"Pantun Sunda"*
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W. Van Zanten the Poetry of Tembang Sunda In: Bijdragen Tot De Taal
W. van Zanten The poetry of tembang Sunda In: Bijdragen tot de Taal-, Land- en Volkenkunde 140 (1984), no: 2/3, Leiden, 289-316 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com10/06/2021 12:11:56PM via free access WIM VAN ZANTEN THE POETRY OF TEMBANG SUNDA Introduction Tembang Sunda is an embellished kind of singing, accompanied by a few instruments, in West Java. It is usually solo singing, in which soloists may alternate, each singing one or two stanzas. The accompaniment is pro- vided by a large zither (kacapi indung), a flute (suling), a small zither {kacapi rincik), and a two-stringed spiked fiddle (rebab). Sometimes other instruments are used for the accompaniment. Tembang Sunda, 'Sundanese tembang', is therefore not the same as the purely vocal form, called tembang or tembang macapat by the Javanese and beluk or macapat by the Sundanese. 'Tembang Sunda' is now more generally used than the term 'Cianjuran' (after the regency of Cianjur) which used to indicate this type of embellished singing. In 1962 it was decided at a meeting on the subject to promote the name 'Tembang Sunda' (Wirat- madja 1964:107). This name has the advantage of avoiding misunder- standing about the restriction of this kind of embellished singing to one particular Sundanese area: the Cianjuran style of singing nowadays is common in all the different areas of West Java. On the other hand, the new term is likely to create confusion, as some people tend to refer to many other types of Sundanese vocal music as 'Tembang Sunda'. -
BAB V PENUTUP 5.1 Kesimpulan Kerajaan Pakuan Pajajaran Merupakan Kerajaan Hindu-Budha Terbesar Ke 2 Dan Merupakan Tandingan Dari
BAB V PENUTUP 5.1 Kesimpulan Kerajaan Pakuan Pajajaran merupakan Kerajaan Hindu-Budha terbesar ke 2 dan merupakan tandingan dari Kerajaan Majapahit dan mempunyai dampak positif yaitu membuka jalur perdagangan melalui Pelabuhan Sunda Kelapa di Jakarta. Namun karena minim-nya data mengenai Kerajaan Pakuan Pajajaran membuat Kerajaan ini terlupakan dan kurang dikenal. Remaja sendiri pun lebih mengenal Kerajaan-kerajaan yang lebih terkenal seperti Kerajaan Majapahit, Sriwijaya, Banten, dan Kerajaan lain yang sudah sangat dikenal baik oleh masyarakat Indonesia. Kurang nya media yang mengenalkan tentang Kerajaan Pakuan Pajajaran merupakan salah satu faktornya. Berdasarkan masalah ini penulis ingin mengambil tema Kerajaan Pakuan Pajajaran pada saat Raja Sri Baduga Maharaja memerintah yaitu pada saat masa kejayaan dan perkembangan Kerajaan Pakuan Pajajaran untuk memperkenalkan kepada remaja bahwa Kerajaan yang hebat bukan hanya Kerajaan Majapahit. Penulis ingin mengenalkan masa kejayaan Kerajaan Pakuan Pajajaran dengan media board game yang mengilustrasikan masa-masa kejayaan Raja Sri Baduga Maharaja sebagai tokoh yang membuat Kerajaan Pakuan Pajajaran berkembang sehingga remaja tidak sulit untuk mencerna informasi mengenai sejarah Kerajaan ini. Salah satu faktor didesain menjadi board game adalah agar dapat menjadi media alternatif pembelajaran sejarah yang lebih menyenangkan dan menarik untuk dilihat. Penulis ingin mengajak remaja-remaja Indonesia untuk lebih mengetahui dan mendalami Kerajaan di Indonesia, karena Kerajaan di Indonesia tidak kalah hebat dengan Kerajaan-kerajaan diluar sana serta ingin menunjukkan bahwa masih banyak Kerajaan yang belum dikenal baik oleh masyarakat Indonesia. Oleh karena itu penulis ingin mengajak para remaja untuk mengenali Kerajaan yang lain sehingga Kerajaan-kerajaan Hindu-Budha Universitas Kristen Maranatha 72 dapat dilestarikan, dikenal tidak hanya oleh dalam negeri namun juga luar negeri sehingga dapat membawa nama baik untuk Indonesia. -
