Invisible Drives #8

Mittwoch, 05. Mai 2021 19.30 Uhr, MUMUTH, György-Ligeti-Saal PROGRAMM Call of the void choreographer / composer Luan de Lima da Silva / Victor Morato Ribera dancer Luan de Lima da Silva omnia in uno sunt et in omnibus unum choreographer / composer Alberto Cissello & Martina De Dominicis / Dominik Puk dancers Alberto Cissello & Martina De Dominicis

Perfect Sense choreographer / composer Ivan Strelkin & Kasija Vrbanac / Alyssa Aska dancers Ivan Strelkin & Kasija Vrbanac

Inter-Corps choreographer / composer Angela Wörgartner / Louis Bona dancer Angela Wörgartner

Esoptron choreographer / composer Daniela Hanelova & Ariathney Coyne / Joan Gomez Alemany dancers Daniela Hanelova & Ariathney Coyne musicians Filip Novakovic – Akk Yuki Murakami – Pf Tijana Silinger – Va Anna Grenzner Matheu – Vc video Philip Steiner, Daniel Bierdümpfl masks Aleks Kaplun Inner B (from the „Lebensformen“ cycle) choreographer / composer Felix Chang / Alisa Kobzar dancers / motion capture actors Felix Chang & Lisa McGuire musicians Alisa Kobzar (electronics) Illia Bondarenko (el.v-n samples) video Alisa Kobzar

Folk Cycle No. 1 choreographer / composer Jacqueline Lopez / Brian Questa dancer Jacqueline Lopez

Prius Somnium choreographer / composer Shao-Yang Hsieh / Jose Luis Martinez M. dancer & video Shao-Yang Hsieh

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Andraz Frece, Filip Novakovic – Akkordeon Alexandra Skrilec, Jakobus Weichinger – Flöte Felix Martl – Klarinette Christian Molina – Bassklarinette Anastasiia Gerasina – Viola Gyu Hui Heo, Eduardo Antiao – Violoncello Ana Ostojic – Klavier (PPCM-Studierende des Klangforum Wien) Einstudierung: Annette Bik, Andreas Lindenbaum Dirigent*innen: Algirdas Biveinis, Shu Jun Zhao Gesamtleitung: Rose Breuss & Clemens Gadenstätter

