[Book] Decorated surfaces on ancient Egyptian objects: technology, deterioration and conservation: proceedings of a conference held in Cambridge, UK on 7-8 September 2007. Dawson, J.; Rozeik, C. and Wright, M. (Editors). Archetype Publications Ltd., London, United Kingdom pp. 106-121 (2010) Includes: Rowe, S., Siddall, R., and Stacey, R. “Roman Egyptian gilded cartonnage: technical study and conservation of a mummy mask from Hawara.”
Barr, J., ten Berge, C.M., van Daal, J., van Oppen de Ruiter, B., “The Girl with the Golden Wreath: Four Perspectives on a Mummy Portrait” Special issue on “Ancient Mediterranean Painting” (vol. 2) Arts 8, 92 online: https://www.mdpi.com/2076-0752/8/3/92/pdf (2019)
Bender Jørgensen, L. “Clavi and Non-clavi: Definitions of Various Bands on Roman Textiles,” Purpureae Vestes III. Textiles y Tintes en la ciudad antiqua. Actas del III Symposium Internacional sobre Textiles y Tintes del Mediterráneo en el mundo antiguo (Naples 2008). pp. 75-81 (2011)
Bierbrier M.L., Editor, Portraits and Masks: Burial Customs in Roman Egypt, British Museum (1997)
Bierbrier, M., Cartwright, C.R., Filer, J., Humphrey, S., Middleton, A. & Walker, S. “New light on ancient faces,” British Museum Magazine 27; 36-39 (1997)
Borg, B., Painted Funerary Portraits. UCLA Encyclopedia of Egyptology, Los Angeles. http://escholarship.org/uc/item/7426178c (2010)
Borg, B., Most, G. “The Face of the Elite.” Arion: A Journal of Humanities and the Classics, Third Series, Vol 8, No. 1. pp. 63-96 (2000)
Borg, B., Mumienportraits: Chronologie und kultureller Kontext, Deutsches Archäologisches Institut. Mainz (1996)
Brøns, C. “Pigments and Dyes: The use of colourants for the depiction of garments on Egyptian mummy portraits in the Ny Carlsberg Glyptotek.“ In Gleba, M., Busana, M.S., & Meo, F. (eds.), Purpureae Vestes VI. Textiles and dyes in the Mediterranean economy and society. (2019)
Brown, H. “Looking at Paintings,” American Artist, pp 56-98 (November 1981)
Buck, R. D. “The Examination and Treatment of a Fayum Portrait,” IIC Conservation of Paintings and the Graphic Arts, pgs. 801-807 (October 9-14, 1972)
Cartwright, C., Spaabæk, L. R., and Svoboda, M. “Portrait mummies from Roman Egypt: ongoing collaborative research on wood identification,” British Museum Technical Research Bulletin 5 pp. 49-58. (2011)
Cartwright, C. and Middleton, A. “Scientific aspects of ancient faces: mummy portraits from Egypt,” British Museum Technical Research Bulletin 2 pp. 59-66 (2008) http://www.britishmuseum.org/pdf/BMTRB%202%20Cartwright.pdf
Cooney, J. D. “Portraits from Roman Egypt,” The Bulletin of the Cleveland Museum of Art , Vol. 59, No. 2 pp. 51-55 (Feb. 1972) http://www.jstor.org/stable/25152416
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Corcoran, L.H., Svoboda, M., Herakleides: A Portrait Mummy from Roman Egypt. J. Paul Getty Trust. (2010)
Corcoran, L.H., Portrait Mummies from Roman Egypt (I-IV Centuries A.D.) with a catalogue of portrait mummies in Egyptian Museums, The Oriental Institute of the University of Chicago (1995) Davies, E. "Mummy Mania" (Archaeological analysis). Chemistry World. pp. 48-51 (February 2011) Delaney, J. K., Dooley, K. A., Radpour, R., & Kakoulli, I. “Macroscale multimodal imaging reveals ancient painting production technology and the vogue in Greco-Roman Egypt.” Scientific Reports, 7 (1), 15509. (2017).
