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FRIDAY, SEPTEMBER 15 SUNSET CLIFFS GRANDVIEW TRESTLES HUMOR ME TOURMALINE PALATE CLUB ELEVATE TM Master of Ceremonies: RYAN O’FLANAGAN ETHAN TUCKER TRISTEN 1:00 - 1:30 1:15 - 1:45 LAUGH PASS DISTRIBUTION - 1:30 LITTLE CLAUDIA SANDOVAL HURRICANE 1:45 - 2:30 1:40 - 2:35 BRYAN CALLEN TROUBLE IN THE WIND THE MOTET 2:15 - 2:45 2:00 - 3:00 2:15 - 3:15 CHRIS ADAMS 2:45 - 3:20 SMASH MOUTH LAUGH PASS 3:05 - 4:05 DISTRIBUTION - 3:30 LAWRENCE KEVIN GILLESPIE DAVE MASON 3:45 - 4:15 3:35 - 4:15 3:50 - 4:50 ARSENIO HALL DJ DIESEL (SHAQ) 4:15 - 5:15 KELIS X AMBASSADORS 4:35 - 5:40 LUNA AURA 4:45 - 5:40 4:55 - 5:55 THE MAGPIE 5:15 - 5:45 SALUTE MICHAEL 5:20 - 6:30 VOLTAGGIO KESHA 5:50 - 6:45 WEEZER 6:10 - 7:10 PATTON OSWALT THE LAST INTERNATIONALE 6:45 - 7:15 6:25 - 7:55 6:30 - 7:30 MICHAEL MCDONALD 7:00 - 8:30 DAVID GUETTA RED HOT 7:55 - 9:25 CHILI PEPPERS 8:25 - 9:55 KAP SLAP 9:30 - 10:30 LE YOUTH NICK 10:45 - 11:45 SWARDSON 11:00 - 12:30 MARTIN JENSEN 12:00 - 1:00 SATURDAY, SEPTEMBER 16 SUNSET CLIFFS GRANDVIEW TRESTLES HUMOR ME TOURMALINE PALATE CLUB ELEVATE SUNSET CLIFFS TM Master of Ceremonies: RYAN O’FLANAGAN ZEAL LEVIN THE STONE FOXES 11:45 - 12:20 ONE DROP 12:00 - 12:35 TAYLOR 12:15 - 1:00 WILLIAMSON DARENOTS 12:15 - 1:15 JOSH ARBOUR 12:40 - 1:40 EMILY WARREN 1:00 - 1:30 1:05 - 1:50 LAUGH PASS LOST KINGS DISTRIBUTION - 1:30 KAABOO 1:25 - 2:25 ROCK ‘N CHEF AL MADRIGAL LANY LOST BEACH COMPETITION 2:10 - 2:40 2:10 - 3:10 THE TUBES 2:00 - 3:00 12:00 - 5:30 2:20 - 3:20 THE KNOCKS BAND OF GRINGOS PRESENTED BY: 2:55 - 3:55 LAUGH PASS 3:20 - 3:50 CHEF’S ROLL MACHINE DISTRIBUTION - 3:30 GUN KELLY TOAD THE WET 3:40 - 4:40 SPROCKET MARIA BAMFORD LOGIC 3:50 - 4:50 JARED & THE MILL 4:15 - 5:15 4:30 - 5:00 4:25 - 5:25 GARBAGE ERIC BURDON 5:10 - 6:25 & THE ANIMALS AGES AND AGES 5:20 - 6:30 5:40 - 6:20 JANE’S ADDICTION NORM 5:55 - 7:25 MACDONALD ICE CUBE ARMORS 6:30 - 7:30 7:00 - 7:30 6:55 - 7:55 THE WALLFLOWERS 7:00 - 8:30 MUSE P!NK 7:55 - 9:25 8:25 - 9:55 STEEVIEWILD 9:30 - 10:30 THE HIM SEBASTIAN 10:45 - 11:45 MANISCALCO 11:00 - 12:30 SAM SPARRO 12:00 - 1:00 SUNDAY, SEPTEMBER 17 SUNSET CLIFFS GRANDVIEW TRESTLES HUMOR ME TOURMALINE PALATE CLUB ELEVATE TM Master of Ceremonies: RYAN O’FLANAGAN TIMEFLIES MATTHEW PHILLIPS KIRA LINGMAN THE SHADOWBOXERS 11:45 - 12:15 11:40 - 12:25 11:50 - 12:20 11:55 - 12:40 SHIRLEY CHUNG LAUGH PASS TODAY PERFORMANCES ELEVATE CLUB NO DISTRIBUTION - 12:30 12:15 - 1:00 MILKY CHANCE LED ZEPPELIN 