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J. Noorduyn Bujangga Maniks journeys through Java; topographical data from an old Sundanese source In: Bijdragen tot de Taal-, Land- en Volkenkunde 138 (1982), no: 4, Leiden, 413-442 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com09/30/2021 08:56:21AM via free access J. NOORDUYN BUJANGGA MANIK'S JOURNEYS THROUGH JAVA: TOPOGRAPHICAL DATA FROM AN OLD SUNDANESE SOURCE One of the precious remnants of Old Sundanese literature is the story of Bujangga Manik as it is told in octosyllabic lines — the metrical form of Old Sundanese narrative poetry — in a palm-leaf MS kept in the Bodleian Library in Oxford since 1627 or 1629 (MS Jav. b. 3 (R), cf. Noorduyn 1968:460, Ricklefs/Voorhoeve 1977:181). The hero of the story is a Hindu-Sundanese hermit, who, though a prince (tohaari) at the court of Pakuan (which was located near present-day Bogor in western Java), preferred to live the life of a man of religion. As a hermit he made two journeys from Pakuan to central and eastern Java and back, the second including a visit to Bali, and after his return lived in various places in the Sundanese area until the end of his life. A considerable part of the text is devoted to a detailed description of the first and the last stretch of the first journey, i.e. from Pakuan to Brëbës and from Kalapa (now: Jakarta) to Pakuan (about 125 lines out of the total of 1641 lines of the incomplete MS), and to the whole of the second journey (about 550 lines). -
Ethnic Chinese Film Producers in Pre-Independence Cinema Charlotte SETIJADI Singapore Management University, [email protected]
CORE Metadata, citation and similar papers at core.ac.uk Provided by Institutional Knowledge at Singapore Management University Singapore Management University Institutional Knowledge at Singapore Management University Research Collection School of Social Sciences School of Social Sciences 9-2010 Imagining “Indonesia”: Ethnic Chinese film producers in pre-independence cinema Charlotte SETIJADI Singapore Management University, [email protected] Thomas BARKER National University of Singapore DOI: https://doi.org/10.1386/ac.21.2.25_1 Follow this and additional works at: https://ink.library.smu.edu.sg/soss_research Part of the Asian Studies Commons, and the Film and Media Studies Commons Citation SETIJADI, Charlotte, & BARKER, Thomas.(2010). Imagining “Indonesia”: Ethnic Chinese film producers in pre-independence cinema. Asian Cinema, 21(2), 25-47. Available at: https://ink.library.smu.edu.sg/soss_research/2784 This Journal Article is brought to you for free and open access by the School of Social Sciences at Institutional Knowledge at Singapore Management University. It has been accepted for inclusion in Research Collection School of Social Sciences by an authorized administrator of Institutional Knowledge at Singapore Management University. For more information, please email [email protected]. Asian Cinema, Volume 21, Number 2, September 2010, pp. 25-47(23) DOI: https://doi.org/10.1386/ac.21.2.25_1 25 Imagining “Indonesia”: Ethnic Chinese Film Producers in Pre-Independence Cinema Charlotte Setijadi-Dunn and Thomas Barker Introduction – Darah dan Doa as the Beginning of Film Nasional? In his 2009 historical anthology of filmmaking in Java 1900-1950, prominent Indonesian film historian Misbach Yusa Biran writes that although production of locally made films began in 1926 and continued until 1949, these films were not based on national consciousness and therefore could not yet be called Indonesian films. -
Narrative Structure of Mobile Apps Interactive Story Kisah Lutung Kasarung: Morphological Analysis of Vladimir Propp
6th Bandung Creative Movement International Conference in Creative Industries 2019 (6th BCM 2019) Narrative Structure of Mobile Apps Interactive Story Kisah Lutung Kasarung: Morphological Analysis of Vladimir Propp Dicky Hidayat1,2, Moh. Asyiek Bin Mat Desa2 1Visual Communication Design, Telkom University, Indonesia 2School of Art, Universiti Sains Malaysia, Penang, Malaysia [email protected], [email protected] Abstract This study analyzes the narrative structure of the mobile apps interactive story Kisah Lutung Kasarung, based on Vladimir Propp's morphological theory. The purpose of the study is to explore how the structure and moral values are based on the functions of the characters contained in the story. The study used the descriptive