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Odisha Review
ODISHA REVIEW VOL. LXXI NO. 6 JANUARY - 2015 MADHUSUDAN PADHI, I.A.S. Commissioner-cum-Secretary RANJIT KUMAR MOHANTY, O.A.S, ( SAG) Director DR. LENIN MOHANTY Editor Editorial Assistance Production Assistance Bibhu Chandra Mishra Debasis Pattnaik Bikram Maharana Sadhana Mishra Cover Design & Illustration D.T.P. & Design Manas Ranjan Nayak Hemanta Kumar Sahoo Photo Raju Singh Manoranjan Mohanty The Odisha Review aims at disseminating knowledge and information concerning Odisha’s socio-economic development, art and culture. Views, records, statistics and information published in the Odisha Review are not necessarily those of the Government of Odisha. Published by Information & Public Relations Department, Government of Odisha, Bhubaneswar - 751001 and Printed at Odisha Government Press, Cuttack - 753010. For subscription and trade inquiry, please contact : Manager, Publications, Information & Public Relations Department, Loksampark Bhawan, Bhubaneswar - 751001. Five Rupees / Copy E-mail : [email protected] Visit : http://odisha.gov.in Contact : 9937057528(M) CONTENTS Messages Editorial Shree Jagannath : Lord of the Universe Dr. Pradeep Ku. Choudhury ... 1 Good Governance ... 5 Making of the Constitution of India : A Critical Analysis Dr. Abhijit Sahoo ... 7 Dr. Tusarkanta Pattanaik Lion-hearted Fighter Jayee Rajguru Samiksha Das ... 16 Vivekananda : The Humanist Dr. Somarani Chand ... 18 Swell of 'Purna Swaraj' in Odisha and the Importance of 26th January Dr. Janmejay Choudhury ... 21 India's Missile Programme and Odisha : A Study Sai Biswanath Tripathy ... 25 My Grandfather’s Shop - a Space for Culture and Translation ... 31 Indecent Representation of Women : Role of Media and Law Deepak Ranjan Sahoo ... 35 The Still Sad Music of Dangara Field (Essay on Bonda agriculture system.) Dr. -
Witness to Marvelssufism and Literary Imagination
6 Pragmatics of Pīr Kathā Emplotment and Extra-Discursive Effects In the Kali Age people reap misery as the fruit of their actions. Recognizing that, the Lord created a way to alleviate the suffering. For the express purpose of saving all peoples, that Great Protector manifested himself in this world, wearing the garb of one who begs for food. The Lord Himself extended his immanent dominion across the earth. He appeared as Satya Pīr, the perfection of all phakīrs. Listen one and all and be glad at heart, for your misery will flee, your afflictions will disappear, and happiness will to you accrue. Dvija Ghanarām has composed this sweet song— Now Lord, may you quickly fulfill every heart’s dreams and desires. —Ghanarām Cakravarttī, Satyanārāyaṇ ras sindhu 6.1. FROM LITERARY EMPLOTMENT TO SOCIAL DISCOURSE It would have been easy to have ended this book with the conclusions of the last chapter, marking the subtle shift in the tenor of the narratives of the fictionalpīrs and bibīs. The literatures of Satya Pīr taken by themselves—and they constitute the largest block of stories dedicated to a single figure—not only confirm this trans- formation but demonstrate how the tales enter the political world of the last two centuries. In a sense, the tales of Satya Pīr serve as bookends to the pīr kathās; they are the earliest of the fictional pīrs to emerge in the manuscript archive, and they actively span the centuries with new stories being generated up to the pres- ent. Especially notable is the upsurge of activity that occurred with the advent of inexpensive printing in the decades of the late nineteenth and early twentieth 189 190 Chapter Six centuries. -
CONSTRUCTION of BENGALI MUSLIM IDENTITY in COLONIAL BENGAL, C
