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Dance Design & Production Drama Filmmaking Music
Dance Design & Production Drama Filmmaking Music Powering Creativity Filmmaking CONCENTRATIONS Bachelor of Master of Fine Arts Fine Arts The School of Filmmaking is top ranked in the nation. Animation Cinematography Creative Producing Directing Film Music Composition Picture Editing & Sound Design No.6 of Top 50 Film Schools by TheWrap Producing BECOME A SKILLED STORYTELLER Production Design & Visual Effects Undergraduates take courses in every aspect of the moving image arts, from movies, series and documentaries to augmented and virtual reality. Screenwriting You’ll immediately work on sets and experience firsthand the full arc of film production, including marketing and distribution. You’ll understand the many different creative leadership roles that contribute to the process and discover your strengths and interests. After learning the fundamentals, you’ll work with faculty and focus on a concentration — animation, cinematography, directing, picture editing No.10 of Top 25 American and sound design, producing, production design and visual effects, or Film Schools by The screenwriting. Then you’ll pursue an advanced curriculum focused on your Hollywood Reporter craft’s intricacies as you hone your leadership skills and collaborate with artists in the other concentrations to earn your degree. No.16 of Top 25 Schools for Composing for Film and TV by The Hollywood Reporter Filmmaking Ranked among the best film schools in the country, the School of Filmmaking produces GRADUATE PROGRAM experienced storytellers skilled in all aspects of the cinematic arts and new media. Students Top 50 Best Film Schools direct and shoot numerous projects alongside hands-on courses in every aspect of modern film Graduate students earn their M.F.A. -
Sundance Institute and Skywalker Sound Announce Independent Filmmakers and Film Composers for July Music and Sound Design Labs
FOR IMMEDIATE RELEASE Media Contact: June 30, 2015 Emel Shaikh 310.360.1981 [email protected] Stephen Kenneally Industrial Light & Magic / Skywalker Sound 415.746.2306 [email protected] Sundance Institute and Skywalker Sound Announce Independent Filmmakers and Film Composers for July Music and Sound Design Labs Fellows Include Kris Bowers, Germaine Franco, Danielle Eva Schwob and Jeremy Turner Creative Advisors Include Academy Award Winner Todd Boekelheide and Emmy Award Winner Laura Karpman Los Angeles, CA — Sundance Institute and Skywalker Sound today announced the independent narrative and documentary directors and composers selected for the Sundance Institute Music and Sound Design Labs at Skywalker Sound. This will be the third year the Music and Sound Design Labs take place at the Skywalker Ranch in northern California. The Labs are part of 24 residential labs the Institute hosts annually to discover and foster the talent of emerging independent artists in film, theatre, new media and episodic content. The Music and Sound Design Labs provide a space for composers, directors and sound designers to collaborate on the process of designing a soundtrack for film. Fellows participate in workshops and creative exercises under the guidance of leading film composers and film music professionals acting as Creative Advisors.The Music and Sound Design Lab for narrative feature films (July 7-21) is a joint initiative of the Institute’s Film Music Program and Feature Film Program, and the Music and Sound Design Lab for documentaries (July 22-30) is a joint initiative of the Film Music Program and Documentary Film Program. Peter Golub, Director of the Sundance Institute Film Music Program, said, "This year’s fellows include an outstanding group of composers whose work will deepen and enrich the experience of the diverse personal stories being told by these fiction and documentary filmmakers. -
Ford, Kissinger, Edward Gierek of Poland
