Indian Art and Culture Notes for SSC, Railway & UPSC
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Famous Indian Classical Musicians and Vocalists Free Static GK E-Book
oliveboard FREE eBooks FAMOUS INDIAN CLASSICAL MUSICIANS & VOCALISTS For All Banking and Government Exams Famous Indian Classical Musicians and Vocalists Free static GK e-book Current Affairs and General Awareness section is one of the most important and high scoring sections of any competitive exam like SBI PO, SSC-CGL, IBPS Clerk, IBPS SO, etc. Therefore, we regularly provide you with Free Static GK and Current Affairs related E-books for your preparation. In this section, questions related to Famous Indian Classical Musicians and Vocalists have been asked. Hence it becomes very important for all the candidates to be aware about all the Famous Indian Classical Musicians and Vocalists. In all the Bank and Government exams, every mark counts and even 1 mark can be the difference between success and failure. Therefore, to help you get these important marks we have created a Free E-book on Famous Indian Classical Musicians and Vocalists. The list of all the Famous Indian Classical Musicians and Vocalists is given in the following pages of this Free E-book on Famous Indian Classical Musicians and Vocalists. Sample Questions - Q. Ustad Allah Rakha played which of the following Musical Instrument? (a) Sitar (b) Sarod (c) Surbahar (d) Tabla Answer: Option D – Tabla Q. L. Subramaniam is famous for playing _________. (a) Saxophone (b) Violin (c) Mridangam (d) Flute Answer: Option B – Violin Famous Indian Classical Musicians and Vocalists Free static GK e-book Famous Indian Classical Musicians and Vocalists. Name Instrument Music Style Hindustani -
List of Pensioners with Annuity No. for Information of All Concerned
List of Pensioners with Annuity No. for information of all concerned Claimaint Date of Date of Sr. No. Region Name CPF Code Employee Name Name Anniuty No Leaving CWC Settlement 1 AHMEDABAD 11619K K G KHATRI SELF 011M0201159311 26-09-2012 01-02-2016 2 AHMEDABAD 11684K PRITESH ROY SELF 011M0201159320 03-07-2012 01-02-2016 3 AHMEDABAD 02418K M.S.AKHATAR SELF 011M0201159335 27-05-2013 01-02-2016 4 AHMEDABAD 01256D L.L.DESAI SELF 011M0201159344 15-03-2014 01-02-2016 5 AHMEDABAD 00937G R.F.CHAUHAN SELF 011M0201159346 28-02-2015 01-02-2016 6 AHMEDABAD 11687D S.S.MEKWAN SELF 011M0310160940 31-05-2015 01-03-2016 7 AHMEDABAD 01037E P.D.RATHOD SELF 011M0310160942 31-05-2015 01-03-2016 8 AHMEDABAD 01202E RAMABHAI V.PARMAR SELF 011M0310160944 30-06-2015 01-03-2016 9 AHMEDABAD 01966F S K SRIVASTAVA SELF 011M0310160948 31-05-2015 01-03-2016 10 AHMEDABAD 01198C M.B.MALI SELF 011M0310160976 30-04-2015 01-03-2016 11 AHMEDABAD 01182G R.C.BHATIA SELF 011Q0310160964 30-04-2015 01-03-2016 12 AHMEDABAD 01240H H.K.PURABIA SELF 011Q0601149606 09-12-2013 01-06-2015 13 AHMEDABAD 11663G AMARJEETSINGH SELF 103200009707 28-02-2019 01-07-2019 14 AHMEDABAD 01241F K.R.TABIYAD SELF 103200009709 27-02-2019 01-07-2019 15 AHMEDABAD 02118L P K SINGH SELF 103200009851 30-04-2019 01-07-2019 16 AHMEDABAD 03038D R B CHAUHAN SELF 103200009874 31-03-2019 01-07-2019 17 AHMEDABAD 11613L J.B.PATEL WIFE 103200009933 17-01-2019 01-07-2019 18 AHMEDABAD 01197E A.I.VOHRA SELF 103200009938 16-02-2019 01-07-2019 19 AHMEDABAD 07288E SHRI V NAGVENDRA NATH SELF 103200009962 30-04-2019 01-07-2019 -
