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EL CULTURAL SAN MARTIN Programa De Cine En Vacaciones
EL CULTURAL SAN MARTIN Programa de cine en vacaciones de Invierno 2018 Entrada general: $70 / Estudiantes y jubilados: $50 En boleterías o por www.tuentrada.com El Cultural San Martín Sarmiento 1551 www.elculturalsanmartin.org Lego Batman: La película, de Chris McKay (2017) Hay grandes cambios que amenazan a Gotham, pero si Batman busca salvar a la ciudad de la incursión hostil del Guasón, deberá considerar en dejar su lucha solitaria y tratar de trabajar con otros para aligerar la batalla. Género: Animación Dirección: Chris McKay Origen: Estados Unidos Año: 2017 Duración: 104 minutos Funciones: Sábado 14 y Domingo 15 > 15 hs El Gigante de Hierro, de Brad Bird (1999) En 1957, en la pequeña localidad de Rockwell, alguien ha visto cómo un enorme hombre metálico caía al mar. Un imaginativo niño descubre que se trata de un robot gigante, cuyo apetito de metal es insaciable. Entre ambos nace una fuerte amistad, pero el gobierno envía a un agente para investigar los hechos. Género: Animación Dirección: Brad Bird Origen: Estados Unidos Año: 1999 Duración: 86 minutos Funciones: Martes 17 > 15 hs Como Entrenar a tu Dragón, de Dean DeBlois y Chris Sanders (2010) Ambientada en el mítico mundo de los rudos vikingos y los dragones salvajes, narra la historia de Hipo, un vikingo adolescente que no encaja exactamente en la antiquísima reputación de su tribu como cazadores de dragones. El mundo de Hipo se trastoca al encontrar a un dragón que le desafía a él y a sus compañeros vikingos, a ver el mundo desde un punto de vista totalmente diferente. -
NYICFF 2021 Awards Release
SEVEN FILMS FROM EIGHT COUNTRIES TAKE HOME AUDIENCE AWARDS AT NEW YORK INTERNATIONAL CHILDREN’S FILM FESTIVAL 2021 THE FESTIVAL ANNOUNCED ITS AUDIENCE, GRAND PRIZE, AND JURY AWARD-WINNING FILMS ON MONDAY "I really enjoyed watching these films with my daughter. There was a lot of creativity and heart, they were inspiring to see," said Sofia Coppola, Festival juror. ----- FOR IMMEDIATE RELEASE: NEW YORK, NY (March 22, 2021): New York International Children’s Film Festival closed its 2021 edition with a presentation of the Best of the Fest short films and the announcement of the 2021 Festival award-winners. For the first time in the Festival’s 24-year history, audiences expanded from the New York metro area to across the country, drawing viewers from 47 out of 50 states to the virtual Festival. The Festival received thousands of submissions from around the world to select and curate a collection of inventive, diverse, and artistically ambitious films for its annual event, held virtually from March 5-14, 2021. Audience and Grand Prize Awards are presented to the films and filmmakers with the highest-ranking votes from Festival audience members, while Jury Awards are selected by an esteemed jury of filmmakers, actors, and industry leaders. The Best of the Fest, a collection of the highest-ranking short films from throughout the Festival, was released on Friday, March 19. In lieu of a traditional live awards ceremony, winners were announced on the Festival’s website and social media channels on Monday, March 22. “In addition to spotlighting the most innovative films for young audiences, the Jury and Audience Awards recognized the strength of women behind the camera, supported nonbinary storytelling, and acknowledged European co-productions that bolstered underrepresented filmmaker voices and stories from the Carribean,” said Programming Director Maria-Christina Villaseňor. -
To Infinity and Back Again: Hand-Drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation
To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation Haswell, H. (2015). To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation. Alphaville: Journal of Film and Screen Media, 8, [2]. http://www.alphavillejournal.com/Issue8/HTML/ArticleHaswell.html Published in: Alphaville: Journal of Film and Screen Media Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2015 The Authors. This is an open access article published under a Creative Commons Attribution-NonCommercial-NoDerivs License (https://creativecommons.org/licenses/by-nc-nd/4.0/), which permits distribution and reproduction for non-commercial purposes, provided the author and source are cited. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:28. Sep. 2021 1 To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar’s Pioneering Animation Helen Haswell, Queen’s University Belfast Abstract: In 2011, Pixar Animation Studios released a short film that challenged the contemporary characteristics of digital animation. -
International & Festivals
