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Impact Report IMPACT REPORT 2019 TCG NATIONAL CONFERENCE IMPACT REPORT 1 Called the “Magic City” after its population exploded in the 20th century , Miami’s true constant has always been change. From the 1960s to the 1990s, the city’s population grew from just 10% residents of color to almost 90%, and by 2000 nearly 60% were immigrants. Today, Miami remains the third largest immigration port city in the U.S. With such ballooning diversity comes an abundance of creative expression. The city’s pulpy, “Miami Vice” style exterior belies its cultural complexity; in truth, it’s always shifting, and its artists, storytellers, and cultural leaders are there to capture it all. From June 5–7, 2019, TCG convened almost 900 theatre practitioners from across the U.S. and beyond our borders at the InterContinental Hotel in downtown Miami, each one looking to manage their own relationship to ever-present change. Against the backdrop of Miami’s plurality of global cultures and artistic disciplines, we focused intently on three programmatic areas: Audience and Community Engagement as part of our continuing Audience (R)Evolution initiative funded by the Doris Duke Charitable Foundation; Well-being and Wellness; and Theatre Journalism, with the support of the John S. and James L. Knight Foundation. As part of and in parallel to these areas, we addressed our field’s most pressing issues in our many professional development sessions, all while nurturing its growing commitment to equity, diversity, and inclusion. Pre- and Post-Conferences convened university leaders, education staff, and producers of theatre for young audiences to discuss our field’s dedication to and support of the incoming generations of theatre-makers and -goers. Our Conference community was enchanted by the magic of Miami through “field trip” walking tours, off-site festivities and dine-arounds, and on-site performances. We piloted new experiences in our WellSpace and XR Experience spaces, and we featured our first ever Conference Artist-in-Residence and Climate Committee. We engaged with international artists, renowned authors and critics, and local economists to grapple with our own true constant: the challenge of adapting and sustaining our organizations and our work in times of great change. “The future of our country is already here in Miami,” said Teresa Eyring from the plenary stage on opening night. Director of the Miami-Dade County Department of Cultural Affairs Michael Spring confirmed her remarks, when he noted that Miami’s theatre scene is “tactile, immersive, and…performed in more languages than one.” In a nation whose demographics are rapidly shifting, and a field whose leadership is undergoing a large-scale transition, we have a lot to learn from this adaptable, dynamic, “Magic City.” We are grateful to those who joined TCG on that journey of learning, and to our host community for embracing us with open arms. Gracias por darnos la bienvenida! Teresa Eyring Adrian Budhu Devon Berkshire Hannah Fenlon Executive Director/ Deputy Director/ Director of Conferences Associate Director Chief Executive Officer Chief Operating Officer & Fieldwide Learning of Conferences & Fieldwide Learning www.tcg.org www.facebook.com/tcg.org www.instagram.com/tcg_gram https://twitter.com/TCG 2 PHOTOS PHOTOS © JENNY © JENNY GRAHAM GRAHAM 2019 TCG NATIONAL CONFERENCE IMPACT REPORT 1 The 2019 TCG National Conference was supported locally by 34 Host Committee Members from 20 organizations, including: CO-CHAIRS Beth Boone, Artistic & Executive Director, Miami Light Project Michel Hausmann, Artistic Director, Miami New Drama Joe Adler, Producing Artistic Director, Gable Stage #TCG19 IN NUMBERS Constanza Aguado, Program Coordinator, Teatro Prometeo Christina Alexander, Executive Director, Voices United Rommel Arellan-Marinas, Production Manager, Fantasy Theatre Factory at the Sandrell Rivers Theater Andie Arthur, Executive Director, South Florida Theatre League Tanya Bravo, Executive Director, Juggerknot Theatre Company OVER120 200 Ever Chavez, Founder and Executive Director, FundArte TOTAL SESSIONS SPEAKERS Joseph Cloud, Artistic Programs Manager, YoungArts Elizabeth Doud, FundArte 40 BREAKOUT SESSIONS Kathryn Garcia, Executive Director, MDC Live Arts including IDENTITY-BASED AFFINITY GROUPS Edgar Garcia, Artistic Director, Teatro Prometeo 884 Rudi Goblen, Individual Artist 20 PROFESSIONAL AFFINITY Andrew Goldberg, VP, Marketing, Adrienne Arsht Center GROUPS including ARTISTIC and REGISTRANTS MANAGING LEADERS SUMMITS 351 FIRST-TIME ATTENDEES Olga Granda, Executive Director, Miami New Drama Giselle Kovac, Executive Director, Miami Theater Center 18 TREND WORKSHOPS 175 TCG MEMBER THEATRES Bruce Leslie, Executive Director, City Theatre offering solutions from SPONSORS REPRESENTED and