Sundram Fasteners Limited Statement of Unclaimed Final Dividend As on September 27, 2017 - Transfer to Unpaid Dividend Account
Sundram Fasteners Limited Statement of Unclaimed Final Dividend as on September 27, 2017 - Transfer to Unpaid Dividend Account DPID_CLID NAME_1 ADD_1 ADD_2 ADD_3 CITY PIN MICR NO WARRANT NO SHARES DIVIDEND 1941 GIRISH CHANDRA GUPTA C/O PUNEET GUPTA 46 BEECH PATTI PILKHUWA[GZB] 0 533 000533 800 2240.00 3358 BALDEV LAL NASWA R NO 414 TRANSPORT BHAWAN PARLIAMENT STREET N DELHI-110 001 110001 540 000540 800 2240.00 3358 BALDEV LAL NASWA R NO 414 TRANSPORT BHAWAN PARLIAMENT STREET N DELHI-110 001 110001 541 000541 800 2240.00 8834 RAMESHWAR NATH SUTHOO C/O. ANZ GRINDLAYS BANK MERCANTILE HOUSE 15 K G MARG POST BOX 600 NEW DELHI 110001 545 000545 624 1747.20 966 ANAND SINGH BAWA 14 BARAKHAMBA ROAD NEW DELHI 110001 546 000546 3200 8960.00 966 ANAND SINGH BAWA 14 BARAKHAMBA ROAD NEW DELHI 110001 547 000547 3200 8960.00 993 KAILASH CHANDER CHOPRA 198 SIDHARTHA ENCLAVE NEW DELHI 110001 548 000548 1600 4480.00 993 KAILASH CHANDER CHOPRA 198 SIDHARTHA ENCLAVE NEW DELHI 110001 549 000549 1600 4480.00 2320 DEVENDER JAIN C/O MOHINDER PAL JAIN & CO 301 DELHI STOCK EXCHANGE ASAF ALI ROAD NEW DELHI 110002 551 000551 1600 4480.00 5809 J N KAPUR C/O CHHENNA CORPORATION 7/23 DARYA GUNJ NEW DELHI-110 002 110002 553 000553 800 2240.00 3286 PURANCHAND MEHANDRU 15A/29 WEA KAROL BAGH NEW DELHI 110 005 110005 559 000559 800 2240.00 3286 PURANCHAND MEHANDRU 15A/29 WEA KAROL BAGH NEW DELHI 110 005 110005 560 000560 800 2240.00 2815 RAVINDER SINGH LAMBA H NO 9673 ISLAMGANJ OPP AZAD MARKET DELHI-110 006 110006 563 000563 1200 3360.00 5028 SAHARA INDIA MUTUAL BENEFIT -
Rock to Raga: the Many Lives of the Indian Guitar
Open Research Online The Open University’s repository of research publications and other research outputs Rock to Raga: the many lives of the Indian guitar Book Section How to cite: Clayton, Martin (2001). Rock to Raga: the many lives of the Indian guitar. In: Bennett, Andy and Dawe, Kevin eds. Guitar cultures. Oxford, UK: Berg Publishers Ltd, pp. 179–208. For guidance on citations see FAQs. c 2001 Berg Publishers Ltd Version: Accepted Manuscript Link(s) to article on publisher’s website: http://www.bergpublishers.com/?tabid=1499 Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk Rock to Raga: The many lives of the Indian guitar Martin Clayton Chapter for “Guitar Culture”, ed. Dawe/ Bennett, Berg. 2nd DRAFT 1. Introduction What roles does the guitar play, and what meanings does it convey in India? 1 These are not easy questions to answer, since the instrument has spread into many different musical genres, in various geographical regions of the subcontinent. This chapter is nonetheless an attempt, in response to those questions, to sketch out the main features of guitar culture in India. I see it as a kind of snapshot: partial, blurred and lacking fine definition perhaps, but offering a perspective that more focused and tightly-framed studies could not. My account is based on a few weeks’ travel in India, 2 concentrating on the main metropolitan cities of Chennai, Mumbai, Calcutta and Delhi – although it also draws on the reports of many inhabitants of these cities who have migrated from other regions, particularly those rich in guitar culture such as Goa and the north-eastern states. -
Statement of Unclaimed Dividend As of 31St March 2017
