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The Literary Herald
ISSN : 2454-3365 THE LITERARY HERALD AN INTERNATIONAL REFEREED ENGLISH E-JOURNAL A Quarterly Indexed Open-access Online JOURNAL Vol.1, No.1 (June 2015) Editor-in-Chief: Dr. Siddhartha Sharma Managing Editor: Dr. Sadhana Sharma www.TLHjournal.com [email protected] hhhhhhhhhhhhhhhhhhkkkkkkkkkkkkkkkkk;khngggh www.TLHjournal.com The Literary Herald ISSN: 2454-3365 An International Refereed English e-Journal The Representation of Agony during Partition as shown in M S Sathyu’s film “Garm Hawa” Ms Rekha Paresh Parmar Associate Professor Department of English Veer Narmad South Gujarat University, Surat Abstract “Garm Hawa” (Scorching Winds/Hot Winds) is a 1973 Hindi Urdu drama film directed by M S Sathyu with veteran actor Balraj Sahni as the lead. It was written by Kaifi Azmi and Shama Zaidi, based on an unpublished short story by a famous Urdu writer Ismat Chughtai. This controversial film has won several national awards in 1974 including a National Integration award. This political narrative deals with the plight of a North Indian Muslim businessman Salim Mirza and his family in 1947 in Agra. He is a patriot and a Muslim shoemaker, struggles to survive in this pathetic and critical condition of communal riots. He is in a dilemma either to live in India or to emigrate to Pakistan like his other family members. The Mirza family suffers for not doing anything wrong in this post-partition environment. They could neither manage their business nor got the job. The social and marital relations are affected. Salim Mirza’s elder son Baqar moves to Pakistan with his family. His daughter Amina is frustrated having two affairs with her cousins and committed suicide. -
B N Mandal University, Madhepura Combined B.Ed Entrance Examination (Session 2016-2018) Held on 17-07-2016
B N Mandal University, Madhepura Combined B.Ed Entrance Examination (session 2016-2018) held on 17-07-2016 List of Candidates with Marks Obtained according to OMR response Sr.NO Scan Roll Name Father's Name Marks 1 101935 102397 MANISH KUMAR SATYANARAYAN PAUDDAR 91 2 104387 100623 ARCHANA KUMARI SURENDRA PRASAD SINGH 91 3 100364 102881 MUNNA KUMAR BIJENDRA PRASAD YADAV 89 4 100775 103318 PAPPU KUMAR YADAV YOGENDRA PRASAD YADAV 88 5 100503 102819 MUKESH KUMAR DASHRATH PRASAD YADAV 87 6 101985 102438 MANMOHAN KRISHNA ANJANI VERMA 85 7 102651 104205 RANDHIR KUMAR NANDKUMAR YADAV 85 8 102673 104229 RANJAN KUMAR RAMDEO MEHTA 85 9 101112 101320 DHANANJAY KUMAR BHARAT JHA 84 10 101986 102439 MANMOHAN KUMAR PRAMOD JHA 84 11 102044 102504 MD AFTAB ALAM MD MOKHTAR ALAM 84 12 102286 104733 SANGEET KUMAR KUSHESHWAR DAS 84 13 103674 100126 AJAY KUMAR RAJENDRA PRASAD YADAV 84 14 103890 100385 AMRESH KUMAR DAS SHANKAR PRASAD DAS 84 15 100770 103310 PAPPU KUMAR SHAMBHU PRASAD YADAV 83 16 100790 103334 PAWAN KUMAR GHURAN PRASAD YADAV 83 17 100810 103287 PANKAJ KUMAR MOHAN MAHTO 83 18 100917 103428 PRABHASH KUMAR PRABHAKAR RAMCHANDRA PRASAD YADAV 83 19 101097 101516 GOPAL SHARAN BHUPENDRA YADAV 83 20 101111 101319 DHANANJAY KUMAR GANESH PRASAD YADAV 83 21 101968 102412 MANISHA VIJAY KUMAR YADAV 83 22 102354 103919 RAHUL KUMAR MAHENDRA PRASAD YADAV 83 23 102394 103929 RAHUL KUMAR YADAV ASHOK YADAV 83 24 103909 100348 AMIT KUMAR MEHTA PANCHA NAND MEHTA 83 25 104964 105666 SUNIL KUMAR DINESH PANDIT 83 26 100763 103302 PANKAJ KUMAR SINGH ABDHESH KUMAR SINGH -