COMPANY CV – INTERNATIONAL & FESTIVALS INTERNATIONAL CAMPAIGNS / JUNKETS / TOURS (selected) Below we list the key elements of the international campaigns we have handled, but our work often also involves working closely with the local distributors and the film-makers and their representatives to ensure that all publicity opportunities are maximised. We have set up face-to-face and telephone interviews for actors and film-makers, working around their schedules to ensure that the key territories in particular are given as much access as possible, highlighting syndication opportunities, supplying information on special photography, incorporating international press into UK schedules that we are running, and looking at creative ways of scheduling press. THE AFTERMATH / James Kent / Fox Searchlight • International campaign support COLETTE / Wash Westmoreland / HanWay Films • International campaign BEAUTIFUL BOY / Felix van Groeningen / FilmNation • International campaign THE FAVOURITE / Yorgos Lanthimos / Fox Searchlight • International campaign support SUSPIRIA / Luca Guadagnino / Amazon Studios • International campaign LIFE ITSELF / Dan Fogelman / FilmNation • International campaign DISOBEDIENCE / Sebastián Lelio / FilmNation • International campaign THE CHILDREN ACT / Richard Eyre / FilmNation • International campaign DON’T WORRY, HE WON’T GET FAR ON FOOT / Gus Van Sant / Amazon Studios & FilmNation • International campaign ISLE OF DOGS / Wes Anderson / Fox Searchlight • International campaign THREE BILLBOARDS OUTSIDE EBBING, MISSOURI / -
Textual Spectacle: the Transmedial Storyworld of Coldplay's Mylo Xyloto
The Concept Album as Visual-Sonic- Textual Spectacle: The Transmedial Storyworld of Coldplay’s Mylo Xyloto Lori Burns University of Ottawa [email protected] Abstract This paper studies the elaboration of the concept album by means of multimodal promotional strategies that include the concert tour, music videos, books, as well as other digital and print materials. Adopting the perspective that the meaning of a concept album emerges in and through a potentially complex network of materials, we can receive and understand concept album storytelling to operate according to multimedial, intermedial and transmedial contexts. This study examines the transmedial storyworld of Coldplay’s Mylo Xyloto concept spectacle as it is developed in and through the material content of the original album, the Coldplay: Live 2012 (Coldplay 2012c) concert film, as well as the paraphonographic materials that extend Mylo Xyloto into a variety of media. KEYWORDS: Concept album, spectacle, multimodality, intermediality, transmediality Introduction In the context of the new millennial industry of popular music, artists from a variety of genres rely heavily upon current technologies and social media platforms to develop elaborate promotional strategies, thus expanding the idea of the concept album to the concert tour, music videos, books, and a range of supplementary materials. With such an approach, the concept album can be seen to extend across multiple media formats in supplementary materials and live IASPM@Journal vol.6 no.2 (2016) Journal of the International Association for the Study of Popular Music ISSN 2079-3871 | DOI 10.5429/2079-3871(2016)v6i2.6en | www.iaspmjournal.net 92 Lori Burns performances. -
To Infinity and Back Again: Hand-Drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation
To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation Haswell, H. (2015). To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation. Alphaville: Journal of Film and Screen Media, 8, [2]. http://www.alphavillejournal.com/Issue8/HTML/ArticleHaswell.html Published in: Alphaville: Journal of Film and Screen Media Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2015 The Authors. This is an open access article published under a Creative Commons Attribution-NonCommercial-NoDerivs License (https://creativecommons.org/licenses/by-nc-nd/4.0/), which permits distribution and reproduction for non-commercial purposes, provided the author and source are cited. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:28. Sep. 2021 1 To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar’s Pioneering Animation Helen Haswell, Queen’s University Belfast Abstract: In 2011, Pixar Animation Studios released a short film that challenged the contemporary characteristics of digital animation. -
Wydawnictwo UP