qualitative methods using the method of narrative analysis. Data collection techniques were carried out by a literature study and documentation. The re- sult shows 27 main narrative functions, 5 plots, and 4 spheres of action contained in the mobile apps of the interactive story Kisah Lutung Kasarung. The positive moral values obtained from the story are stoicism, helpfulness, happiness, religious, dedication, forgiveness and fairness. Keywords narrative analysis, morphology, vladimir Propp, mobile apps, interactive stories, lutung kasarung (Sundanese to Dutch, Indonesian and Javanese), but also in the form of cross-forms, from pantun to written forms and 1. Introduction story forms. The story has been written pantun into prose, poetry, drama, opera, novels, fairy tales, comic, films, etc. Indonesia has many folktales scattered in each region. [8]. These folktales are generally related to the social and cultural Digital technology is growing rapidly nowadays, and in its conditions of the owner's community. -
Ngahudang Carita Anu Baheula
NGAHUDANG CARITA ANU BAHEULA (To Awaken An Ancient Story) An Introduction to the Stories of Pantun Sunda Andrew N. Weintraub Southeast Asia Paper No. 34 Center for Southeast Asian Studies School of Hawaiian, Asian and Pacific Studies University of Hawaii at Manoa 1991 ACKNOWLEDGENffiNTS I am indebted to all the people who have helped me in my studies of pantun Sunda. I would like to mention a few individuals here who generously contributed their time and energy to the work contained in this volume. Yoseph Iskandar, Ajip Rosidi, Epih Wirahadikusumah and Amalia Firman collaborated closely with me on the translations of the Sundanese epics and helped me understand the stories within the context of Sundanese culture. Alice Dewey, Hardja Susilo and Ricardo D. Trimillos made valuable comments and suggestions on the writing of the synopses. Truong Buu Lam, Jim Collins, and Flo Lamoureux at the University of Hawaii Center for Southeast Asian Studies were very helpful in getting this volume to press. I am also grateful to the Institute of Culture and Communication at the East-West Center for supporting my research in West Java. Most importantly, I would like to dedicate this volume to the pantun bard, Ki Enjum, who willingly shared his time and knowledge with me. Ki Enjum begins the performance of every pantun Sunda with the invocatory song, "Rajah," which functions as an apology in the event that the performer makes a mistake during the performance. It seems appropriate that I begin this volume by quoting the opening lines from the song "Rajah". -
The Particle Ma in Old Sundanese Aditia Gunawan, Evi Fuji Fauziyah
The particle ma in Old Sundanese Aditia Gunawan, Evi Fuji Fauziyah To cite this version: Aditia Gunawan, Evi Fuji Fauziyah. The particle ma in Old Sundanese. Wacana, Journal of the Humanities of Indonesia, Faculty of Humanities,University of Indonesia, 2021, Languages of Nusantara I, 22 (1), pp.207-223. 10.17510/wacana.v22i1.1040. hal-03193257 HAL Id: hal-03193257 https://hal.archives-ouvertes.fr/hal-03193257 Submitted on 11 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. PB Wacana Vol. 22 No. 1 (2021) Aditia Gunawan andWacana Evi Fuji Vol. Fauziyah 22 No. 1 ,(2021): The particle 207-223 ma in Old Sundanese 207 The particle ma in Old Sundanese Aditia Gunawan and Evi Fuji Fauziyah ABSTRACT This article will analyse the distribution of the particle ma in Old Sundanese texts. Based on an examination of fifteen Old Sundanese texts (two inscriptions, eight prose texts, and five poems), we have identified 730 occurrences ofma . We have selected several examples which represent the range of its grammatical functions in sentences. Our observations -
Koleksi Cerita, Novel, & Cerpen Terbaik Kira-Kira Sejarah Jawa Barat
