A Visual Semiotic Analysis on Webtoon Sweet Home
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UC San Diego UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title Romancing race and gender : intermarriage and the making of a 'modern subjectivity' in colonial Korea, 1910-1945 Permalink https://escholarship.org/uc/item/9qf7j1gq Author Kim, Su Yun Publication Date 2009 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Romancing Race and Gender: Intermarriage and the Making of a ‘Modern Subjectivity’ in Colonial Korea, 1910-1945 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Su Yun Kim Committee in charge: Professor Lisa Yoneyama, Chair Professor Takashi Fujitani Professor Jin-kyung Lee Professor Lisa Lowe Professor Yingjin Zhang 2009 Copyright Su Yun Kim, 2009 All rights reserved The Dissertation of Su Yun Kim is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2009 iii TABLE OF CONTENTS Signature Page…………………………………………………………………...……… iii Table of Contents………………………………………………………………………... iv List of Figures ……………………………………………….……………………...……. v List of Tables …………………………………….……………….………………...…... vi Preface …………………………………………….…………………………..……….. vii Acknowledgements …………………………….……………………………..………. viii Vita ………………………………………..……………………………………….……. xi Abstract…………………………………………………………………………………. xii INTRODUCTION: Coupling Colonizer and Colonized……………….………….…….. 1 CHAPTER 1: Promotion of -
Media/Entertainment Rise of Webtoons Presents Opportunities in Content Providers
Media/Entertainment Rise of webtoons presents opportunities in content providers The rise of webtoons Overweight (Maintain) Webtoons are emerging as a profitable new content format, just as video and music streaming services have in the past. In 2015, webtoons were successfull y monetized in Korea and Japan by NAVER (035420 KS/Buy/TP: W241,000/CP: W166,500) and Kakao Industry Report (035720 KS/Buy/TP: W243,000/CP: W158,000). In late 2018, webtoon user number s April 9, 2020 began to grow in the US and Southeast Asia, following global monetization. This year, NAVER Webtoon’s entry into Europe, combined with growing content consumption due to COVID-19 and the success of several webtoon-based dramas, has led to increasing opportunities for Korean webtoon companies. Based on Google Trends Mirae Asset Daewoo Co., Ltd. data, interest in webtoons is hitting all-time highs across major regions. [Media ] Korea is the global leader in webtoons; Market outlook appears bullish Jeong -yeob Park Korea is the birthplace of webtoons. Over the past two decades, Korea’s webtoon +822 -3774 -1652 industry has created sophisticated platforms and content, making it well-positioned for [email protected] growth in both price and volume. 1) Notably, the domestic webtoon industry adopted a partial monetization model, which is better suited to webtoons than monthly subscriptions and ads and has more upside potent ial in transaction volume. 2) The industry also has a well-established content ecosystem that centers on platforms. We believe average revenue per paying user (ARPPU), which is currently around W3,000, can rise to over W10,000 (similar to that of music and video streaming services) upon full monetization. -
Sweet Home Alabama's Reese Witherspoon Talks About
COVER 8/9/02 1:56 PM Page x2 canada’s #1 movie magazine in canada’s #1 theatres 3/C B G september 2002 | volume 3 | number 9 R 100 2 5 25 50 75 95 98 100 2 5 25 50 75 95 98 ABANDON’S BENJAMIN BRATT MOVES ON * SPOTLIGHT ON: JAMES FRANCO 100 2 5 25 50 75 95 98 & KATE HUDSON * FALL FASHION WITH JEANNE BEKER Sweet Home Alabama’s Reese Witherspoon talks about finding success on and off the screen 100 2 5 25 50 75 95 98 $3.00 SALMA HAYEK AND GILLIAN ANDERSON FANTASIZE ABOUT SCREENMATES PL2060_Famous_Reason1.qxd 8/12/02 3:43 PM Page 1 Reason #1: The price. Now only $299* *MSRP. "PlayStation" and the "PS" Family logo are registered trademarks of Sony Computer Entertainment Inc. Horizontal stand not included. 716860-SK 1pg Ad pre-street 8/12/02 11:52 AM Page 1 as this year’s biggest, extreme, non-stop action event. Featuring WWF sensation, “THE ROCK”. The Scorpion King takes you on an extreme adventure featuring mind-blowing action sequences and larger than life battles. You will be fighting to own this intense DVD or Video that continues the epic Mummy series! • Extended Version in Enhanced Viewing Mode VHS A unique opportunity to see alternate versions of key scenes in the movie $ 25.95 DVD • Live Footage from “The Rock’s” Feature Commentary S.R.P. $34.95 • Outtakes and Alternate Versions of Key Scenes S.R.P. • The Fight Scenes The process of shooting a fight sequence • Universal Studios Total Axess Revolutionary DVD-ROM experience that contains exclusive added value and behind-the-scenes footage • Godsmack Music Video “I Stand Alone” CD Soundtrack featuring 3 new “live” songs by multi-platinum artists GODSMACK, plus other hits by: • P.O.D. -
Studio Dragon (253450 KS)