Video & Bildregie & Beschallung Saal: Thomas Bergner Kameras: Ulrich Gladisch, Laurenz Gräber Tonmischung & Livestream: Alexander Zwierzina Licht: Ralf Beyer & Philipp Farasin Ivan Strelkin was born in Russia in 1988, completed his BA degree at the St. Petersburg State Academy of Theatre Art in 2010. He worked as director in various theaters in Russia. In 2013 he went to Tallinn (Estonia) to stay at the Russian theater of Estonia for a full-time position as a director. 2016-2019 he studied at the Folkwang University (Essen, Germany), MA Choreography, and worked as choreographer and dancer. In 2019 Ivan Strelkin came to Linz and entered the MA program “Movement research” of the Anton Bruckner University, aiming to join in the future the artistic scientific PhD program. Ariathney Coyne began her dance education at the age of 5, with a focus on classical ballet. Once she finished her formal school education she went on to receive a Master’s degree in neuroscience from the University College London. Since then she has been teaching dance, working on film projects and has started her Master’s degree in Movement Research at the Anton Bruckner University in Linz, Austria. Alberto Cissello is a freelance dancer and performer currently based in Vienna. Since 2009 he has been working in Italy, Austria, Germany and Sweden for different dance companies such as Compagnia EgriBiancoDanza, Oper Graz Tanzkompanie, ConTrust Collective, CieLaroque/helene weinzierl, D.ID Liz King, Eva-Maria Schaller and Norrdans. In the meantime he has also been creating and performing his own works which have been invited by Solocoreografico (Turin, IT), Miniatures Festival (Perugia,IT), Oper Graz (AT), Essenziale Festival (Essen, DE), Tanz_house Festival (Salzburg,AT). His last piece “Yet to be born”, created together with Martina De Dominicis, premiered in December 2019 in Theater im Ballsaal, Bonn – with the support of the COCOON Dance Company. Angela Wörgartner(27) was born in the mountains of Tyrol in Austria and started dancing in the womb of her mother (also dancer) and physically by herself at the age of 3. After trying out various dance styles she developed her deep interest for contemporary dance (especially floor work, groundedness, physiological moving). After her bachelor’s degree and an internship at Norrdans for the season 2018/19, she is currently doing her master’s at the Anton Bruckner University (ABPU) in Linz. Furthermore she also got a scholarship for the One Small Step Festival in Corfu and worked on an outdoor performance with Helder Seabra (Ultima Vez). Martina De Dominicis is a freelance dancer and maker living in Vienna. She has been working as a dancer for several institutional dance companies in Italy, Austria and Germany such as Balletto di Milano, Oper Graz or Stadtheater Pforzheim. Since 2016 she is regularly collaborating with the Bonn based choreographer Rafaele Giovanola for COCOON dance, performing her works internationally and occasionally assisting for the Junior Company Labs. These labs have been a great source of inspiration for the project “Giovani Talenti” that she co directs since 2019 in the region of Abruzzo (IT). In Vienna, she collaborated with Veza Maria Fernandez for the Tanzquartier Wien production “Amadora llama” and is one of the founder of the TEACHBACK project. Since 2018 she has been collaborating with Alberto Cissello and founded a movement research project called DEBOCS, that in December 2019 presented its firsts full length piece “Yet to be born” in the Theater im Ballsaal, Bonn. Daniela Hanelová(CZ) studied at State Dance Conservatory of Prague and danced with Bohemia Balet Company. In 2015, she joined ballet company of Moravian Theatre Olomouc and started to study in the atelier of Dance and Physical Theatre at Janáček Academy of Performing Arts in Brno. Now, MA student of Movement Research at ABPU. Kasija Vrbanac was born in Karlovac on February 16, 1993. She started dancing in early childhood at Studio 23 in Karlovac, where she participated in numerous dance competitions as well as full evening performances. After completing formal education in 2011, she enrolls at the Dance Academy Ljubljana and in June 2014 completes a university undergraduate study as Bachelor Dancer and Choreographer in contemporary and jazz dance. The final graduate thesis the Academy entitled “Ideology of the Dance Body” resulted in her first professional dance performance “HERmIna” in 2014. During and after graduation she is further educated at numerous workshops in Croatia and abroad, and also continues to create her own pieces: physical theater performance “The Dark Side of The Moon”, dance movie “Labirint”, physical theater performance “LIMUN čokolada LUK”. From 2016 till 2018 she is a member of the Zagreb Dance Company, in the season 2018/2019 she joins Tanz Linz dance company and in 2019 she entered the MA program “Movement research” of the Anton Bruckner University. Jacqueline Lopez originates from Vancouver, Canada where she began her career in dance with Vancouver based companies: Kinesis Dance Somatheatro, Move: The Company, Plastic Orchid Factory and as a guest artist with Ballet British Columbia and Les Grands Ballets Canadiens. During this time, she instructed ballet, contemporary and modern dance at various dance institutes as well as provided company training for Move: The company. In spring 2012 she joined Les Grands Ballets Canadiens, as a full-time artist and was promoted to demi soloist in 2014. Since 2017 she has been living in Austria and works for the Landestheater Linz and the Oper Graz. In 2018 she created “All Together Alone” for the Oper Graz which was later re-made into a site-specific dance film entitled “Together All Alone”. Her recent trio work, “In Our Nature”, was presented at Craft Choreography in Vienna in winter 2020 and she has recently created a new multi- part duet entitled “In Between Now and Then”. Jacqueline is currently studying Dance Pedagogy at the Anton Bruckner Universität in Linz while continuing to develop her choreographic language. Shao-Yang Hsieh (Taiwan) choreographer, performer graduated from National Taiwan University of Arts. Currently studying at Anton Bruckner Universitat, he was awarded 2nd prize for his solo “j(us”) at the competition “The Best German Dance Solo” in 2019. In the same year he participated at the Tanzhafen Festival as a performer, 2018 he was invited to serve as a cyr wheel performer to malaysia psycusix 2017 and joined cloud gate theater as an intern dancer. Felix Chang majored in Chinese Classical Dance at Hong Kong Academy for Performing Arts (full scholarship). Afterwards he moved to Germany to study Modern dance at Folkwang Universität der Künste. Currently studying movement research at Bruckneruniversität. As part of his studies, he also performed his own choreography and works with different festivals & choreographers as well. Important stations included 2017 Triplet, Choreographer outlet festivals in HK, second place at the National dance competition, 2020 “If you can see me” Pfefferberg Theater, Berlin: competition second place as soloist & choreographer or engagements for Oxymoron Dance Company, Jessica Gaynor Dance, Ada Studio & Uferstudios festival. Lisa McGuire – dancer, performer, gyrokinesis trainer. Got certification ifrom IGTanz Steiermark (Austria, 2015, 2016), GYROKINESIS(R)(2016, 2017, 2018), GYROTONIC (2019). She studied in the summer-school of Martha Graham (New York, USA, 2015), attended private ballet classes along with Afro Modern Cuban dance class, as well as contemporary performance classes of Valentina Moar, Bostjan Ivanjsic, Tomas Danielis and others. Took part in the choreographic project by Liz King (Graz, Austria, 2015), Refugium Graz (IGTanz), interactive dance-performance by Bühnenwerkstatt (Graz, Austria, 2017). Víctor Morató: Call of the void The call of the void is the feeling when you stand in a high place and feel an urge to jump, but don’t actually do it. This piece searches for relationships between weight in dance and silence in music. Changing and repeating series of movements and groups of sounds, the piece builds an abstract construction where there are only three simple materials interacting with each other. Víctor Morató started writing music for scenic projects in 2012. In 2016 he starts the music composition Bachelor in Barcelona where he studied first with Oliver Rappoport and then with Ramon Humet. He also received orchestration and analysis courses from Benet Casablancas and Benjamin Davies. In 2019 he received an Erasmus scholarship to go to CNSMD in Lyon and he studied there with Martin Matalon. He has also participated in the Festival Mixtur as student, receiving classes from Hèctor Parra and Pierluigi Billone. He is currently studying music composition at the Kunstuniversitat Graz with Beat Furrer.