ADOR WELDING LIMITED CIN: L70100MH1951PLC008647 Nature of Amount: Amount of Unclaimed & Unpaid Dividend NAME ADD1 ADD2 ADD3 ADD4 DPID FOLIO NO. AMOUNT PROPOSED / CLIENT (Rs.) DATE TO ID TRANSFER TO IEPF PUSHPA DHIRAJLAL POOJARA NANI BAZAR DHRANGADHRA 363310 000009 1350.00 04-OCT-2017 M RAMA MOHAN S-1 MADHUVAN APTS MADHU GARDEN VIJAYAWADA 520010 000302 450.00 04-OCT-2017 SUSHILABEN M PATEL 18 SHANTIKUNJ SOC NO 2 GIDC ROAD MANJALPUR VARODARA 390011 000492 1482.00 04-OCT-2017 THE INDIA FUND INC DEUTSCHE BANK AG KODAK HOUSE 22 DR D N ROAD FORT MUMBAI 400001 000511 150.00 04-OCT-2017 SURESH THAVARDAS MEHTA EKTA FASHIONS P O BOX 6239 DUBAI U A E 111111 000590 1350.00 04-OCT-2017 VINOD THAVARDAS MEHTA EKTA FASHIONS P O BOX 6239 DUBAI U A E 111111 000593 1350.00 04-OCT-2017 NITESH KUMAR SHAH A/6 MOON VIHAR FLATS OPP SWASTIK SCHOOL ISHWER BHUVAN ROAD NAVRANGPURA AHMEDABAD 380014 000614 582.00 04-OCT-2017 BISHNU CHAND YADAV C/O P KEDIA & CO. 29-B RABINDRA SARANI 3RD FLOOR R NO 12-E KOLKATA 700073 000795 3000.00 04-OCT-2017 MANORMA MUNDRA C/O SURAJMAL SHOBHACHAND 12 GOVT PLACE EAST 2ND FLR KOLKATA 700069 000881 690.00 04-OCT-2017 MAHESH C BRAHMBHATT 12-A SANGAM CHS LTD S V ROAD SANTACRUZ WEST MUMBAI 400054 000926 900.00 04-OCT-2017 PRIYA RAO TCS LTD ABN AMRO ODC 3RD FL QUADRA II OPP MAGARPATTA CITY HADAPSAR PUNE 411028 001039 1482.00 04-OCT-2017 ANJAL NIRANJAN KARIYA 46 LAKE VIEW EDGEWARE MIDDLESEX HASTRU U K 111111 001051 900.00 04-OCT-2017 MANJU GARG 57 JAYOTI APARTMENTS PARWANA ROAD PITAM PURA DELHI 110034 001069 600.00 04-OCT-2017 ALOKE RANJAN BISWAS SEC VII/ HOUSE NO. -
Pandit Ravi Shankar—Tansen of Our Times
Occ AS I ONAL PUBLicATION 47 Pandit Ravi Shankar—Tansen of our Times by S. Kalidas IND I A INTERNAT I ONAL CENTRE 40, MAX MUELLER MARG , NEW DELH I -110 003 TEL .: 24619431 FAX : 24627751 1 Occ AS I ONAL PUBLicATION 47 Pandit Ravi Shankar—Tansen of our Times The views expressed in this publication are solely those of the author and not of the India International Centre. The Occasional Publication series is published for the India International Centre by Cmde. (Retd.) R. Datta. Designed and produced by FACET Design. Tel.: 91-11-24616720, 24624336. Pandit Ravi Shankar—Tansen of our Times Pandit Ravi Shankar died a few months ago, just short of his 93rd birthday on 7 April. So it is opportune that we remember a man whom I have rather unabashedly called the Tansen of our times. Pandit Ravi Shankar was easily the greatest musician of our times and his death marks not only the transience of time itself, but it also reminds us of the glory that was his life and the immortality of his legacy. In the passing of Robindro Shaunkar Chowdhury, as he was called by his parents, on 11 December in San Diego, California, we cherish the memory of an extraordinary genius whose life and talent spanned almost the whole of the 20th century. It crossed all continents, it connected several genres of human endeavour, it uplifted countless hearts, minds and souls. Very few Indians epitomized Indian culture in the global imagination as this charismatic Bengali Brahmin, Pandit Ravi Shankar. Born in 1920, Ravi Shankar not only straddled two centuries but also impacted many worlds—the East, the West, the North and the South, the old and the new, the traditional and the modern. -
Archives on Patrick Moutal's Site Sorted by Rag 03/01/2014
