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IRCAM http://en.wikipedia.org/wiki/IRCAM#Notable_works_composed_at_IRCAM Clarence Barlow: Çogluotobüsisletmesi, version for piano with tape (1980) Luciano Berio: Chemins ex V, for clarinet and 4C computer (1980) Gérard Grisey: Les Chants de l'Amour, for twelve mixed voices and magnétic tape (1982–84) Georg Friedrich Haas: Les temps tiraillés, for 2 violins, bassoon, and electronics (2008) Jonathan Harvey: Advaya, for cello and electronics (1994) Jonathan Harvey: String Quartet No. 4 with live electronics (2003) York Höller: Antiphon, for string quartet and tape (1977) Philippe Manoury: Jupiter for flute and live electronics Philippe Manoury: Pluton for piano and live electronics Philippe Manoury: En Echo for soprano voice and live electronics Emmanuel Nunes: Lichtung I (1988/1991), pour ensemble et électronique Emmanuel Nunes: Lichtung II, for chamber ensemble and electronics (1996) Michael Obst: Kristallwelt, for Ensemble and Electronics (1983) Horaţiu Rădulescu: Incandescent Serene, for contrabass and tape (1982) Jean-Claude Risset: Inharmonique, for soprano and tape (1977) Jean-Claude Risset: Mirages, for six musicians and tape (1978) Manuel Rocha Iturbide: Transiciones de Fase, for brass quartet and electronics (1994) ---------------------------------------------------------------------- Pierre Boulez: Répons for two pianos, harp, vibraphone, xylophone, cimbalom, ensemble and live electronics (1980; revised and expanded 1982; revised and expanded 1984) Dialogue de l'ombre double (for clarinet and electronics, 1982–85) "…explosante-fixe…" version for vibraphone and electronics (1986) Anthèmes 2 (violin and electronics, 1998) ---------------------------------------------------------------------- SWR Experimentalstudio Freiburg Brian Ferneyhough: Time and Motion Study II for cello & electronics (1976-1977) ---------------------------------------------------------------------- Luigi Nono: Tape: ...Sofferte onde serene… (1976) - piano and tape http://www.youtube.com/watch?v=ToF39HNhTvE&feature=related Live electronics: Das atmende Klarsein (1981–82) - für Chor, Bassflöte, Live-Elektronik und Zuspielung http://www.youtube.com/watch?v=kKxZ1G8NzWE Noten+didaktische CD bei MDW entlehnbar http://www.beckmesser.de/dvd/nono-klarsein.html Diario polacco II (1982) per quattro voci femminili, flauto, violoncello e live electronics http://www.youtube.com/watch?v=IqTIBb0NHbk http://www.squidco.com/miva/merchant.mvc?Screen=PROD&Product_Code=10332 Guai ai gelidi mostri (1983) - for 2 altos, flute, clarinet, tuba, viola, cello, bass, and live electronics http://www.youtube.com/watch?v=3IZwqvbWmlM http://www.squidco.com/miva/merchant.mvc?Screen=PROD&Product_Code=10332 Prometeo — tragedia dell' ascolto (1984/85) - for singers, speakers, chorus, solo strings, solo winds, glasses, orchestral groups, and live electronics http://www.youtube.com/user/MrRaph87/videos?query=prometeo http://verbunkosmittel.blogspot.co.at/search?q=Staging+Nono's+Prometeo Risonanze erranti a Massimo Cacciari (1986/1987) für Altstimme, Flöte, Tuba, Perkussionisten und Live-Elektronik ---------------------------------------------------------------------- Karlheinz Stockhausen: Kontakte (1958-60) for electronic sounds, piano, and percussion (version B) http://www.youtube.com/watch?v=aNt6a5xFOnE http://en.wikipedia.org/wiki/Kontakte_(Stockhausen) Mixtur (1964) - for orchestra, 4 sinewave generators, and 4 ring-modulators Mikrophonie I (1964) - for tamtam (2 players), 2 microphones, 2 filters with potentiometers, and 4 pair of loudspeakers http://www.youtube.com/watch?v=ofQshGGafYA http://www.medienkunstnetz.de/werke/mikrophonie-i/ Mikrophonie II (1965) - for 12 voices, Hammond organ (or synthesizer), 4 ring modulators, and tape http://www.youtube.com/watch?v=hkdifNXThvo Solo, for a melody instrument and feedback (live electronics with 4 technicians, 4 pair of loudspeakers) (1965–66) Hymnen, electronic and concrete music with soloists (1966–67) Prozession ("Procession"), for 6 players with live electronics, (1967) http://www.youtube.com/watch?v=dXdvjUhaU1o Spiral, for a soloist with short-wave receiver and live electronics with sound director (1968) Kurzwellen ("Short Waves"), for 6 players with live electronics, plus sound