Dominik Puk: omnia in uno sunt et in omnibus unum “How can you miss me when I’m not there yet?” I would ask. [...] she answered “Missing a person means they’re there.” [...] And that even if I were to say, “I’m lost,” then I’d still be starting out with the words “I am”—the most important and the strangest set of words in the world. Olga Tokarczuk, Tender Narrator, Stockholm, December 2019 What do we understand as a dance style? Starting from this question, the choreographic research developed by analysing peculiar traits characterize specific ways of dancing to let them eventually trans- form out of their contexts. Is it imitation, quotation or inspiration? And what is the degree of awareness of such acquisition and transformation within a choreographic research? The performers look therefore at the ambiguous process of framing gestures and movements into codes, names, and meanings, questioning the univocal relationship between a shape and its reference. Dominik Puk composer and lawyer born 1993 in Poznań, Poland. He is currently studying at the Paderewski Academy of Music in Poznań (class of Lidia Zielinska) and at the Kunstuniversitat Graz (winter semester 2019/20 in the class of Beat Furrer). He is writing solo, chamber, choral and symphonic music, electroacoustic music, intermedial pieces and installations as well as liturgical and educational pieces. His pieces were repeatedly performed in Poland and abroad (including China, Italy, Austria) and during festivals like the Warsaw Autumn Contemporary Music Festival, Poznan Spring Contemporary Music Festival or the Musica Moderna in Lodz. He also achieved commissions by lot of institutions, eg. by Poznan Philharmonic, or as part of the program of the Institute of Music and Dance “Composers Commissions”, co-financed by the Ministry of Culture and National Heritage. He co-founded with Michał Janocha in 2018 the Poznan Trans-for-Matha Ensemble, a chamber orchestra dedicated to performing intermedial contemporary music. See more: https://soundcloud.com/dominik-puk