832 Audio (mp3) Video (mp4) Archives on Patrick Moutal's Site Sorted by Rag http://www.moutal.eu 03/01/2014 A Tribute - P. Moutal - Diaporama 1 Vilayat Khan Sitar Video Adana 6 Amir Khan Vocal Audio Anjanibai Lolekar Vocal Audio Mirashibua Vocal Audio Roshan Ara Begum Vocal Audio Sawai Gandharva Vocal Audio Vinayak Rao Patwardhan Vocal Audio Ahir Bhairav 8 Balaram Pathak Sitar Alap, Vilambit & Shyamal Bose Audio Basavraj Rajguru Vocal Audio Gangubai Hangal Vocal Vilambit Ektal, Sheshgiri Hangal Audio Hirabai Barodekar Vocal Audio Kishori Amonkar Vocal Vilambit Balkrishna Iyer Audio Kumar Gandharva Vocal Madhya Laya Suresh Talwalkar Audio V. G. Jog Violin Audio Vilayat Khan Sitar Vilambit Teental Mohammad Ahmad Audio Ahir Bhairav Alap 1 Nicolas Delaigue Sitar Audio Ahir Bhairav Jod Jhala 1 Nicolas Delaigue Sitar Audio Ahir Lalit 1 Ravi Shankar Sitar Alla Rakha Audio Alhaiya Bilaval 8 Allaudin Khan Sarod Vilambit & Drut Audio Imrat Khan Surbahar Audio Kumar Gandharva Vocal Madhya Teental Audio Lalmani Misra Vichitra Veena Audio Mogubai Kurdikar Vocal Audio 1 832 Audio (mp3) Video (mp4) Archives on Patrick Moutal's Site Sorted by Rag http://www.moutal.eu 03/01/2014 Ram Narayan Sarangi Alap & Tans Video Shujaat Khan Sitar Alap Audio Vilayat Khan Sitar Vilambit, Drut Kishan Maharaj Audio Anand Bhairavi 1 Lalmani Misra Vichitra Veena Audio Asavari 2 D. V. Paluskar Vocal Audio Vilayat Hussain Khan Vocal Audio Ashtapati Durga 1 Mehbubjan Of Sholapur Vocal Audio Bageshree 13 Anjanibai Lolekar Vocal Audio Bade Ghulam Ali Khan Vocal Audio Bade Ghulam -
Bestguru.Comcarnatic Music ‐ Vocal 1978 Maharajapuram V
Name of the Artist Name of the Art / Field Awarded in Amba Sanyal (Costume Designing) Allied Theatre Arts 2008 Anant Gopal Shinde (Make‐up) Allied Theatre Arts 2003 Ashok Sagar Bhagat (Lighting) Allied Theatre Arts 2002 Ashok Srivastava (Make‐up) Allied Theatre Arts 1981 D. G. Godse (Scenic Design) Allied Theatre Arts 1988 Dolly Ahluwalia (Costume Design) Allied Theatre Arts 2001 G.N. Dasgupta (Lighting) Allied Theatre Arts 1989 Gautam Bhattacharya (Lighting) Allied Theatre Arts 2006 Goverdhan Panchal (Scenic Design) Allied Theatre Arts 1985 H. V. Sharma (Stagecraft) Allied Theatre Arts 2005 Kajal Ghosh (Theatre Music) ‐ Allied Theatre Arts 2000 Kamal Arora (Make‐up) Allied Theatre Arts 2009 Kamal Jain (Lighting) Allied Theatre Arts 2011 Kamal Tewari (Theatre Music) ‐ Allied Theatre Arts 2000 Kanishka Sen (Lighting) Allied Theatre Arts 1994 Khaled Choudhury (Scenic Design) Allied Theatre Arts 1986 Kuldeep Singh (Music for Theatre) Allied Theatre Arts 2009 M. S. Sathyu (Stagecraft) Allied Theatre Arts 1993 Mahendra Kumar (Scenic Design) Allied Theatre Arts 2007 Mansukh Joshi (Scenic & Light Design) Allied Theatre Arts 1997 N. Krishnamoorthy (Stagecraft) Allied Theatre Arts 1995 Nissar Allana (Stagecraft) Allied Theatre Arts 2002 R. K. Dhingra (Lighting) ‐ Allied Theatre Arts 2000 R. Paramashivan (Theatre Music) Allied Theatre Arts 2005 Robin Das (Scenic Design) ‐ Allied Theatre Arts 2000 Roshen Alkazi (Costume Design) Allied Theatre Arts 1990 Shakti Sen (Make‐up) ‐ Allied Theatre Arts 2000 Sreenivas G. Kappanna (Lighting & Stage Design) Allied Theatre Arts 2003 Suresh Bhardwaj (Lighting) Allied Theatre Arts 2005 Tapas Sen (Lighting) Allied Theatre Arts 1974 V. Ramamurthy (Lighting) Allied Theatre Arts 1977 Alathur S. Srinivasa Iyer Carnatic Music ‐ Vocal 1968 Ariyakudi Ramanuja Iyengar Carnatic Music ‐ Vocal 1952 B. -
Unclaimed Intdiv13 Website.Pdf