List of Candidates Called for Interview for Admission to Ph.D. History
History Ph.D Admission Interview 30th July, 2018 at 9:30 a.m. onwards The following candidates should appear for the Ph. D interviews subject to their fulfilling the eligiblity requirements. Copy of application form and admit card are mandatory for Ph.D interview. Sl. No Name Category Form No 1 Ruby Kumari GEN 18HIST200097 2 Anjashi Sarkar GEN 18HIST200144 3 Sweety Garg GEN 18HIST200485 4 Bibek Broto Talukder GEN 18HIST200876 5 Anand Shankar GEN 18HIST201101 6 Manmohan Krishna GEN 18HIST201964 7 Bharat Rohin SC 18HIST202451 8 KM Shalini SC 18HIST202833 9 Ashok Kumar Atal SC 18HIST203017 10 Vikash Kumar Singh GEN 18HIST203213 11 Neeharika Joshi GEN 18HIST203257 12 Ashish Kumar SC 18HIST203530 13 Moni PWD + OBC 18HIST203859 14 Namita Singh GEN 18HIST203883 15 Manoj Kumar GEN 18HIST203941 16 Shyamu OBC 18HIST204292 17 Rakesh GEN 18HIST204339 18 Vikas Malik GEN 18HIST204698 19 Surabhi Pandey GEN 18HIST204719 20 Palak vashist GEN 18HIST205269 21 Shweta Singh OBC 18HIST205441 22 Shankar Singh Potlia OBC 18HIST205993 23 Anand Shekhar Pradhan GEN 18HIST206189 24 Nishant Sunil Zodape SC 18HIST206598 History Ph.D Admission Interview 30th July, 2018 at 2:00 p.m. onwards The following candidates should appear for the Ph. D interviews subject to their fulfilling the eligiblity requirements Copy of application form and admit card are mandatory for Ph.D interview. Sl. No Name Category Form No 1 Dinesh Verma SC 18HIST207165 2 Nikeeta Verma GEN 18HIST207173 3 Siya Ram Beniwal OBC 18HIST207221 4 Gazanfer Ahmad Yatoo GEN 18HIST207387 5 KM Bandana Devi SC -
Tujhe Suraj Kahu Ya Chanda Mp3
Tujhe suraj kahu ya chanda mp3 Continue {title:Tujhe Suraj Kahoon Ya Chanda,atw:https:\/\/a10.gaanacdn.com\/gn_img\/albums\/D0PKLqr3Gl\/0PKL66wWGl\/size_m.jpg,id:82969,path:{medium: [{message:f2zTFDPUfiwA8qO4ucPGy\/eN8ZpUu5+\/DM5DPvkHTGv6A+IadqV58tELClIK8O2BT+Xx9P7zZG9NjBVKtnP+XBa\/zKoF+GN9UgT9oSmNZwieIfulqkc2vNPMrn6d4Xd7ts7N5I9MJSg1E1FzIMJxRkYrmIjx\/pyJSIuL7VAVZ4OOEqieZgRLXb99cBK83q5meK13UtwT\/ULJ4U8dfdlJQgwOS0vNZYGCHsHS0ORbw+Yrhh92P1DwS5EpKamu0PxEHSmMGkxNQJYeTpdRQaPcy7mQhD6ckq\/0qiJzmYhHSp9Z5l1632K+aPHmKgrTqikEOqXmYTXl2xCpwo7EitlQPg==,bitRate:64,expiryTime:1603007435}],high: [{message:f2zTFDPUfiwA8qO4ucPGy\/eN8ZpUu5+\/DM5DPvkHTGv6A+IadqV58tELClIK8O2BuH9NOwJ2v036hVvfQpvXNt5dr+tiCs9OazTYxF5SMbn+02CAFVuHZqzpZ5XU64V9ttjX70Xi7htjbh2Q\/YSkzNR7hQwT8UaZibVaWvMYJk\/oiup5z0Dwy1+3m4gtF3VjqD50vBHFBwMRXrOPLMWhUuID4z\/YIRMjNh98goTXD9tlIEcSJTv\/W0\/MBRsxNggZflzt4phpB3mfGIS2xMnN2gW0sKcIhXdoGtU6sq8\/cbfExaG8Ocaq388lzR1SZgo0H7quxxchXYjKfgKWSytSE1Ef70AqWWreYZ+bN1abZu4=,bitRate:128,expiryTime:1603007435}],auto: [{message:f2zTFDPUfiwA8qO4ucPGy\/eN8ZpUu5+\/DM5DPvkHTGv6A+IadqV58tELClIK8O2BVJml5ycKXwsEY\/AwExlsTHdTdLDbfiylwrh1AgpL8AX8D494JIipnO8OZ4oGlTePjx4LzyZBTg9qgBuYk0B9lAp6Q+\/e+06gdnJWBD7wrno1T8jiQY5q0KJyyci8ThFEkvciX0crNtGIg7pyyecf0c3T+fCbInOmHV4v48vWL0Oy7VN+gTGgLGMXzwImuI5F6QTU1gh+vicFN62SyIOdIZo0P33mvpM8NNJEG0zIOpGJzEACIqc2dw0ILtnB3\/4vIX3R075GTfa\/svWwBZwIDQvX1a20hABMLw\/+poOSl5s4uVW1BwamJV3uM6dpFG46,bitRate:,expiryTime:1603007435}]},track_ids:82969,share_url:\/song\/tujhe- suraj-kahoon-ya-chanda,object_type:10,status:0,source:2,duration:268,source_id:25765, -