File scanned from the National Security Adviser's Memoranda of Conversation Collection at the Gerald R. Ford Presidential Library MEMORANDUM THE WHITE HOUSE WASHINGTON ~:p1NODIS MEMORANDUM OF CONVERSATION PARTICIPANTS: President Gerald R. Ford Edward Gierek, First Secretary of the Central Com.mittee of the Polish United Workers' Party Stefan 01szowski, Minister of Foreign Affairs Dr. Henry A. Kissinger, Secretary of State and Assistant to the President Lt. General Brent Scowcroft, Deputy Assistant to the President for National Security Affairs Ambassador Richard T. Davies, US Amb. to Poland Polish Interpreter DATE AND TIME: Tuesday, October 8, 1974 11 :00 a. m. - 12:40 p. m. PLACE: The Oval Office The White House [Ge~eral Scowcroft missed part of the opening conversation. ] Gierek: In France, the ethnic group of Poles came during the French Revolution. People of Polish extraction have been introduced into many countries. Kissinger: Then in the 19th Century, the Polish nationalists concluded that the only way they could get independence was to join every war -- individually. Gierek: Secretary Kissinger knows our history very well. In our anthem, it says we have been guided by Bonapartist methods of how to win. We Socialists left it in. Kissinger: I have always been impressed by Warsaw's Old City. It took much pride to restore it that way. Gierek: That is true. ~/NODIS 9'!ii............ tmCLASSIFJBI) -~\.. B.O. 1295S, Sec. 3.S NSC lfQJDo, lln419S, State Dept. Guidelines 11 t!t=. , NARA, Date d,,'e -2 President: Let me at the outset welcome you in a personal way. I really look forward to your mission and what has been done to bring us together as peoples and what we can do in the future to expand our contacts. -
Oscars 2020 Ballot
OSCARS BALLOT OSCAR NOMINATIONS 2020 BY CATEGORY - 92ND AWARDS О JOKER - LAWRENCE SHER О PARASITE - YANG JINMO ROBERT DE NIRO, JANE ROSENTHAL AND О JOKER - ALAN ROBERT MURRAY EMMA TILLINGER KOSKOFF, PRODUCERS О THE LIGHTHOUSE - JARIN BLASCHKE BEST INTERNATIONAL FEATURE FILM OF THE О 1917 - OLIVER TARNEY AND RACHAEL TATE YEAR: О JOJO RABBIT - CARTHEW NEAL AND О 1917 - ROGER DEAKINS TAIKA WAITITI, PRODUCERS О ONCE UPON A TIME...IN HOLLYWOOD - О CORPUS CHRISTI - POLAND, DIRECTED WYLIE STATEMAN PERFORMANCE BY AN ACTOR IN A LEADING О ONCE UPON A TIME...IN HOLLYWOOD - BY JAN KOMASA О JOKER - TODD PHILLIPS, BRADLEY ROLE: ROBERT RICHARDSON COOPER AND EMMA TILLINGER KOSKOFF, О STAR WARS: THE RISE OF SKYWALKER - О HONEYLAND - NORTH MACEDONIA, PRODUCERS MATTHEW WOOD AND DAVID ACORD О ANTONIO BANDERA IN PAIN AND GLORY ACHIEVEMENT IN COSTUME DESIGN: DIRECTED BY LJUBO STEFANOV AND TAMARA KOTEVKSA О LITTLE WOMEN - AMY PASCAL, ACHIEVEMENT IN SOUND MIXING: О LEONARDO DICAPRIO IN ONCE UPON A О THE IRISHMAN - SANDY POWELL AND PRODUCER TIME...IN HOLLYWOOD CHRISTOPHER PETERSON О LES MISÉRABLES - FRANCE, DIRECTED BY О AD ASTRA - GARY RYDSTROM, TOM LADJ LY О MARRIAGE STORY - NOAH BAUMBACH JOHNSON AND MARK ULANO О ADAM DRIVER IN MARRIAGE STORY О JOJO RABBIT - MAYES C. RUBEO AND DAVID HEYMAN, PRODUCERS О PAIN AND GLORY - SPAIN, DIRECTED BY О FORD V FERRARI - PAUL MASSEY, DAVID О JOAQUIN PHOENIX IN JOKER О JOKER - MARK BRIDGES PEDRO ALMODÓVAR О 1917 - SAM MENDES, PIPPA HARRIS, GIAMMARCO AND STEVEN A. MORROW JAYNE-ANN TENGGREN AND CALLUM О JONATHAN PRYCE IN THE -
Visit Imdb.Com for Up-To-The-Minute Academy Award Updates, and View
NOMINEES FOR THE 84th ANNUAL ACADEMY AWARDS Best Motion Picture of the Year Best Animated Feature Film Best Achievement in Sound Mixing The Artist (2011): Thomas Langmann of the Year The Girl with the Dragon Tattoo (2011): David Parker, The Descendants (2011): Jim Burke, Alexander Payne, A Cat in Paris (2010): Alain Gagnol, Jean-Loup Felicioli Michael Semanick, Ren Klyce, Bo Persson Jim Taylor Chico & Rita (2010): Fernando Trueba, Javier Mariscal Hugo (2011/II): Tom Fleischman, John Midgley Extremely Loud and Incredibly Close (2011): Scott Rudin Kung Fu Panda 2 (2011): Jennifer Yuh Moneyball (2011): Deb Adair, Ron Bochar, The Help (2011): Brunson Green, Chris Columbus, Puss