment or sit a test in the last three weeks of teaching, or an examination, it may instead be possible to apply for an aegrotat (refer to www.victoria.ac.nz/students/study/exams/aegrotats). 1 School of English, Film, Theatre, & Media Studies ENGLISH LITERATURE PROGRAMME COURSE OUTLINE ENGL 112 CLASS TIMES AND LOCATIONS Lectures Tue, Thu, Fri 3.10 – 4.00 Maclaurin MCLT102 Tutorials Tutorials begin in WEEK 2. Please register for tutorials via the ENGL 112 site on Blackboard: go to “Tutorial instructions” and then follow the instructions carefully. Remember to record your tutorial time, day and room for future reference. Tutorial rooms will be listed on myAllocator, Blackboard and on the noticeboard in the Level 3 corridor of the Hugh Mackenzie Building. NAMES AND CONTACT DETAILS Staff: Anna Smaill Māori and Pasifika Support Tutor: Trae Te Wiki Email: [email protected] Email: [email protected] Phone: 463 5256 Phone: 463 9599 Room: vZ 806 Room: vZ 807 Office Hours: tba Office Hours: tba COMMUNICATION OF ADDITIONAL INFORMATION Updated information about the course, and all handouts, etc. -
Newsletter – 2 February 2007
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 15 April 2009 ISSN: 1178-9441 This is the 139th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email [email protected]. 1. Dispatches from the front lines of New Zealand poetry.......................................1 2. Calling teachers and student writers......................................................................2 3. Work on your words................................................................................................2 4. Finding the next KM................................................................................................3 5. Your work here? ......................................................................................................3 6. The expanding bookshelf (1)...................................................................................3 7. Writers in residence (1) ...........................................................................................4 8. Luminous poetry wanted.........................................................................................4 9. From the whiteboard ...............................................................................................4 10. Writers in residence (2) .........................................................................................4 11. The expanding bookshelf (2).................................................................................5 -
Almost the Same, but Not Quite...Almost the Same, but Not White”: Maori and Aotearoa/New Zealand’S 1981 Springbok Tour
This is a peer-reviewed, post-print (final draft post-refereeing) version of the following published document: MacLean, Malcolm ORCID: 0000-0001-5750-4670 (2001) “Almost the same, but not quite...Almost the same, but not white”: Maori and Aotearoa/New Zealand’s 1981 Springbok Tour. Kunapipi: Journal of Postcolonial Writing, 23 (1). pp. 69- 82. EPrint URI: http://eprints.glos.ac.uk/id/eprint/2896 Disclaimer The University of Gloucestershire has obtained warranties from all depositors as to their title in the material deposited and as to their right to deposit such material. The University of Gloucestershire makes no representation or warranties of commercial utility, title, or fitness for a particular purpose or any other warranty, express or implied in respect of any material deposited. The University of Gloucestershire makes no representation that the use of the materials will not infringe any patent, copyright, trademark or other property or proprietary rights. The University of Gloucestershire accepts no liability for any infringement of intellectual property rights in any material deposited but will remove such material from public view pending investigation in the event of an allegation of any such infringement. PLEASE SCROLL DOWN FOR TEXT. This is a peer-reviewed, post-print (final draft post-refereeing) version of the following published document: MacLean, Malcolm (2001). “Almost the same, but not quite...Almost the same, but not white”: Maori and Aotearoa/New Zealand’s 1981 Springbok Tour. Kunapipi: Journal of Postcolonial Writing, 23 (1), 69-82. Published in Kunapipi: Journal of Postcolonial Writing, and available online at: http://ro.uow.edu.au/kunapipi/ We recommend you cite the published (post-print) version. -
Carrie Kennedy Work CV 2019 Sequential