ILMUIMAN.NET: Koleksi Cerita, Novel, & Cerpen Terbaik Cerita Kira-kira Sejarah (16+). 2017 (c) ilmuiman.net. All rights reserved. Berdiri sejak 2007, ilmuiman.net tempat berbagi kebahagiaan & kebaikan lewat novel- cerpen percintaan atau romance, dan cerita non fiksi.. Seru. Ergonomis, mudah, & enak dibaca. Karya kita semua. Peringatan: Pembaca yang sensi dengan seloroh ala internet, silakan stop di sini. Segala akibat menggunakan atau membaca, sepenuhnya tanggung jawab pembaca. Terima kasih & salam. *** Kira-kira Sejarah Jawa Barat Babak-1: Salakanagara Jawa bagian barat, adalah termasuk negeri besar tertua di nusantara. Peninggalannya diyakini sudah ada sejak abad ke-2 masehi atau sekitar tahun 130-an, yaitu negeri Salakanagara namanya. Sebagai kontrasnya, negeri-negeri kecil sporadis di nusantara ini, yang lain, baru ada jejaknya dalam catatan sejarah pada sekitaran abad ke-4M. *** Babak-2: Tarumanagara Salakanagara kemudian menjelma menjadi negeri besar Taruma atau Tarumanagara. Salah satu raja terkenalnya Purnawarman. Bentangan wilayahnya meliputi seluruh Jawa Barat masa kini, daerah Banyumasan terus sampai ke sungai Bogowonto, dan di bagian utara, ada yang bilang sampai batas tradisional sungai Cipamali, tapi bisa juga meliputi seluruh bagian utara yang bahasa Jawanya di masa kini bahasa ngapak (kecampur Sunda) seperti Tegal dan seperti itu. Tarumanagara yang jaya kemudian menelurkan kerajaan-kerajaan bawahan yang banyak, yang menonjol adalah Sunda dan Galuh. Sampai suatu ketika, saat sudah masanya agak mundur disebabkan melejitnya Sriwijaya, raja Tarumanagara tidak punya anak lelaki, sehingga putri mahkotanya terus dicarikan jodoh bangsawan Sunda (Jakarta sekarang). Maka, jadilah pasangan Tarumagara-Sunda menjadi pemimpin Jawa Barat. *** Babak-3: Sunda & Galuh Oleh sang raja Sunda (yang semula raja bawahan sebelum menyunting putri mahkota Tarumanagara), kemudian ibukota dipindahkan ke Sunda atau Sunda Kelapa masa kini. -
Textiles in Old-Sundanese Texts Aditia Gunawan
Textiles in Old-Sundanese Texts Aditia Gunawan To cite this version: Aditia Gunawan. Textiles in Old-Sundanese Texts. Archipel, Association Archipel/Éditions de la FMSH, 2019, 98, pp.71-107. 10.4000/archipel.1332. hal-02514162 HAL Id: hal-02514162 https://hal.archives-ouvertes.fr/hal-02514162 Submitted on 24 Mar 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. ÉTUDES ADITIA GUNAWAN 1 Textiles in Old-Sundanese Texts Introduction1 Once upon a time Dayang Sumbi was having a wonderful time weaving. Her taropong, that is, a bamboo tool for rolling yarn, fell from her hands. So frail was she that she joked: if a woman would pick up that taropong for her, she would make her her sister, and if a man would do so, she would surely make him her husband. Si Tumang, her loyal dog, heard that promise. With enthusiasm he picked up the taropong, presenting it to Dayang Sumbi while sitting in front of her and staring at her intently. Dayang Sumbi regretted her words. But the oath could not be unsaid. Dayang Sumbi finally married Tumang and they had a son, Sang Kuriang. -
Sejarah Dan Kebudayaan Provinsi Banten
Sejarah Dan Kebudayaan Provinsi Banten Banten pada masa lalu merupakan sebuah daerah dengan kota pelabuhan yang sangat ramai, serta dengan masyarakat yang terbuka dan makmur. Banten pada abad ke 5 merupakan bagian dari Kerajaan Tarumanagara. Salah satu prasasti peninggalan Kerajaan Tarumanagara adalah Prasasti Cidanghiyangatau prasasti Lebak, yang ditemukan di kampung lebak di tepi Ci Danghiyang, Kecamatan Munjul, Pandeglang, Banten. Prasasti ini baru ditemukan tahun 1947 dan berisi 2 baris kalimat berbentuk puisi dengan huruf Pallawa dan bahasa Sanskerta. Isi prasasti tersebut mengagungkan keberanian rajaPurnawarman. Setelah runtuhnya kerajaan Tarumanagara (menurut beberapa sejarawan ini akibat serangan kerajaan Sriwijaya), kekuasaan di bagian baratPulau Jawa dari Ujung Kulon sampai Ci Serayu dan Kali Brebes dilanjutkan oleh Kerajaan Sunda. Seperti dinyatakan oleh Tome Pires, penjelajah Portugispada tahun 1513, Banten menjadi salah satu pelabuhan penting dari Kerajaan Sunda. Menurut sumber Portugis tersebut, Banten adalah salah satu pelabuhan kerajaan itu selain pelabuhan Pontang, Cigede, Tamgara (Tangerang), Kalapa, dan Cimanuk. Diawali dengan penguasaan Kota Pelabuhan Banten, yang dilanjutkan dengan merebut Banten Girang dari Pucuk Umun pada tahun 1527, Maulana Hasanuddin, mendirikan