CONSTRUCTION OF BENGALI MUSLIM IDENTITY IN COLONIAL BENGAL, c. 1870-1920. Zaheer Abbas A thesis submitted to the faculty of University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History. Chapel Hill 2010 Approved by: Yasmin Saikia Daniel Botsman Charles Kurzman ABSTRACT Zaheer Abbas: Construction of Bengali Muslim Identity in Colonial Bengal, c. 1870-1920 (Under the direction of Yasmin Saikia) This thesis explores the various discourses on the formation of Bengali Muslim identity in colonial Bengal until 1920s before it becomes hardened and used in various politically mobilizable forms. For the purpose of this thesis, I engage multiple articulations of the Bengali Muslim identity to show the fluctuating representations of what and who qualifies as Bengali Muslim in the period from 1870 to 1920. I critically engage with new knowledge production that the colonial census undertook, the different forms of non-fictional Bengali literature produced by the vibrant vernacular print industry, and the views of the English-educated Urdu speaking elites of Bengal from which can be read the ensemble of forces acting upon the formation of a Bengali Muslim identity. I argue that while print played an important role in developing an incipient awareness among Bengali Muslims, the developments and processes of identity formulations varied in different sites thereby producing new nuances on Bengali Muslim identity. ii TABLE OF CONTENTS Chapter INTRODUCTION……………………………………………………………..1 Debate on Bengali Muslim identity…………………………………..............3 I. CENSUS AND IDENTITY FORMATION: TRANSFROMING THE NATURE OF BEGALI MUSLIMS IN COLONIAL BENGAL…………16 Bengali Muslim society during Muslim rule………………………………18 Essentializing community identity through religion………………………23 II. -
Identity and Composite Culture : the Bengal Case
Journal of the Asiatic Society of Bangladesh (Hum.), Vol. 58(1), 2013, pp. 1-25 IDENTITY AND COMPOSITE CULTURE : THE BENGAL CASE Sushil Chaudhury* The main thrust of the paper is to examine the evolution of a composite culture in Bengal, and to explain its nature and character, especially from the sixteenth to the eighteenth century which is the period when it evolved and flourished in the region. This exercise is significant even today as the legacy from the past is still vibrant in many parts of the country, Bangladesh or West Bengal. For instance, there was a news report in The Statesman of January 10, 2006 that at a place in rural Bengal, called Maynagar in Tamluk, about 90 kilometers west of Kolkata, a pir’s dargah is looked after by a Hindu trustee and a fair organized by the authorities of a Radhagobinda temple include a Muslim as part of centuries-old tradition.1 Such instances abound in many parts of Bengal even now and there is little doubt that this tradition comes down from several centuries earlier. While talking about the evolution of a composite culture, it is pertinent to see how it was intertwined with the question of identity of Bengali Muslims. The Islamic revitalizing and purificatory movements in Bengal in the nineteenth century laid bare the roots of cleavage and dualism between Bengali Muslim’s cultural position, caught between the opposite pulls of Bengal localism and Islamic extra-territoriality. The said new movements, combined with the changed social and political circumstances of Bengal under the British domination, sharpened the focus, as never before, on the “Islamic” identity of the Bengali believers, with the result that a massive and organized assault on the syncretistic tradition and on the cultural values and norms, necessary to sustain it, followed to which we shall turn later. -
Krishna's Life-Story in Bengali Scrolls: Exploring the Invitation to Unroll
72 73 4 Krishna’s Life-Story in Bengali Scrolls: Exploring The Invitation to Unroll PIKA GHOSH HAVERFORD COLLEGE 74 Pika Ghosh Krishna’s Life-Story in Bengali Scrolls: Exploring The Invitation to Unroll 75 Fig. 4.1. Narrative hand-scrolls (pata) have been assembled scroll to another, and one session to the next. The coordination of verbal and bodily components Krishnalila (Play of Krishna) Scroll, and painted by the painter-minstrel (patua) with the framed scenes of images can generate distinctive interpretations. A singer may recognise Medinipur District communities of Bengal to tell stories for at least two particular visual properties in a sequence of images or consonances between verse and picture, while (nineteenth- 1 century). Opaque hundred years. Such itinerant bards have traditionally unfurling the scenes for an audience; bolder or more skilled practitioners may choose to explore watercolor on paper. Stella