High Court of Delhi Advance Cause List
HIGH COURT OF DELHI ADVANCE CAUSE LIST LIST OF BUSINESS FOR FRIDAY,THE 19TH JULY,2013 INDEX PAGES 1. APPELLATE JURISDICTION 1 TO 43 2. SPECIAL BENCH (APPLT. SIDE) 44 TO 54 3. COMPANY JURISDICTION 55 TO 60 4. ORIGINAL JURISDICTION 61 TO 74 5. REGISTRAR GENERAL/ 75 TO 90 REGISTRAR(ORGL.)/ REGISTRAR (ADMN.)/ JOINT REGISTRARS(ORGL). 19.07.2013 1 (APPELLATE JURISDICTION) COURT NO. 1 (DIVISION BENCH-1) HON'BLE THE ACTING CHIEF JUSTICE HON'BLE MR. JUSTICE VIBHU BAKHRU FOR ADMISSION _______________ 1. LPA 822/2012 DELHI DEVELOPMENT AUTHORITY SHOBHANA TAKIAR AND CM APPL. 21045/2012 Vs. DIGVIJAY SINGH ASSOCIATES CM APPL. 21046/2012 2. LPA 4/2013 DELHI TRANSPORT CORPORATION AVNISH AHLAWAT CM APPL. 47/2013 Vs. RANBIR SINGH 3. LPA 477/2013 SRI SATISH KUMAR AGGARWAL Without Generate Vs. GOVT OF ANDHRA PRADESH AND ORS 4. W.P.(C) 4309/2013 MAHANAGAR TELEPHONE NIGAM CHANDAN KUMAR CM APPL. 10006/2013 LTD. CM APPL. 10007/2013 Vs. UNION OF INDIA AND ORS. AFTER NOTICE MISC. MATTERS ____________________________ 5. LPA 666/2006 D.T.C. MR.ARUN KUMAR ARORA,MR.ANIL CM APPL. 5904/2006 Vs. KANWAR SINGH MITTAL,AVNISH AHLAWAT 6. LPA 434/2007 AIRPORTS AUTHORITY OF INDIA MR.DIGVIJAY RAI,SHARMA Vs. JEET SINGH AND ORS. ATUL,SHRUTI VERMA,MR. RAVI VERMA,MR. SANJAY PODDAR,KHAITAN 7. LPA 571/2008 NARENDER KUMAR BANSAL SUDHIR K. LUTHRA,ASHOK Vs. ENGINEERS INDIA LTD. AND SAPRA,GULAL CHAWLA,VK KAUSHAL ORS. 8. LPA 1006/2011 BALWAN SINGH AND ANR ML CHAWLA,AK MISHRA Vs. INDIRA GANDHI NATIONAL CENTRE FOR THE ARTS 9. -
Best Dialogue
Kishore Kumar and Lata Mangeshkar still transport us to a different era! THE GLOBAL TIMES | MONDAY, JULY 30, 2012 Grandparents of Arpit Jain, V, AIS MV 7 Big Story Bollywood...then and now Pragati Priya, AIS Saket, XII Padukone a la Cocktail style could offer some ways than one. Indian film industry has come a long way since inspiration. Ours is a country where cinema is religion, some- then but this is just the beginning..picture abhi omething gone wrong? Never mind! After Bollywood weaves itself effortlessly into every thing that binds all of us together, a part of in- baaki hai mere dost. all, bade bade deshon me aisi choti choti aspect of our everyday lives; becoming an inte- credible India. In fact, Indians are known to eat, It is time to revisit those special and magical mo- Sbaatein hoti rehti hain. gral part of our very being. Indian cinema with its drink and sleep Bollywood. But the filmy obses- ments which have entertained us, accompanying Heading for a vacation. Why not? Zindagi Na colourful song and dance routines, robust dia- sion has been a long and gradual process. Many us in those dull moments over the years. So, grab Milegi Dobara. logues, dream sequences and gorgeous locales has moons ago, when India had only one channel, Do- some popcorn and get ready for your filmy A benevolent friend? Call her Mother India! been absorbed into our DNA from our childhood ordarshan, the Sunday evening movie used to be journey through the celluloid century. Wish to up your style quotient? Deepika and incorporated in our everyday lives in more the highlight of a typical week. -