Kesultanan Banten di wilayah bekas Banten Girang. Dan pada tahun 1579, Maulana Yusuf, penerus Maulana Hasanuddin, menghancurkan Pakuan Pajajaran, ibukota atau pakuan (berasal dar kata pakuwuan) Kerajaan Sunda. Dengan demikian pemerintahan di Jawa Barat dilanjutkan oleh Kesultanan Banten. Hal itu ditandai dengan diboyongnya Palangka Sriman Sriwacana, tempat duduk kala seorang raja dinobatkan, dari Pakuan Pajajaran ke Surasowan di Banten oleh pasukan Maulana Yusuf. Batu berukuran 200 x 160 x 20 cm itu terpaksa diboyong ke Banten karena tradisi politik waktu itu "mengharuskan" demikian. Pertama, dengan dirampasnya Palangka tersebut, di Pakuan tidak mungkin lagi dinobatkan raja baru. -
Kanekes and Pajajaran in West Java Gardiens Du Sanctuaire De L’Esprit Du Royaume : Les Urang Kanekes Et L’Etat De Pajajaran À Java Ouest
Moussons Recherche en sciences humaines sur l’Asie du Sud-Est 8 | 2005 Recherche en sciences humaines sur l'Asie du Sud-Est Tending the Spirit’s Shrine: Kanekes and Pajajaran in West Java Gardiens du sanctuaire de l’Esprit du royaume : les Urang Kanekes et l’Etat de Pajajaran à Java Ouest Robert Wessing and Bart Barendregt Electronic version URL: http://journals.openedition.org/moussons/2199 DOI: 10.4000/moussons.2199 ISSN: 2262-8363 Publisher Presses Universitaires de Provence Printed version Date of publication: 1 December 2005 Number of pages: 3-26 ISBN: 2-7449-0625-5 ISSN: 1620-3224 Electronic reference Robert Wessing and Bart Barendregt, « Tending the Spirit’s Shrine: Kanekes and Pajajaran in West Java », Moussons [Online], 8 | 2005, Online since 15 October 2013, connection on 02 May 2019. URL : http://journals.openedition.org/moussons/2199 ; DOI : 10.4000/moussons.2199 Les contenus de la revue Moussons sont mis à disposition selon les termes de la Licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Pas de Modification 4.0 International. Articles / Articles Tending the Spirit’s Shrine: Kanekes and Pajajaran in West Java Robert WESSING*and Bart BARENDREGT** Although, or perhaps precisely because field research among the Urang Kanekes, the people of Kanekes1 of South Banten in West Java (Indonesia), is next to impossible, especially in their sacred inner hamlets, they have over the years been the subject of much speculation and, where possible, analysis. Indeed, as early as 1882, Veth (1875-84, III: 129) observed -
BAB I Pendahuluan
BAB I Pendahuluan 1.1. Latar Belakang 1.1.1. Latar Belakang Pengadaan Proyek A. Sejarah dan Perkembangan Produksi Perfilman Nasional Produksi Film Indonesia mengalami pasang surut dari tahun ke tahun. Sejak pertama kali diproduksi pada tahun 1926, lewat judul Loetoeng Kasaroeng, industri perfilman Indonesia mulai menggeliat, meskipun film yang diproduksi merupakan film bisu (Gambar 1.1). Ini ditandai dengan munculnya film Eulis Atjih dan Lily Van Java berturut- turut di tahun 1927 dan 1928. Berkembangnya teknologi mendorong Gambar 1.1. Pamflet film Loetoeng Kasaroeng sumber : www.wikipedia.org (30 Agustus 2011) munculnya produksi film lokal bersuara di Indonesia di tahun 1931. Tercatat 21 buah judul film, baik bisu dan bersuara, telah diproduksi selama tahun 1926-1931.1 Film Indonesia mencapai masa kejayaannya di era 1980-an. Pada era ini jumlah produksi film meningkat pesat. Jika pada era 1970-an terdapat 604 buah, maka di era berikutnya tercatat 721 buah judul telah diproduksi. Peningkatan tersebut juga diiringi dengan peningkatan 1 http://herusutadi.blogdetik.com/2009/10/12/sejarah-perkembangan-film-indonesia/ (29 Agustus 2011) 1 jumlah penonton yang datang ke bioskop. Film yang dibintangi oleh grup komedian Warkop DKI dan musisi Rhoma Irama, merupakan film yang digandrungi oleh masyarakat luas. Demikian pula dengan film Catatan Si Boy dan Lupus yang mampu menarik minat kaum awam dan menyebabkan kedua film tersebut diproduksi berulang kali.2 Di akhir tahun 1980-an, distribusi film mulai dimonopoli oleh pihak swasta, yakni Bioskop 21. 3 Sejak diberlakukannya kebijakan distribusi film tersebut oleh pemerintah, bioskop-bioskop hanya menayangkan film-film dari Hollywood dan film-film lokal mulai tersingkir.