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VOL 1, No 69 (69) (2021) the Scientific Heritage (Budapest, Hungary
VOL 1, No 69 (69) (2021) The scientific heritage (Budapest, Hungary) The journal is registered and published in Hungary. The journal publishes scientific studies, reports and reports about achievements in different scientific fields. Journal is published in English, Hungarian, Polish, Russian, Ukrainian, German and French. Articles are accepted each month. Frequency: 24 issues per year. Format - A4 ISSN 9215 — 0365 All articles are reviewed Free access to the electronic version of journal Edition of journal does not carry responsibility for the materials published in a journal. Sending the article to the editorial the author confirms it’s uniqueness and takes full responsibility for possible consequences for breaking copyright laws Chief editor: Biro Krisztian Managing editor: Khavash Bernat • Gridchina Olga - Ph.D., Head of the Department of Industrial Management and Logistics (Moscow, Russian Federation) • Singula Aleksandra - Professor, Department of Organization and Management at the University of Zagreb (Zagreb, Croatia) • Bogdanov Dmitrij - Ph.D., candidate of pedagogical sciences, managing the laboratory (Kiev, Ukraine) • Chukurov Valeriy - Doctor of Biological Sciences, Head of the Department of Biochemistry of the Faculty of Physics, Mathematics and Natural Sciences (Minsk, Republic of Belarus) • Torok Dezso - Doctor of Chemistry, professor, Head of the Department of Organic Chemistry (Budapest, Hungary) • Filipiak Pawel - doctor of political sciences, pro-rector on a management by a property complex and to the public relations -
Cryptography
Cryptography From Wikipedia, the free encyclopedia Jump to: navigation, search "Secret code" redirects here. For the Aya Kamiki album, see Secret Code. German Lorenz cipher machine, used in World War II to encrypt very-high-level general staff messages Cryptography (or cryptology; from Greek κρυπτός, kryptos, "hidden, secret"; and γράφ, gráph, "writing", or -λογία, -logia, respectively)[1] is the practice and study of hiding information. Modern cryptography intersects the disciplines of mathematics, computer science, and engineering. Applications of cryptography include ATM cards, computer passwords, and electronic commerce. Cryptology prior to the modern age was almost synonymous with encryption, the conversion of information from a readable state to nonsense. The sender retained the ability to decrypt the information and therefore avoid unwanted persons being able to read it. Since WWI and the advent of the computer, the methods used to carry out cryptology have become increasingly complex and its application more widespread. Alongside the advancement in cryptology-related technology, the practice has raised a number of legal issues, some of which remain unresolved. Contents [hide] • 1 Terminology • 2 History of cryptography and cryptanalysis o 2.1 Classic cryptography o 2.2 The computer era • 3 Modern cryptography o 3.1 Symmetric-key cryptography o 3.2 Public-key cryptography o 3.3 Cryptanalysis o 3.4 Cryptographic primitives o 3.5 Cryptosystems • 4 Legal issues o 4.1 Prohibitions o 4.2 Export controls o 4.3 NSA involvement o 4.4 Digital rights management • 5 See also • 6 References • 7 Further reading • 8 External links [edit] Terminology Until modern times cryptography referred almost exclusively to encryption, which is the process of converting ordinary information (plaintext) into unintelligible gibberish (i.e., ciphertext).[2] Decryption is the reverse, in other words, moving from the unintelligible ciphertext back to plaintext. -
Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men