Doxiadis, E. The Mysterious Fayum Portraits: Faces from Ancient Egypt, Harry N. Abrams, Inc. (1995) Fewkes, J. Walter, “The Graf Collection of Greek Portraits,” in the New England Magazine, pp. 612-625. (1894)
Fischer-Bovet, C. Ethnicity, Greco-Roman Egypt, The Encyclopedia of Ancient History, First Edition. Edited by Bagnall, R.S., et al. pp. 2519–2521 Blackwell Publishing Ltd (2013)
Freccero, A. Fayum Portraits: Documentation and Scientific Analysis of Mummy Portraits Belonging to Nationalmuseum in Stockholm, Acta Universitatis Gothoburgensis (2000)
Frel, J., Recent Acquisitions. Ancient Art, The J. Paul Getty Museum. Exhibition catalogue. (1974-1975)
Geoffroy-Schneiter, B., Fayum Portraits, Thames and Hudson Ltd., London (1998)
Graf, T., Ebers, G., The Hellenic Portraits from the Fayum at Present in the Collection of Herr Graf. Nabu Press D. Appleton and Co. Press, NY.1893. (2010)
Graf, T., Richter F. H., von Ostini, F., Catalogue of the Theodor Graf collection of unique ancient Greek portraits, 2,000 years old: Recently Discovered and Now on View in Old Vienna, Midway Plaisance, at the World's Columbian Exposition, Chicago (1893)
Graf, T., Catalogue of Theodor Graf's gallery of antique portraits from the Hellenistic times. Berlin (Published by their possessor I, Spiegelgasse 3, Vienna) (1889)
Grimm-Stadelmann, I., “Crossing Borders Egyptian Mummy Portraits and Christian Icons,” Artists and Colour in ancient Egypt. Angenot, V., Tiradritti, F. Eds. Proceedings of the colloquium held in Montepulciano, August 22nd – 24, 2008 (2016)
Hart, M.L., “A Portrait of a Bearded Man Flanked by Isis and Serapis,” Icon, Cult and Context: Sacred Spaces and Objects in the Classical World. UCLA Cotsen Institute of Archaeology Press. Chapter 7 pp, 79- 90 (2016)
Hayward, A., Hayward, K., Swanson, M. History, Culture, and Analysis of the Fayum Mummy Portraits. Final paper: https://s3.wp.wsu.edu/uploads/sites/458/2014/07/final-paper-ASK-edition.pdf (2014)
Hillyer, L. “The Conservation of a Group of Painted Mummy Cloths from Roman Egypt,” Studies in Conservation , Vol. 29, No. 1 pp. 1-9 (Feb., 1984) http://www.jstor.org/stable/1505937
2
Newman, N., Harrison, L., Thomas, D., Dyer, J., Taylor, J. “The Study and Conservation of Four Ancient Egyptian Funerary Portraits: Provenance, Conservation History and Structural Treatment.” British Museum Technical Research Bulletin 7 pp. 1-14 (2013)
Parlasca, K. und Seemann, H. Augenblicke: Mumienporträts und ägyptische grabkunst aus römischer zeit, Klinkhardt & Biermann, München (1999)
Parlasca,K. Ritratti di Mummie, Repertorio d'arte dell'Egitto greco-romano, Serie B, Vol. I L'Erma di Bretschneider (1969)
Parlasca,K. Ritratti di Mummie, Repertorio d'arte dell'Egitto greco-romano, Serie B, Vol. II L'Erma di Bretschneider (1977)
Parlasca,K. Ritratti di Mummie, Repertorio d'arte dell'Egitto greco-romano, Serie B, Vol. III L'Erma di Bretschneider (1980)
Parlasca,K. Ritratti di Mummie, Repertorio d'arte dell'Egitto greco-romano, Serie B, Vol. IV L'Erma di Bretschneider (2003)
Petrie, F. The Hawara Portfolio: Painting of the Roman Age, British School (1911)
Picton, J. Quirke, S., Roberts, P. (editors) Living Images: Egyptian Funerary Portraits in the Petrie Museum, Left Coast Press, Inc. Walnut Creek, CA. (2007)
Pitthard, V., Vak, B., Griesser, M., Stanek, S., and Laubenberger, M. “Fayum Portraits from the Collection of Greek and Roman Antiquities, Kunsthistorisches Museum, Vienna: Conservation Treatment and Research into their Composition,” Technologische Studien 4 pp. 156-175 (2007)
Ramer, B. “The Technology, Examination and Conservation of the Fayum Portraits in the Petrie Museum,” Studies in Conservation , Vol. 24, No. 1 pp. 1-13 (Feb., 1979) http://www.jstor.org/stable/1505918
Riggs, C. (editor) The Oxford Handbook of Roman Egypt, Oxford University Press Includes: many contributors. (2012)
Riggs, C., The Beautiful Burial in Roman Egypt: Art, Identity, and Funerary Religion, Oxford University Press (2006)
Riggs, C., “A Roman Shroud and its Demotic Inscription in the Museum of Fine Arts, Boston,” Journal of the American Research Center in Egypt, Vol. XL, S.69-87 (2003)
Riggs, C., “Facing the Dead: Recent Research on the Funerary Art of Ptolemaic and Roman Egypt,” American Journal of Archaeology 106 85-101 (2002)