director (1968) Stimmung "Paris Version", for 6 vocalists, 6 microphones, 6 loudspeakers, and sound director (1968) http://www.youtube.com/watch?v=3hPkJW95jsw Pole ("Poles"), for 2 players or singers with 2 short-wave radios, (1969–70) Mantra, for 2 pianists (with wood blocks and antique cymbals) and electronics (1970) Trans, for orchestra and tape (1971) Sirius, electronic music with trumpet, soprano, bass clarinet, and bass voice (1975–77) Entführung ("Abduction"), for piccolo solo, or for soprano saxophone and electronic and concrete music, from Montag aus Licht (1986) Paare vom Freitag ("Couples of Friday") with soprano, bass, electronic instruments (tape) (1992/99) Komet ("Comet"), version for a percussionist, electronic and concrete music, sound projectionist (1994/99) Türin, for door (German: Tür), rin, and speaker (versions in German and English), with electronics (2006) Klang ("Sound", the 24 Hours of the Day): Fourteenth Hour: Havona, for bass voice and electronic music, Nr. 94 (2007) Fifteenth Hour: Orvonton, for baritone and electronic music, Nr. 95 (2007) Sixteenth Hour: Uversa, for basset-horn and electronic music, Nr. 96 (2007) Seventeenth Hour: Nebadon, for horn and electronic music, Nr. 97 (2007) Eighteenth Hour: Jerusem, for tenor and electronic music, Nr. 98 (2007) Nineteenth Hour: Urantia, for soprano and electronic music, Nr. 99 (2007) Twentieth Hour: Edentia, for soprano saxophone and electronic music, Nr. 100 (2007) Twenty-first Hour: Paradies (Paradise), for flute and electronic music, Nr. 101 (2007) ---------------------------------------------------------------------- Alvin Lucier: North American Time Capsule (1967) for voices and vocoder The Only Talking Machine of Its Kind in the World (1969) for speaker and tape delay system "I am sitting in a room" (1970) for voice and electromagnetic tape Still and Moving Lines of Silence in Families of Hyperbolas (1973-1974) for singers, players, dancers and unattended percussion; new version for female voice, clarinet, flute, horn, mallet instruments, string quartet and pure wave oscillators (1984) IN MEMORIAM JON HIGGINS (1984) for clarinet and slow-sweep pure wave oscillator Nothing is Real (Strawberry Fields Forever) (1990) for piano, amplified teapot, tape recorder and miniature sound system Music for Piano with Amplified Sonorous Vessels (1991) Music for Cello with One or More Amplified Vases (1992) ---------------------------------------------------------------------- Luciano Berio: Différences for flute, clarinet, harp, viola, cello and magnetic tape (1959) Altra voce for alto flute, mezzo-soprano and live electronics (1999) ---------------------------------------------------------------------- Fausto Romitelli: Natura morta con fiamme for string quartet and electronics, 1991 http://www.youtube.com/watch?v=IMHQ299adNU EnTrance for soprano, ensemble and electronics, 1995 Amok Koma for ensemble and electronics, 2001 Professor Bad Trip: Lesson I for 8 performers and electronics, 1998 http://www.youtube.com/watch?v=hB8ws_vou28 Trash TV Trance (2002) - for electric guitar http://www.youtube.com/watch?v=8qKRMeIc0bg Index of Metals (2003) - video opera for soprano, ensemble, multiple projections and electronics http://www.youtube.com/watch?v=5U3HPaSpRsY ---------------------------------------------------------------------- Olga Neuwirth: http://www.olganeuwirth.com/ SANS SOLEIL (1994) - Zerrspiegel für zwei Ondes Martenot, Orchester und Live-Elektronik Bählamms Fest (1997/98) - Musiktheater The Long Rain (2000) - für 4 Solisten, 4 Ensemblegruppen und Live-Elektronik Construction in space (2000) - für 4 Solisten, 4 Ensemblegruppen und Live-Elektronik Lost Highway (2002/2003) ... ce qui arrive ... (2003/2004) - für 2 Ensemblegruppen, Samples und Live-Electronic Kloing! (2008) - für computergesteurters Klavier (CEUS von Bösendorfer), live-Pianisten (und live-Video) Peter Ablinger: http://ablinger.mur.at/ 1-127: http://www.youtube.com/watch?v=gTucdUXfP0o Instrumente und Rauschen: http://www.youtube.com/watch?v=vXmtkOPkulI Voices and piano: http://www.youtube.com/watch?v=OS3vLn0BegE bzw. Aufnahme Wolfgang Mitterer: http://www.wolfgangmitterer.com/ Konzert for Orchester, Klavier und Elektronik: http://www.youtube.com/watch?v=Ldr_FN0WC00 Coloured noise - http://www.youtube.com/watch?v=3Fimp2L5hic Im Sturm für präpariertes Klavier, Bariton und Elektronik: http://www.youtube.com/watch?v=XvDqs_bLmXA Jorge Sanchez Chiong: http://www.edition21.at/_composer.php?