Zerohack Zer0Pwn YourAnonNews Yevgeniy Anikin Yes Men YamaTough Xtreme x-Leader xenu xen0nymous www.oem.com.mx www.nytimes.com/pages/world/asia/index.html www.informador.com.mx www.futuregov.asia www.cronica.com.mx www.asiapacificsecuritymagazine.com Worm Wolfy Withdrawal* WillyFoReal Wikileaks IRC 88.80.16.13/9999 IRC Channel WikiLeaks WiiSpellWhy whitekidney Wells Fargo weed WallRoad w0rmware Vulnerability Vladislav Khorokhorin Visa Inc. Virus Virgin Islands "Viewpointe Archive Services, LLC" Versability Verizon Venezuela Vegas Vatican City USB US Trust US Bankcorp Uruguay Uran0n unusedcrayon United Kingdom UnicormCr3w unfittoprint unelected.org UndisclosedAnon Ukraine UGNazi ua_musti_1905 U.S. Bankcorp TYLER Turkey trosec113 Trojan Horse Trojan Trivette TriCk Tribalzer0 Transnistria transaction Traitor traffic court Tradecraft Trade Secrets "Total System Services, Inc." Topiary Top Secret Tom Stracener TibitXimer Thumb Drive Thomson Reuters TheWikiBoat thepeoplescause the_infecti0n The Unknowns The UnderTaker The Syrian electronic army The Jokerhack Thailand ThaCosmo th3j35t3r testeux1 TEST Telecomix TehWongZ Teddy Bigglesworth TeaMp0isoN TeamHav0k Team Ghost Shell Team Digi7al tdl4 taxes TARP tango down Tampa Tammy Shapiro Taiwan Tabu T0x1c t0wN T.A.R.P. Syrian Electronic Army syndiv Symantec Corporation Switzerland Swingers Club SWIFT Sweden Swan SwaggSec Swagg Security "SunGard Data Systems, Inc." Stuxnet Stringer Streamroller Stole* Sterlok SteelAnne st0rm SQLi Spyware Spying Spydevilz Spy Camera Sposed Spook Spoofing Splendide -
A Catalogue of the Collection of American Paintings in the Corcoran Gallery of Art
A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art VOLUME I THE CORCORAN GALLERY OF ART WASHINGTON, D.C. A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art Volume 1 PAINTERS BORN BEFORE 1850 THE CORCORAN GALLERY OF ART WASHINGTON, D.C Copyright © 1966 By The Corcoran Gallery of Art, Washington, D.C. 20006 The Board of Trustees of The Corcoran Gallery of Art George E. Hamilton, Jr., President Robert V. Fleming Charles C. Glover, Jr. Corcoran Thorn, Jr. Katherine Morris Hall Frederick M. Bradley David E. Finley Gordon Gray David Lloyd Kreeger William Wilson Corcoran 69.1 A cknowledgments While the need for a catalogue of the collection has been apparent for some time, the preparation of this publication did not actually begin until June, 1965. Since that time a great many individuals and institutions have assisted in com- pleting the information contained herein. It is impossible to mention each indi- vidual and institution who has contributed to this project. But we take particular pleasure in recording our indebtedness to the staffs of the following institutions for their invaluable assistance: The Frick Art Reference Library, The District of Columbia Public Library, The Library of the National Gallery of Art, The Prints and Photographs Division, The Library of Congress. For assistance with particular research problems, and in compiling biographi- cal information on many of the artists included in this volume, special thanks are due to Mrs. Philip W. Amram, Miss Nancy Berman, Mrs. Christopher Bever, Mrs. Carter Burns, Professor Francis W. -
Sneaky Spy Concealments
Sneaky Spy Concealments This post was written by Brett and Kate McKay and originally ran on The Art of Manliness . Concealment devices or CD’s looked like normal, everyday objects but actually contained a secret compartment or cavity, inside which could be placed film, notes, eavesdropping equipment, and various other types of contraband. They were used to smuggle escape aids to prisoners of war, exchange information with friendlies, monitor the enemy, store secrets for safe keeping, and transport items without arousing suspicion. Concealment History The earliest quasi-concealments were used by the ancient Greeks and Romans. The Greek general Histiaeus wrote a message on the head of his servant, waited for his hair to grow back, and sent him on his way. This was, of course, not a very effective method of communicating something that was even remotely time-sensitive. Roman generals placed secret messages in the bandages wrapped around the limbs of wounded soldiers or sowed a message into the sole of a courier’s sandal. In later centuries, dignitaries hid their correspondence in barrels of beer and hollowed out bullets. Such rudimentary methods of concealment were used for hundreds of years. But the fabrication of concealment devices really became a high art in the 20 th century, particularly during World War II and that Golden Age of Espionage, the Cold War. Active and Passive Concealment < Modern concealment devices can be classified into two categories: active and passive. Active concealments are objects that contain a secret compartment while also retaining their normally intended function. A lamp that you can turn off and on but also contains a secret compartment in its base would fall into this category. -