2 MAMAFESTA BROOKE WILLIAMSON FISHBONE 12:45 - 1:45 BRIDGET 1:00 - 1:30 12:55 - 1:55 1:00 - 1:45 1:05 - 1:50 EVERETT 1:15 - 2:15 CORDOVAS TREVOR HALL T-PAIN LAUGH PASS 2:10 - 2:40 JULIO CABRERA PEPPER 2:15 - 3:15 DISTRIBUTION - 2:30 2:15 - 3:00 2:20 - 3:10 2:25 - 3:25 JON SHOOK & DEMETRI SPENCER YENSON VINNY DOTOLO MARTIN 3:20 - 3:50 3:10 - 3:50 LIVE ANDY 3:15 - 4:15 PETE YORN RICHARD BLAIS 3:45 - 4:45 GRAMMER 3:55 - 4:55 THE STEPPIN STONES 4:00 - 4:45 3:45 - 5:05 4:30 - 5:00 ROBERT IRVINE ALANIS 5:00 - 5:45 MORISSETTE JACKSON DAVID SPADE MOONSVILLE JASON COLLECTIVE BROWNE 5:30 - 6:30 5:40 - 6:20 5:15 - 6:30 DERULO 5:25 - 6:55 5:35 - 7:05 TOM PETTY & THE HEARTBREAKERS 7:05 - 9:05.

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RIAA JULY 2018 GOLD & PLATINUM Janis Joplin | Janis Joplin's Greatest Hits AWARDS ALBUMS Columbia Records Various Artists | Hamilton (Original In July, RIAA certified Broadway Cast Recording) 128 Song Awards and Atlantic Records 25 Album Awards. All RIAA Awards dating back to 1958 are available at riaa. com/gold-platinum! Don’t miss the NEW riaa.com/ goldandplatinum60 site Luke Combs | This One's For You Shawn Mendes | Handwritten Columbia Nashville/River Island Records celebrating 60 years of Gold House Artists & Platinum Awards and many #RIAATopCertified milestones for your favorite artists! SONG ALBUM AWARDS 128 AWARDS 25 Youngboy Never Broke Again | Until Death Call My Name APG/Atlantic Records SONGS Drake | God's Plan Young Money/Cash Money/ Republic Records Taylor Swift | Look What You X Ambassadors | Renegades Dua Lipa | New Rules Migos | Walk It Talk It Ariana Grande | No Tears Made Me Do KidinaKorner/Interscope Warner Bros Records Quality Control Music/Motown Left to Cry Big Machine Records Records Records/Capitol Records Republic Records Jason Aldean | You Make It Easy Morgan Wallen | Up Down Nathaniel Rateliff & the Nicki Minaj | Chun-Li Selena Gomez | Bad Liar Broken Bow Records Big Loud Records Night Sweats | S.O.B. Young Money/Cash Money/ Interscope Records Fantasy/Stax Records Republic Records www.riaa.com // // // GOLD & PLATINUM AWARDS JULY | 7/1/18 - 7/31/18 MULTI PLATINUM SINGLE | 27 Cert Date | Title | Artist | Genre | Label | Plat Level | Release Date | 7/10/2018 That's What I Like Bruno Mars Pop Atlantic Records 11/18/2016 Bruno Mars & 7/10/2018 Pop Atlantic Records 11/18/2016 Finesse Cardi B 7/27/2018 Sorry Not Sorry Demi Lovato Pop Island Records 7/11/2017 R&B/ 7/27/2018 Wild Thoughts (Feat.
