Proposals for the Regulation of Video on Demand Services
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La Ficción Interactiva, Televisión Y Web
http://dx.doi.org/10.12795/Ambitos.2011.i20.05 87 LA FICCIÓN INTERACTIVA: TELEVISIÓN Y WEB 2.01 Charo Lacalle [email protected] (Universidad Autónoma de Barcelona) Resumen: La asociación entre televisión y web 2.0 inaugura nuevas modalidades de relación con el espectador definidas por la retroalimentación entre producción y recepción, que están modificando radicalmente los paradigmas de la textualidad y la interpretación. La falta de especificidad de los nuevos medios y la vocación social de Internet convierten las redes sociales en una caja de resonancia de la televisión. Sin embargo, el impacto de las nuevas alianzas intermediáticas contrasta con su escasa rentabilidad, lo que impulsa a los actores económicos a buscar nuevas formas de negocio abocadas a difuminar los confines entre lo público y lo privado. Palabas-clave: Ficción, televisión, web 2.0, redes sociales, jóvenes. Abstract: Association between television and Web 2.0 inaugurates new modalities of relation with the viewer, defined by the increasing feedback between production and reception. Consequently, Textual and Interpretative paradigms are being modified. The lack of specificity of new media and the strong social vocation of Internet are turning social networks into television’s sounding board. However, the impact of new inter-media alliances contrasts with its lack of profit, which impulses economic actors to seek new business models characterized by blurring the boundaries between private and public. Key words: TV, web 2.0, social network, young people. 1. INTRODUCCIÓN nternet nacía en 1989, a 36 años de distancia de la televisión. Conforme su infraestructura tecnológica se desarrollaba, la Red iba superando las diferentes Iformas comunicativas al permitir la transformación de casi todas ellas al formato digital. -
Commission Staff Working Document
EUROPEAN COMMISSION Brussels, XXX […](2012) XXX draft COMMISSION STAFF WORKING DOCUMENT PROMOTION OF EUROPEAN WORKS IN EU SCHEDULED AND ON-DEMAND AUDIOVISUAL MEDIA SERVICES PART I on the application of Article 13 of Directive 2010/13/EU for the period 2009-2010 Accompanying the document First Report on the Application of Articles 13, 16 and 17 of Directive 2010/13/EU for the period 2009-2010 EN EN PART I Application of Article 13 in each Member State ................................................................... 3 Introduction ................................................................................................................................ 3 1. Application of Article 13: General remarks ...................................................................... 3 1.1. Monitoring methods in the Member States ..................................................................... 3 1.2. Obligations set out in national legislation ...................................................................... 4 1.3. Performance indicators................................................................................................... 6 2. Application of Article 13 - Detailed analysis...................................................................... 7 2.1. Belgium............................................................................................................................ 8 2.1.1. Belgium – Flemish Community ............................................................................... 8 2.1.2. Belgium – French Community.............................................................................. -
CMR 2015: Full Chart Pack
CMR 2015: Full chart pack 6th August 2015 CMR 2015: Market in context Key Market Trends Figure 1.2 Communications industry revenue – telecoms, TV, radio, post £billion Annual 5 year 80 change CAGR Total -0.5% -0.5% 60 57.6 57.4 57.5 57.3 56.4 56.1 4.1 4.1 4.1 4.2 1.1 1.1 1.2 1.2 4.21.2 1.24.3 Post 0.4% 0.7% 11.1 11.8 12.4 12.5 12.8 13.2 40 Radio 3.6% 2.1% TV 3.1% 3.6% 20 41.3 40.4 39.9 39.4 38.1 37.4 Telecoms -2.0% -2.0% 0 2009 2010 2011 2012 2013 2014 Source: Ofcom/ operators Note: Includes licence fee allocation for radio and TV, figures are in nominal terms. Post is addressed letter mail. 3 Figure 1.3 Average household spend on communications services £ per month (2014 prices) 6% Post 5.3% 5.1% 5.2% 5.1% 4.8% 150 4.7% 5% Radio 122.07 121.68 120.80 119.68 117.52 117.71 4% Television 100 29.58 30.41 31.02 30.60 30.77 31.10 3% Fixed internet 10.84 11.18 11.63 12.26 12.90 14.74 2% Mobile voice & 50 50.71 50.01 data 49.29 48.77 45.98 44.37 Fixed voice 1% 25.65 25.31 23.71 22.98 22.52 22.18 % of total spend 0 0% 2009 2010 2011 2012 2013 2014 Source: Ofcom / operators/ ONS Notes: Adjusted for CPI; historic telecoms figures have been re-stated, so are not comparable to those published in previous reports. -
On-Demand Audiovisual Markets in the European Union