&comp_nn=Sanchez-Chiong Aeropuertos (2009) - Schlagwerk, Turntables, Elektronik und Video Santos y Bandidos (2007) elektronisch verstärkte Bassblockflöten, tragbare Plattenspielern und electronic devices / Turntables The Imagination or Disaster (2006) - Turntables, E-Bass, Electronic Devices trapos / notturno.ondacorta (2005) - Klavier, Turntables und Live-Elektronik trópico tránsito (2004) - 2 Bassklarinetten und Live-Elektronik Volkmar Klien: http://www.volkmarklien.com/ ..friget venus - for electronics and piano (2011) variations in air pressure - violin & electronics (2007) lockerungen - cl, tr, trb, vl, vla, electronics (2005) duplex - vl, cl, electronics (2002) violin and electronics - vl, electronics (2001) clarinet and four oscillators - cl, tape (1998) Katharina Klement: http://www.katharinaklement.com/ portrait (2011) - for accordion,
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  • It Worked Yesterday: on (Re-) Performing Electroacoustic Music

    It Worked Yesterday: on (Re-) Performing Electroacoustic Music

    University of Huddersfield Repository Berweck, Sebastian It worked yesterday: On (re-)performing electroacoustic music Original Citation Berweck, Sebastian (2012) It worked yesterday: On (re-)performing electroacoustic music. Doctoral thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/17540/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ It worked yesterday On (re-)performing electroacoustic music A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Doctor of Philosophy Sebastian Berweck, August 2012 Abstract Playing electroacoustic music raises a number of challenges for performers such as dealing with obsolete or malfunctioning technology and incomplete technical documentation. Together with the generally higher workload due to the additional technical requirements the time available for musical work is significantly reduced.
  • MIXTUR - Karlheinz Stockhausen Prima Esecuzione Incontro Tra Elettronica E Orchestra Svizzera Domenica 10 Febbraio 2013 | 17.30 Auditorio RSI | Lugano

    MIXTUR - Karlheinz Stockhausen Prima Esecuzione Incontro Tra Elettronica E Orchestra Svizzera Domenica 10 Febbraio 2013 | 17.30 Auditorio RSI | Lugano

    Luganomodern MIXTUR - Karlheinz Stockhausen prima esecuzione incontro tra elettronica e orchestra svizzera domenica 10 febbraio 2013 | 17.30 Auditorio RSI | Lugano concerto con opere di Karlheinz Stockhausen Ensemble 900 del CSI Direttore Arturo Tamayo Regia Regiadel suono del suono Pietro FabrizioLuca Congedo Rosso Ingegnere del suono Paolo Brandi conservatorio.ch +41(0)91 960 30 40 Biglietto 15 CHF LuganoCard, Amici del Conservatorio e Club di Rete Due 10 CHF Fino a 18 anni e studenti entrata gratuita mixtur – karlheinz stockhausen domenica 10 febbraio 2013 | 17.30 auditorio RSI | lugano K. Stockhausen Gesang der Jünglinge (1955 – 56) 14’ 1928 – 2007 per elettronica 30’ Mixtur Nr. 16 ½ (1967) per piccola orchestra, oscillatori e modulatori ad anello arturo tamayo _direzione francesco bossaglia _assistente direzione musicale pietro luca congedo _regia del suono paolo brandi _ingegnere del suono roberto mucchiut _progetto software Con il concerto di oggi vogliamo ricordare, nel quinto anniversario dalla sua scomparsa (3 dicembre 2007), la figura di Karlheinz Stockhausen, una delle principali personalità dell'avanguardia storica. La prima composizione del programma odierno è “Gesang der Jünglinge”; in essa, già nel lontano 1955-1956, Stockhausen mescola procedimenti e tecniche della musica elettronica (prodotto prevalentemente tedesco) con elementi della musica concreta "francese”. Fino ad allora i due ambiti erano sempre stati accuratamente separati in maniera quasi "religiosa”, mentre qui si fondono in un'opera di profonda spiritualità. La prima idea era stata quella di comporre una "Messa" - infatti il testo di cui il compositore si è servito è un testo biblico: la storia dal Libro di Daniele che ci racconta come i giovani Neduchadnezzar, Shadrach, Meshach e Abendnego, buttati in un forno ardente, miracolosamente protetti dal fuoco, cominciano a cantare le lodi a Dio.