RADARSCREEN: Realscreen's Global Pitch Guide
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A USPS AFSM 100 Approved Polywrap A USPS AFSM 100 CANADA POST AGREEMENT NUMBER 40050265 PRINTED IN CANAD G<ID@KEF%+*-* 9L==8CF#EP L%J%GFJK8><G8@; 8LKF RADARSCREEN: realscreen’s Global Pitch Guide GIJIKJK; RRS.17691.GloboCover.inddS.17691.GloboCover.indd 1 224/08/104/08/10 44:41:41 PPMM A LEADING WORLDWIDE DISTRIBUTOR www.cinefl ixinternational.com CONTENTS EDITOR’S NOTE . .4 UNITED STATES . .9 CANADA . 26 UNITED KINGDOM . 34 FRANCE . 42 GERMANY . 45 WESTERN EUROPE CONT’D . 47 ITALY . 52 AUSTRALIA . 53 ASIA . 55 INTERNATIONAL . 58 NOTES . 61 RADARSCREEN: realscreen’s Global Pitch Guide 3 CContentsEditPub.inddontentsEditPub.indd 3 226/08/106/08/10 11:32:32 PPMM ™ Realscreen is published 6 times a year by Brunico Communications Ltd., 100- 366 Adelaide Street West, Toronto, Ontario, Canada M5V 1R9 FOR Tel. 416-408-2300 Fax 416-408-0870 www.realscreen.com THOSE ABOUT TO Editor Barry Walsh [email protected] Staff Writer Kelly Anderson [email protected] PITCH... Contributors Lindsay Gibb, Kevin Ritchie Creative Director Stephen Stanley [email protected] elcome to realscreen’s fi rst Global Pitch Art Director Mark Lacoursiere [email protected] Guide, a pocket-sized compendium Production/Distribution Coordinator Robert Lines [email protected] Wdesigned to give producers and content sellers the information they need to WEBMASTER Farhan Quadri make effective pitches to key international BUSINESS DEVELOPMENT & ADVERTISING SALES Claire Macdonald factualcasters. Not only did we harass scores VP & Publisher [email protected] Sales Supervisor Melissa Giddens [email protected] of commissioning editors and programming and Account Manager Kerry LaiFatt [email protected] acquisition execs from around the world to let us Business Development Executive/Realscreen Connect Lauren Talledo know what they’re looking for, we also managed [email protected] to procure contact info, pitching dos and don’ts, Marketing & Publishing Coordinator Brittany Eldridge [email protected] and even budget fi gures on occasion. I deeply CORPORATE thank all the buyers who took the time out to President & CEO, Brunico Communications Ltd. deal with our persistent inquiries (some of whom Russell Goldstein [email protected] VP & Editorial Director Mary Maddever [email protected] even responded to us while on vacation!), and VP & Publisher, KidScreen Jocelyn Christie [email protected] while there are more that we would’ve loved to VP, Finance & Administration Linda Lovegrove [email protected] have had take part, I suppose there will always VP & GM, e-Brunico Omri Tintpulver [email protected] be next year. Acting Director of Audience & Production Services Jennifer Colvin As you prepare to take on the markets in the [email protected] year ahead, it’s our hope that this handbook will Assistant Manager, Audience Services Christine McNalley [email protected] give you an edge when it comes to getting your All letters sent to realscreen or its editors are assumed intended for publication. hard work seen by those who count. Be sure to Realscreen invites editorial comment, but accepts no responsibility for its loss have it with you when you attend the Realscreen or destruction, howsoever arising, while in its offi ce or in transit. All material to be Summit this year, where many of these buyers will returned must be accompanied by a stamped, self-addressed envelope. Nothing may be also be on hand to chat with producers during reproduced in whole or in part without the written permission of the publisher. our trademark 30 Minutes With sessions. And feel ISSN number 1480-1434 © Brunico Communications Ltd. 2010 free to pass along any feedback on the Global Pitch Guide – as mentioned, this is our fi rst year U.S. Postmaster: Send address changes or corrections to realscreen, PO Box 1103, Niagara in rolling it out and we aim to improve it as we Falls, NY, 14304 | Canadian Postmaster: Send undeliverables and address changes to move forward. realscreen, PO Box 369, Beeton, ON, L0G 1A0. Canada Post Publication Agreement No. 40050265 Printed in Canada Stay tuned for our September/October issue when it drops on September 24, and we’ll see you To subscribe, visit www.realscreen.com/subscribe, email realscreencustomercare@ at the markets. realscreen.com, call 416-408-2448, or fax 416-408-0249. Subscription rates for one year: in the US, US$59.00; in Canada, CDN$79.00; outside the US and Canada, US$99.00. Cheers, ™ Realscreen is a trademark of Brunico Communications Ltd. Barry Walsh, editor, realscreen 4 