Imperial & Modern China

Total Page:16

File Type:pdf, Size:1020Kb

Imperial & Modern China C o n t e m p o r a r y C o l l e c t o r s p r e s e n t s : Imperial & Modern China OCTOBER 11 - 25, 2008 B E I J I N G • X I A N • H A N G Z H O U S U Z H O U • S H A N G H A I WITH OPTIONAL HUANG MOUNTAINS OR GUILIN POST-TRIP EXTENSIONS IMPERIAL & MODERN CHINA I T I N E R A R Y OCTOBER 11 • San Francisco/ Los Angeles - Beijing construction. Many local Chinese practice early morning Depart from SF/ LA for your flights to China. Arrive in exercises such as Taichi and Qigong in the surrounding gar- Beijing on October 12th. Transfer to the Raffles Beijing Hotel. dens and park. Built in the early 1900’s, renovated with grand style in 2006, Next, we will visit the Red Gate Contemporary Art this magnificent Five Star property stands as an icon amidst Gallery. Located inside a massive ancient watch tower, the Beijing’s historical heritage. Superbly located within one of building is nothing short of a suitable home for one of the Beijing’s most distinguished addresses near the Forbidden most important galleries in China. We will be received by City and Tiananmen Square, the hotel receives consistent gallery director and founder Brian Wallace, who will lead us awards and honors thanks to its beautifully appointed rooms on a private viewing. Brian, who hails from Australia, is cred- and impeccable service. (Landmark rooms) ited with establishing the first foreign-owned contemporary The evening will remain unscheduled so that you may gallery in China. enjoy your first night relaxing at your own pace. Restaurant This evening, we will savor a traditional Peking Duck ban- suggestions will be provided so that you may enjoy dinner quet at the lovely Dadong Restaurant in Dongzhimen. independently. (B,L,D) OCTOBER 13• Beijing OCTOBER 14 • Beijing After breakfast, we will take a short bus ride to the pictur- The Great Wall of China presents a visual experience that esque Houhai District where we will explore the fascinating consistently exceeds visitors’ expectations. A rugged and “hutong” neighborhood which dates back to the Zhou less-traveled section of the wall, located at Mutianyu, will be Dynasty (1027-256 BC). Houhai still contains preserved old the site of today’s visit, offering a striking perspective of the courtyard homes which are becoming increasingly rare in surrounding hills (cable cars available). Scholars estimate hyper-developed Beijing. Gathering our troops in a convoy that the Wall, averaging 25 feet in height and nearly as of pedicabs, we will enjoy an up-close-and-personal tour of thick, once stretched for 3,700 miles, weaving through six- traditional Chinese life as we meander through the intricate teen provinces. Lunch will be enjoyed at the Schoolhouse at Mutianyu. lanes. A traditional Chinese lunch will be served to us at the Located inside an abandoned elementary school that was home of several local families who have graciously agreed converted into a sustainable tourism project, the compound to receive our group and prepare a memorable home-style contains art facilities and a glass workshop where local arti- meal. sans hone their skills and showcase their wares. After lunch, we visit the new CCTV building designed by Following lunch, we will visit the 798 Dashanzi Art and OMA Rem Koolhaas for a private tour. Culture district (est. 2002). This renovated factory district is Following this visit, we will head to the Temple of Heaven, distinguished for the abandoned German Bauhaus ware- considered one of the finest expressions of Ming Dynasty houses it comprises, built in the early 1950’s. 798 is known as architecture. Built during the 15th century, the architecture the “Soho” of Beijing: more than 60 gallery spaces are of the temple represents the most highly-advanced princi- housed in the district, in addition to artist studios, fashion ples of mechanics and geometry available at the time of boutiques, furniture showrooms, and design ateliers. New clubs, quirky cafes, hip restaurants, • Accommodations at the deluxe and other art-related venues open 5 star Sofitel Hotel in downtown. each month. Exhibitions feature an international range of estab- OCTOBER 17 • Xian lished and emerging artists. We Our second day in Xian begins meet with the curators and artists with a viewing of the extraordi- for a closer glimpse into the rapid- nary 2,300-year-old terracotta ly-growing contemporary art warriors, the tomb of China’s first scene in Beijing. Then we visit the emperor, Qinshihuang. The war- nearby Caochangdi, a newer art riors still stand on the original site venue with more studios and gal- of the emperor’s burial complex, leries. Recently many artists have where peasants discovered them moved into here driven out by the in 1974. high rents of 798. Later, we will stop After lunch we