Literary Herald ISSN: 2454-3365 UGC-Approved Journal an International Refereed English E-Journal Impact Factor: 2.24 (IIJIF)
www.TLHjournal.com Literary Herald ISSN: 2454-3365 UGC-Approved Journal An International Refereed English e-Journal Impact Factor: 2.24 (IIJIF) IPTA and National Identity: History, Theatre and a Culture of Touring Dr Samipendra Banerjee Assistant Professor Department of English University of Gour Banga Malda, West Bengal Abstract: Over the past decades there has been a growing interest in the historiography of Modern Indian Theatre. This paper is an attempt to focus on one of the most dynamic moments in the history of Modern Indian Theatre, the emergence of the Indian People‘s Theatre Association. The formation of IPTA in 1943 is an event of immense historical significance that needs greater critical inquiry. I attempt a review of the history of the IPTA with a focus on its theatre and show how the IPTA in its activist stance towards anti-colonial rule was also a key factor in imagining an emerging nation. IPTA‘s diverse theatrical oeuvre, including plays like Sambhu Mitra‘s Nabanna was instrumental in the construction of national identity. I also argue that despite its organizational decentralization, IPTA‘s role in the imagining of the nation became possible because of a crucial ploy of ‗touring‘, what I refer to as a ‗culture of touring‘. Keywords: IPTA, Modern Indian Theatre, historiography, National Identity, Nabanna, Culture of Touring. With the achievement of political independence in 1947 and the end of British rule, India stepped on to a phase of massive reconstruction of the nation. This was a project of asserting an identity, of simultaneous reconstruction and deconstruction, of decolonization and a rising postcolonial practice in various ways. -
Anil Biswas – Filmography Source: Hamraz’S Hindi Film Geet Kosh (Digitization: Ketan Dholakia, Vinayak Gore, and Balaji Murthy)
Anil Biswas – Filmography Source: Hamraz’s Hindi Film Geet Kosh (Digitization: Ketan Dholakia, Vinayak Gore, and Balaji Murthy) Contents Anil Biswas – Filmography ....................................................................................................................................... 1 1) Dharam Ki Devi ..................................................................................................................... 3 2) Fida-e-Vatan (alias Tasveer-e-vafa) ...................................................................................... 3 3) Piya Ki Jogan (alias Purchased Bride) ................................................................................... 3 4) Pratima (alias Prem Murti) ..................................................................................................... 4 5) Prem Bandhan (alias Victims of Love) .................................................................................. 4 6) Sangdil Samaj ......................................................................................................................... 4 7) Sher Ka Panja ......................................................................................................................... 5 8) Shokh Dilruba ......................................................................................................................... 5 9) Bulldog ................................................................................................................................... 5 10) Dukhiari (alias A Tale of Selfless Love) -