in Boots (2011): Chris Miller David Giammarco, Ed Novick Michael Barnathan Rango (2011): Gore Verbinski Transformers: Dark of the Moon (2011): Greg P. Russell, Hugo (2011/II): Graham King, Martin Scorsese Gary Summers, Jeffrey J. Haboush, Peter J. Devlin Midnight in Paris (2011): Letty Aronson, Best Foreign Language Film War Horse (2011): Gary Rydstrom, Andy Nelson, Tom Stephen Tenenbaum of the Year Johnson, Stuart Wilson Moneyball (2011): Michael De Luca, Rachael Horovitz, Bullhead (2011): Michael R. Roskam(Belgium) Best Achievement in Sound Editing Brad Pitt Footnote (2011): Joseph Cedar(Israel) The Tree of Life (2011): Nominees to be determined In Darkness (2011): Agnieszka Holland(Poland) Drive (2011): Lon Bender, Victor Ray Ennis War Horse (2011): Steven Spielberg, Kathleen Kennedy Monsieur Lazhar (2011): Philippe Falardeau(Canada) The Girl with the Dragon Tattoo -
10700990.Pdf
The Dolby era: Sound in Hollywood cinema 1970-1995. SERGI, Gianluca. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20344/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/20344/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University jj Learning and IT Services j O U x r- U u II I Adsetts Centre City Campus j Sheffield Hallam 1 Sheffield si-iwe Author: ‘3£fsC j> / j Title: ^ D o ltiu £ r a ' o UJTvd 4 c\ ^ £5ori CuCN^YTNCa IQ IO - Degree: p p / D - Year: Q^OO2- Copyright Declaration I recognise that the copyright in this thesis belongs to the author. I undertake not to publish either the whole or any part of it, or make a copy of the whole or any substantial part of it, without the consent of the author. I also undertake not to quote or make use of any information from this thesis without making acknowledgement to the author. Readers consulting this thesis are required to sign their name below to show they recognise the copyright declaration. They are also required to give their permanent address and date. -
The Parthenon, October 11, 2012
Marshall University Marshall Digital Scholar The aP rthenon University Archives 10-11-2012 The aP rthenon, October 11, 2012 Shane Arrington [email protected] Follow this and additional works at: http://mds.marshall.edu/parthenon Recommended Citation Arrington, Shane, "The aP rthenon, October 11, 2012" (2012). The Parthenon. Paper 51. http://mds.marshall.edu/parthenon/51 This Newspaper is brought to you for free and open access by the University Archives at Marshall Digital Scholar. It has been accepted for inclusion in The aP rthenon by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. C M Y K 50 INCH THURSDAY October 11, 2012 VOL. 116 NO. 28 | MARSHALL UNIVERSITY’S STUDENT NEWSPAPER | MARSHALLPARTHENON.COM New intermodal facility coming to area THE PARTHENON be built between the Big Sandy It is expected to cost nearly of dollars to the Tri-State. The intermodal facility will will include tunnels on railroad A multimillion-dollar trans- River and U.S. Rt. 52 in Prichard. $30 million. The facility will run along- be part of the National Heart- lines running from Roanoke, Vir- portation facility is coming to The Prichard Intermodal Construction on the facility has side key train tracks for Norfolk land Corridor Clearance project, ginia to Columbus, Ohio, passing Prichard, Wayne County. Facility would act as a 17-acre already started and is expected to Southern, and will act as a com- which will raise the roofs of through southern West Virginia. Carrie Jones Bly, West hub site to store and transfer mercial transportation and railroad tunnels allowing more The Parthenon can be Virginia Department of Trans- freight containers used by rail The project is expected to product transition site for the clearance for double-stacked contacted at parthenon@ portation, said the site would and truck. -
Sound: Eine Arbeitsbibliographie 2003