Company Report Jan 15, 2021 Studio Dragon (253450 KS) Media/entertainment To continue focusing on webtoon IP in 2021 Webtoon adaptation “Sweet Home” enjoys huge global success In 2020, Studio Dragon produced a total of 28 dramas (captive 24, terrestrial TV 2, Netflix Originals 2). Among these, five dramas were based on webtoon IP (“Memorist,” “Rugal,” “The Uncanny Counter,” “True Beauty,” and “Sweet Home”). Netflix original series “Sweet Home” was co-produced by Naver Webtoon’s subsidiary, Studio N, with Studio Dragon’s Lee Eung-bok as director. It is a blockbuster drama that cost W30bn (W3bn per episode) to make. Sweet Home was launched on Netflix on Dec 18, 2020, and was the third-ranked show on Netflix in the 52nd week of 2020. This is the best ever performance by a Korean drama on Netflix, which we attribute to the overseas Rating BUY (M) popularity of the original webtoon on Naver Webtoon, coupled with unique elements and an engaging story. Production of Sweet Home season 2 has yet to be decided, but Target price W115,000 (M) expectations for additional seasons are high given the huge popularity of the first season. Current price (Jan 4) W94,500 Enhanced cooperation with Naver Upside potential 22% Naver acquired a 6.3% stake in Studio Dragon through a share swap deal with CJ Corp affiliates in Oct~Nov 2020, while Studio Dragon acquired a 0.3% stake in Naver. The share Market cap (Wbn) 2,835 swap between two will likely lead to: 1) increased premium content production of Naver Shares outstanding 30,004,345 Webtoon’s IP; 2) digital content production; and 3) cooperation in production and distribution Avg daily T/O (2M, Wbn) 21 of global dramas. -
Multimedia Reviews.8
Page 143 MULTIMEDIA REVIEWS Glossary: Nintendo DS: latest handheld Nintendo game system. It has a secondary touch screen, adding a greater interactive gaming experience. Survival Horror: Video games where your only mission is to survive. Slowdown: Occurs during game play, when too many things occur on screen at one time, resulting in the graphics slowing down or jumping. FMV: ‘Full Motion Video’ – a video sequence you watch rather than play, often used to advance the plot. NPC: ‘NonPlayable Character’ – any characters that are controlled by the computer rather than the player. Survival Horror: The Good, the Bad and the Zombie Eoin Murphy What differentiates video games from movies is that they do away with the barrier placed between the participant and the action depicted onscreen. In other words, a video game puts the player squarely in the midst of the story. Your choices, rather than those of the author or director decide what happens next, whether you live to fight on to another level or end up as a mindless zombie scrabbling for brain matter. This article is intended to welcome the noninitiated to the world of horror games and give you a taste of what’s been missing in your life. The taste of raw human flesh… Horror games have been around for almost as long as games consoles. The original of these games was Sweet Home, produced for the Famicon, the Japanese name for the Nintendo Entertainment System. The game tells the story of five people going to the mansion of dead artist Manyimas to take photos of her frescos. -
Growth Strategy
Investor Relations 2020 December 2020 Disclaimer This financial information in this document are consolidated earnings results based on K-IFRS. This document is provided for the convenience of investors only, before the external audit on our 3Q 2020 financial results is completed. The audit outcomes may cause some parts of this document to change. In addition, this document contains “forward-looking statements” – that is, statements related to future, not past, events. In this context, “forward-looking statements” often address our expected future business and financial performance, and often contain words such as “expects”, “anticipates”, “intends”, “plans”, “believes”, “seeks” or “will”. Our actual results to be materially different from those expressed in this document due to uncertainties. Investor Relations 2020 TABLE OF CONTENTS I Studio Dragon at a Glance II 3Q 2020 Earnings Release III Growth Strategy Appendix I Studio Dragon at a Glance 1. Highlights 2. Comprehensive Studio 3. Studio Dragon at a Glance 4. Studio Centered Industry Change 5. No.1 Studio in Korea We Create New Culture 1 Highlights (1) (1) (1) (2) PRODUCTION REVENUE GROWTH OVERSEAS REVENUE CREATORS 28titles 23% 34% 230People +4.1%P +45.5% +51.4% +72People +42Titles 46.8 230 166 160.4 14.4 42.7 124 110.2 158 9.5 2018 2019 2018 2019 2018 2019 2018 3Q20 2018 3Q20 Sales Proportion Overseas Revenue Non-captive Revenue No. of Creators Library Sales (%) (Wbn) (Wbn) (people) (titles) Note (1) As of 2019, (2) As of 3Q 2020 5 | Investor Relations 2020 – I. Studio Dragon at a Glance We Create New Culture I.2 Comprehensive Studio 6 | Investor Relations 2020 – I. -
Trauma Recovery in Toni Morrison's Beloved and the Bluest