Pobrane zFOLIA czasopisma.up.krakow.pl/index.php/sdc 311 - 12.07.2021 Annales Universitatis Paedagogicae Cracoviensis Studia de Cultura 12(4) 2020 ISSN 2083-7275 DOI 10.24917/20837275.12.4.1 RozpRawy i Studia Joanna Mytnik-Daniluk Uniwersytet w Białymstoku ORCID 0000-0003-3924-8188 A social dimension of the activities of selected contemporary animated film characters Introduction Watching animated films stimulates imagination, evokes associations and emotions, such as joy, sadness and even fear in a viewer. Therefore, it has long been noticed that the animated image fulfils functions other than just entertainment for children. It was “used in advertising and propaganda because its persuasive capabilities and the ability to briefly convey ideas were noticed early. […] simple, even naive, sto- 2016: 2014). Considering the early uses of animated films, it is impossible to ignore theirries are social able practice. to convey They socially have becomeimportant a kind and ofpolitically message current in the form content” of audiovisual (Puchała communication, addressed at a specific generation, gender or social group. The main purpose of the article is to reflect on the actions of contemporary characters of animated feature-length social films. There are many valuable anima- tions about various problems that can play an important role in preparing young viewers for life in society. I am particularly interested in whether and how a film work, as a cultural product, can help convey social issues and then be used in a va- riety of activities. The specificity of the undertaken topic requires drawing from various fields of knowledge, allowing for their mutual permeation and inspiration. -
Mark Osborne
WANDA VISIÓN PRESENTA Una película de MARK OSBORNE PRODUCIDA POR ATON SOUMACHE, DIMITRI RASSAM Y ALEXIS VONARB MÚSICA DE HANS ZIMMER Y RICHARD HARVEY © 2015 - LPPTV - ON ENTERTAINMENT - ORANGE STUDIO M6 FILMS © 2015 - LPPTV ON ENTERTAINMENT CRÉATION : CRÉATION www.wanda.es De la mano de Mark Osborne, el director nominado al Oscar® por Kung Fu Panda, llega la primera adaptación animada de El Principito, la obra maestra de Antoine de Saint-Exupéry. La amistad entre una Niña a la que su exigente madre está preparando para vivir en el mundo de los adultos y su vecino, un anciano Aviador, bondadoso y excéntrico que revela a su nueva amiga un mundo extraordinario donde una de las todo es posible. historias Un mundo que él conoció hace mucho tiempo gracias más entrañables al Principito. Ahí es donde empieza el viaje mágico y emocional de la Niña al universo del Principito que le lleva de todos a reencontrarse con su infancia y acaba comprendiendo los tiempos que lo más importante son las relaciones humanas, y que sólo se ve bien con el corazón porque lo esencial es invisible a los ojos. ANTOINE DE SAINT- EXUPÉRY Y EL PRINCIPITO Le Petit Prince de Antoine Saint-Exupéry se publicó por primera vez en 1943 y se han vendido más de 145 millones de ejemplares en todo el mundo. Está considerada la obra más famosa de Saint-Exupéry, el aristócrata, escritor, poeta y pionero de la aviación de nacionalidad francesa. El relato es el libro francés más leído y más traducido. Fue elegido mejor libro del siglo XX en Francia. -
Of SHOWS SHOW ANIMATION
11 ALL NEW ANIMATED INTERNATIONAL SHORTS ACME FILMWORKS PRESENTS the 17TH ANNUAL ANIMATION of Buy DVDs and downloads of films from past SHOW SHOWS Animated Show of Shows www.animationshowofshows.com “ The animated short film is a great art form - always beautiful, innovative, and extremely entertaining. The Animation Show of Shows is the best place to see all the latest and greatest animated short films. You will never be disappointed. ” John Lasseter, Chief Creative Officer Pixar and Walt Disney Animation Studios * Special appearance by Curator, Producer Ron Diamond, check theaters for dates and times. * Hollywood, CA • Arclight Cinemas • Sept 24 - Oct 1 Silver Spring, MD • AFI Silver Theatre • Oct 23 - Oct 29 * Santa Ana, CA • The Frida Cinema • Oct 2 - Oct 8 * Seattle, WA • SIFF Egyptian Theatre • Oct 30 - Nov 5 GLOUSTER, MA, • The Cape Ann Cinema • Oct 2 - Oct 4 Larkspur, CA • The Lark Theater • Oct 30 - Nov 5 ALBANY, NY • Spectrum 8 Theatres • Oct 5 one night only * VANCOUVER, BC • Rio Theatre • Nov 1 one night only * San Francisco, CA • Vogue Theatre • Oct 9 - Oct 15 * PORTLAND, OR • CINEMA 21 Theatre • Nov 13 - Nov 19 * CHICAGO, IL • Gene Siskel Film Center • Oct 16 - Oct 22 * Eugene, OR • Bijou Art Cinemas • Nov 13 - Nov 19 © 2015 The Animation Show of Shows, Inc. PittsburgH, PA • Melwood Screening Room • Oct 16 - Oct 22 Denver, CO • Denver Film Society SIE FilmCenter • Nov 27 - Dec 3 The 17th Annual (2014 - 2015) Animation Show of Shows A whimsical story about living an impractical life based on a childhood promise. While playing on stilts as a child, Percival Pilts declares that he’ll ‘never again let his John Lewis and Janette Goodey’s feet touch the ground!’ Australia 2014 The Story of Percival Pilts Golden Gate Award, San Francisco Intl. -
1 to Infinity and Back Again: Hand-Drawn Aesthetic and Affection