will explore the by PekinFine Art Gallery, owned History Museum and its artifacts by Meg Maggio, which features spanning many dynasties. The contemporary art. museum curator will greet us and The evening will remain give us an introduction of their unscheduled so that you may unique collections. explore the district independently; In the afternoon we have an an optional performance at the opportunity to stroll Muslim Street newly opened China Grand and visit its Grand Mosque. Theatre may be possible after din- Chinese Muslim culture traces its ner. (B,L) heritage from the flourishing Silk Road culture of the Tang dynasty. OCTOBER 15 • Beijing Our day concludes with a special banquet at This morning, we will visit the Forbidden City, the abiding Tangyuegong Restaurant. (B,L,D) symbol of imperial China. Truly one of the greatest wonders OCTOBER 18 • Xian/ Hangzhou and achievements of human civilization, its construction A morning departure by coach will bring us to Xian employed hundreds of thousands of workers between the Airport to catch our flight to Hangzhou. Upon arrival, we years 1406 and 1420. We will marvel at its expansive archi- will check in at the West Lake State Guest House (Building tecture and majestic imperial gardens, in addition to the #8 Garden View Room), a beautiful Qing Dynasty garden splendid Chinese antiquities and treasures housed within resort with sublime landscaping, mature tree-lined paths, the complex’s many museums. During a special meeting extensive lush gardens, a modern golf course, and a superb with the experts of the Palace Museum at Emperor Kangxi’s setting on a lovely lake. Hangzhou is the most idyllic city in private courtyard, Shufangzhai, we will have an opportunity China, exemplifying a successful merging of traditional and to observe the incredible ancient relics collected for cen- modern that exudes the cultural sophistication of southern turies by China’s great emperors. Chinese aesthetics. When Marco Polo visited China in the In the afternoon, we will drive by the Olympic Village to 13th century, he ruled as governor from Hangzhou and marvel at the new stadiums. The National Stadium, fre- called his home “Heaven on Earth.” quently referred to as the “Bird Nest,” was designed by We will tour the elegant Qing Dynasty Guo Zhuang Herzog & de Meuron, while the National Swimming Center, Garden near the hotel and stop by the lovely better known as the “Watercube,” was designed by the firm Quyuanfenghe Park and end our walking PTW. tour on the famous Su Causeway built by We have been invited by an accom- the famous Song Dynasty artist Su Dong- plished art collector and dealer to join him po. for afternoon tea at his private residence. Then we will enjoy a boat ride by He resides in a traditional courtyard home smaller boats to the elegant in the heart of Beijing where he displays his Santanjingyue Isle in the middle of the West Lake. fine collection of contemporary and tradi- The evening will remain unscheduled; tional Chinese art. you may pursue individual activities and This evening, we will delight in an enjoy dinner independently at one of the exquisite dinner banquet at the elegant many fine restaurants in West Lake China Club, located in the once Qing Xintiandi. (B,L) prince’s private courtyard residence. OCTOBER 19 • Hangzhou (B,L,D) Our day will begin with a pleasant OCTOBER 16 • Beijing/Xian morning walk to the lovely Huagang Park, We fly to Xian in the late morning, a beautiful and elegantly landscaped upon arrival, we tour the Han Emperor’s park on the West Lake where locals prac- Tomb, Yangling Museum, to view recent tice their morning exercise and medita- archaeological finds on the excavation tion. site. Later, visit the Wild Goose Pagoda and marvel at its intricate architecture. Evening is free. Dinner is on own. (B,L) elegance and impeccable service. Boasting views of Shanghai’s crystalline skyline, the hotel stands in one of the city’s most desirable locations and is praised for its luxurious comforts and sleek design. After enjoying lunch independently, we will embark on an afternoon tour of the Shanghai Biennale where we will meet with curators for a briefing before we explore the differ- ent venues in the People Park. Jesse’s Restaurant will be the location for our first dinner in Shanghai. Situated in Xujiahui District, Jesse’s is an ever- popular local establishment featuring traditional Shanghai cuisine.(B,D) OCTOBER 21 • Shanghai After breakfast, we will tour the Shanghai Museum. Designed by French architect Chapentier, this neo-Oriental building boasts glass on all sides which glitter like crystals at night, and a traditional Chinese rooftop. This world-class institution con- We will visit the China Academy of Fine Art, where many tains a wonderful collection of Chinese bronzes, jade, pottery contemporary artists study.