Alyssa Aska: Perfect Sense Alyssa Aska is fascinated with the architecture of music, both spatially and temporally. She composes works which explore extremes in time and space, using rigid proportions to generate forms in acoustic works and exploring the unpredictable duration and lack of control in gamified works. She studied composition in the United States with Robert Kyr, David Crumb, and Jeffrey Stolet, in Canada with Robert Pritchard, Keith Hamel and David Eagle, and she currently studies in Graz, Austria with Marko Ciciliani and Klaus Lang at the Kunstuniversität Graz. Alyssa’s works and research have been presented and performed worldwide at conferences and festivals such as International Computer Music Conference, New Interfaces for Musical Expression, impuls Academy or Mikrofest Helsinki, and many others. She is also a founding member of the Graz-based Facere collective, which is dedicated to producing several unique concert events each year.

Louis Bona: Inter-Corps Die Geräuschkulisse ist hoch. Bahn hier. Menschenmassen da. Züge fahren durch. Andere bleiben stehen. Alles voller Baustellen. Durchsage für den nächsten Zug. Verspätung für den Anderen. Sengende Hitze. Die Luft steht. Keine Zirkulation. Ich spreche. Worte verlassen meinen Mund. Pressen sich durch meine Lippen. Hinterlassen Schweißperlen auf meiner Stirn. Lösen eine Bedrückung in meiner Brust aus. Lassen sich meine Lungen nicht mehr vollständig weiten. Verhindern tiefe Atemzüge. Kurzatmigkeit dominiert. Spannen meine Schultern an. Erhöhen meinen Muskeltonus. Ich stehe am Gleis. Warte. Mein Partner. Versucht meine Worte zu verstehen. Fragender Blick. Hat er mich verstanden? Das Gespräch ist unmöglich. Wir steigen ein. Kein Platz. Wir stehen. Meine Beine fühlen sich weich an. Habe den Halt unter meinen Füßen verloren. Mein Partner meint: Willst du also nicht? Verwunderung meinerseits. Diese Worte haben meinen Mund nicht verlassen. So habe ich das nicht formuliert. Körperlich gefühlt, aber nicht verbalisiert. Habe versucht herumzureden. Umgehen. Doch die Kernaussage hat meinen Körper einfach verlassen. Ohne Kontrolle. Ohne Scham. Ohne Höflichkeit. Ohne Unannehmlichkeit. Ohne böse Absicht. Authentisch. Ehrlich. Bei dem Stück geht es um die Diskrepanz zwischen dem Verbalisierten und der Körpersprache. Beim Beobachten von Menschen ist zu erkennen, dass das gesagte Wort und die Körpersignale nicht übereinstimmen und beide parallele Seinswelten aufweisen. Ob man willkürlich lügt, um sich einen Vorteil zu verschaffen oder unbewusst sich kleiner Notlügen hingibt. Ist Ihnen schon aufgefallen, wie häufig Sie lügen? Jeder Mensch flunkert tagtäglich aus verschiedenen Gründen wie Höflichkeit, Bequemlichkeit oder Manipulation. Eine kleine Notlüge hier und eine größere da und schon häufen sich die Schwindeleien, um unangenehmen Situationen aus dem Weg zu gehen oder seine Mitmenschen von sich zu überzeugen. Jedoch gibt es ein Medium, welches nur teilweise Lügen verbergen kann und man durch ein geschultes Auge und kinästhetischer Empathie diese entlarven kann: der Körper. Louis Bona (1990), French young composer, lives in Paris. He begins his musical education studying viola with Carole Dauphine at the Paris conservatory. After obtaining his diploma in musical studies, he begins his master studies at the Hochschule für Musik Hanns Heisler in Berlin where he discovers a new approach to instrumental and sound technique through his professor Walter Küssner and the study of contemporary music by being an active member of the contemporary ensemble Echo, under the direction of Manuel Nauwri. These new accomplishments push him to return to his compositional work. Then he studied at the Boulogne Billancourt conservatory and from 2017 at the National superior Conservatory in the class of composor Frédérique Durieux. Currently he is studying at the Kunstuniversität Graz with Clemens Gadenstätter.