Globalizing Pakistani Identity Across the Border: the Politics of Crossover Stardom in the Hindi Film Industry
DePaul University Via Sapientiae College of Communication Master of Arts Theses College of Communication Winter 3-19-2018 Globalizing Pakistani Identity Across The Border: The Politics of Crossover Stardom in the Hindi Film Industry Dina Khdair DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/cmnt Part of the Communication Commons Recommended Citation Khdair, Dina, "Globalizing Pakistani Identity Across The Border: The Politics of Crossover Stardom in the Hindi Film Industry" (2018). College of Communication Master of Arts Theses. 31. https://via.library.depaul.edu/cmnt/31 This Thesis is brought to you for free and open access by the College of Communication at Via Sapientiae. It has been accepted for inclusion in College of Communication Master of Arts Theses by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. GLOBALIZING PAKISTANI IDENTITY ACROSS THE BORDER: THE POLITICS OF CROSSOVER STARDOM IN THE HINDI FILM INDUSTRY INTRODUCTION In 2010, Pakistani musician and actor Ali Zafar noted how “films and music are one of the greatest tools of bringing in peace and harmony between India and Pakistan. As both countries share a common passion – films and music can bridge the difference between the two.”1 In a more recent interview from May 2016, Zafar reflects on the unprecedented success of his career in India, celebrating his work in cinema as groundbreaking and forecasting a bright future for Indo-Pak collaborations in entertainment and culture.2 His optimism is signaled by a wish to reach an even larger global fan base, as he mentions his dream of working in Hollywood and joining other Indian émigré stars like Priyanka Chopra. -
How Rural Is Hindi Cinema? 14 Shoma A
MORPARIA’S PAGE E-mail: [email protected] Contents AUGUST 2016 VOL.20/1 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ THEME: Morparia’s page 2 Rural India The ‘country’ calls… 5 Nivedita Louis An irreparable loss 6 Managing Editor Bharat Dogra Mrs. Sucharita R. Hegde The urban farmers 8 Hiren Kumar Bose Editor A project called Mandya 2020 11 Anuradha Dhareshwar E. Vijayalakshmi Rajan How rural is Hindi cinema? 14 Shoma A. Chatterji Assistant Editor Decentralise now! 16 E.Vijayalakshmi Rajan 6 Prof. G. Palanithurai Not charged! 19 Design Samarth Bansal H. V. Shiv Shankar Subsidies that hurt 21 Bharat Dogra Marketing Know India Better Mahesh Kanojia Haridwar: 23 The holy time warp Gustasp & Jeroo Irani OIOP Clubs Co-ordinator Face to Face 35 Vaibhav Palkar Jaya Jaitly : Anuradha Dhareshwar Features Subscription In-Charge Renewable, but is it sustainable? 39 Nagesh Bangera G. Venkatesh Our bulwark 41 23 Lt. Gen. Vijay Oberoi Advisory Board Through the bars of hope 44 Sucharita Hegde Sujit Bhar Justice S. Radhakrishnan Smile...it enhances your face value! 