Recommended publications
  • Shanghai, China Overview Introduction
    Shanghai, China Overview Introduction The name Shanghai still conjures images of romance, mystery and adventure, but for decades it was an austere backwater. After the success of Mao Zedong's communist revolution in 1949, the authorities clamped down hard on Shanghai, castigating China's second city for its prewar status as a playground of gangsters and colonial adventurers. And so it was. In its heyday, the 1920s and '30s, cosmopolitan Shanghai was a dynamic melting pot for people, ideas and money from all over the planet. Business boomed, fortunes were made, and everything seemed possible. It was a time of breakneck industrial progress, swaggering confidence and smoky jazz venues. Thanks to economic reforms implemented in the 1980s by Deng Xiaoping, Shanghai's commercial potential has reemerged and is flourishing again. Stand today on the historic Bund and look across the Huangpu River. The soaring 1,614-ft/492-m Shanghai World Financial Center tower looms over the ambitious skyline of the Pudong financial district. Alongside it are other key landmarks: the glittering, 88- story Jinmao Building; the rocket-shaped Oriental Pearl TV Tower; and the Shanghai Stock Exchange. The 128-story Shanghai Tower is the tallest building in China (and, after the Burj Khalifa in Dubai, the second-tallest in the world). Glass-and-steel skyscrapers reach for the clouds, Mercedes sedans cruise the neon-lit streets, luxury- brand boutiques stock all the stylish trappings available in New York, and the restaurant, bar and clubbing scene pulsates with an energy all its own. Perhaps more than any other city in Asia, Shanghai has the confidence and sheer determination to forge a glittering future as one of the world's most important commercial centers.
    [Show full text]
  • Contemporary Chinese Art
    FRICK FINE ARTS LIBRARY ART HISTORY: CONTEMPORARY CHINESE ART Library Guide Series, No. 44 “Qui scit ubi scientis sit, ille est proximus habenti.” -- Brunetiere* This bibliography is highly selective and is meant only as a starting place to aid the beginning art history student in his/her search for library material. The serious student will find other relevant sources by noting citations within the encyclopedias, books, journal articles, and other sources listed below in addition to searching Pitt Cat, the ULS online catalog. IMPORTANT: For scholars who read Chinese, please note that the resources on this library guide are primarily in Western languages. Chinese language materials can be searched in Pitt Cat Classic using Pinyin. Reference assistance with Chinese language materials is available at the East Asian Library on the 2nd floor of Hillman Library. Before Beginning Research FFAL Hours: M-H, 9-9; F, 9-5; Sa-Su, Noon - 5 Policies Requesting Items: All ULS libraries allow you to request an item that is in the ULS Storage Facility or has not yet been cataloged at no charge by using the “Get It” Icon in Pitt Cat Plus. Items that are not in the Pitt library system may also be requested from another library that owns them via the same icon in the online catalog. There is a $5.00 feel for photocopying journal articles (unless they are sent to the student via email). Requesting books from another library is free of charge. Photocopying and Printing: There are two photocopiers and one printer in the FFAL Reference Room. One photocopier accepts cash (15 cents per copy) and both are equipped with a reader for the Pitt ID debit card (10 cents per copy).