Rondot, V., “Graeco-Roman Fayum pantheons as documented by 2nd century painted wooden panels,” Van der Pharaanenzeit bis zur Spätantike. Kulturelle Vielfalt im Fayum Akten def 5. Internationalen Fayum-Konfefenz, 29. Mai bis 1. Juni 2013, Leipzig. pp. 145-162 (2015)
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Root, M. C., Faces of Immortality: Egyptian Mummy masks, Painted Portraits and Canopic Jars in the Kelsey Museum of Archaeology, University of Michigan (1979)
Salvant, J., Williams,J., Ganio, M., et. al “A Roman Egyptian Painting Workshop: Technical Investigation of the Portraits from Tebtunis, Egypt,” Archaeometry 60, 4 815-833 (2018)
Shore, A.F., Portrait painting from Roman Egypt, The Trustees of the British Museum London (1962)
Sörries, R. Das Malibu - Tryptychon: Ein Totengefenkbild aus dem römischen Ägyoten und verwandte
Werke der spätantiken Talfelmaleri, Verlag J.H. Roll, Germany (2003)
Thompson, D. L., Mummy Portraits in the J. Paul Getty Museum, J. Paul Getty Museum (1982)
Thompson, D. L., Classes and hands Painted Funerary Portraits from Antinoopolis. University of North Carolina Chapel Hill. Ph.D. Dissertation (1972)
Walker, S., Bierbrier, M. Ancient Faces: Mummy Portraits from Roman Egypt, British Museum Press 1997 and Routeldge, New York (2000)
Zaloscer, H. The Mummy-Portrait: an Interpretation. Apollo No. 24, Vol 79 London, pp 101-107 (Feb. 1964)
Pigments
Balfour-Paul, J. Indigo in the Arab World Curzon Press (1997)
Berry, M. “A study of pigments from a Roman Egyptian shrine,” AICCM Bulletin 24. pp. 1-9. (1999) http://aiccm.org.au/docs/Bulletin1999/Berry_Bulletin_1999_Vol24.pdf
Brøns, C. and Sargent, M.-L. “Pigments and Dyes: The use of colourants for the depiction of garments on Egyptian mummy portraits in the Ny Carlsberg Glyptotek.” In Purpureae Vestes VI. Textiles and dyes in the Mediterranean economy and society edited by M. Gleba, M., Busana, M.S., & Meo, F. pp. 481-490 (2018)
Claro, A.et al. “The use of microspectrofluorimetry for the characterization of lake pigments,” Talanta 74 pp.922-929 (2008)
Clementi, C., et al. “Vibrational and electronic properties of painting lakes,” Applied Physics A (2008) DOI: 10.1007/s00339-008-4474-6
Colinart, S., Pagès-Camagna, S. and Delange, E. “Le bleu et le vert égyptiens (Egyptian blue and Egyptian green),” Technè: la science au service de l'histoire de l'art et des civilisations. Centre de recherche et de restauration des musées de France, Paris, France. No. 7. pp. 35-38. (1998) http://www.c2rmf.fr/pages/page_id18433_u1l2.htm
Cottica, D., Mazzocchin, G.A. “Pots with Coloured Powders from the Forum of Pompeii,” Vessels: Inside and Outside. EMAC Budapest 9th European Meeting on Ancient Ceramics. (2007) pp. 151-158
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Daniels, V., Deviese, T., Hacke, M., Higgit, C. “Technological insights into madder pigment production in antiquity,” The British Museum Technical Research Bulletin, Volume 8 pp. 13-28 (2014)
Daniels, V. “Analyses of Copper- and Beeswax- Containing Green Paint on Egyptian Antiquities,” Studies in Conservation, Vol. 52, No. 1 pp. 13-18. (2007) http://www.jstor.org/stable/20619475
David, R., Edwards, H.G.M., Farwell, D.W., De Faria, D.L.A., “Raman Spectroscopic Analysis of Ancient Egyptian Pigments,” Archaeometry 43, 4 pp. 461-473 (2001)
Davy, H., “Some Experiments and Observations on the Colours Used in Painting by the Ancients,” Philosophical Transactions of the Royal Society of London, Vol. 105. Royal Society (1815), pp. 97-124 http://www.jstor.org/stable/107361
Delamare, F. “Les terres vertes et leur utilisation en peinture murale romaine. (Green earth and its use in Roman mural painting.),” PACT 17 pp. 345-373 European Study Group on Physical, Chemical and Mathematical Techniques Applied to Archaeology, Rixensart, Belgium [French] (1987)
Feller, R.L., Artists’ Pigments: A Handbook of their History and Characteristics, Volume 1 Red Lead and Minium Cambridge University Press (1994)
Ganio, M., Walton, M., Salvant, J., Williams, J., Lynn, L., Cossairt, O. “Investigating the use of Egyptian blue in Roman Egyptian portraits and panels from Tebtunis, Egypt,” Applied Physics A (2015)
Kirby, J. Spring, M., Higgit, H. “The Technology of Red Lake Pigment Manufacture: Study of the Dyestuff Substraight,” National Gallery Technical Bulletin, Vol. 26 (2005).
Miliani, C. et al. “Blanching of red lake paints in encaustic mummy portraits,” Applied Physics A, published on-line 21 May (2010).
