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18 Chiroptrivia Batman has Seeing this as a sign, Bruce resolves to don a chiroptophobia costume resembling a bat to intimidate his enemies. In the film “ Batman Begins” eight-year-old Bruce Wayne falls into a cave, where he encounters a swarm of bats. Later, he accompanies his parents to a production of Mefistofele, which features actors dressed as bats. Having developed a fear of bats, he urges his parents to leave the opera. Outside the theatre, they are mugged by Joe Chill, who proceeds to kill the parents Bruce.blames himself for his parents' murders Source http://www.brother- eye.net/forum/viewtopic.php?f=14&p=84 Quite why that leads him to don the bat costume would keep a psychiatrist busy for a while And I thought I should get out more Director Christopher Nolan explains it thus ‘Bruce Wayne becomes his own worst fear.’ By confronting his fear literally (converting a cave full of bats into Batman’s hideout) and turning his fear into a symbol for criminals and the corrupt to fear, Bruce puts an end to his own fears Recently Batman writer Grant Morrison was joined Purists dispute this by artist J.H. Williams III for a three-part arc version of the story. spanning Batman #667-669. That’s Great Eagle, In Frank Miller’s also known as Dr. John Eagle, who, when he’s Batman: Year One, wearing the headdress and Bat-shirt, answers to the Bruce returns home to name Chief Man-of-the-Bats. Gotham after his travels abroad. He tries to go out and fight crime, putting himself in disguise and As you’d expect a guy who dresses like that and establishing an alibi. His attempt fails, however, goes around calling himself "Chief Man-of-the- since he is unable to intimidate his enemies. He is Bats," Eagle is a talented, confident, tough guy who wounded and winds up at Wayne Manor. Desperate doesn’t much care what you think of his costume or for a sign of how he should strike terror into codename.” Gotham’s underworld, a bat crashes through the http://everydayislikewednesday.blogspot.com/2007/ window. This sparks Bruce’s repressed memory of 11/chief-man-of-bats-year-one.html his discovery of the cave and how bats terrified him. Bats in Beds The newsletter of the Bedfordshire Bat Group Oct 2012 Volume 98 .

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Threat, Authoritarianism, and Depictions of Crime, Law, and Order in Batman Films Brandon Bosch University of Nebraska-Lincoln, [email protected]
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sociology Department, Faculty Publications Sociology, Department of 4-2-2016 “Why So Serious?” Threat, Authoritarianism, and Depictions of Crime, Law, and Order in Batman Films Brandon Bosch University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/sociologyfacpub Part of the Criminal Law Commons, Criminology Commons, Family, Life Course, and Society Commons, Public Affairs, Public Policy and Public Administration Commons, and the Social Control, Law, Crime, and Deviance Commons Bosch, Brandon, "“Why So Serious?” Threat, Authoritarianism, and Depictions of Crime, Law, and Order in Batman Films" (2016). Sociology Department, Faculty Publications. 287. http://digitalcommons.unl.edu/sociologyfacpub/287 This Article is brought to you for free and open access by the Sociology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sociology Department, Faculty Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME 17, ISSUE 1, PAGES 37–54 (2016) Criminology, Criminal Justice Law, & Society E-ISSN 2332-886X Available online at https://scholasticahq.com/criminology-criminal-justice-law-society/ “Why So Serious?” Threat, Authoritarianism, and Depictions of Crime, Law, and Order in Batman Films Brandon Bosch University of Nebraska-Lincoln A B S T R A C T A N D A R T I C L E I N F O R M A T I O N Drawing on research on authoritarianism, this study analyzes the relationship between levels of threat in society and representations of crime, law, and order in mass media, with a particular emphasis on the superhero genre.
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This is a repository copy of Batman, screen adaptation and chaos - what the archive tells us. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/94705/ Version: Accepted Version Article: Lyons, GF (2016) Batman, screen adaptation and chaos - what the archive tells us. Journal of Screenwriting, 7 (1). pp. 45-63. ISSN 1759-7137 https://doi.org/10.1386/josc.7.1.45_1 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Batman: screen adaptation and chaos - what the archive tells us KEYWORDS Batman screen adaptation script development Warren Skaaren Sam Hamm Tim Burton ABSTRACT W B launch the Caped Crusader into his own blockbuster movie franchise were infamously fraught and turbulent. It took more than ten years of screenplay development, involving numerous writers, producers and executives, before Batman (1989) T B E tinued to rage over the material, and redrafting carried on throughout the shoot.
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Edwards and Monnet 2Nd Pages.Indd
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