    [Show full text]
  • Art and Culture Committee HIGHLY RECOMMENDED the SHAPE of TIME CENTRE POMPIDOU X WEST BUND MUSEUM
    Art and Culture Committee HIGHLY RECOMMENDED THE SHAPE OF TIME CENTRE POMPIDOU X WEST BUND MUSEUM Daily except Mon until May 9 2021 2600 Longteng Dadao, near Longteng Lu 龙腾大道2600号, 近龙腾路 The Shape of Time takes us on a journey through the shapes and forms that defined art in the 20th century. Displayed in a linear and educational form, the exhibition illustrates a chain of influences across painting and sculptures HIGHLY RECOMMENDED OBSERVATIONS CENTRE POMPIDOU X WEST BUND MUSEUM Daily except Mon until May 9 2021 2600 Longteng Dadao, near Longteng Lu 龙腾大道2600号, 近龙腾路 With the second most extensive collection of modern art in the world, Centre Pompidou can undoubtedly present a his- torical perspective for any medium. In a nonlinear maze-like form, this exhibition brings works by artists that pioneered in video art and experimented with digital imagery spanning from the early 70s to the present day. HIGHLY RECOMMENDED HUGO BOSS ASIA ART 2019 ROCKBUND ART MUSEUM Daily except Mon until Jan 5 2020 20 Huqiu Lu, near Beijing Dong Lu 虎丘路20号, 近北京东路 The Rockbund Art Museum and HUGO BOSS are presenting the exhibition of the HUGO BOSS ASIA ART AWARD. The show will open on October 18th presenting the works of the four finalists from Vietnam, The Philippines, Taiwan, and China. Based on this exhibition, a jury comprised of international experts will select a winner that will take home an award of 300,000rmb. The focus of the selection is always on young artists whose works contribute to the redevelopment of the regional art scene. This year, the public can expect an inter- esting mix of paintings, videos and sound Installations, and performances.
    [Show full text]
  • UC San Diego Electronic Theses and Dissertations
    UC San Diego UC San Diego Electronic Theses and Dissertations Title Abstract Art in 1980s Shanghai / Permalink https://escholarship.org/uc/item/16g2v1dm Author Jung, Ha Yoon Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Abstract Art in 1980s Shanghai A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Art History, Theory, and Criticism by Ha Yoon Jung Committee in charge: Professor Kuiyi Shen, Chair Professor Norman Bryson Professor Todd Henry Professor Paul Pickowicz Professor Mariana Wardwell 2014 The Dissertation of Ha Yoon Jung is approved, and it is acceptable in quality and form for publication on microfilm and electronically. ____________________________________________________________________ ____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ Chair University of California, San Diego 2014 iii TABLE OF CONTENTS Signature Page ………………………………………………………………....……. iii Table of Contents ………………………………………………………….…...……. iv List of Illustrations …………………………………………………………………... v Vita ……………………………………………………………………….……….… vii Abstract ……………………………………………………….………………..……. xi Chapter 1 Introduction ……………………………………………………….……………….. 1 Chapter 2 Abstract
    [Show full text]
  • Art Shanghai
    WORDS DAVID ELLIOTT PLAYING TO THE GALLERIES While it may have become best known for its explosion of skyscrapers, Shanghai has also been busy building an impressive collection of contemporary art museums. ike Sydney and Melbourne, NYC and LA, and Delhi and Mumbai, Beijing and Shanghai have always competed with each other. As the capital, Beijing has the political Lstatus, but Shanghai has long been the commercial hub of China. In 2008, Beijing proudly presented the Olympic Games, but Shanghai was just as honoured to host the 2010 World Expo. Last year saw the topping out of the Shanghai Tower, China’s tallest (and the second highest in the world), but there are rumours that a new skyscraper in Beijing’s CBD will be even higher. China’s museum and gallery sector is no different. Beijing has claimed superiority, but now Shanghai is a very serious challenger, especially in the new growth area of private museums. Shanghai is huge – by most counts the biggest city in the world – and its art museums are spread out. Luckily, the city’s metro is excellent, so you can get to most of them by under- ground, and short taxi hops will see to the remainder. ❯ The Long Museum, PHOTOGRAPHY: GETTY IMAGES West Bund, Shanghai 82 QANTAS SEPTEMBER 2014 ART SHANGHAI CENTRAL SHANGHAI THE LONG MUSEUM IS ONE A good place to start is Shanghai Museum on People’s Square (201 OF THE BEST TO GAIN AN Renmin Avenue; 9am-5pm daily, free; www.shanghaimuseum.net/ en). Ugly on the outside, fantastic within, it provides a crash course UNDERSTANDING OF 20TH in China’s long cultural history including ceramics, bronze work, CENTURY CHINESE ART sculpture, painting, calligraphy, jade, seals, even furniture.