Miliani C., et al. “Acidichromic effects in 1,2-di- and 1,2,4-trihydroxyanthraquinones. A spectrophotometric and fluorimetric study,” Journal of Physical Organic Chemistry 13 pp. 141-150. (2000)
Mouri C., Laursen, R. “Identification of anthraquinone markers for distinguishing Rubia species in madder-dyed textiles by HPLC,” Microchimica Acta 179 pp. 105-113. (2012)
Pagès-Camagna, S.; and Guichard, H., “Egyptian colours and pigments in French collections: 30 years of physicochemical analyses on 300 objects,” Archetype Publications in association with The Fitzwilliam Museum and Icon Archaeology Group (London) pp. 25-31 (2010)
Rodler, A., Artioli, G., Klein, Klein, S., Fink-Jensen, P. & Brøns, C. ”Provenancing Ancient Pigments: Lead Isotope Analyses of the Copper Compound of Egyptian Blue Pigments from Ancient Mediterranean Artefacts”. Journal of Archaeological Science: Reports 16, 1-18. (2017)
Rogers, P.W., Jorgensen, L. B., Rast-Eicher, A. editors The Roman Textile Industry and its influence: A birthday Tribute to John Peter Wild. Oxbow (2001)
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Saunders D., Spring, M. and Higgitt, C., “Colour change in red lead-containing paint films,” ICOM Committee for Conservation, ICOM-CC: 13th Triennial Meeting, Rio de Janeiro, 22-27 September 2002: preprints pp. 455-463 (2002)
Scott, D. A. “Greener shades of pale: a review of advances in the characterization of ancient Egyptian green pigments,” Archetype Publications in association with The Fitzwilliam Museum and Icon Archaeology Group (London) pp. 32-45 (2010)
Scott, D. A., Warmlander, S., Mazurek, J., Quirke, S. “Examination of some pigments, grounds and media from Egyptian cartonnage fragments in the Petrie Museum, University College London.” Journal of Archaeological Science 36 923–932 (2009)
Siddall, R. “Mineral Pigments in Archaeology: Their Analysis and the Range of Available Materials” Minerals 8(5), 201; https://doi.org/10.3390/min8050201 (2018)
Skovmøller, A., Brøns, C., Sargent, M.-L. “Egyptian Blue. Ancient myths, modern realities”. Journal of Roman Archaeology 29.1, 371-387. (2016)
van Bommel, M. et al. “An investigation of organic red pigments used in paintings by Vincent van Gogh (November 1885 to February 1888),” ArtMatters 3 pp. 111-127. (2002)
Walton, M., Trentelman, K. “Romano-Egyptian Red Lead Pigment: A Subsidiary Commodity of Spanish Silver Mining and Refinement,” Archaeometry 51 (2009)
Welcomme, E., Walter, P., Van Elslande, E., Tsoucaris, G. “Investigation of white pigments used as make- up during the Greco-Roman period” Appl. Phys. A 83, 551–556 DOI: 10.1007/s00339-006-3559-3 (2006)
Wouters, J., Grzywacz, C.M., Claro, A. “Markers for Identification of Faded Safflower (Carthamus tinctorius L.) Colorants by HPLC-PDA-MS: Ancient fibres, pigments, paints and cosmetics derived from antique recipes,” Studies in Conservation, Vol. 55, No. 3 pp. 186-203 online: ttps://www.jstor.org/stable/42751714 (2010)
Ancient Painting
Baines, J., “Color Terminology and Color Classification: Ancient Egyptian Color Terminology and Polychromy,” American Anthropologist, New Series, Vol. 87, No. 2. pp. 282-297. (Jun., 1985) http://www.jstor.org/stable/678562
Bazzi, M., “Encaustic painting,” The Artist’s Methods and Materials. John Murray publisher. pp. 155-167. (1960)
Davies, W.V., (editor) Colour and Painting in Ancient Egypt. The British Museum Press. (2001)
Duell, P., “Evidence for Easel Painting in Ancient Egypt,” Tech Studies Field of Fine Arts, Vol. VIII pp. 175-191 (1939/40)
Dunn, J., Roman Era Funerary Portrait Painting (internet: http://www.touregypt.net/featurestories/mportarticle.htm
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Freccero, A., Encausto and Ganosis: Beeswax as Paint and Coating during the Roman Era and its applicability in Modern Art, craft and conservation, Gotenborg Studies and Conservation 9. (2002)
Granzotto, C., Arslanoglu, J., “Revealing the binding medium of a Roman Egyptian painted mummy shroud,” Journal of Cultural Heritage. (2017) https://doi.org/10.1016/j.culher.2017.04.005
Laurie, A.P., Greek and Roman painting Methods: Some comments on the Statements made by Pliny and Vitruvius about Wall and Panel Painting, Cambridge University Press (1910)
Masschelein-Kleiner, L. Ancient Binding Media, Varnishes and Adhesives. ICROM Rome (1985)
Mazurek, J. Svoboda, M., Schilling, M. “GC/MS Binding Media Survey: Beeswax, Oil, Protein, Plant Gum and Resin in Romano-Egyptian Mummy Portraits and Panel Paintings,” Special Issue Advances of Analytical Chemistry in Cultural Heritage, online: https://www.mdpi.com/2571-9408/2/3/119/pdf (2019)
Mazurek, J. Svoboda, M., Maish, J., Kawahara, K., Fukakusa, S., Nakazawa, T., Taniguchi, T. “Characterization of binding media in Egyptian Romano portraits using Enzyme-linked immunosorbant assay and Mass spectrometry,” e-Preservation Science. 11, 76-83 (2014)
Imaging of pigments or portraits