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STORM Report Is a Compilation of Up-And-Coming Bands and Artists Popular Music in America Has Never Been More Who Are Worth Watching
Music Without Borders BLACKPINK Jeremy Zucker RY X MISSIO and more ISSUE NO. 63 SUMMER 2019 TABLE OF CONTENTS 4 EYE OF THE STORM Music Without Borders: The Rise of Non-English Language Music in America 5 STORM TRACKER Clairo, Natti Natasha, Raveena, and Florida Georgia Line 6 STORM FORECAST Rihanna @ NYFW, Discover WORLDZ, Life Is Beautiful, and more 7 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. On the Cover: Jessie Reyez. Photo by Mabdulle ©2019 ABOUT A LETTER THE STORM FROM THE REPORT EDITOR Watching the MTV Video Music Awards this STORM = STRATEGIC TRACKING OF RELEVANT MEDIA week, it was undeniable to note that, despite a continuing immigration crisis in our country, The STORM Report is a compilation of up-and-coming bands and artists popular music in America has never been more who are worth watching. Only those showing the most promising globally influenced and inspired. One of our potential for future commercial success make it onto our monthly list. favorite new artists Rosalía (who was all of the buzz of Coachella 2019) and Columbian reggaeton How do we know? singer, J Balvin (STORM 35) claimed the award for “Best Latin” at the event this year. And while Through correspondence with industry insiders and our own ravenous there remains some industry controversy in media consumption, we spend our month gathering names of artists defining Rosalía as a “Latinx” artist (she is from who are “bubbling under”. We then extensively vet this information, Barcelona vs. Latin American countries), the fact analyzing an artist’s print & digital media coverage, social media that she primarily performs in Spanish and has growth, sales chart statistics, and various other checks and balances to collaborated with breakthrough Latin musicians ensure that our list represents the cream of the crop.
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Coca-Cola Stage Backgrounder 2016
May 26, 2016 BACKGROUNDER 2016 Coca-Cola Stage lineup Christian Hudson Appearing Thursday, July 7, 7 p.m. Website: http://www.christianhudsonmusic.com/ Facebook: https://www.facebook.com/ChristianHudsonMusic Twitter: www.twitter.com/CHsongs While most may know Christian Hudson by his unique and memorable performances at numerous venues across Western Canada, others seem to know him by his philanthropy. This talented young man won the prestigious Calgary Stampede Talent Show last summer but what was surprising to many was he took his prize money of $10,000 and donated it all to the local drop-in centre. He was touched by the stories he was told by a few people experiencing homelessness he had met one night prior to the contest’s finale. His infectious originals have caught the ears of many in the industry that are now assisting his career. He was honoured to receive 'The Spirit of Calgary' Award at the inaugural Vigor Awards for his generosity. Hudson will soon be touring Canada upon the release of his first single on national radio. JJ Shiplett Appearing Thursday, July 7, 8 p.m. Website: http://www.jjshiplettmusic.com/ Facebook: https://www.facebook.com/jjshiplettmusic/ Twitter: www.twitter.com/jjshiplettmusic Rugged, raspy and reserved, JJ Shiplett is a true artist in every sense of the word. Unapologetically himself, the Alberta born singer-songwriter and performer is both bold in range and musical creativity and has a passion and reverence for the art of music and performance that has captured the attention of music fans across the country. He spent the major part of early 2016 as one of the opening acts on the Johnny Reid tour and is also signed to Johnny Reid’s company.