Joan Gomez Alemany: Esoptron is a piece with electronics (based on the sound of the acoustic guitar) and 4 improvisers, who read a very open score to interact and dialogue with the electronics. Therefore it is a semi-improvised piece with tape that also fixes the materials that the musics should use also as score. The edges between writing and non-writing music are then worked on. The piece is based on few sound materials that are molded and sculpted in an aesthetic that is born from the composer who wants to honor, Scelsi, but using a music language of our actuality. Joan Gomez Alemany studied composition with Clemens Gadenstatter at the Kunstuniversitat Graz (KUG) and previously with Oliver Rappoport at the Liceu Conservatory. He also holds a degree in piano and fine arts, specializing in cinema and painting. He received private lessons from Mark Andre, Pierluigi Billone, Brian Ferneyhough, Rebecca Saunders, Mauricio Sotelo, etc. His pieces were premiered at festivals such as the impuls Festival, Darmstadter Ferienkurse, Manifeste-IRCAM or Barcelona Modern Festival and interpreted by world renowned orchestras. His work was released by the record label Liquen Records and was broadcast by ÖRF, SWR and À Punt Ràdio València.

Alisa Kobzar: Inner B (from the „Lebensformen“ cycle) The Covid-era changes us. We are staying alone with ourselves and can’t avoid going deeper into the inner world of ourselves. The border between reality and virtuality is not so prominent anymore. What is the reality now? How many dimensions does our consciousness have? Virtuality changes us. We are discovering real ourselves in the virtual worlds of our minds. Alisa Kobzar is a composer, multimedia artist and teacher, graduated from Kyiv National Music Academy (Ukraine) in 2014 (MA, department of composition, instrumentation and musical informational technologies, A. Roschenko and A. Zagaikevych). Since 2018 she lives in Graz (Austria) and studies Computer Music at the Kunstuniversität Graz (with Gerhard Eckel). She also works as a student employee for the IEM project “Interagency”. She took part in different international composers’ masterclasses on instrumental and electronic music, festivals, workshops. Her music is performed in Ukraine, Poland, Germany, Austria, Sweden, Russia, Ireland, Portugal, Italy. The main vector of her creative work is interdisciplinarity towards connecting the different art-forms into undisassemblable multimedia, where none of the arts is illustrative. She ist Co-founder of the duo rotkäppchen (Alisa Kobzar – music/videoart, Lisa McGuire – choreography/dance).