[Book] Conservation and the eastern Mediterranean: contributions to the Istanbul Congress, 20-24 September 2010. Rozeik, C., Roy, A., and Saunders, D. (Editors). International Institute for Conservation of Historic and Artistic Works, London, United Kingdom (2010) Includes: Verri, G., Saunders, D., Ambers, J., and Sweek, T., “Digital mapping of Egyptian blue: conservation implications,” pp. 220-224
Aceto, M., Agostino, A., Fenoglio, G., Idone, A., Gulmini,M., Picollo, M., Ricciardie, P., Delaney, J.K., “Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry” Anal. Methods, 6, 1488 (2014)
Accorsi, G., Verri, G., Bolognesi, M., Armaroli, N., Clementi, C., Miliani, C., Romani, A. "The Exceptional near-Infrared Luminescence Properties of Cuprorivaite (Egyptian Blue)," Chemical Communications 23: 3392-3394. https://doi.org/10.1039/B902563D. (2009)
Aldrovandi, A., Buzzegoli, E., Keller, A., Kunzelman, D. "Investigation of Painted Surfaces with a Reflected Uv False Colour Technique," in Art '05: 8th International Conference on Non-Destructive Investigations and Microanalysis for the Diagnostics and Conservation of the Cultural and Environmental Heritage. Lecce (Italy) ( 2005)
Aur`ele J. L. A., Planken, P.C. M., Meloni, S., and Dik, J., “TeraHertz imaging of hidden paint layers on canvas,” Optical Society of America, Vol. 17, No. 5 (2009)
Comelli, D. Capogrosso, V., Orsenigo, C., and Nevin, A., “Dual wavelength excitation for the time‑resolved photoluminescence imaging of painted ancient Egyptian objects,” Heritage Science 4:21 (2016)
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Cosentino, A. “Infrared technical photography for art examination,” e-Preservation Science. 13, 1-6 (2016)
Cosentino, A. “Identification of pigments by multispectral imaging; a flowchart method,” Heritage Science 2:8 (2014) http://www.heritagesciencejournal.com/content/2/1/8
Cosentino, A. “Photoshop and Multispectral Imaging for Art Documentation,” e-Preservation Science 11, pp. 91-98. (2014) http://www.morana-rtd.com/e-preservationscience/
Cosentino, A. “Practical notes on ultraviolet technical photography for art examination” Associação Profissional de Conservadores-Restauradores de Portugal - Conservar Património 21 53-62 | (2015) - http://revista.arp.org.pt
Daukantas, P., “Cultural Artifacts in Terahertz Light,” Optics & Photonics News. pp. 28-35 (2018)
Delaney, J., Dooley, K., Radpour, R., Kakoulli, I. "Macroscale Multimodal Imaging Reveals Ancient Painting Production Technology and the Vogue in Greco-Roman Egypt," Scientific Reports 7, no. 1 (2017)
Dulce, M., Ruvalcaba-Sil, J., Claes, P., González-González, D. “False Color and Infrared Imaging for the Identification of Pigments in Paintings” Material. Research. Soc. Symp. Proc. Vol. 1618 Materials Research Society DOI: 10.1557/opl.2014.451 (2014)
Dyer, J., Tamburini, D., O’Connell, E.R., Harrison, A. “A multispectral imaging approach integrated into the study of Late Antique textiles from Egypt,” PLoS ONE 13(10), e0204699. doi.org/10.1371/journal.pone.0204699 (2018)
Dyer J., Sotiropoulou, S. “A technical step forward in the integration of visible‑induced luminescence imaging methods for the study of ancient polychromy” Herit Sci 5:24 (2017)
Dyer, J., Verri, G., Cupitt, J., Multispectral Imaging in Reflectance and Photo-induced Luminescence modes: A User Manual Version 1 (Oct. 2013) http://www.britishmuseum.org/pdf/charisma-multispectral-imaging-manual-2013.pdf
Gonzalez, V., Gourier, D., Calligaro, T., Toussaint,K., Wallez, G., Menu, M. Revealing the Origin and “History of Lead-White Pigments by Their Photoluminescence Properties” Anal. Chem. 89, 2909−2918 DOI: 10.1021/acs.analchem.6b04195 (2017)
Verri, G., Saunders, D. “Xenon flash for reflectance and luminescence (multispectral) imaging in cultural heritage applications,” The British Museum Technical Research Bulletin, Volume 8 pp. 83-92 (2014)
Webb, Keats E. “Reflected Infrared and 3D Imaging for Object Documentation” Journal of the American Institute for Conservation, 56:3-4, 211-224, DOI:10.1080/01971360.2017.1359463 (2017) https://doi.org/10.1080/01971360.2017.1359463
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Webb, Keats. E., Summerour, E., Giaccai, J., “A case study using multiband and hyperspectral imaging for the identification and characterization of materials on archaeological Andean painted textiles,” Textile Specialty Group Postprints Volume 24: 23-35 (2014)
Scientific Analysis
Baronti, S., Casini, A., Lotti, F., Porcinai, S. “Multispectral imaging system for the mapping of pigments in works of art by use of principal-component analysis,” Applied Optics 37, 1299 (1998)
Beck., L., Caffy, I., Delqué-Količ1, E., Moreau, C., Dumoulin1, J.P., Perron, M., Guichard, H., Jeammet, V. “Absolute dating of lead carbonates in ancient cosmetics by radiocarbon” Communications Chemistry 1:38 (2018)/s4 2004-018-0034-y Berrie, B. “An Improved Method for Identifying Red Lakes on Art and Historical Artifacts,” PNA, Vol. 106 No. 36 (2009) pp. 15095-15096
