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Mummy Portraits and Related Mummy Portraits and Related [Book] Decorated surfaces on ancient Egyptian objects: technology, deterioration and conservation: proceedings of a conference held in Cambridge, UK on 7-8 September 2007. Dawson, J.; Rozeik, C. and Wright, M. (Editors). Archetype Publications Ltd., London, United Kingdom pp. 106-121 (2010) Includes: Rowe, S., Siddall, R., and Stacey, R. “Roman Egyptian gilded cartonnage: technical study and conservation of a mummy mask from Hawara.” Barr, J., ten Berge, C.M., van Daal, J., van Oppen de Ruiter, B., “The Girl with the Golden Wreath: Four Perspectives on a Mummy Portrait” Special issue on “Ancient Mediterranean Painting” (vol. 2) Arts 8, 92 online: https://www.mdpi.com/2076-0752/8/3/92/pdf (2019) Bender Jørgensen, L. “Clavi and Non-clavi: Definitions of Various Bands on Roman Textiles,” Purpureae Vestes III. Textiles y Tintes en la ciudad antiqua. Actas del III Symposium Internacional sobre Textiles y Tintes del Mediterráneo en el mundo antiguo (Naples 2008). pp. 75-81 (2011) Bierbrier M.L., Editor, Portraits and Masks: Burial Customs in Roman Egypt, British Museum (1997) Bierbrier, M., Cartwright, C.R., Filer, J., Humphrey, S., Middleton, A. & Walker, S. “New light on ancient faces,” British Museum Magazine 27; 36-39 (1997) Borg, B., Painted Funerary Portraits. UCLA Encyclopedia of Egyptology, Los Angeles. http://escholarship.org/uc/item/7426178c (2010) Borg, B., Most, G. “The Face of the Elite.” Arion: A Journal of Humanities and the Classics, Third Series, Vol 8, No. 1. pp. 63-96 (2000) Borg, B., Mumienportraits: Chronologie und kultureller Kontext, Deutsches Archäologisches Institut. Mainz (1996) Brøns, C. “Pigments and Dyes: The use of colourants for the depiction of garments on Egyptian mummy portraits in the Ny Carlsberg Glyptotek.“ In Gleba, M., Busana, M.S., & Meo, F. (eds.), Purpureae Vestes VI. Textiles and dyes in the Mediterranean economy and society. (2019) Brown, H. “Looking at Paintings,” American Artist, pp 56-98 (November 1981) Buck, R. D. “The Examination and Treatment of a Fayum Portrait,” IIC Conservation of Paintings and the Graphic Arts, pgs. 801-807 (October 9-14, 1972) Cartwright, C., Spaabæk, L. R., and Svoboda, M. “Portrait mummies from Roman Egypt: ongoing collaborative research on wood identification,” British Museum Technical Research Bulletin 5 pp. 49-58. (2011) Cartwright, C. and Middleton, A. “Scientific aspects of ancient faces: mummy portraits from Egypt,” British Museum Technical Research Bulletin 2 pp. 59-66 (2008) http://www.britishmuseum.org/pdf/BMTRB%202%20Cartwright.pdf Cooney, J. D. “Portraits from Roman Egypt,” The Bulletin of the Cleveland Museum of Art , Vol. 59, No. 2 pp. 51-55 (Feb. 1972) http://www.jstor.org/stable/25152416 1 Corcoran, L.H., Svoboda, M., Herakleides: A Portrait Mummy from Roman Egypt. J. Paul Getty Trust. (2010) Corcoran, L.H., Portrait Mummies from Roman Egypt (I-IV Centuries A.D.) with a catalogue of portrait mummies in Egyptian Museums, The Oriental Institute of the University of Chicago (1995) Davies, E. "Mummy Mania" (Archaeological analysis). Chemistry World. pp. 48-51 (February 2011) Delaney, J. K., Dooley, K. A., Radpour, R., & Kakoulli, I. “Macroscale multimodal imaging reveals ancient painting production technology and the vogue in Greco-Roman Egypt.” Scientific Reports, 7 (1), 15509. (2017). Doxiadis, E. The