employed the picture sequences to sing well-known these through particular inflections of voice or gesture of hand. Such relationships can turn on Kramrisch stories from the lives of deities (fig. 4.1) and saints, the repetition or variation of colour and compositional choices, which may be underscored by the Collection, Philadelphia the epics, and more recently to address contemporary guiding finger, emphasised or subverted by the words sung. Some patua are charismatic entertainers Museum of Art, social issues and political events.2 with powerful singing voices who fill performance venues and mesmerise audiences, offering Philadelphia, Accession no: 1994- These scrolls have a distinctive vertical format of interpretive nuance through skillful manipulation of the lyrics, intonation, rhythm, and tempo. -
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IJELLH (International Journal of English Language, Literature in Humanities) Vol. 7, Issue 5, May 2019 13 Dr. Bhagabana Sahu Former Professor & Head Department of History Berhampur University Odisha, India, [email protected] Interpreting Satya-Pir Worship As A Symbol of Hindu-Muslim Unity Abstract Satya Pir worship is one of the popular religious beliefs and practices that crept into the fold of both Hindu and Muslim religions. Satyanarayana of Hindus and Pir of Muslims combinedly gave birth to a new cult known as Satya Pir cult for the welfare of both the communities. Satya means Vishnu in Sanskrit; and Pir means a preceptor or Fakir who has founded a religious sect in Persia. Muslim Fakirs like Bishops of Europe exercised great influence on Odishan culture since the Muslim conquest of Odisha in 1568 CE. From linguistic point of view, this worship is famous because mixed songs and dialects (Persian, Bengali and Odia) are used in Pala and Pir worship. The worship of Satya-Pir is prevalent in Bengal, Punjab, Mysore, Madras, Central Province and other parts of India. But, it is prominent in Orissa. There are nearly 40 Satya-Pir shrines in the length and breadth of Odisha. Satya Pir worship is one of the popular religious beliefs and practices that crept into the fold of both Hindu and Muslim religions. Satyanarayana of Hindus and Pir of Muslims combinedly gave birth to a new cult known as Satya Pir cult for the welfare of both the communities. Satya means Vishnu in Sanskrit; and Pir means a preceptor or Fakir who has IJELLH (International Journal of English Language, Literature in Humanities) Vol. -
18 Baumer.Pdf
ASIAN STUDIES AT HAWAII, NO. 12 Aspects of B~ngali . History and Society Rachel Van M. Baumer Editor ASIAN STUDIES PROGRAM UNIVERSITY OF HAWAII THE UNIVERSITY PRESS OF HAWAII UNIVERSITY OF HAWAII LIBRARY Copyright © 1975 by The University Press of Hawaii All rights reserved Manufactured in the United States of America Library of Congress Cataloging in Publication Data Main entry under title: Aspects of Bengali history and society. (Asian studies at Hawaii; no. 12) "Essays delivered by most of the guest speakers in a seminar on Bengal convened in the spring of 1972 at the University of Hawaii." Includes bibliographical references and index. 1. Bengal-Civilization-Addresses, essays, lectures. 2. Bengal-History-Addresses, essays, lectures. I. Baumer, Rachel Van M., 1928- ed. II. Series. DS3.A2A82 no. 12 [DS485.B44] 915.4'14'03 73-90491 ISBN 0-8248-0318-3 Dedicated to the memory of our colleagues whose lives and fruitful scholar ship were cut off during the independence struggle in Bangladesh. \)j<j 4\31 <j ~\3 ~TbT ~9j$ff<j;ft I - ~D"5' L Contents Introduction vii Hinduism and Islam in Medieval Bengal Edward C. Dimock, Jr. Norms of Family Life and Personal Morality among the Bengali Hindu Elite, 1600-1850 Tapan Raychaudhuri 13 Economic Foundations of the Bengal Renaissance Blair B. Kling 26 The Universal Man and the Yellow Dog: The Orientalist Legacy and the Problem of Brahmo Identity in the Bengal Renaissance David Kopf 43 The Reinterpretation of Dharma in Nineteenth-Century Bengal: Righteous Conduct for Man in the Modern World Rachel Van M. -
Oral Traditions, Myths & Legends of India