Birshtein, V. Ya, Tul'chinskii, V. M. “An investigation and identification of polysaccharides isolated from archeological specimens,” Chemistry of Natural Compounds Volume 12, Issue 1, pp. 12-15 (1976)
Bisulca, C., Picollo, M., Bacci, M., Kunzelman, D. “UV-VIS-NIR Reflectance Spectroscopy of Red Lakes in Paintings,” 9th International Conference on NDT of Art (2008)
Buckley, S.A., Clark, K.A., Evershed, R.P., “Complex organic Chemical balms of Pharaonic animal mummies,” Nature Vol. 431 16. pp. 294-298 (September 2004) Buckley, S.A., Evershed, R.P., “Organic Chemistry of Embalming agents in Pharaonic and Graeco-Roman Mummies,” Nature, Vol. 413, 25. pp. 837-841 (October 2001)
Casadio, Francesca; Leona, Marco; Lombardi, John R.; Van Duyne, Richard, “Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy,” Accounts of Chemical Research 43, No. 6 (June 2010). http://sites.weinberg.northwestern.edu/vanduyne/files/2012/10/2010_Casadio_2.pdf
Clementi, C., et al., “Vibrational and electronic properties of painting lakes,” Applied Physics A 92, 25 (2008).
Colinart, S., and Grappin-Wsevolojsky, S., “Le Cire Punique: Etude critique des recettes antiques et de leur interpretation, application aux portraits de Fayoum,” ICOM committee for Conservation 12th Triennial Meeting, Lyon 29 August – 3, pp. 213-220 (September 1999)
Colombini, M.P. et al., “Characterization of the Balm of an Egyptian Mummy for the Seventh Century B.C.,” Studies in Conservation 45, pp. 19-29 (2000)
Cosentino, A., “FORS Spectral Database of Historical Pigments in Different Binders,” E-Conservation Journal, Issue 2 (2014) pp.53-65
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Delaney, J. K., Walmsley, E., Berrie, B. H., Fletcher, C.F., in Sackler NAS Colloquium, “Scientific Examination of Art: Modern Techniques in Conservation and Analysis,” (Proceedings of the National Academy of Sciences, Washington) pp. 120-136. (2005)
Fischer, C., Kakoulli, I. “Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications,” Reviews in Conservation 7, 3 (2006).
Freccero, A. Fayum Portraits: Documentation and Scientific Analysis of Mummy Portraits Belonging to Nationalmuseum in Stockholm, Acta Universitatis Gothoburgensis (2000)
Kirby, J., White, R. “The Identification of Red lake Pigment Dyestuff and a discussion of their Use,” National Gallery Technical Bulletin 17. Pp. 56-80 (1996)
Koller J. et al, “Analysis of a Pharaonic embalming tar,” Ancient Materials Nature Vol. 425. p. 784 (October 23, 2003)
Koller J. et al, “Embalming was used in Old Kingdom,” Scientific Correspondence Nature 391, 343-344. pp. 343-346 (22 January 1998)
Kühn, H. “Detection and Identification of Waxes, including Punic Wax, by Infra-Red Spectrography,” Studies in Conservation , Vol. 5, No. 2. pp. 71-81. (May, 1960) http://www.jstor.org/stable/1504955
Leona, M., Hoffmann,R., “Microanalysis of Organic Pigments and Glazes in Polychrome Works of Art by Surface-Enhanced Resonance Raman Scattering,” Proceedings of the National Academy of Sciences of the United States of America , Vol. 106, No. 35. pp. 14757-14762 (Sep. 1, 2009) http://www.jstor.org/stable/40484502
Liang, H., “Advances in multispectral and hyperspectral imaging for archaeology and art conservation,” Applied Physics A 106, 309 (2012)
Mazurek, J., Schilling M. “Ancient encaustic: An experimental exploration of technology, ageing behaviour and approaches to analytical investigation” Microchemical Journal 138, pp. 472-487 (2018) https://doi.org/10.1016/j.microc.2018.01.040
Miliani, C. Romani, A. Favaro G., “A spectrophotometric and fluorimetric study of some anthraquinoid and indigoid colorants used in artistic paintings,” Spectrochimica Acta Part A 54 (1998) 581–588
Pelagotti, A., Pezzati, L., Bevilacqua, N., Vascotto, V,, Reillon V., Daffara, C., “A study of UV fluorescence emission of painting materials,” Conference: 8th Int. Conf. on "Non-Destructive Testing and Microanalysis for the Diagnostics and Conservation of the Cultural and Environmental Heritage" (2005)
Pozza, G., Ajò, D., Chiari, G., De Zuane, F., Favaro, M. “Photoluminescence of the inorganic pigments Egyptian blue, Han blue and Han purple,” Journal of Cultural Heritage 1, 393 (2000)
Proefke, M.L., Rinehart, K. “Analysis of an Egyptian mummy resin by mass spectrometry,” Journal of the American Society for Mass Spectrometry, Volume 3, Issue 5 (July 1992)
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Regert, M., Colinart, L., Degrand, L., Decavallas, O., “Chemical Alteration and Use of Beeswax Through Time: Accelerated Ageing Tests and Analysis of Archaeological Samples from Various Environmental Contexts,” Archaeometry 43, 4. Pp. 549-569 (2001)
Romani A. et al., “Portable Equipment for Luminescence Lifetime Measurements on Surfaces,” Applied Spectroscopy 62, 1395 (2008).