    [Show full text]
  • 7Th Shanghai Biennale Translocalmotion
    --- Press release, March 2008 --- 7th Shanghai Biennale Translocalmotion Opening: 8 September 2008 Duration: 9 September - 16 November 2008 Artistic Director: Zhang Qing Curators: Julian Heynen, Henk Slager Since its inauguration the Shanghai Biennale has repeatedly taken the city itself and its urban conditions as a starting point for its artistic explorations. In line with this inner logic, the curatorial team of the 2008 edition proposes to focus on one of the most important cornerstones of urban design: the public square which is a prime location of transfer, connection, connectivity, meeting, social and economical exchange. Translocalmotion As a starting point for the Seventh Shanghai Biennale the curatorial team suggested utilizing People’s Square, of which the Shanghai Art Museum is actually part of. This public square seems to contain on a small-scale level a lot of crucial issues that the current Chinese society faces today. One of the most significant aspects of these is the migration from underdeveloped rural areas to developed urban spaces, in search of opportunities amidst the drastic social and economic changes in China. The nation is rapidly developing from an agricultural society to an industrialized and digitized one, and from planned economy to market economy. At People’s Square the curatorial team found many issues related to the transition, such as the topical capitalism, the ultramodern architecture that express a spirit of optimism, the desire for a better life envisioned by for example the Grand Theater and the Museum for Urban Planning, as well as the numerous small stands operated by migr ants. Project For the 2008 Shanghai Biennale the curatorial team would like to connect the Shanghai Art Museum directly to People’s Square.
    [Show full text]
  • H a I N E S G a L L E
    H A I N E S G A L L E R Y ZHAN WANG Born in Beijing, China, 1962 EDUCATION 1983-1988 Sculpture Department, Central Academy of Fine Arts 1978-1981 Beijing Industrial Arts College SELECTED SOLO EXHBITIONS & PERFORMANCES 2017 Forms in Flux, Long Museum West Bund, Shanghai, China 2015 Nothing for the Time Being, OCT Contemporary Art Center, Beijing, China 2014 morph, Long March Space, Beijing, China 2012 Form of the Formless, Long March Space, Beijing, China Zhan Wang: My Universe, Singapore Tyler Print Institute, Singapore Zhan Wang: My Personal Universe, Ullens Center for Contemporary Art, Beijing, China 2011 Voyages, National Museum of China, Beijing, China On Site: Zhan Wang, Milwaukee Art Museum, Milwaukee, WI Urban Arcadia, MOT/ARTS, Taipei, Taiwan 2010 One Hour Equals 100 Million Years: Suyuan Stone Generator, Today Art Museum, Beijing, China Reflection, Eslite Gallery, Taipei, Taiwan 2008 Gold Mountain, Haines Gallery, San Francisco, CA Garden Utopia, National Museum of China, Beijing, China On Gold Mountain: Sculptures from the Sierra, The Asian Art Museum, San Francisco, CA Zhan Wang, Haines Gallery, San Francisco, CA 86 Divinity Figures, Long March Space, Beijing, China Zhan Wang, Albion Gallery, London, United Kingdom 2006 Zhan Wang: Urban Landscape, Williams College Museum of Art, Williamstown, MA 2005 Flowers in the Mirror, Hanart Gallery, Hong Kong 2004 Mount Everest Project -to the Summit Everest 8853.5m 2002 From Sweden to Taibei, Taibei-Taizhong, Taiwan 2001 Inlay Great Wall Remnant, Great wall of Badaling, Beijing, China
    [Show full text]
  • ZHANG JIAN-JUN Born 1955 in Shanghai, China