EXHIBITORS 88 TCG INDIVIDUAL MEMBERS Margaret M. Ledford, Artistic Director, City Theatre 10 WELLSPACE ACTIVATIONS 74 TCG BUSINESS AFFILIATES Dr. Lillian Manzor, Associate Professor and Chair, Modern Languages and Literatures, University of Miami; Founding Director, Cuban Theater Digital Archive 8 SKILLS-BUILDING WORKSHOPS Ignacio Moralejo Ledo, Director, Centro Cultural Español 7 OPEN SPACE SESSIONS Matt Nielson, Senior Director of Operations and Campus Planning, YoungArts 5 MIAMI FIELD TRIPS 62 Carmen Pelaez, Playwright 5 TCG LABS SCHOLARSHIPS Adriana Perez, Project Administrator, Miami Dade Department of Cultural Affairs Shirley Richardson, Co-Founder & Executive Director, The M Ensemble 4 PLENARY SESSIONS & SUBSIDIES Nick Richberg, Individual Artist 2 FEATURED PERFORMANCES WERE AWARDED TO ATTENDEES KenYatta DeShazior, Technical Director, Fantasy Theatre Factory at the Sandrell Rivers Theater Victoria Row Traster, Education Director, Miami Theater Center Our Conference Livestream (via our partners at HowlRound) had 2,977 Juan Sanchez, Playwright Betty Shamieh, Playwright Total Live Views; and was viewed in 26 countries and 36 U.S. states! Claire Trager, Artistic Programs Manager, YoungArts #TCG19 posted 186 times on Instagram Susan Westfall, Founder/Literary Director, City Theatre Michael Yawney, Individual Artist 2 PHOTO © JENNY GRAHAM 2019 TCG NATIONAL CONFERENCE IMPACT REPORT 3 OPENING PLENARY SPONSORED BY MORNING PLENARY SPONSORED BY KEYNOTE SPEAKER Edwidge Danticat, Author “ I find a play to be a kind of magnificent dream. One that pulls us out of our lives Wesley Morris, Critic-at-Large, The New York Times IN CONVERSATION WITH Todd London, and into a powerful experience, then makes that experience our own. Great theatre Director of Theatre Relations, Dramatists Guild can open us up to feelings we have not considered before.” —Edwidge Danticat “ I just don’t have an interest in being ‘the most right’. Your play is not mine, it does not belong to me. If anything, when I’m writing about a work, I’m writing about what this thing WITH THE Local Funder Award PRESENTED TO that belongs to someone else means to me.” —Wesley Morris Miami-Dade County Department of Cultural Affairs “ [Miami’s theatre scene is] tactile, immersive, and... performed in more languages than one.” WITH THE Theatre Practitioner Award PRESENTED TO Lee Breuer, playwright, director, —Michael Spring, director of the Miami-Dade County Department of Cultural Affairs and founding co-artistic director of Mabou Mines Theater Company “ Loved hearing Wesley talk. So entertaining and passionate. I could listen to him talk “ Hearing from Edwidge Danticat was lovely, as a voice of the Miami community, about clothing in sports all day—not because I care about it at all, but because his passion and as an inspirational artist and storyteller.” is so infectious and it makes me want to care and learn more.” —Kati Koerner, Hiltz Director of Education, Lincoln Center Theater —Kristina Erwin, Assistant Director of Marketing, Olney Theatre Center 4 PHOTOS © JENNY GRAHAM PHOTOS © JENNY GRAHAM 2019 TCG NATIONAL CONFERENCE IMPACT REPORT 5 PERFORMANCE PLENARY SPONSORED BY CLOSING PLENARY SPONSORED BY On Thursday afternoon, Artist-in-Residence Xavier Cortada, joined by a group of 24 Conference attendees, illuminated our global climate crisis through the powerful and interactive Longitudinal Installation, inviting the audience to speak aloud the ways in which climate change is impacting their lives. Quiara Alegría Hudes, Playwright IN CONVERSATION WITH Gabriela Sanchez, Founder and Managing Director, Power Street Theatre Company “ There are artists in this room—there are agents of change who through culture AT THE Adrienne Arsht Center for the Performing Arts Knight Concert Hall will see us through.”—Xavier Cortada, Conference Artist-In-Residence “ Playwrights are job creators, and I try to hold myself accountable for what roles The afternoon plenary also featured The Combat Hippies (led by Miami Honorary Host Committee member I create and how I fill them.” —Quiara Alegría Hudes on equitable casting practices Teo Castellanos), a video of highlights from Juggerknot Theatre Company’s Miami Motel Stories, and a thunderous excerpt from Viva La Parranda!, a music-driven piece created by and about an Afro-Caribbean and the Latinx Casting Manifesto folkloric ensemble led by Betsayda Machado, from the small Venezuelan village of El Clavo, recently Visionary Leadership Award PRESENTED TO Emily Mann, McCarter Theatre Center commissioned by and presented at Miami New Drama. Peter Zeisler Memorial Award PRESENTED TO Bishop Arts Theatre Center, accepted by founder and executive director Teresa Coleman Wash “ So many light bulb moments. I teared up when I heard so many audience members talk
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