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Songs by Title
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The Revolution Will Not Be Televised…But It Will Be Streamed”: Spotify, Playlist Curation, and Social Justice Movements
“THE REVOLUTION WILL NOT BE TELEVISED…BUT IT WILL BE STREAMED”: SPOTIFY, PLAYLIST CURATION, AND SOCIAL JUSTICE MOVEMENTS Melissa Camp A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Music in the School of Arts and Sciences. Chapel Hill 2021 Approved by: Mark Katz Aaron Harcus Jocelyn Neal © 2021 Melissa Camp ALL RIGHTS RESERVED ii ABSTRACT Melissa Camp: “The Revolution Will Not Be Televised…But It Will Be Streamed”: Spotify, Playlist Curation, and Social Justice Movements (Under the direction of Mark Katz) Since its launch in 2008, the Swedish-based audio streaming service Spotify has transformed how consumers experience music. During the same time, Spotify collaborated with social justice activists as a means of philanthropy and brand management. Focusing on two playlists intended to promote the Black Lives Matter movement (2013–) and support protests against the U.S. “Muslim Ban” (2017–2020), this thesis explores how Spotify’s curators and artists navigate the tensions between activism and capitalism as they advocate for social justice. Drawing upon Ramón Grosfoguel’s concept of subversive complicity (2003), I show how artists and curators help promote Spotify’s progressive image and bottom line while utilizing the company’s massive platform to draw attention to the people and causes they care most about by amplifying their messages. iii To Preston Thank you for your support along the way. iv ACKNOWLEDGMENTS I would first like to thank my thesis advisor, Mark Katz, for his dedication and support throughout the writing process, especially in reading, writing, and being the source of advice, encouragement, and knowledge for the past year.
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2019 Official Schedule the World’S Largest Music Festival®
2019 OFFICIAL SCHEDULE THE WORLD’S LARGEST MUSIC FESTIVAL® FOR UPDATES ON TALENT, TICKETS, AND MORE VISIT SUMMERFEST.COM CALLING ALL WARRIORS PEDALPEDAL YOURYOUR WAYWAY TO TO POWER POWER TEST YOUR SPEED && AGILITYAGILITY WITH PHONEPHONE TAG TAG RACERACE TOTO UNSCRAMBLE PHOTOS COMPETECOMPETE AGAINST AGAINST FRIENDS FRIENDS AND & FAMILY FAMILY Take on exciting tech challenges and games at the U.S. Cellular located at the U.S. Cellular® Wireless Connection Warriors arena Stage. — 2 USCC_2019 Summerfest Brochure Ad_4x8.375_v6wh.indd 1 4/15/19 3:23 PM YOUR SAVINGS IS IN OUR NAME... FREE ® Summerfest Ticket WITH 2 9-pack 16 oz. Aluminum Bottles Miller Lite or Miller Draft or 2 12-pack bottles any variety Leinenkugel Craft Beer STOCK UP & $5 ON ANY $50 PURCHASE OF THESE saveMILLER PRODUCTS AT DISCOUNT LIQUOR Coupon Valid 5/23/19-7/7/19 A FAMILY TRADITION keeping you in good spirits since 1960 Visit us on Facebook/Twitter/Instagram or at WWW.DISCOUNTLIQUORINC.COM MILWAUKEE WAUKESHA 5031 W. Oklahoma Ave. 919 N. Barstow Ave. (414) 545-2175 (262) 547-7525 3 Presented by FESTIVAL HOURS 12:00 p.m. – 12:00 a.m., daily BOX OFFICE HOURS Before Summerfest 10:00 a.m. – 6:00 p.m., Monday – Friday 10:00 a.m. – 1:00 p.m., Saturdays through Summerfest During Summerfest 10:00 a.m. – 10:00 p.m., daily ADMISSION Save time and skip the line - purchase tickets online at Summerfest.com. All tickets can also be purchased at any Summerfest gate during the festival. The same prices apply. Admission tickets are valid for one day only, unless otherwise stated.