    ART PROJECTS INTERNATIONAL ZHANG JIAN-JUN Born 1955 in Shanghai, China. Lives and works in Shanghai. EDUCATION 1978 Fine Arts Department, Shanghai Drama Institute, China SOLO EXHIBITIONS 2017 Jian-Jun Zhang: Between Then and Now, OCAT Art Center, Xi’An, China 2016 Water · Quintessence: Zhang Jian-Jun, Pearl Lam Galleries, Shanghai, China 2015 1980s: Early Works By Zhang Jianjun (1978-1988), Yuz Museum, Shanghai, China China Chapter, Galerie Albrecht, Berlin, Germany Water · Ink · China, Pace Prints Gallery, New York, NY 2014 Jian-Jun Zhang: Nature, Art Projects International, New York, NY 2012 Forms · Water · Vestiges, Pavilion of Repose Garden, Kunshan, China 2011 Water, 99 Art Center at M50, Shanghai, China 2007 Mirage Garden, Ethan Cohen Fine Arts, New York, NY Vestiges of a Process: New York, Shanghai, New Village, iPreciation Gallery, Singapore Alternative Landscape, 140 sqm Gallery, Shanghai, China Mirage Garden Part 6, South Beauty Garden, Shanghai, China 2005 Vestiges of a Process: Yong Hua Village, Asian American Art Center, New York, NY 2004 Time Chapter: Chelsea, organized by Art Projects International, DTW Gallery, New York, NY 2003 Jian-Jun Zhang: Mountain and Water, Art Projects International, New York, NY 2002 Sumi-Ink Garden of Re-Creation, He Xiangning Art Gallery, Shenzhen, China Vestiges of a Process, Guangdong Museum of Art, Guangzhou, China China Chapters, Museum of the Shenzhen Art Institute, Shenzhen, China 2001 Jian-Jun Zhang: Recent Work, Art Projects International, New York, NY 1997 Footprint, Gallerie Deux,
    [Show full text]
  • Ink Remix Exhibition Catalogue.Pdf
    墨 變 中 國 大 陸 臺 灣 香 港 當 Contemporary art 代 from mainland China, 藝 Taiwan and Hong Kong 術 INK REMIX Contemporary art from mainland China, Taiwan and Hong Kong 墨 變 : 中 國 大 陸 臺 灣 香 港 當 代 藝 術 curated by Sophie McIntyre Published in association with the exhibition INK REMIX Contemporary art from mainland China, Taiwan and Hong Kong 墨 變 : 中 國 大 陸 臺 灣 香 港 當 代 藝 術 Canberra Museum and Gallery 3 July – 18 October, 2015 Exhibition curator: Sophie McIntyre TOUR DATES Bendigo Art Gallery: 31 October 2015 – 7 February 2016 UNSW Galleries: 26 February – 21 May 2016 Museum of Brisbane: 16 September 2016 – 19 February 2017 Text © Sophie McIntyre, Pan An-yi, Eugene Wang 2014 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or information retrieval system without permission in writing from the publisher. Exhibition website: www.inkremix.com.au ISBN is 978-0-9872457-3-1 Design: Coordinate Printing: Paragon Printers Australasia Canberra Museum and Gallery Cnr London Circuit and Civic Square, Canberra City, Australia www.museumsandgalleries.act.gov.au Cover Image: Ni Youyu, Galaxy, 2012-2015, 80 (approx.) painted coins, size variable (detail). Contemporary art from mainland China, Taiwan and Hong Kong CONTENTS Chief Minister’s Foreword 墨 Andrew Barr, MLA, ACT Chief Minister 2 變 中 Director’s Foreword 國 Shane Breynard 4 大 陸 INK REMIX: Contemporary art from mainland China, Taiwan and Hong Kong 臺 Sophie McIntyre 8 灣 All in the Name of Tradition: Ink Medium in Contemporary Chinese Art 香 港 Eugene Wang 14 當 Ink Art in Taiwan 代 An-yi Pan 20 藝 術 Artists’ Works & Essays Sophie McIntyre 27 List of Works 76 Artists’ Biographies 78 Writers’ Biographies 86 Curator’s Acknowledgements Sophie McIntyre 87 Museum Acknowledgements 89 1 INK REMIX CHIEF MINISTER’S FOREWORD I am delighted to introduce the exhibition, INK REMIX: Contemporary art from mainland China, Taiwan and Hong Kong to Australian audiences.