1 To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar’s Pioneering Animation Helen Haswell, Queen’s University Belfast Abstract: In 2011, Pixar Animation Studios released a short film that challenged the contemporary characteristics of digital animation. La Luna (Enrico Casarosa) marks a pivotal shift in Pixar’s short film canon by displaying hand-drawn artwork and man-made textures. Widely considered the innovators of computer-generated animation, Pixar is now experimenting with 2D animation techniques and with textures that oppose the clean and polished look of mainstream American animation. This article aims to outline the significant technological developments that have facilitated an organic aesthetic by suggesting that nostalgia dictates a preference for a more traditional look. It will also argue that this process pioneered by Pixar has in turn influenced the most recent short films of Walt Disney Animation Studios. Pixar Animation Studios has been at the forefront of cutting-edge digital animation for over twenty-five years. The phenomenal success of Toy Story (John Lasseter, 1995), the world’s first fully computer-generated animated feature film, saw the “widespread popularization of 3D computer animation technologies in both animated and live action cinema” (Montgomery 7). Not only has the technology developed by Pixar become an industry standard for filmmaking, but the studio’s aesthetic style epitomises contemporary mainstream animation. While Colleen Montgomery argues that the technology pioneered by Pixar has “displaced hand-drawn traditions in mainstream American animation” (8), we are now witnessing Pixar’s experimentation with traditional 2D animation techniques and with textures that are organic and imperfect. -
Media Literacy Syllabus 2021-2022
Media Literacy Syllabus 2021-2022 Ms. Gina Bailiff Email: [email protected] Course Description: We engage with media every day. This course will empower students to be active learners in our media-rich environment and to think critically about how media shapes and influences culture. The primary focus of this course is to examine various forms of media in popular culture and to understand their impact in terms of both their advantages and their limitations. More specifically, the following objectives will be taught through projects, tests, reading, writing, journaling, and oral presentations: *to create an awareness of the different types of media, their historical backgrounds and various purposes *to critically analyze various forms of mass media in terms of audience/purpose, content/framing, and format/techniques Texts and Media Resources: Introduction to Mass Communication by Stanley Baran Because of the fast-paced nature of the media world, some of the material in class will be articles, essays, handouts, and videos taken from the Center for Media Literacy as well as other sources. Newspaper and magazine articles, advertisements from a variety of sources, recordings of television programs and commercials, documentaries or instructive videos related to media topics are also essential components of the course. Other texts include: Models for Writers: Short Essays for Composition (Alfred Rosa and Paul Eschholz) The Riverside Reader (Joseph Trimmer) Understanding the Film (Jan Bone and Ron Johnson) Films: Many of the films or film excerpts that are shown in class will be selected from the attached list. Because of time constraints, all of these films may not be used. -
Special Screenings Imax
Grint, Emma Watson. (PG, 153 min.) Parks and strange experience at first – every word is sung, even Recreation Department.: Splash Party Movie Nights. the most banal of dialogue. The simple yet sophisti- It’s the final Splash of the season. Movie at dusk; pool cated French film tells the story of two star-crossed entrance fee required. (*) @Deep Eddy Pool, 8:30pm. lovers, a 16-year-old shopgirl and her gas-station special screenings attendant sweetheart, without any apology for the unashamedly romantic heart. (Double bill: The Young BY MARJORIE BAUMGARTEN KIDS Girls of Rochefort.) (*) @Paramount, 7pm. The symbol (*) indicates full-length reviews available online: austinchronicle.com/film. Curious George (2006) @Southwest Bistro at The Wraith (1986) D: Mike Marvin; with the Hyatt Regency, 6:30pm. (See Friday.) Charlie Sheen, Nick Cassavetes, Sherilyn Fenn, Randy Quaid, Clint Howard, Griffin O’Neal. (PG-13, 93 min.) Terror Tuesday. Hoodlums rule a desert THURSDAY 12 FRIDAY 13 SUNDAY 15 town until a shadowy phantom raises the stakes. @Alamo Ritz, 9:45pm. Brighton Rock (1947) D: John 2Everything2Terrible2: Tokyo Drift The Last Dragon (1985) D: Michael The Young Girls of Rochefort (1967) See p.78. Boulting; with Richard Attenborough, Carol Everything Is Terrible. EverythingIsTerrible.com Schultz; with Taimak, Vanity, Julius Carrey, Marsh, Hermione Baddeley. (NR, 92 min.) Summer Film presents found videotape footage that runs the gamut Faith Prince. (PG-13, 109 min.) Zzang!!! With Joe Bob Classics: British Film Noir. Voted the greatest British of content. The people who run the site will be in atten- Briggs. Motown’s Berry Gordy produced this karate SPACES noir film of all time by The Guardian, this film features dance to present their brand new release.