TRIGON: Spies Passing in the Night
https://www.cia.gov/news-information/featured-story-archive/2016-featured-story-archive/trigon- spies-passing-in-the-night.html TRIGON: Spies Passing in the Night TRIGION at desk in Moscow. On June 22, 1977, Aleksandr Ogorodnik killed himself with a CIA-supplied suicide pill after the KGB arrested him based on information initially provided by a mole within the Agency. Just over three weeks later, CIA officer Martha (Marti) Peterson—unaware of Aleksandr’s death—was seized in a KGB ambush while servicing a dead drop in Moscow. The streets of Moscow were one of the most important, and dangerous, battlefields of the Cold War. American intelligence officers like Marti worked with assets like Aleksandr in the shadows to collect Soviet secrets. The Soviets, in turn, closely watched all foreign nationals and their own citizens for signs of espionage. Although the story of TRIGON ended tragically, the intelligence Aleksandr provided gave US policymakers valuable insights into Soviet foreign policy plans and intentions. It was insights like this which ultimately helped us win the Cold War. Recruiting a Spy: Aleksandr Ogorodnik (codename: TRIGON) Aleksandr Ogorodnik was a mid-level official in the Soviet Ministry of Foreign Affairs (MFA) posted in Latin America and had access to information about Soviet intentions for the region. He enjoyed his life in Latin America and disliked the Soviet system, which he found oppressive. The CIA recruited Aleksandr in South America in 1973. Upon signing up to spy for the Agency, he was given the codename TRIGON. TRIGON smuggled documents from the embassy and took them to a safe-house, where Agency officers photographed them. -
Spy Lingo — a Secret Eye
A Secret Eye SpyLingo A Compendium Of Terms Used In The Intelligence Trade — July 2019 — A Secret Eye . blog PUBLISHER'S NOTICE: Although the authors and publisher have made every eort to ensure that the information in this book was correct at press time, the authors and publisher do not assume and hereby disclaim any liability to any party for any loss, damage, or disruption caused by errors or omissions, whether such errors or omissions result from negligence, TEXTUAL CONTENT: Textual Content can be reproduced for all non-commercial accident, or any other cause. purposes as long as you provide attribution to the author / and original source where available. CONSUMER NOTICE: You should assume that the author of this document has an aliate relationship and/or another material connection to the providers of goods and services mentioned in this report THIRD PARTY COPYRIGHT: and may be compensated when you purchase from a To the extent that copyright subsists in a third party it provider. remains with the original owner. Content compiled and adapted by: Vincent Hardy & J-F Bouchard © Copyright 9218-0082 Qc Inc July 2019 — Spy Lingo — A Secret Eye Table Of Contents INTRODUCTION 4 ALPHA 5 Ab - Ai 5 Al - As 6 Au - Av 7 Bravo 8 Ba - Bl 8 Bl - Bre 9 Bri - Bu 10 CHARLIE 11 C3 - Can 11 Car - Chi 12 Cho - Cl 13 Cn - Com 14 Comp - Cou 15 Cov 16 Cu 17 DELTA 18 Da - De 18 De - Di 19 Di - Dru 20 Dry - Dz 21 Echo 22 Ea - Ex 22 Ey 23 FOXTROT 24 Fa - Fi 24 Fl - For 25 Fou - Fu 26 GOLF 27 Ga - Go 27 Gr - Gu 28 HOTEL 29 Ha - Hoo 29 Hou - Hv 30 INDIA 31 Ia -
Download Hansen Complaint