ON-DEMAND AUDIOVISUAL MARKETS IN THE EUROPEAN UNION FINAL REPORT A study prepared for the European Commission DG Communications Networks, Content & Technology by Digital Agenda for Europe This study was carried out for the European Commission by European Audiovisual Observatory, 76 Allée de la Robertsau, 67000 Strasbourg, France Authors: Director of publication: Susanne Nikoltchev, Executive Director, European Audiovisual Observatory Supervision: André Lange, Head of Department for Information on Markets and Financing, European Audiovisual Observatory Author: Christian Grece, Analyst at the European Audiovisual Observatory Preparatory notes: Lorenzo Principali, Analyst at the European Audiovisual Observatory Internal identification Contract number: 30-CE-0520606/00-86 SMART number: 2012/0026 DISCLAIMER By the European Commission, Directorate-General of Communications Networks, Content & Technology. The information and views set out in this publication are those of the author(s) and do not necessarily reflect the official opinion of the Commission nor of the European Audiovisual Observatory, its members or of the Council of Europe. The Commission does not guarantee the accuracy of the data included in this study. Data compiled by external sources are quoted for the purpose of information. The author of this report is not in a position to verify either their means of compilation or their pertinence. Neither the Commission nor any person acting on the Commission’s behalf may be held responsible for the use which may be made of the information contained therein.. ISBN 978-92-79-38425-7 DOI 10.2759/51823 © European Union, 2014. All rights reserved. Certain parts are licensed under conditions to the EU. Reproduction is authorised provided the source is acknowledged. -
Commission Staff Working Document
EUROPEAN COMMISSION Brussels, 24.9.2012 SWD(2012) 269 final COMMISSION STAFF WORKING DOCUMENT PROMOTION OF EUROPEAN WORKS IN EU SCHEDULED AND ON-DEMAND AUDIOVISUAL MEDIA SERVICES PART I on the application of Article 13 of Directive 2010/13/EU for the period 2009-2010 Accompanying the document First Report on the Application of Articles 13, 16 and 17 of Directive 2010/13/EU for the period 2009-2010 {COM(2012) 522 final} EN EN PART I Application of Article 13 in each Member State ................................................................... 3 Introduction ................................................................................................................................ 3 1. Application of Article 13: General remarks ...................................................................... 3 1.1. Monitoring methods in the Member States ..................................................................... 3 1.2. Obligations set out in national legislation ...................................................................... 4 1.3. Performance indicators................................................................................................... 6 2. Application of Article 13 - Detailed analysis...................................................................... 8 2.1. Belgium............................................................................................................................ 8 2.1.1. Belgium – Flemish Community ............................................................................... 8 -
UK CMR Charts
CMR 2015: Full chart pack 6th August 2015 CMR 2015: Market in context Key Market Trends Figure 1.2 Communications industry revenue – telecoms, TV, radio, post £billion Annual 5 year 80 change CAGR Total -0.5% -0.5% 60 57.6 57.4 57.5 57.3 56.4 56.1 4.1 4.1 4.1 4.2 1.1 1.1 1.2 1.2 4.21.2 1.24.3 Post 0.4% 0.7% 11.1 11.8 12.4 12.5 12.8 13.2 40 Radio 3.6% 2.1% TV 3.1% 3.6% 20 41.3 40.4 39.9 39.4 38.1 37.4 Telecoms -2.0% -2.0% 0 2009 2010 2011 2012 2013 2014 Source: Ofcom/ operators Note: Includes licence fee allocation for radio and TV, figures are in nominal terms. Post is addressed letter mail. 3 Figure 1.3 Average household spend on communications services £ per month (2014 prices) 6% Post 5.3% 5.1% 5.2% 5.1% 4.8% 150 4.7% 5% Radio 122.07 121.68 120.80 119.68 117.52 117.71 4% Television 100 29.58 30.41 31.02 30.60 30.77 31.10 3% Fixed internet 10.84 11.18 11.63 12.26 12.90 14.74 2% Mobile voice & 50 50.71 50.01 data 49.29 48.77 45.98 44.37 Fixed voice 1% 25.65 25.31 23.71 22.98 22.52 22.18 % of total spend 0 0% 2009 2010 2011 2012 2013 2014 Source: Ofcom / operators/ ONS Notes: Adjusted for CPI; historic telecoms figures have been re-stated, so are not comparable to those published in previous reports. -
LA FICCIÓN INTERACTIVA: TELEVISIÓN Y WEB 2.0 Ámbitos, Núm