Brian Questa: Folk Cycle No. 1 In “Folk Cycle No. 1”, Jacqueline Lopez explores the folk melodies of Questa’s composition. Drawing from European folk dance movements fused with contemporary dance, she highlights the cyclical nature of the music and allows the energy of the music to stir the movements into a playful frenzy. Brian Questa (b. 1988) is an artist and musician who works in sound, video, text, performance, and installation, currently living and working in Berlin, Germany. He received a M.Mus. in Music Composition from the State University of Music and Performing Arts in Stuttgart, Germany (HMdK), a master of arts (MA) in Computer Music from the Kunstuniversität Graz, Austria and a B.Mus. in Double Bass from the Manhattan School of Music in New York City. José Luis Martinez M.: Prius Somnium Piramidal, funesta de la tierra Nacida sombra, al Cielo encaminaba De vanos obeliscos punta altiva, escalar pretendiendo las Estrellas; Sor Juana Ines de la Cruz Die Ruhe und Stille der Nacht offnen die Wahrnehmung zum Überlegen, was am Tag unsere Sinne beruhrt hat. Wie weit konnen wir Abstand von den Wechselfallen der Realitat, der „weltlichen Welt“ nehmen? Das Auge kann seinen eigenen Blick nicht sehen. Es braucht Abstand von sich selbst, ein Mittel (ein Spiegel). Man soll aber noch eine Verbindung mit der Welt spüren, und es sollen noch die Sterne, die in der Nacht die Schiffe leiten, sichtbar sein. Noch in der tiefsten Stille (wenn sie noch als Stille wahrnehmbar ist) soll man einen Verankerungsunkt finden. Auf diese Weise ist die Reise in die Innenwelt der Barockdichterin Sor Juana der Anfangspunkt unserer Interpretation der unterschiedlichen Elemente, die in ihrem Weltbild geschehen, und auch heutzutage noch Fragen offenlassen. José Luis Martinez M.wurde 1991 in Mexiko-Stadt geboren. Seine musikalische Ausbildung begann er an der Musikhochschule des Nationalen Instituts der „Schonen Kunste und Literatur“, wo er Komposition bei Roberto Medina und Georgina Derbez sowie elektroakustische Musik bei Carole Chargeron studierte. Danach setzte er sein Kompositionsstudium in Graz fort, wo er sein Bachelorstudium an der Kunstuniversitat Graz bei Gerd Kuhr absolvierte und sich zurzeit im Masterstudium befindet. Er war an unterschiedlichen interdisziplinaren Projekten in Mexiko, Norwegen und Österreich beteiligt, darunter El Plano Oblicuo, Hombres Necios, Invisible Drives, Opern der Zukunft und Festspillene I Bergen. Er studierte auch Philosophie in Mexiko. Seine Überlegungen und sein asthetisches Interesse widmen sich hauptsachlich den Auswirkungen der phanomenologischen Betrachtung und Wahrnehmung des Klanges bzw. der Stille in der Musik. Außerdem beschäftigt er sich mit dem Einfluss moderner kunstlicher Intelligenz-Modelle auf den kreativen und kompositorischen Prozess.

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im Anschluss After-Concert-Lounge via Zoom Ulla Pilz im Gespräch mit den Mitwirkenden und dem Publikum Abonnements im Sommersemester 2021