Case 2:18-mj-00324-PMW Document 1 Filed 06/02/18 Page 1 of 41 JOHN W. HUBER, United States Attorney (No. 7226) ROBERT A. LUND, Assistant United States Attorney (No. 9579) KARIN FOJTIK, Assistant United States Attorney (No. 7527) ALICIA H. COOK, Trial Attorney, U.S. Department of Justi~ICT)J¢N ijM"Pf)D STATES DISTRICT MARK K. VINCENT, Assistant United States Attorney (No. 536fll}JRT, DISTHICT OF UTAH PATRICK T. MURPHY, Trial Attorney, U.S. Department of Justice (MD Bar) ADAM L. SMALL, Trial Attorney, U.S. Department of Justice (NY slJNrB?J)601B) Attorneys for the United States of America D. MARK JONES, CLERK 111 South Main Street, Suite 1800 BY__ ==· ::::-:-::,c:-:::=~-- Salt Lake City, Utah 84111 DEPU1Y CLE~1K Telephone: (801) 524-5682 IN THE UNITED STATES DISTRICT COURT DISTRICT OF UTAH, NORTHERN DIVISION UNITED STATES OF AMERICA, Case No. Plaintiff, FELONY COMPLAINT VS. COUNT 1, 18 U.S.C. § 794(a) RON ROCKWELL HANSEN, Attempt to Gather or Deliver Defense Information; COUNT 2, 18 U.S.C. § 951- Agent of a Foreign Government; COUNTS 3 - 5, 31 U.S.C. § 5332- Bulk Cash Smuggling; COUNTS 6 - 13, 31 U.S.C. § 5324- Structuring Monetary Transactions; COUNTS 14 & 15, 18 U.S.C. § 554 - Smuggling Goods from the United States; FILED IN UNITED STATES DISTRICT COURT, DISTRICT OF UTAH JUN Oa 2018 ' JONES, CLERK DEPUTYCLER~- Case 2:18-mj-00324-PMW Document 1 Filed 06/02/18 Page 2 of 41 Before the Honorable Paul M. Warner, United States Chief Magistrate Judge for the District of Utah, appeared the undersigned, who on oath deposes and says: AGENT INTRODUCTION 1. -
Mitl63 Pages.V3 Web.Indd
a b c d Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/LEON_a_01337 by guest on 26 September 2021 G e N eral article seeing through camouflage Abbott Thayer, Background-Picturing and the Use of Cutout Silhouettes r o y r . b e h r e n s In the first decade of the twentieth century, while researching protective ments, reversible figure-ground was used in lowbrow puzzles coloration in nature, artist-naturalist Abbott H. Thayer (1849–1921), and games long before its use in art. In one example from working with his son, Gerald H. Thayer (1883–1939), hypothesized the nineteenth century, we view what seems at first to be an a kind of camouflage that he called “background-picturing.” It was his ABSTRACT contention that, in many animals, the patterns on their bodies make it image of trees on the island of Elba, and then, by a switch seem as if one could “see through” them, as if they were transparent. of attention, the space between the trees becomes the pro- This essay revisits that concept, Thayer’s descriptions and demonstrations file of Napoleon in exile. In another, Abraham Lincoln, on of it, and compares it to current computer-based practices of replacing horseback, rides through a benign grove of trees—and then, gaps in images with “content-aware” digital patches. suddenly, the background space between the trees becomes his horrific assassin, John Wilkes Booth. As I write this, a news article has recently appeared in which This same device resurfaced at the beginning of the twen- the paintings of Belgian surrealist René Magritte are de- tieth century, when it was put to more serious use by an scribed as having been “structured like jokes” [1]. -
Copperhead Snake on Dead Leaves, Study for Book Concealing Coloration in the Animal Kingdom Ca
June 2012 Copperhead Snake on Dead Leaves, study for book Concealing Coloration in the Animal Kingdom ca. 1910-1915 Abbott Handerson Thayer Born: Boston, Massachusetts 1849 Died: Monadnock, New Hampshire 1921 watercolor on cardboard mounted on wood panel sight 9 1/2 x 15/1/2 in. (24.1 x 39.3 cm) Smithsonian American Art Museum Gift of the heirs of Abbott Handerson Thayer 1950.2.15 Not currently on view Collections Webpage and High Resolution Image The Smithsonian American Art Museum owns eighty-seven works of art and studies by the artist Abbott Handerson Thayer made as illustrations for his book Concealing Coloration in the Animal Kingdom. Researcher Liz wanted to learn more about Thayer’s ideas on animal coloration and whether these were accepted by modern biologists. What did Thayer believe about animal coloration and its function? Abbott