Oral Traditions, Myths & Legends of India An ITRHD Publication Indian Trust for Rural Heritage and Development Registered Office: C-56 (G.F.) Nizamuddin East New Delhi 110 013 Tel: 91-11-2435 4190/91-11-2435 4070 E-mail: [email protected], Website: www.itrhd.com Indian Trust for Rural Heritage and Development Published by: The Indian Trust for Rural Heritage and Development (ITRHD) Registered Office: C-56, Nizamuddin East, New Delhi - 110013. e-mail: [email protected] Website: www.itrhd.com Explore Rural India Special Issue 2 © 2017 Indian Trust for Rural Heritage and Development (ITRHD) Photographs © owners and sources CHAIRMAN: S K MISRA EDITOR: SANGYA CHAUDHARY DESIGNER: VIKRAM KALRA Book design and typeset by V.K. Communications B-6/36, Ist Floor, Safdarjung Enclave New Delhi- 110 029 Photographs © Authors and Sources Printed in New Delhi by Modest Graphics Private Limited, Okhla Industrial Estate, C-53, DSIDC Sheds Okhla Industrial Estate, Delhi -110020 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without prior written permission of the Publisher. Contents Editorial 5 1. Glimpses of the Oral Tradition 7 AshaRani Mathur 2. The Kaavad Storytelling Tradition of Rajasthan 12 Dr. Nina Sabnani 3. Revealed - The Oral Tradition of Healing 18 Shailaja Chandra 4. Kamsel - Relics of Sikkim’s Folklore 26 Dr. Jigme Wangchuk Ashi Pempem Wangmo 5. Phansigars 30 Anirudh Chaudhry 6. Oral Tradition in the Context of Kathak 36 Guru Shovana Narayan 7. -
Performing and Supplicating Mānik Pīr
Performing and Supplicating Mānik Pīr Infrapolitics in the Domain of Popular Islam Syed Jamil Ahmed In isolated rural pockets of the ethno-linguistic region of Bengal, which sprawls across an international border separating Bangladesh and West Bengal (India), a number of performances are held in honor of a Sufi culture-hero popularly known asM anik Pir.1 These performances assert that Manik Pir is a miracle worker who was born by the generative action of a flower and not the conjugal union of humans, and that the pir possesses the power to reinstate eyesight, enable pregnancy, restore life to animals, and empower the lame. He can also restore dead humans to life and cure all forms of illness. Numerous devotees supplicate Manik Pir in times 1. Among the Sufis, the term pīr, derived from the Persian, denotes a spiritual director or guide. Syed Jamil Ahmed is a director based in Bangladesh, and Professor at the Department of Theatre and Music, University of Dhaka. He has received two Fulbright fellowships (1990, 2005), has published essays in Research in Drama Education, Asian Theatre Journal, TDR, Inter-Asia Cultural Studies, South Asian Popular Culture, and New Theatre Quarterly, and has taught at Antioch College, USA (1990), King Alfred’s College, UK (2002), and San Francisco City College, USA (2005). His book- length publications in English are Acinpākhi Infinity: Indigenous Theatre in Bangladesh (University Press Limited, 2000), In Praise of Nirañjan: Islam, Theatre, and Bangladesh (Pathak Samabesh, 2001) and Reading against the Orientalist Grain: Performance and Politics Entwined with a Buddhist Strain (Anderson Printing House Private Limited, 2008). -
Bengali Language Handbook
R E- F 0 R T RESUMES ED 012 911 48 AL 000 604 BENGALI LANGUAGE HANDBOOK. BY- RAY, FUNYA SLOKA AND. OTHERS CENTER FOR APPLIED LINGUISTICS, WASHINGTON, D.C. REPORT NUMBER BR-5 -1242 PUB DATE 66' CONTRACT OEC -2 -14 -042 EDRS PRICE MF$0.75 HC-$6.04 15IF. DESCRIPTORS-*BENGALI, *REFERENCE BOOKS, LITERATURE GUIDES, CONTRASTIVE LINGUISTICS, GRAMMAR, PHONETICS, CULTURAL BACKGROUND, SOCIOLINGUISTICS, WRITING, ALPHABETS, DIALECT STUDIES, CHALIT, SADHU, INDIA, WEST BENGAL, EAST PAKISTAN, THIS VOLUME OF THE LANGUAGE HANDBOOK SERIES IS INTENDED TO SERVE AS AN OUTLINE OF THE SALIENT FEATURES OF THE BENGALI LANGUAGE SPOKEN BY OVER 80 MILLION PEOPLE IN EAST PAKISTAN AND INDIA. IT WAS WRITTEN WITH SEVERAL READERS IN MIND-.