46 Venkat R. Chary A. Radhakrishnan An unseemly battle 48 Prof. Avinash Kolhe Printed & Published by The lips that bragged, the feet that danced 50 Mrs. Sucharita R. Hegde for A. Radhakrishnan One India One People Foundation, Column 52 Mahalaxmi Chambers, 4th floor, Nature watch : Bittu Sahgal 22, Bhulabhai Desai Road, Infocus : C.V. Aravind Mumbai - 400 026 Jaya Jaitly Young India 54 Tel: 022-2353 4400 35 Great Indians 56 Fax: 022-2351 7544 e-mail: [email protected] [email protected] Printed at: Graphtone (India) Pvt. Ltd. A1 /319, Shah & Nahar Industrial Estate. -
THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’ ------ISSN 0971-7942 Volume: Annual - TRN 2012 ------S.I.R.C
THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’ ------------------------------------------------------------------------ ISSN 0971-7942 Volume: Annual - TRN 2012 ------------------------------------------------------------------------ S.I.R.C. Units: Mumbai, Pune, Solapur, Nanded and Amravati ============================================================= Feature Articles: Cardboard Player Vasant Desai, Bollywood Mine, Ravi Shankar 1 ‘The Record News’ Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of the journal subscription] Annual Membership Rs. 1000 Overseas US $ 100 Life Membership Rs. 10000 Overseas US $ 1000 Annual term: July to June Members joining anytime during the year, pay the full membership fee and get a digital copy of ‘The Record News’ published in that year. Life members are entitled to receive all the back issues on two data DVD’s. -
Downloads/NZJAS-%20Dec07/02Booth6.Pdfarameters.Html
Ph.D. Thesis ( FEMALE PROTAGONIST IN HINDI CINEMA: Women’s Studies A COMPARATIVE STUDY OF REPRESENTATIVE FILMS FROM 1950 TO 2000 ABSTRACT OF THE THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF ) Doctor of Philosophy IN WOMEN’S STUDIES SIFWAT MOINI BY SIFWAT MOINI UNDER THE SUPERVISION OF DR. PITABAS PRADHAN (Associate Professor) 201 6 ADVANCED CENTRE FOR WOMEN’S STUDIES ALIGARH MUSLIM UNIVERSITY ALIGARH-202002 (INDIA) 2016 DEPARTMENT OF MASS COMMUNICATION ALIGARH MUSLIM UNIVERSITY Dr. Pitabas Pradhan Associate Professor Certificate This is to certify that Ms. Sifwat Moini has completed her Ph.D. thesis entitled ‘Female Protagonist in Hindi Cinema: A Comparative Study of Representative Films from 1950 to 2000’ under my supervision. This thesis has been submitted to the Advanced Centre for Women’s Studies, Aligarh Muslim University, Aligarh for the award of degree of Doctor of Philosophy. It is further certified that this thesis represents original work and to the best of my knowledge has not been submitted for any degree of this university or any other university. (Dr. Pitabas Pradhan) Supervisor Sarfaraz House, Aligarh Muslim University, Aligarh-202002 Phone: 0571-2704857, Ext.: 1355,Email: [email protected], [email protected] ACKNOWLEDGEMENT I owe all of my thankfulness to the existence of the Almighty and the entities in which His munificence is reflected for the completion of this work. My heartfelt thankfulness is for my supervisor, Dr. Pitabas Pradhan. His presence is a reason of encouragement, inspiration, learning and discipline. His continuous support, invaluable feedback and positive criticism made me sail through. I sincerely thank Prof.