Carrie Kennedy APDG production designer Tel: (613)9486 4112 Mob: 0408 349 576 Email: [email protected] www.carbencopy.com.au SELECTED CREDITS 2019 Hungry Ghosts Matchbox/SBSTV Producers: Stephen Corvini, Timothy Hobart, Production Designer: Carrie Kennedy Debbie Lee, Sue Masters Art Director: Rob Molnar Line Producer: Margaret Chong TV 4 x 1 hr drama series Director: Shawn Seet DOP : Bruce Young 2018 Bloom Playmaker/Stan Original Producers: Sue Seeary, David Taylor, David Maher, Production Designer: Carrie Kennedy Created by Glen Dolman Art Director: Ben Barber Line Producer: David Redman TV 6 x 1 hr drama series Directors: John Curran, Mat King DOP : Geoffrey Hall Ride Like a Girl 100 to 1 P/L/ Transmission Films Producer: Richard Keddie, Naomi Cleaver Production Designer Carrie Kennedy Rachel Griffiths, Felicity Stoward, Susie Montague Art Director : Ben Barber Director: Rachel Griffiths Feature film DOP: Martin McGrath 2017 2040 2040 P/L / Madman Entertainment Producer: Nick Batzias, Damon Gameau, Anna Kaplan Production Designers: Virginia Whitwell Carrie Kennedy and Luke Bubb Director: Damon Gameau Feature documentary film DOP: Hugh Miller Dr Blake Mysteries the Telemovie December Media/ABCTV Producers: George Adams, Tony Wright Production Designer: Carrie Kennedy Director: Ian Barry Line Producer : Lisa Wang Art Director: Ben Morieson DOP: Craig Barden Telemovie feature length period drama Offspring series 7 Endemol Shine Australia/Network Ten Producer: Imogen Banks Line Producer: Ross Allsop Production Designer: Carrie Kennedy -
December 2020 BRIGHT SPARKS Cover Story: Understanding Atmospheric Rivers with Hamish Prince Feature Story: the Dance of Life – an Interview with Jan Bolwell
December 2020 BRIGHT SPARKS Cover Story: Understanding Atmospheric Rivers with Hamish Prince Feature Story: The Dance of Life – an interview with Jan Bolwell Also In This Issue: Fulbright in the News | Awards and Appointments of Note | Grantee Experience: A Year in the Life of a Māori Geneticist with Aneska Hoskin | Alumni Spotlight: Fulbright Teachers Return to their Classrooms with Expanded World Views | Kai and Korero | Fulbright NZ Scholar Shona Munro on Kiwi Policing | Fulbright Announcement: Introducing Fulbright Good Works – a New Alumni Seminar Series THE TEAM FROM THE EXECUTIVE DIRECTOR This is our final issue of Bright Sparks for the Bright Sparks. Fulbright Science and Innovation PIP CLIMO JAMIE ROBERTSON year, and what a year it has been! Whereas 2019 was graduate Hamish Prince has been busy research- PROGRAMME MANAGER EXECUTIVE AND CORPORATE [email protected] SERVICES ASSISTANT full of firsts—the first ever Fulbright rebrand, the ing the vast storms known as “atmospheric rivers” [email protected] first global meeting of Fulbright Executive Direc- while he waits to take up his Fulbright scholar- tors in Washington DC, the first year our grantees ship next year. Geneticist Aneska Hoskin, also a were able to enjoy the benefits of increased fund- member of this year’s graduate cohort, outlines ing from MFAT—2020 has been characterised by some of the key lessons learnt during her year THERESE LLOYD JULIE WILLIAMS thwarted expectations and continual challenges. spent as a research assistant at Ngati Porou SENIOR COMMUNICATIONS ADVISOR CORPORATE SERVICES MANAGER [email protected] [email protected] But it has also been transformative. -
A P Watt Rights List
A P Watt Rights List Autumn 2008 A P Watt Ltd Literary Agents 20 John Street, London, WC1N 2DR Telephone: + 44 20 7405 6774 Fax: + 44 20 7831 2154 E-mail: [email protected] www.apwatt.co.uk NEW BOOKS – Autumn 2008 Man Booker shortlisted titles 3 Fiction 4 Non-Fiction 11 Children’s 16 Film and Television News 18 Foreign Representation 21 Authors and Estates Represented by A P Watt 22 26 September 2008 2 MAN BOOKER SHORTLISTED TITLES Sebastian Barry THE SECRET SCRIPTURE Nearing her one-hundredth birthday, Roseanne McNulty faces an uncertain future, as the Roscommon Regional Mental Hospital where she’s spent the best part of her adult life prepares for closure. Over the weeks leading up to this upheaval, she talks often with her psychiatrist Dr Grene. This relationship, guarded but trusting after so many years, intensifies and complicates as Dr Grene mourns the death of his wife. Told through their respective journals, the story that emerges – of Roseanne’s family in 1930s Sligo – is at once shocking and deeply beautiful. Refracted through the haze of memory and retelling, Roseanne’s story becomes an alternative, secret history of Ireland. Exquisitely written and deeply moving, it is the story of a life blighted by terrible maltreatment and ignorance, and yet still marked by a flame of love, passion and hope. Sebastian’s A LONG LONG WAY , was shortlisted for the Man Booker and IMPAC prizes and winner of the Kerry Group Prize for Irish Fiction. UK : Faber; US: Viking; Chinese (simplified) : People’s Literature Publishing House; Danish : Cicero; Dutch : Querido; French : Joelle Losfeld; German : Steidl; Greek : Kastaniotis: Hebrew : Achuzat Bayit; Indonesian : Maroon; Norwegian : Schibsted; Portuguese (Port only): Bertrand; Serbian : Mano & Manana; S panish : Belacqva/Norma Published ; 300 pages Linda Grant THE CLOTHES ON THEIR BACKS In a red brick mansion block in central London, Vivien, a sensitive, bookish girl grows up sealed off from both past and present by her timid refugee parents. -
Download PDF Catalogue