Zusammenspiel_plus Instinkt & Gefühl Kammermusik mit dem gewissen Extra An diesem Abend kommen zwei zentrale MI 10.03.2021, 19.30 UHR Werke Béla Bartóks zur Aufführung. LIVE-STREAMING AUS DEM MUMUTH MI 12.05.2021, 19.30 UHR Sebastian Fagerlund: Breathe (2005-2006) LIVE-STREAMING AUS DEM MUMUTH Arnold Schönberg: Pierrot Lunaire op. 21 Béla Bartók: Violinkonzert Nr. 2 & Studierende der Kunstuniversität Graz Der wunderbare Mandarin (Suite) Violine: Feliks HARUTYUNYAN | Orchester der KUG Chor_plus Dirigent: Roland KLUTTIG Der Studiochor entführt in tschechisch- österreichische Gefilde Le nozze di Figaro MI 17.03.2021, 19.30 UHR LIVE-STREAMING AUS DEM MUMUTH Konzertante Aufführung der Opera buffa Leoš Janáček: Kinderreime von Wolfgang Amadeus Mozart Petr Eben: Prager Te Deum SA 05., MO 07., MI 09., FR 11. & MO 14.06.2021, Herwig Reiter: Die Welt ist so schön 19.00 UHR, LIVE-STREAMING AUS DEM MUMUTH Leitung: Studierende Chorleitung von Sänger*innen: Studierende der KUG Johannes PRINZ und Rahela DURIĆ Opernorchester der KUG Musikalische Leitung: Frank CRAMER & Zwei Kontinente Paul MAIER (Dirigierstudierender) Charles Ives trifft Erich Wolfgang Korngold DO 25.03.2021, 19.30 UHR LIVE-STREAMING AUS DEM MUMUTH Entwurf für ein Charles Ives: Ouvertüre „Robert Browning“ Totaltheater Erich Wolfgang Korngold: Konzert für Violine und Orchester op. 35 D-Dur Werkstattaufführung eines Totaltheater- Charles Ives: Symphonie Nr. 2 Stücks von Anne Lepper Violine: Anastasiia NIFANTIEVA | Orchester der KUG MO 14.-SA 19.06.2021, JEWEILS 19.30 UHR Dirigent: Patrick HAHN THEATER IM PALAIS Schauspiel-Studierende des 3. Jahrgangs | Regie: Henri HÜSTER | Bühne & Kostüme: Veronika MÜLLER- Malleus Maleficarum – HAUSZER (Studierende Bühnengestaltung) | Musik: Theatermusikstudierende von Sandy LOPIČIĆ | ein Tutorial Dramaturgie: Gabriele C. PFEIFFER Schauspiel- und Orgelstudierende lassen die beklemmende Atmosphäre des „Hexenhammers“ lebendig werden. Ludwig live! MI 14.04.2021, 19.30 UHR LIVE-STREAMING AUS DEM MUMUTH Ludwig van Beethoven – Wir besuchen Gesamtleitung: Gunther ROST & Werner STRENGER das Geburtstagskind des Jahres 2020 zu Hause FR 25.06.2021, 17.00 UHR KUG Jazz Night LIVE-STREAMING AUS DEM MUMUTH Das MUMUTH wird wieder zum Konzept: Bettina JOHNE | Leitung: Ulla PILZ pulsierenden Jazzclub. DO 29.04.2021, 19.30 UHR LIVE-STREAMING AUS DEM MUMUTH Studierende und Lehrende des Instituts Jazz JazzCompGraz 2020 Finale des 4. internationalen Kompositi- Fanny & Felix onswettbewerbs mit Uraufführung der Preisträger*innenwerke. Eine Geschwistergeschichte mit den FR 18.06.2021, 19.00 UHR Wunderkindern Fanny und Felix LIVE-STREAMING AUS DEM MUMUTH Mendelssohn – und großartiger Musik! KUG Jazz Orchester FR 30.04.2021, 17.00 UHR Dirigent: Reinhard SUMMERER LIVE-STREAMING AUS DEM MUMUTH Konzept: Sara KOREN | Leitung: Ulla PILZ PPCM Invisible Drives Einmal im Jahr erarbeiten Klangforum- Eine Begegnung von Komponist*innen, Musiker*innen und ihre Studierenden ein Musiker*innen der Kunstuniversität Graz großes gemeinsames Konzertprojekt mit den Tänzer*innen der Anton Bruckner MO 28.06.2021, 19.30 UHR Privatuniversität Linz. LIVE-STREAMING AUS DEM MUMUTH MI 05.05.2021, 19.30 UHR Anton von Webern: 6 Stücke op. 6 LIVE-STREAMING AUS DEM MUMUTH Friedrich Cerha: Quellen ÄNDERUNGEN VORBEHALTEN! Aktuelle Informationen zu möglichen Gesamtleitung: Rose BREUSS & Johannes Staud: Auf die Stimme der weißen Kreide Öffnungsschritten finden Sie auf Clemens GADENSTÄTTER Dirigent: Patrick HAHN unserer Website www.kug.ac.at