Repositorium für die Medienwissenschaft Hans Jürgen Wulff Sound: Eine Arbeitsbibliographie 2003 https://doi.org/10.25969/mediarep/12795 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Sound: Eine Arbeitsbibliographie. Hamburg: Universität Hamburg, Institut für Germanistik 2003 (Medienwissenschaft: Berichte und Papiere 17). DOI: https://doi.org/10.25969/mediarep/12795. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0017_03.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Kiel: Berichte und Papiere 17, 1999: Sound. ISSN 1615-7060. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff. Letzte Änderung: 21.9.2008. URL der Hamburger Ausgabe: .http://www1.uni-hamburg.de/Medien/berichte/arbeiten/0017_03.pdf Sound: Eine Arbeitsbibliographie Hans J. Wulff Stille und Schweigen. Themenheft der: Navigatio- Akemann, Walter (1931) Tontechnik und Anwen- nen: Siegener Beiträge zur Medien- und Kulturwis- dung des Tonkoffergerätes. In: Kinotechnik v. 5.12. senschaft 3,2, 2003. 1931, pp. 444ff. Film- & TV-Kameramann 57,9, Sept. 2008, pp. 60- Aldred, John (1978) Manual of sound recording. 85: „Originalton“. 3rd ed. :Fountain Press/Argus Books 1978, 372 pp. Aldred, John (1981) Fifty years of sound. American Cinematographer, Sept. 1981, pp. 888-889, 892- Abbott, George (1929) The big noise: An unfanati- 897. -
The Transom Review April, 2005 Vol
the transom review April, 2005 Vol. 5/Issue 1 Walter Murch About Walter Murch Walter Murch has been honored by both British and American Motion Picture Academies for his picture editing and sound mixing. In 1997, Murch received an unprecedented double Oscar for both film editing and sound mixing on The English Patient (Anthony Minghella), as well as that year's British Academy Award for best editing. Seventeen years earlier, he had received an Oscar for best sound for Apocalypse Now ( F. Coppola), as well as British and American Academy nominations for his picture editing. He also won a double British Academy Award in 1975 for his film editing and sound mixing on The Conversation (F. Coppola), was nominated by both academies in 1978 for best film editing for Julia ( F. Zinnemann), and in 1991 received two nominations for best film editing from the American Academy for the films Ghost (J. Zucker) and The Godfather Part III (F. Coppola). Among Murch’s other credits are: picture editing for The Unbearable Lightness of Being (P. Kaufman), Romeo is Bleeding (P. Medak), First Knight (J. Zucker), The Talented Mr. Ripley (A. Minghella), and K-19: The Widowmaker (K. Bigelow). His most recent credit is for Cold Mountain (Anthony Minghella) for which he received an Academy Nomination for Editing, and British Academy Nominations for Editing and Sound Mixing. He is currently working on Jarhead for director Sam Mendes. The film, from the novel by Anthony Swofford, will be released in November 2005. He has also been involved in film restoration, notably Orson Welles’s Touch of Evil (1998), Francis Coppola’s Apocalypse Now Redux (2001), and Thomas Edison's Dickson Experimental Sound Film (1894). -
Contention Between Communalist and Capitalist Inhabitants Escort to the Cold War
ISSN 2039-2117 (online) Mediterranean Journal of Social Sciences Vol 4 No 2 ISSN 2039-9340 (print) Published by MCSER-CEMAS-Sapienza University of Rome May 2013 Contention Between Communalist and Capitalist Inhabitants Escort to the Cold War Dr. Abdul Zahoor Khan, Ph.D. Assistant Professor, Department of History & Pakistan Studies Faculty of Social Sciences, International Islamic University, Islamabad-Pakistan, Phone Office: +92-51-9019517, Cell: +92-300-5527644, +92-300-7293535 Emails: [email protected], , [email protected] Doi:10.5901/mjss.2013.v4n2p437 Abstract: In retrospect, the question, (what was the cold war about?), seems to a great extent harder to answer than it probably did to contemporaries, some of whom would probably shake their head in wonderment at the above analysis. Yet if we address each of its putative justifications singly, any clear answer seems to fade into the ether. First, from the U.S. side, was the cold war about fighting communism? As long as the Soviet Union remained the sole Communist