Romani, A., Clementi, C., Miliani, C., Favaro, G. “Fluorescence Spectroscopy: A Powerful Technique for the Noninvasive Characterization of Artwork,” Accounts of Chemical Research 43, 837 (2010/06/15).
Salvant, J., Williams, J., Ganio, M., Casadio, F., Daher, C., Sutherland, K., Monico, L., et al. "A Roman Egyptian a Painting Workshop: Technical Investigation of the Portraits from Tebtunis, Egypt," Archaeometry 60, no. 4 (2018)
Stacey, R.J., Dyer J., C. Mussell, C.,A. Lluveras-Tenorio, A., Colombini M.P.,, Duce, C., La Nasa, J.,Cantisani, E., Prati, S., Sciutto, G., Mazzeo, R., Sotiropoulou, S., Rosi, F, Miliani, C, Cartechini, L., J. Mazurek, J., Schilling, M. "Ancient encaustic: An experimental exploration of technology, ageing behaviour and approaches to analytical investigation" Microchemical Journal 138. pp. 472-487 https://doi.org/10.1016/j.microc.2018.01.040 (2018)
Stacey, R.J. “The composition of some Roman medicines: evidence of Pliny’s Punic wax,” Analytical Bioanalytical Chemistry– Online Springer. (June 2011)
Stoll, M., Fengel, D., “Chemical and Structural Studies on Ancient EgyptianLinen,” Berliner Beiträge zur Archäometrie, band 10, pp. 151-172 (1988)
Tobia, S., Sayre, E. An Analytical Comparison of Various Egyptian Soils, Clays,Shales and Some Ancient Pottery by Neutron Activation. Conference: 2. Cairo solid state conference, Cairo, United Arab Republic, (21 Apr 1973)
Vieillescazes, C., Analytical Chemistry applied to Study of ancient resinous materials – University of Avingnon, France ECTN Working Group on Chemistry and Cultural History, (Sept. 2003)
Weser et al., “Analysis of Pharaonic embalming tar,” Nature, Vol. 425 23. pp. 784 (October 2003)
White, R. “The application of gas-chromotography to the identification of Waxes,” Studies in Conservation 23. pp. 57-68 (1978)
Wouters, J. “Possible future Developments in the Analysis of Organic dyes,” Dyes History Archaeology 20. pp. 23-29 (2005)
Wood
Cartwright, C. R. Identification of wood samples for Davies, W.V. “Ancient Egyptian timber imports; an analysis of wooden coffins in the British Museum,” W. Vivian Davies & Louise Schofield (eds.) Egypt, the Aegean and the Levant. Interconnections in the Second Millennium BC British Museum Press, London. pp. 146-156. (1995)
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Cartwright, C.R. “Egyptian mummy portraits: examining the woodworkers’ craft,” Portraits and Masks. Burial Customs in Roman Egypt. M. Bierbrier (ed.) British Museum Press, London. pp. 106-111 (1997a)
Cartwright, C.R. “Wood identifications,” Ancient Faces: Mummy Portraits from Roman Egypt Walker, S., & Bierbrier M. (ed.) British Museum Press, London (1997b)
Cartwright, C.R. ‘The Bronze Age wooden tomb furniture from Jericho; the microscopical reconstruction of a distinctive carpentry tradition,” Palestine Exploration Quarterly 137. pp. 99–138 (2005)
Cartwright, C.R. & Middleton, A.P. “Piecing together ancient Egypt,” British Museum Magazine 33. pp. 25-26 (1999)
Cartwright, C.R. & Middleton, A.P. “Scientific aspects of ancient faces: mummy portraits from Egypt,” British Museum Technical Research Bulletin 2. pp. 59-66 (2008)
Cartwright, C.R., “The principles, procedures and pitfalls in identifying archaeological and historical wood samples,” Annals of Botany 116 (1). pp. 1-13. (2015) http://aob.oxfordjournals.org/content/116/1/1.full.pdf+html?sid=4f94de01-bdf1-4496-947b- c9d35981f8da
Gale, R. & Cutler, D. Plants in archaeology, Westbury Publishing, London and Royal Botanic Gardens, Kew (2000)
Gale, R., Gasson, P., Hepper, F.N. & Killen, G. “Wood,” Ancient Egyptian Materials and Technology, ed. P.T. Nicholson and I. Shaw, Cambridge University Press, Cambridge. pp. 334–371. (2000)