-(1) A -LINGUIST INTERESTED IN BENGALI BUT NOT HIMSELF A SPECIALIST INTHE LANGUAGE,(2) AN INTERMEDIATE OR ADVANCED STUDENT WHO WANTS A CONCISE'GENERAL PICTURE OF THELANGUAGE AND ITS SETTING, AND (3) AN AREA SPECIALIST WHO NEEDS BASIC LINGUISTIC OR SOCIOLINGUISTIC FACTS ABOUT THE AREA. CHAPTERS ON THE LANGUAGE SITUATION, PHONOLOGY, AND ORTHOGRAPHY. PRECEDE THE LINGUISTIC ANALYSIS OF MORPHOLOGY AND SYNTAX. ALTHOUGH THE LINGUISTIC DESCRIPTION IS NOT INTENDED TO BE DEFINITIVE, IT USES TECHNICAL TERMINOLOGY AND ASSUMES THE READER HAS PREVIOUS KNOWLEDGE OF LINGUISTICS. STRUCTURAL DIFFERENCES 'BETWEEN BENGALI AND AMERICAN ENGLISH ARE DISCUSSED AS ARE THE DIFFERENCES BETWEEN SADHU STANDARD AND CHALIT STANDARD BENGALI. THE DACCA DIALECT AND THE CHITTAGONG DIALECT ARE BRIEFLY TREATED AND THEIR GEOGRAPHICAL DISTRIBUTION IS SHOWN ON A MAP OF BENGALI DIALECTS. FINAL CHAPTERS SURVEY THE . HISTORY OF BENGALI LITERATURE, SCIENCE, AND LITERARY CRITICISM. THIS HANDBOOK IS ALSO AVAILABLE FOR $3.00 FROM THE CENTER FOR APPLIED LINGUISTICS, 1717 MASSACHUSETTS AVENUE, WW., WASHINGTON, D.C., 20036. -
Consolidated Daily Arrest Report Dated 03.03.2021 Sl
CONSOLIDATED DAILY ARREST REPORT DATED 03.03.2021 SL. Name Alias Sex Age Father/ Address PS of District/PC of Ps Name District/PC Name Case/ GDE Ref. No Accused Spouse Name residence residence of Accused 1 Entajul Ali Bhuttu - M 25 Lt. Najrul Ali - Guabari Tala busty - Jaigaon Alipurduar Jaigaon Alipurduar Jaigaon PS Case No : 31/21 PS: Jaigaon Dist.: US-25(1)(a)/27 Arms Act, Alipurduar 1959 2 Souvik Das M 18 Sunil Das Debenbabu Kumargram Alipurduar Madarihat Alipurduar Madarihat PS Case No : Chowpathy 26/21 US-279/338 IPC Kamakhyaguri, PS Kumargram, Dist Alipurduar PS: Kumargram Dist.: Alipurduar 3 Shibnath 36 Lt. Madan Dakshin Chengmari, Kumargram Alipurduar Kumargram Alipurduar Kumargram PS Case No : Kharia Kharia P.S Kumargram Dist 31/21 US-46A Bengal Excise Alipurduar [.] PS: Act, 1909 Kumargram Dist.: Alipurduar 4 Lalbabu M 56 Lt Bhawan Sha Vivekanandapally PS: Jaigaon Alipurduar Jaigaon Alipurduar Jaigaon PS GDE No. 95 Sha Jaigaon Dist.: Alipurduar 5 Amjat Ali M 52 Lt Basrath Ali Vivekanandapally PS: Jaigaon Alipurduar Jaigaon Alipurduar Jaigaon PS GDE No. 95 Jaigaon Dist.: Alipurduar 6 Jagananda M 38 Pushnath Roy Bhagat Singh Nagar Jaigaon Alipurduar Jaigaon Alipurduar Jaigaon PS GDE No. 95 Roy PS: Jaigaon Dist.: Alipurduar 7 Biswajit M 45 Sadhu Rudra PS: Jaigaon Dist.: Jaigaon Alipurduar Jaigaon Alipurduar Jaigaon PS GDE No. 95 Rudra Alipurduar 8 Rejual M 23 Lakman Ali Guabari PS: Jaigaon Jaigaon Alipurduar Jaigaon Alipurduar Jaigaon PS GDE No. 95 Karim Dist.: Alipurduar 9 Manjul M Lt. Joynal Ali PS: Jaigaon Dist.: Jaigaon Alipurduar Jaigaon Alipurduar Jaigaon PS GDE No. -
Religious and Cultural Syncretism in Medieval Bengal
ISSN. 0972 - 8406 53 The NEHU Journal, Vol XVI, No. 1, January - June 2018, pp. 53-77 Religious and Cultural Syncretism in Medieval Bengal DR. MD. SHAH NOORUR RAHMAN* Abstract This paper is an attempt to focus religious and cultural syncretism between the Hindus and the Muslims in Bengal during medieval period for more than five hundred fifty years from Turkish conquest of Bengal to the Battle of Plassey (C: 1204-1757) on the basis of original sources with special reference to contemporary Bengali Vernacular literature. In this connection it is necessary to mention that the connotation of Medieval Bengal here is not the partitioned Bengal of today but the geographical Vangadesa where the people of the land speak in Bengali. Medieval Bengal comprised the modern provinces of West Bengal, some parts of Bihar, Orissa, Tripura,Assam and the modern state of Bangladesh. I have also sought to study in this paper how this syncretism between the Hindus and the Muslims was revealed in the religious and cultural spheres of life of the Bengalis through Sufism, Pirism, Nathism, Vaishnavism, Kartabhaja sect, Mullaism, life style of the scroll painters, etc. under the period of study. Syncretism was also noticeable between the two communities in their way of lives as reflected in popular cults, local customs, superstitions, religious rites, marriages, social ceremonies and gamut of literature during contemporary Bengal. It was visible in art, architecture, painting, music and some other field of Bengali mind. However, the main objective of the present paper is to finally focus the trends of syncretism in religion and culture of Bengal under the period of study.