Mysterious Fayum Portraits: Faces from Ancient Egypt, Harry N. Abrams, Inc. (1995) Fewkes, J. Walter, “The Graf Collection of Greek Portraits,” in the New England Magazine, pp. 612-625. (1894) Fischer-Bovet, C. Ethnicity, Greco-Roman Egypt, The Encyclopedia of Ancient History, First Edition. Edited by Bagnall, R.S., et al. pp. 2519–2521 Blackwell Publishing Ltd (2013) Freccero, A. Fayum Portraits: Documentation and Scientific Analysis of Mummy Portraits Belonging to Nationalmuseum in Stockholm, Acta Universitatis Gothoburgensis (2000) Frel, J., Recent Acquisitions. Ancient Art, The J. Paul Getty Museum. Exhibition catalogue. (1974-1975) Geoffroy-Schneiter, B., Fayum Portraits, Thames and Hudson Ltd., London (1998) Graf, T., Ebers, G., The Hellenic Portraits from the Fayum at Present in the Collection of Herr Graf. Nabu Press D. Appleton and Co. Press, NY.1893. (2010) Graf, T., Richter F. H., von Ostini, F., Catalogue of the Theodor Graf collection of unique ancient Greek portraits, 2,000 years old: Recently Discovered and Now on View in Old Vienna, Midway Plaisance, at the World's Columbian Exposition, Chicago (1893) Graf, T., Catalogue of Theodor Graf's gallery of antique portraits from the Hellenistic times. Berlin (Published by their possessor I, Spiegelgasse 3, Vienna) (1889) Grimm-Stadelmann, I., “Crossing Borders Egyptian Mummy Portraits and Christian Icons,” Artists and Colour in ancient Egypt. Angenot, V., Tiradritti, F. Eds. Proceedings of the colloquium held in Montepulciano, August 22nd – 24, 2008 (2016) Hart, M.L., “A Portrait of a Bearded Man Flanked by Isis and Serapis,” Icon, Cult and Context: Sacred Spaces and Objects in the Classical World. UCLA Cotsen Institute of Archaeology Press. Chapter 7 pp, 79- 90 (2016) Hayward, A., Hayward, K., Swanson, M. History, Culture, and Analysis of the Fayum Mummy Portraits. Final paper: https://s3.wp.wsu.edu/uploads/sites/458/2014/07/final-paper-ASK-edition.pdf (2014) Hillyer, L. “The Conservation of a Group of Painted Mummy Cloths from Roman Egypt,” Studies in Conservation , Vol. 29, No. 1 pp. 1-9 (Feb., 1984) http://www.jstor.org/stable/1505937 2 Newman, N., Harrison, L., Thomas, D., Dyer, J., Taylor, J. “The Study and Conservation of Four Ancient Egyptian Funerary Portraits: Provenance, Conservation History and Structural Treatment.” British Museum Technical Research Bulletin 7 pp. 1-14 (2013) Parlasca, K. und Seemann, H. Augenblicke: Mumienporträts und ägyptische grabkunst aus römischer zeit, Klinkhardt & Biermann, München (1999) Parlasca,K. Ritratti di Mummie, Repertorio d'arte dell'Egitto greco-romano, Serie B, Vol. I L'Erma di Bretschneider (1969) Parlasca,K. Ritratti di Mummie, Repertorio d'arte dell'Egitto greco-romano, Serie B, Vol. II L'Erma di Bretschneider (1977) Parlasca,K. Ritratti di Mummie, Repertorio d'arte dell'Egitto greco-romano, Serie B, Vol. III L'Erma di Bretschneider (1980) Parlasca,K. Ritratti di Mummie, Repertorio d'arte dell'Egitto greco-romano, Serie B, Vol. IV L'Erma di Bretschneider (2003) Petrie, F. The Hawara Portfolio: Painting of the Roman Age, British School (1911) Picton, J. Quirke, S., Roberts, P. (editors) Living Images: Egyptian Funerary Portraits in the Petrie Museum, Left Coast Press, Inc. Walnut Creek, CA. (2007) Pitthard, V., Vak, B., Griesser, M., Stanek, S., and Laubenberger, M. “Fayum Portraits from the Collection of Greek and Roman Antiquities, Kunsthistorisches