    [Show full text]
  • Proquest Dissertations
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction k dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversee materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6* x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 WU CHANGSHI AND THE SHANGHAI ART WORLD IN THE LATE NINETEENTH AND EARLY TWENTIETH CENTURIES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Kuiyi Shen, M.A. ***** The Ohio State University 2000 Dissertation Committee: Approved by Professor John C.
    [Show full text]
  • Liebian/Fissure: the Art of Qiu Deshu 裂變:仇德樹的藝術 Contents
    Liebian/Fissure: The Art of Qiu Deshu 裂變:仇德樹的藝術 Contents Director’s Preface 5 Liebian/Fissure: The Art of Qiu Deshu 7 Kuiyi Shen Statement 13 Qiu Deshu Plates 15 Biography 40 3 Director’s Preface Viewing Qiu Deshu’s work is a visual pleasure. In those seemly quiet images, there is stunning power, like the lightning ripping through the sky. Or vice- versa, beneath the vibrant colors, lies the heavenly serenity. Qiu is greatly influenced by Buddhism – he signs his work elegantly with his Dharma name Yun Yi (cloud, unity). It may first surprise us that Qiu regarded the heroic spirit of the gladiator Spartacus as the other spiritual influence, but this helps to explain the beautiful co-existence of the quite strength in his work. But it doesn’t just stop there. One of the few Chinese artists that were introduced to the West in the early 1980s and since then remains influential, Qiu Deshu, over the years, has been steadfastly pursuing his own ideal and freedom, keeping himself independent of the Chinese art world, whether mainstream or avant-garde. He has explored and developed a convincing system of philosophical thinking and a new art language, uniquely to his own. Therefore it is with great pleasure that we present a solo show of Qiu Deshu and celebrate his art on the occasion of the inaugural Asia Week San Francisco Bay Area. I am most grateful to Prof. Kuiyi Shen for his comprehensive and thoughtful introduction of the evolution of Qiu Deshu’s art. His expertise and support has been invaluable to us.
    [Show full text]
  • SHANGHAI, China
    SHANGHAI, China Erica – Shanghai is a futuristic playground, full of excitement and learning; you can’t go there without being amazed! St uden Stud t to ent G uide This guide was created and compiled by the following NYU Study Abroad students Erica Swallow (original guide lead), Cheryl Neoh (guide lead), Patty Lee (guide lead) With submissions by Alice Chen, Anna Tse, Cheryl Neoh, Jasmine Nelson, Jennifer Tai, Jeremy Sperling, Jimmy Zheng, Joyce Ge, Katherine Wang, Kristen Rode, Melissa Boyce, Raena Binn, Yan Jie Hou Creative Director & Editor Marti Grimminck, NYU Graduate Student, Gallatin NYU Global Ambassadors Coordinator Meret Hofer, Office of Global Programs Special Thanks Picture by Erica Swallow Eric Canny, Rebecca Pisano, Matthew Pucciarelli Letter from the Editor Table of Contents Welcome to the 2008-2009 student-written Study Abroad Guide on Shanghai. This The City first impressions, exploring culture in Shanghai guide was compiled by the Global Ambassador program – a leadership organization of returnee study abroad students. Through this guide the students The People cultural comparison, manners, hobbies, perspective on foreigners, discuss their time abroad, including practical information and insider tips on the Shanghainese everything from places to visit to things to do. Though we have tried to make this guide as comprehensive as possible and applicable to all of the study abroad Festivals & Holidays populations, please keep in mind that some information may be more or less relevant to your situation. We encourage you to seek out the relevant office Language learning Chinese in Shanghai, key phrases, language pointers running your study abroad program to answer specific questions about housing, health and safety, student life.
    [Show full text]