Ron Left Axial No. 9 Corner Painting acrylic on shaped board title inscribed, signed and dated 1985 1690 x 1100 x 700mm $2500 – $4000 Covers: Ann Shelton Frederick B. Butler Collection, Puke Ariki, New Plymouth, Scrapbooks from: Hawera 1949 December – 1950 March to Opunake 1952 August – 1953 February, No. 12 (detail) C type print, edition of 3 1370 x 930mm $3500 – $5000 Important Paintings & Contemporary Art Viewing: Friday 20 November – Thursday 26 November Auction: Thursday 26 November 2009 at 6.30pm Art + Object Telephone: +64 9 354 4646 3 Abbey Street, Newton, Freephone: 0 800 80 60 01 Auckland Facsimile: +64 9 354 4645 PO Box 68 345, Newton, [email protected] Auckland 1145 www.artandobject.co.nz Contents 2 24 74 Catalogue Introduction Photography section Works from the Celia Dunlop commences Collection – lots 84 to 99 6 Objects of Desire – Auction 33 86 Preview Recording artist – a collection This is no Shadowland by Dick of Julian Dashper vinyl records Frizzell – essay by Hamish 10 Coney Twisting the Void – A+O 36 advises NZI on a major Shane Cotton’s Gate (I – XII) sculptural installation to Nga Rangi Tuhaha – essay by celebrate 150 years in New Oliver Stead Zealand 46 15 Sculpture section commences Important Paintings and Contemporary Art (Viewing 56 Times) The Old Sentinel by Charles Goldie – essay by Ben Plumbly 20 Three major works by Peter 70 Robinson from the 1990s – Northland by Colin McCahon – essay by Rebecca Rice essay by Laurence Simmons Welcome to ART+OBJECT’s final major art auction for 2009. This catalogue is the largest and most varied assembled in the company’s history – testimony to the confidence of vendors and collectors in the ongoing performance of the market. -
Katherine Mansfield Menton Fellowship Application Form 2019
The Art Foundation Katherine Mansfield Menton Fellowship 2019 The Katherine Mansfield Menton Fellowship is for an established creative writer to spend three months or more in Menton in southern France to work on a project or projects. Tihe Mauriora, e nga iwi o te motu, anei he karahipi whakaharahara. Ko te Katherine Mansfield Menton Fellowship tenei karahipi. Kia kaha koutou ki te tonohia mo tenei putea tautoko. Mena he tangata angitu koe i tenei karahipi, ka taea e koe haere ki te Whenua Wiwi ki te whakamahi to kaupapa, kei te mohio koe, ko te manu i kai i te matauranga nona te ao. Ko koe tena? Amount $35,000 (includes travel and accommodation) Application closing date 5:00pm, Monday 1 July, 2019 The successful applicant will become an Arts Foundation Laureate. What can you write? The residency is open to creative writers across all genres including fiction, children's fiction, poetry, creative non-fiction and playwriting. What do we cover? The residency provides: • a grant of $35,000 to cover all costs including travel to Menton, insurance, living and accommodation costs. $15,000 is paid when your itinerary and insurance is confirmed, with $10,000 payments usually made in month two and three of the residency, assuming the Fellow remains in residency through this period. • a room beneath the terrace of Villa Isola Bella is available for use as a study. Accommodation is not available at the villa. Fellows make their own accommodation arrangements, often with advice from a previous Fellow. Katherine Mansfield spent long periods at Villa Isola Bella in 1919 and 1920 after she contracted tuberculosis. -
Ka Mate Ka Ora: a New Zealand Journal of Poetry and Poetics
ka mate ka ora: a new zealand journal of poetry and poetics Issue 4 September 2007 Poetry at Auckland University Press Elizabeth Caffin Weathers on this shore want sorts of words. (Kendrick Smithyman, ‘Site’) Auckland University Press might never have been a publisher of poetry were it not for Kendrick Smithyman. It was his decision. As Dennis McEldowney recalls, a letter from Smithyman on 31 March 1967 offering the manuscript of Flying to Palmerston, pointed out that ‘it is to the university presses the responsibility is falling for publishing poetry. Pigheaded and inclined to the parish pump, I would rather have it appear in New Zealand if it appears anywhere’.1 Dennis, who became Editor of University Publications in 1966 and in the next two decades created a small but perfectly formed university press, claimed he lacked confidence in judging poetry. But Kendrick and C. K. Stead, poets and academics both, became his advisors and he very quickly established an impressive list. At its core were the great New Zealand modernist poets. Dennis published five books by Smithyman, three by Stead and three by Curnow starting with the marvellous An Incorrigible Music in 1979.2 Curnow and Smithyman were not young and had published extensively elsewhere but most would agree that their greatest work was written in their later years; and AUP published it. Soon a further group of established poets was added: three books by Elizabeth Smither, one by Albert Wendt, one by Kevin Ireland. And then a new generation, the exuberant poets of the 1960s and 1970s such as Ian Wedde (four books), Bill Manhire, Bob Orr, Keri Hulme, Graham Lindsay, Michael Harlow.