Meiggs, Russell, Tree and Timber in the Ancient Mediterranean World, Clarendon Press, Oxford (1982)
Schweingruber, F.H. Anatomy of European woods, Verlag Paul Haupt, Bern (1990)
Wheeler, E.A., Pearson, R.G., LaPasha, C.A., Zack, T. & Hatley, W. Computer-aided wood identification, North Carolina Agriculture Research Service Bulletin 474 (1986)
Wheeler, E.A., Baas, P. & Gasson, P.E. “IAWA list of microscopic features for hardwood identification,” IAWA Bulletin 10. pp. 219–332 (1989)
Technology
Forbes, R.J., Studies in Ancient Technology, Vol. IV, E.J. Brill (linen) (1987)
Lucas, A., Ancient Egyptian Materials and Industries, Fourth Edition revised, Histories & Mysteries of Man LTD., London, England (1989)
Nicholson and Shaw (editors), Ancient Egyptian Materials and Technologies, Cambridge University Press (2000)
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Conservation Related
Jaeschke, R., Jaeschke, H. “The cleaning and consolidation of Egyptian Encaustic Mummy Portraits,” IIC Cleaning, Retouching and Coatings Preprints. pp. 16-18 (Sept. 1990)
Martin, M., Reisman, S. “The Surface and Structural Treatment of a Fayum Portrait,” Conservation of Wood and Painting and Decorative Arts IIC Preprints. pp. 191-198 (1978)
Newman, N., Harrison, L., Thomas, D., Dyer, J., Taylor, J. “A Study and Conservation of Four Ancient Egyptian Funerary Portraits: Provenance, Conservation History and Structural Treatment,” The British Museum Technical Research Bulletin 7, (2013)
Ramer, B. “The technology, examination and conservation of the Fayum portraits in the Petrie Museum,” Studies in Conservation 24. pp. 1-13 (1979)
Sack, S.P., Tahk, C., Peters jr. T., “A Technical Examination of an Ancient Egyptian Painting on Canvas,” Studies in Conservation 26. pp. 15-23 (1981)
Scott, D.A., Dennis, M., Khandekar, N., Joy Keeney, J., Carson, D., and Swartz Dodd, L. “An Egyptian Cartonnage of the Graeco-Roman Period: Examination and Discoveries,” Studies in Conservation, Vol. 48, No. 1. pp. 41-56. (2003) http://www.jstor.org/stable/1506822
Collection and History
Fredrik H., Ryholt K. The Antiquities Trade in Egypt 1880-1930, The H. O. Lange Papers. Copenhagen: Royal Danish Academy of Sciences and Letters. (2016)
Video or other related information
Barrett, S., Ted Talk: TedxCulverCity, August 18, 2013 http://www.youtube.com/watch?v=bpKEKIsU6Gc
Barber, E., Prehistoric Textiles: The development of Cloth in the Neolithic and Bronze Ages. Princeton University Press (1990)
Harlow, M., Nosch, M.L. Greek and Roman Textiles and Dress: An interdisciplinary anthology, Oxbow press (2014)
MCFadden, S., “Art on the Edge: The Late Roman Wall Painting of Amheida, Egypt.” In Antike Malerei zwischen Lokalstil und Zeitstil. Akten des XI. Int. Kolloquiums der AIPMA, 13.-17. September 2010 in Ephesos, N. Zimmerman (ed). Wien, pp. 359-370 (2014)
Pearson, S. Egyptian Airs: The Life of Luxury in Roman Wall Painting. UC Berkeley. ProQuest ID: Pearson_berkeley_0028E_15523. Merritt ID: ark:/13030/m5tt7vht. Retrieved from https://escholarship.org/uc/item/52z8k203 (2015).
Pushkin Museum – Restoration of a Roman Shroud II-nd c. AD. from the Collection of The Pushkin State Museum of Fine Arts. http://www.museumconservation.ru/data/specprojects/shroud/en/index.html
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Ribechini, E., Orsini, S., Silvano, F., Colombini, M.P. Py-GC/MS, GC/MS and FTIR investigations on LATE Roman-Egyptian adhesives from opus sectile: New insights into ancient recipes and technologies. Analytica Chimica Acta 638. pp. 79–87 (2009)
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