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The Issue Angel Haze
X AMBASSADORS • BETTY WHO • THE CHAINSMOKERS • JON BELLION • BOMBAY BICYCLE CLUB • SWITCHFOOT VARIANCETHE SIGHTS + SOUNDS YOU LOVE 40 ALBUMS TO WATCH FOR IN 2014 BASTILLE t ANGEL HAZE PHANTOGRAM JAMES VINCENT MCMORROW THE FUTURESOUNDS ISSUE VOICES THAT WILL REIGN THIS YEAR VOL. 5, ISSUE 1 | FEB_WINTER 2014 AVAILBLE NOW AT SKULLCANDY.COM @SKULLCANDY / FEATURING KAI OTTON Variancemagazine_Navigator_Kai.indd 1 12/14/12 3:10 PM TAPE MIX JAMES VINCENT MCMORROW PHANTOGRAM LILY ALLEN “Gold” “Black Out Days” “Hard Out Here” by @AlainUlises by @OJandCigs by @AleksaConic WINTER2014 VANCOUVER SLEEP CLINIC CHILDISH GAMBINO BOMBAY BICYCLE CLUB “Collapse” “telegraph ave. (‘Oakland’ by Lloyd)” “Carry Me” by @Jedshepherd by @tylersduke by @mardycum ANGEL HAZE FEAT. SIA JAMIE N COMMONS & X AMBASSADORS LO-FANG “Battle Cry” “Jungle” “#88” by @jenryannyc zz by @JK1KJ by @6n6challenge SAM SMITH MATTHEW MAYFIELD “Money on My Mind” “Heartbeat” by @AllenOVCH by @MissBehavinC YOU CREATE THE PLAYLIST ST. VINCENT "Digital Witness" Annie Clark foreshadows her new album with this catchy tune FIRSTTHINGSFIRST PHOTO BY KIM ERLANDSEN You” shot up the blogosphere last summer when video of a marriage proposal utilizing the song went viral. She’s since signed to RCA Records and is working on her major label debut. Also on the roster are X Ambassadors, the little band that could from Ithaca, N.Y. After teaming up with Alex Da Kid, who can do no wrong, in our opinion, the ris- ing act is expected to release a full-length this year. And based on everything we’ve heard so far, these guys will only continue to climb.
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1. Happy Birthday Disney Songs: 2. Moana
Lauren Ash’s Repertoire Party Songs: 46. Ed Sheeran – Shape of You 47. Ed Sheeran – Thinking Out Loud 1. Happy Birthday 48. Ed Sheeran & Taylor Swift – Everything Has Changed Disney Songs: 49. Eliza Doolittle – Back To Front 50. Eliza Doolittle – So High 2. Moana – How Far I’ll Go 51. Elvis Presley – Suspicious Minds 3. Moana – Where You Are 52. Florence + The Machine – Dog Days Are Over 4. Moana – You’re Welcome 53. Gene Kelly – Singing In The Rain 54. George Ezra – Budapest Children’s Songs: 55. Gnarls Barkley – Crazy 5. Baby Bumble Bee 56. Guns N’ Roses – Sweet Child O’ Mine 6. Baby Shark 57. Hozier – Cherry Wine 7. Five Little Monkies Jumping On The Bed 58. Hozier – Movement 8. I Had A Little Turtle Song (Tiny Tim) 59. Imagine Dragons – Bad Liar 9. Itsy Bitsy Spider 60. Imagine Dragons – Radioactive 10. Old MacDonald Had A Farm 61. Irish Folk Song – The Parting Glass 11. Row Row Row Your Boat 62. James Bay – If You Ever Want To Be In Love 12. The Alphabet Song 63. James Bay – Let It Go 13. Twinkle Twinkle Little Star 64. James Bay – Us 14. Wheels On The Bus 65. James Bay – When We Were On Fire 66. Jason Mraz – I’m Yours General Songs: 67. Jessie J – Price Tag 15. A Great Big World – I Don’t Wanna Love Somebody Else 68. Johnny Cash – Ring of Fire 16. Adam Lambert – Ghost Town 69. Jon Bellion – Stupid Deep 17. Adele – Water Under The Bridge 70. Joseph – Canyon 18. Alessia Cara – Not Today 71.