state, this was a fairly simple proposition, because communism and Russian/Soviet power amounted to the same thing. After 1948, however, with the emergence of independent centers of Communist power in Yugoslavia and then in China, the ideological simplicity of the cold war disappeared. The United States found itself supporting communism in its national variety precisely in order to complicate the projection of Soviet power. The Yugoslav case has been mentioned; and although the U.S. opening to China would be delayed by two, decades of tragic ideological blindness, the United States did undertake, after 1956, to encourage and cultivate national communism in Eastern Europe in the form of the policy of differentiation. -
Extensions of Remar.Ks
July 8, 1970 EXTENSIONS OF REMARKS 23329 EXTENSIONS OF REMAR.KS BRIGHT FUTURE FOR NORTHEAST the Commonwealth, the Department of Com With a good reputation for action it is diffi ERN PENNSYLVANIA munity Affairs and the Department of Com cult to slow the momentum of a winner. merce wm benefit the northeast and other And it has not been done With magic, With regions as they work in the seventies. rabbits in a ha.t--not by any one local, state HON. HUGH SCOTT Once a Bureau within the Department of or federal agency, but with the combined ef Commerce, the Department of Community forts of responsible people, hardworking, OF PENNSYLVANIA Affairs has blossomed into an effective backed by substantial private investment- IN THE SENATE OF THE UNITED STATES agency for direct involvement in vital areas with faith, dimes, dollars, of people who be Wednesday, July 8, 1970 that have mushroomed into prominence in lieved it could be done. recent years. I believe it is an unheralded Specifically, the pace was set Dy successful Mr. SCO'IT. Mr President, on June 6, blessing for the citizens of the Common industrial expansion and relocation pro 1970, the secretary of commerce of Penn wealth of Pennsylvania to have such close grams. PIDA activity in a seven county area sylvania, Hon. William T. Schmidt, de cooperation and such common dedication of northeastern Pennsylvania resulted in 241 livered a speech to the conference of the among the personnel of two organiz.a.tions loans in the amount of $58,760,000 since 1956 that can provide so much assistance to them. -
OF REMARKS June 15, 1970 \ 1 403
i \ 19784 EXTENSIONS OF REMARKS June 15, 1970 \ 1 403. By the SPEAKER: A memorial of the State of Dlinois, relative certain benefits for kyu Islands, relative to removal of poison-gas State of Illinois, relative to amending the the mentally 111 under the Social Security weapons from the Ryukyu Islands; to t he !\ Social Security Act regarding rehabilitation Act; to the Committee on Ways and Means. Committee on Armed Services. sites for the mentally 111; to the Committee 509. Also, petition of the Gushikawa Cit y on Ways and Means. Assembly, Okinawa, Ryukyu Islands, relat ive 404. Also, a memorial of the Senate of the PETITIONS, ETC. to U.S. military personnel stationed on Oki nawa; to the Committee on Armed Services. St ate of Illinois, relative to amending the Under clause 1 of rule XXII, petitions 510. Also, petition of the board of com Social Security Act to provide certain treat and papers were laid on the Clerk's desk missioners, Newport, Ky., relative to exempt ment for the mentally ill; to the Committee and referred as follows: ing the Delta Queen from the provisions of on Ways and Means. 508. By the SPEAKER: Petition of the the safety-at-sea law; to the Committee on 405. Also, a memorial of the Senate of the Gushikawa City Assembly, Okinawa, Ryu- Merchant Marine an d F isheries. EXTENSIO ~NS OF REMARKS BREAKTHROUGH IN CANCER Federal Government funding; his own cially inbred mice by the end of June. RESEARCH life savings, now exhausted; and public And now, the miracle. contributions of more than $25,000 raised Five minutes after I mentioned this when his financial plight was publicized last night, a Coronado woman called to HON.