Museum, Vienna: Conservation Treatment and Research into their Composition,” Technologische Studien 4 pp. 156-175 (2007) Ramer, B. “The Technology, Examination and Conservation of the Fayum Portraits in the Petrie Museum,” Studies in Conservation , Vol. 24, No. 1 pp. 1-13 (Feb., 1979) http://www.jstor.org/stable/1505918 Riggs, C. (editor) The Oxford Handbook of Roman Egypt, Oxford University Press Includes: many contributors. (2012) Riggs, C., The Beautiful Burial in Roman Egypt: Art, Identity, and Funerary Religion, Oxford University Press (2006) Riggs, C., “A Roman Shroud and its Demotic Inscription in the Museum of Fine Arts, Boston,” Journal of the American Research Center in Egypt, Vol. XL, S.69-87 (2003) Riggs, C., “Facing the Dead: Recent Research on the Funerary Art of Ptolemaic and Roman Egypt,” American Journal of Archaeology 106 85-101 (2002) Rondot, V., “Graeco-Roman Fayum pantheons as documented by 2nd century painted wooden panels,” Van der Pharaanenzeit bis zur Spätantike. Kulturelle Vielfalt im Fayum Akten def 5. Internationalen Fayum-Konfefenz, 29. Mai bis 1. Juni 2013, Leipzig. pp. 145-162 (2015) 3 Root, M. C., Faces of Immortality: Egyptian Mummy masks, Painted Portraits and Canopic Jars in the Kelsey Museum of Archaeology, University of Michigan (1979) Salvant, J., Williams,J., Ganio, M., et. al “A Roman Egyptian Painting Workshop: Technical Investigation of the Portraits from Tebtunis, Egypt,” Archaeometry 60, 4 815-833 (2018) Shore, A.F., Portrait painting from Roman Egypt, The Trustees of the British Museum London (1962) Sörries, R. Das Malibu - Tryptychon: Ein Totengefenkbild aus dem römischen Ägyoten und verwandte Werke der spätantiken Talfelmaleri, Verlag J.H. Roll, Germany (2003) Thompson, D. L., Mummy Portraits in the J. Paul Getty Museum, J. Paul Getty Museum (1982) Thompson, D. L., Classes and hands Painted Funerary Portraits from Antinoopolis. University of North Carolina Chapel Hill. Ph.D. Dissertation (1972) Walker, S., Bierbrier, M. Ancient Faces: Mummy Portraits from Roman Egypt, British Museum Press 1997 and Routeldge, New York (2000) Zaloscer, H. The Mummy-Portrait: an Interpretation. Apollo No. 24, Vol 79 London, pp 101-107 (Feb. 1964) Pigments Balfour-Paul, J. Indigo in the Arab World Curzon Press (1997) Berry, M. “A study of pigments from a Roman Egyptian shrine,” AICCM Bulletin 24. pp. 1-9. (1999) http://aiccm.org.au/docs/Bulletin1999/Berry_Bulletin_1999_Vol24.pdf Brøns, C. and Sargent, M.-L. “Pigments and Dyes: The use of colourants for the depiction of garments on Egyptian mummy portraits in the Ny Carlsberg Glyptotek.” In Purpureae Vestes VI. Textiles and dyes in the Mediterranean economy and society edited by M. Gleba, M., Busana, M.S., & Meo, F. pp. 481-490 (2018) Claro, A.et al. “The use of microspectrofluorimetry for the characterization of lake pigments,” Talanta 74 pp.922-929 (2008) Clementi, C., et al. “Vibrational and electronic properties of painting lakes,” Applied Physics A (2008) DOI: 10.1007/s00339-008-4474-6 Colinart, S., Pagès-Camagna, S. and Delange, E. “Le bleu et le vert égyptiens (Egyptian blue and Egyptian green),” Technè: la science au service de l'histoire de l'art et des civilisations. Centre de recherche et de restauration des musées de France, Paris, France. No. 7. pp. 35-38. (1998) http://www.c2rmf.fr/pages/page_id18433_u1l2.htm Cottica, D., Mazzocchin, G.A.
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