Ámbitos ISSN: 1139-1979 [email protected] Universidad de Sevilla España Lacalle, Charo LA FICCIÓN INTERACTIVA: TELEVISIÓN Y WEB 2.0 Ámbitos, núm. 20, 2011, pp. 87-107 Universidad de Sevilla Sevilla, España Disponible en: http://www.redalyc.org/articulo.oa?id=16821321005 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto 87 LA FICCIÓN INTERACTIVA: TELEVISIÓN Y WEB 2.0 1 Charo Lacalle [email protected] (Universidad Autónoma de Barcelona) Resumen: La asociación entre televisión y web 2.0 inaugura nuevas modalidades de relación con el espectador definidas por la retroalimentación entre producción y recepción, que están modificando radicalmente los paradigmas de la textualidad y la interpretación. La falta de especificidad de los nuevos medios y la vocación social de Internet convierten las redes sociales en una caja de resonancia de la televisión. Sin embargo, el impacto de las nuevas alianzas intermediáticas contrasta con su escasa rentabilidad, lo que impulsa a los actores económicos a buscar nuevas formas de negocio abocadas a difuminar los confines entre lo público y lo privado. Palabas-clave: Ficción, televisión, web 2.0, redes sociales, jóvenes. Abstract: Association between television and Web 2.0 inaugurates new modalities of relation with the viewer, defined by the increasing feedback between production and reception. Consequently, Textual and Interpretative paradigms are being modified. The lack of specificity of new media and the strong social vocation of Internet are turning social networks into television’s sounding board. -
BBC New On-Demand Proposals
BBC new on-demand proposals BBC new on-demand proposals Market Impact Assessment Statement Publication date: 23 January 2006 BBC new on-demand proposals Contents Section Page 1 Executive summary 3 2 Introduction 18 3 Background 31 4 Cable catch-up TV 47 5 Internet catch-up TV 63 6 Simulcast TV 78 7 Non-DRM audio downloads 84 8 Wider impacts 98 9 Scope of proposals 108 Annex Page 1 Terms of Reference 112 2 Additional description of BBC on-demand proposals (amended) 115 3 Technology for on-demand services 127 4 Consumer research 140 5 Stakeholder responses 145 6 Approach to quantitative analysis 147 2 BBC new on-demand proposals Section 1 1 Executive summary 1.1 The new BBC Royal Charter and Agreement, which came into effect on 1 January 2007, included the setting up of a new Public Value Test (PVT) regime to assess whether the BBC's proposals to launch new services in future – or to amend existing services – would be in the wider public interest. 1.2 The decision on whether to authorise the proposed services sits with the BBC Trust. In reaching its conclusions, the Trust must take into account the findings of two separate research projects. The first – the Public Value Assessment (PVA) – is commissioned by the Trust directly and seeks to assess the broader public value of the proposed service to UK citizens and consumers. The second – conducted by Ofcom – is a Market Impact Assessment (MIA). 1.3 The purpose of an Ofcom MIA is to assess the likely impact of the proposed services on markets in which these would be provided as well as on other related markets. -
Report on the Impact of Canvas on Pay-VOD Services
REPORT REPORT ON THE IMPACT OF CANVAS ON PAYVOD SERVICES London, December 2009 © Value Partners 2009. This document is confidential and intended solely for the use and information of the addressee Contents 1 Glossary of terms 1 2 Executive summary 2 2.1 Introduction 2 2.2 The impact of Canvas on the payVOD market 2 2.3 The impact of Canvas on related markets 2 3 Context – overview of the VOD market 4 3.1 The VOD market is at an early stage of development 4 3.2 Services are available from numerous providers with a range of business models 4 3.3 Consumer spend on VOD transactions is currently about £130m p.a. 5 3.4 New IPenabled devices will bring VOD to a broader range of platforms 6 3.5 The growth of VOD is likely to encourage earlier release dates for ondemand movies 6 4 Methodology and model structure 8 4.1 Approach and structure 8 5 The impact of Canvas on the payVOD market 10 5.1 Canvas could increase the number of TVVOD households by 1.4m 10 5.2 Canvas could increase spend on DTT Pay VOD services by £26m p.a. 11 6 The impact of Canvas on related markets 13 6.1 Canvas could affect advertising, DVD retail and DVD rental markets 13 6.2 The greatest market impact will be on DVD rentals 13 7 Appendix – VOD services 16 © Value Partners 2009. | VOD Report FINAL 1 BBC Trust Report on the impact of Canvas on payVOD services 1 Glossary of terms Canvasenabled – a settop box or idTV that has Canvas technology built in, therefore providing the consumer with an option to consume IPVoD (provided they have a suitable broadband connection) DTT – Digital Terrestrial Television DTO – Download to Own, where a film is paid for and downloaded such that it can be stored and played back any number of times for an unlimited period DTR – Download to Rent, where a film is paid for and downloaded (or streamed) such that it can be played back for a limited period (typically under seven days) Freesat – free to air satellite television.