RADARSCREEN: realscreen’s Global Pitch Guide CContentsEditPub.inddontentsEditPub.indd 4 226/08/106/08/10 11:32:32 PPMM Factual Enlightening. Entertaining. Because every moment is an experience. Shaftesbury Factual 163 Queen Street East, Suite 100, Toronto, Canada M5A 1S1 416.363.1411 www.shaftesbury.ca Rachel Low, VP Shaftesbury Factual [email protected] Ryan St. Peters, Sales Manager [email protected] RRS.17878.Shatsbury.inddS.17878.Shatsbury.indd 1 226/08/106/08/10 110:520:52 AAMM WORLD CONGRESS OF SCIENCE AND FACTUAL PRODUCERS IN STUNNING AND HISTORIC DRESDEN, GERMANY NOVEMBER 30–DECEMBER 3 • More than 200 representatives from international broadcasters in attendance, including ZDF, ABC, BBC, CBC, Channel 4, Discovery, FIVE, France 5, National Geographic, NDR, NHK, Rai, WGBH, and Thirteen/WNET New York. • 90% of delegates advance their projects and find new partners. • Two-to-one ratio of producers to broadcasters means valuable networking and deal-making. • Outstanding workshops, networking events, pitch sessions, and panels reveal emerging- trends and important issues. 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Our Locations. 877.638.3456 • 702.486.2711 • nevadafilm.com RRS.17748.Nevada.inddS.17748.Nevada.indd 1 224/08/104/08/10 44:43:43 PPMM US UNITED STATES A&E NETWORK A&E we produce 20 series for primetime per year, plus four to five for daytime,” he says. “For Bio Channel we will produce approximately 10 original series per season.” WHAT HE’S NOT LOOKING FOR: Sharenow says that they are not really a comedy network and that shows can be funny, but they should always evolve out of a more naturalistic place. HOW TO PITCH: Every pitch requires different materials. “If you are pitching a format, paper is fine. If you are pitching a world, you need to have specific access agreements worked out for that world or don’t bother to bring it ROB SHARENOW, SVP, NON-FICTION & in,” says Sharenow. The same can be said for talent. ALTERNATIVE PROGRAMMING “Never pitch anyone you don’t have a relationship with,” he advises. If the pitch is completely character WHAT HE’S LOOKING FOR: dependent, Sharenow strongly recommends having There is an emphasis on the ‘real’ in reality at A&E, tape of the characters. the home to a wide-range of non-fiction programming A&E prefers to have pitches come through legitimate such as documentary series Intervention and Hoarders, agencies, but is open to non-represented pitches, crime and justice series such as The First 48 and providing a release is signed. Contact development Manhunters, and character-driven series including executives through their assistants: Neil Cohen through Dog the Bounty Hunter, Billy the Exterminator, Steven [email protected]; Scott Lonker and Laura Seagal: Lawman and Gene Simmons Family Jewels. “We Fleury through [email protected]; and Elaine really try to stay ahead of the curve and as a result we Frontain Bryant through [email protected]. are fairly open to anything that feels truly fresh and original,” says Sharenow. “That said, I think authenticity and human drama need to be at the core of what we do.” Sharenow says the connecting thread between all of A&E’s non-fiction offerings is that they depict real people in their real worlds; hence the network’s “Real Life” tagline. A&E programs approximately 300 hours of original content for primetime, 50 hours for daytime, and 160 hours of original content for Bio Channel. Nearly all of A&E’s primetime is original commissioned content. “For RADARSCREEN: realscreen’s Global Pitch Guide 9 UUS.inddS.indd 9 225/08/105/08/10 55:47:47 PPMM US ANIMAL PLANET PRICE: It ranges from $250,000 to $800,000 an hour for big ideas. “The idea sets the price point,” he says. HOW TO PITCH: Producers have to register at the Producers Portal (https://producers.discovery.com/producersPortal/ registration/registration.jsf). Animal Planet doesn’t take unsolicited pitches for myriad reasons, but once someone is registered, producers can contact the co-vice presidents of development, Marc Etkind ([email protected]) and Charlie Foley ([email protected]) and director of development, Sara Helman RICK HOLZMAN, SVP PROGRAMMING AND ([email protected]).Pitches come in every SCHEDULING sort of form, from one-liners to fully pre-formed demo tapes and pilots. “The more information the better, WHAT HE’S LOOKING FOR: but what we’re really looking for are the worlds and Presently, Animal Planet is exploring more in the characters, both human and animal,” says Holzman. original fiction area, but for the most part, it is a factual entertainment and natural history network.