The University of Akron IdeaExchange@UAkron The Dr. Gary B. and Pamela S. Williams Honors Honors Research Projects College Spring 2016 As If We Were Alive - Trauma Recovery in Toni Morrison's Beloved and The luesB t Eye Eric D. McDonnell Jr The University of Akron, [email protected] Please take a moment to share how this work helps you through this survey. Your feedback will be important as we plan further development of our repository. Follow this and additional works at: http://ideaexchange.uakron.edu/honors_research_projects Part of the Literature in English, North America Commons Recommended Citation McDonnell, Eric D. Jr, "As If We Were Alive - Trauma Recovery in Toni Morrison's Beloved and The lueB st Eye" (2016). Honors Research Projects. 355. http://ideaexchange.uakron.edu/honors_research_projects/355 This Honors Research Project is brought to you for free and open access by The Dr. Gary B. and Pamela S. Williams Honors College at IdeaExchange@UAkron, the institutional repository of The nivU ersity of Akron in Akron, Ohio, USA. It has been accepted for inclusion in Honors Research Projects by an authorized administrator of IdeaExchange@UAkron. For more information, please contact [email protected], [email protected]. McDonnell 1 Eric McDonnell Dr Bolton Senior Honors Project 14 March 2016 As If We Were Alive - Recovery from Trauma in Toni Morrison's Beloved and The Bluest Eye It is impossible to remain neutral in this conflict. The bystander is forced to take sides. It is very tempting to take the side of the perpetrator. All the perpetrator asks is that the bystander do nothing …. -
Webtoons and Dramas: Strengthening Growth Profile
[Korea] January 18, 2021 Media/Entertainment (Overweight/Maintain) Webtoons and dramas: Strengthening growth profile Mirae Asset Daewoo Co., Ltd. Jeong -yeob Park [email protected] The p ower of K -content Global market share of K -content to expand on the back of strong brand identity Korea has emerged as a cultural powerhouse, winning Academy Awards and topping Billboard charts. A strong brand identity has grown around K-content, aided by Korea’s economic development and success in films/music/webtoons/dramas. In the webtoon space, high-quality platforms have expanded their global footprint and helped to increase the overall market size, partly driven by the appeal of the format itself. Competition among global OTT players has fueled spending on drama content, leading to an increase in deals for production companies. Korean players are poised to Directly benefiting from market expansion amid growing popularity of K -content benefit K-content, once thought of as “niche” or “Asia-oriented,” has expanded its reach to global audiences. Korean players have: 1) raised their profiles as video/music content pr oviders; and 2) secured an early lead across the webtoon value chain (platforms and content providers). Simply put, once-small players have grown into formidable content providers and platform operators. We expect the webtoon and drama markets to cont inue to expand for quite some time, backed by: 1) the unique characteristics of each market; and 2) synergies between the two markets. Webtoons: Webtoons have quickly taken hold as a distinct mobile-based market (separate from paper comics). We expect user inflow to accelerate, spurred by the success of adaptations. -
Studio Dragon(253450)
Studio Dragon (253450) Growth momentum remains intact • Studio Dragon reported 4Q operating profit of KRW4.6b, turning to profit y-y but missing consensus due to: 1) additional production cost to Sweet Home; and 2) the year-end bonus payment. Sales topped consensus. • The firm should produce 30 dramas this year, at least nine of which should be provided to domestic and global OTT platforms. • Its growth momentum should gain ground, supported by its: 1) diversification of sales channels, formats and genres; and 2) collaboration with multinational players. WHAT’S THE STORY? 4Q review: Studio Dragon reported 4Q sales of KRW137.7b (up 41.3% y-y) and operating profit of KRW4.6b (a y-y turn from an operating loss of KRW4b in 4Q19), the former topping and the latter missing consensus. Programing sales contracted y-y as the number of dramas produced was 1.5 less than its average, but distribution sales hit a record based on sales of The Uncanny Counter (that received good feedback), Netflix original Sweet Home, and old title sales. Nonetheless, operating profit was a bit disappointing due to: 1) additional investment during the post-production stage of Sweet Home to improve content quality; and 2) the year-end bonus payment. Global conference adds to bargaining power: The company should produce 30 dramas this year (up three y-y), at least nine of which should be provided to OTT platforms-three, each, to Tving (Korea; including Yumi's Cells), Netflix (US; g Juvenile Judgment and Love Alarm Season II), and iQIYI (China; A Falling Cohabitation).