Handerson Thayer was an artist but had a lifelong fascination with animals and nature. He was a member of the American Ornithologists’ Union in whose publication, The Auk, his coloration studies were first published in 1896. Thayer and his son, Gerald Handerson Thayer, collaborated on the writing and illustrations for their 1909 book, Concealing-Coloration in the Animal Kingdom; an Exposition of the Laws of Disguise through Color and Pattern: Being a Summary of Abbott H. Thayer's Discoveries. Several of these original watercolors and oil paintings are on view in the Luce Foundation Center, including Blue Jays in Winter, Male Wood Duck in a Forest Pool, Red Flamingoes, Sunrise or Sunset, Roseate Spoonbill, and Roseate Spoonbills. Copperhead Snake on Dead Leaves illustrates Thayer’s contention that some animals have “ground-picturing” patterns that mimic the appearance of their surroundings. -
Selected Works Selected Works Works Selected
Celebrating Twenty-five Years in the Snite Museum of Art: 1980–2005 SELECTED WORKS SELECTED WORKS S Snite Museum of Art nite University of Notre Dame M useum of Art SELECTED WORKS SELECTED WORKS Celebrating Twenty-five Years in the Snite Museum of Art: 1980–2005 S nite M useum of Art Snite Museum of Art University of Notre Dame SELECTED WORKS Snite Museum of Art University of Notre Dame Published in commemoration of the 25th anniversary of the opening of the Snite Museum of Art building. Dedicated to Rev. Anthony J. Lauck, C.S.C., and Dean A. Porter Second Edition Copyright © 2005 University of Notre Dame ISBN 978-0-9753984-1-8 CONTENTS 5 Foreword 8 Benefactors 11 Authors 12 Pre-Columbian and Spanish Colonial Art 68 Native North American Art 86 African Art 100 Western Arts 264 Photography FOREWORD From its earliest years, the University of Notre Dame has understood the importance of the visual arts to the academy. In 1874 Notre Dame’s founder, Rev. Edward Sorin, C.S.C., brought Vatican artist Luigi Gregori to campus. For the next seventeen years, Gregori beautified the school’s interiors––painting scenes on the interior of the Golden Dome and the Columbus murals within the Main Building, as well as creating murals and the Stations of the Cross for the Basilica of the Sacred Heart. In 1875 the Bishops Gallery and the Museum of Indian Antiquities opened in the Main Building. The Bishops Gallery featured sixty portraits of bishops painted by Gregori. In 1899 Rev. Edward W. J. -
Introduction and Classification of Mimicry Systems
Chapter 1 INTRODUCTION AND CLASSIFICATION OF MIMICRY SYSTEMS It is hardly an exaggeration to say, that whilst reading and reflecting on the various facts given in this Memoir, we feel to be as near witnesses, as we can ever hope to be, of the creation of a new species on this earth. Charles Darwin (1863) referring to Henry Bates’ 1862 account of mimicry in Brazil COPYRIGHTED MATERIAL Mimicry, Crypsis, Masquerade and other Adaptive Resemblances, First Edition. Donald L. J. Quicke. © 2017 John Wiley & Sons Ltd. Published 2017 by John Wiley & Sons Ltd. 1 0003114056.INDD 1 7/14/2017 12:48:07 PM 2 Donald L. J. Quicke A BRIEF HISTORY at Oxford University. He describes the results of extensive experiments in which insects were presented to a captive The first clear definition of biological mimicry was that of monkey and its responses observed. The article is over 100 Henry Walter Bates (1825–92), a British naturalist who pages long and in the foreword he notes that a lot of the spent some 11 years collecting and researching in the observations are tabulated rather than given seriatim Amazonas region of Brazil (Bates 1862, 1864, 1981, G. because of the “great increase in the cost of printing”. Woodcock 1969). However, as pointed out by Stearn Nevertheless, such observations are essential first steps in (1981), Bates’ concept of the evolution of mimicry would understanding whether species are models or mimics or quite possibly have gone unnoticed were it not for Darwin’s have unsuspected defences. review of his book in The Natural History Review of 1863.