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Triple a 2020
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Introduction
INTRODUCTION “Forty years ago, co-writing a song with Ringo Starr would have provided me a house and a pool. Now, estimating a hundred thousand plays on Spotify, we guessed we’d split about eighty dollars,”! explains world-renowned composer, songwriter, and musician Van Dyke Parks. In a "#$% op-ed, Parks describes heading up to Ringo Starr’s home and spending two straight days working on a song together.& For the sake of argument, let’s say that they each spent two typical workdays—eight hours per day—on the song. Splitting the aforementioned eighty dollars, which Parks later describes as “optimistic”' because Spotify typ- ically pays a fraction of a cent per play, would result in a payment of forty dollars each for sixteen hours of work, or $ “Van Dyke Parks on How Songwriters Are Getting Screwed in the Digital Age,” Daily Beast, updated July $", "#$(. " Ibid. ) Ibid. IntR odU ctI on · 13 *".+# per hour. For comparison, US federal minimum wage in "#$% was *(."+/hour., Songwriters are not usually paid by the hour, though that might be more lucrative than how they typically get paid. Sometimes, they don’t get paid at all. When it is deemed di-cult to trace a song back to its copyright owners, royal- ties end up in what the industry has termed a “black box.”. /e royalties never reach the owners of the copyright so the streaming services, or whoever is attempting to pay the roy- alties, can keep the owed money inde0nitely. Further, the US Copyright O-ce allowed for bulk-0ling of the necessary forms to claim that the owner of the copyright was too di-cult to discern or 0nd, which gave streaming services an easy out from having to 0nd the rights’ owners.1 /ese services would 0le thousands of claims at once to avoid having to search for the rights holders to pay when songs from their catalogs were streamed.
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X Ambassadors Anuncia Show Pela Primeira Vez No Brasil Em Maio
X Ambassadors anuncia show pela primeira vez no Brasil em maio Uma das mais aclamadas bandas no rock alternativo mundial, o X Ambassadors traz sua THE ORION TOUR ao país e faz sua estreia em palcos nacionais em São Paulo, dia 13 de maio Ingressos estarão disponíveis para o público em geral a partir de 7 de Fevereiro em www.eventbrite.com.br Dez anos após sua criação, a X Ambassadors se tornou uma das maiores referências do chamado rock alternativo internacional. Com um som que mistura o rock a gêneros como o metal, o hip hop e o indie, o multiplatinado grupo norte-americano da cidade de Ithaca chega pela primeira vez ao país, trazendo o show de sua turnê mundial The Orion Tour para apresentação no dia 13 de maio, na Audio em São Paulo, em uma realização da 30 Entertainment. Ingressos estarão à venda a partir de 07 de fevereiro em www.eventbrite.com.br, com pré-venda para fã-clubes da banda dias 5 e 6 de fevereiro. Vejam informações completas em SERVIÇO, abaixo. A "The Orion Tour" foi lançada no ano passado, já tendo percorrido várias cidades dos Estados Unidos e Canadá, e antes de chegar ao Brasil, será vista ainda este ano na Austrália, Nova Zelândia, Japão, China e vários países da Europa como Itália, Inglaterra, Rússia e Alemanha. O X Ambassadors já lançou três EPs e dois álbuns de estúdio e suas músicas foram usadas em trilhas sonoras de games consagrados como “Need for Speed” e “Battlefield: Hardline”. As músicas da banda também estão nas trilhas de filmes como “Esquadrão Suicida”, “Hércules”, “Como Eu era antes de Você” e “A Escolha Perfeita 2”, além de séries como “Teen Wolf”, “Supernatural” e “The Orange is the New Black”.
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Analyzing Songs Used for Lyric Analysis with Mental Health Consumers Using Linguistic Inquiry and Word Count (LIWC) Software
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2017 Analyzing Songs Used for Lyric Analysis With Mental Health Consumers Using Linguistic Inquiry and Word Count (LIWC) Software Ashley M. Miller University of Kentucky, [email protected] Author ORCID Identifier: http://orcid.org/0000-0002-5030-0584 Digital Object Identifier: https://doi.org/10.13023/ETD.2017.180 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Miller, Ashley M., "Analyzing Songs Used for Lyric Analysis With Mental Health Consumers Using Linguistic Inquiry and Word Count (LIWC) Software" (2017). Theses and Dissertations--Music. 88. https://uknowledge.uky.edu/music_etds/88 This Master's Thesis is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
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