FLNO NAM1 SHARES AMT2013 IN30023911567299 MUTHAPPAN RAJAGOPAL 400 1400 1201060000462471 SUMANT SHANKAR DHARESHWAR 4 14 1201060001076463 RENU GUPTA 80 280 1201060002277519 ISMAIL ZHABIULLA 25 87.5 1201060002352750 MUKTA ANUP MOTWANI 50 175 1201060002395710 RAJESH KUMAR AGARWAL 75 262.5 1201060100195562 MOHAN KESHAWRAO DEOTALE 25 87.5 1203320003229121 NEMCHAND SHAMJI SHAH 3743 13100.5 1204010000013555 V. AKHILESH REDDY . 30 105 K0006892 KUNAL K MEHTA 400 1400 M0004121 MANISH BHAGAWANDAS 2048 7168 R0002488 RAJANI KANTILAL SHAH 1284 4494 S0003784 SUBIR GUPTA 128 448 U0000367 UDAY PRATAPSINH 248 868 1201070000038720 ANURAAG KUMAR SANGHI 4 14 1201070000198190 SAGAR HARI NEMADE 25 87.5 1201090001310515 NEENA SIMON 100 350 1201090003653181 SUGUNA SRIDHARAN 629 2201.5 1201090005243206 AMARNATH GUTTA 89 311.5 1201090700022603 SANGEETA MOHAN SURANA 400 1400 1201120000141961 USHA . KOTHARI 100 350 IN30177414018133 SAMAR SINGH 960 3360 1201060000260618 BIMAL PRAKASH SAHOO 200 700 1201060000293059 Mahaveer Prasad Nagar 150 525 1201060000704202 RAYMOND DSOUZA 8 28 1201060001622976 SUDHA RAMDAS SHANBHAG 100 350 1201060001714423 RAJANI DEVI CHAWLA 200 700 1201060100079577 NAND KUMAR GUPTA 40 140 1201060001082403 VINAYAK ANANDA AHIRRAO 25 87.5 1201060002158974 GAJANAN D RAMANKATTI 25 87.5 1201060002306834 PARSOTAM N PRAJAPATI 30 105 1201060100122461 SMRUTI SHASTRI 20 70 1201090000222328 DEEPAK PANDURANG TELAVANE 50 175 1201090000686502 POOJA CHANDRAKANT MAHAJAN 100 350 1201090003048784 KANTTA MITTAL 40 140 1204010000011655 ANUPAMA REDDY . 100 350 J0001060 -
Ragamala World Music 2017 Program Book
RAGAMALA 2017: WELCOME SCHEDULE Ragamala 2017 A CELEBRATION OF INDIAN CLASSICAL MUSIC + DANCE For the 5th year, spanning 15 hours and featuring dozens of performers, Ragamala offers a FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 Presented in collaboration with Kalapriya Foundation, Center for Indian Performing Arts jaw-dropping assortment of Indian classical music from some of its greatest and emerging Ragamala: A Celebration of Indian Classical Music + Dance A CELEBRATION OF INDIAN CLASSICAL MUSIC + DANCE practitioners. Ragamala functions as the perfect, immersive introduction to the classical music Chicago Cultural Center, Preston Bradley Hall FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 of India. Not only are both the music of the north (Hindustani) and the south (Carnatic) + Millennium Park, Great Lawn FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 - 6:30PM-10AM Chicago Cultural Center represented, but listeners will also get the rare chance to hear ragas performed at the time of 78 E. Washington Street, 3rd Floor Preston Bradley Hall, 3rd Floor day they were originally composed for—a facet of the tradition lost in the west. 6:30pm-10am 78 E Washington Street Presented in collaboration with Kalapriya Foundation, Center for Indian Performing Arts 6:30pm-6:30am The word “raga” has a Sanskrit origin, meaning "coloring or dyeing". The term also connotes an Evolution of Songs from Indian Films: 1930-2017 emotional state referring to a "feeling, affection, desire, interest, joy or delight", particularly 6:30-7:30pm SATURDAY, SEPTEMBER 9 related to passion, love, or sympathy for a subject or something. In the context of ancient Anjali Ray, vocals with Rishi Thakkar, tabla and Anis Chandnani, harmonium Yoga + Gong Meditation Indian music it is often devotional and used as a prayer. -
Sankeet Natak Akademy Awards from 1952 to 2016
All Sankeet Natak Akademy Awards from 1952 to 2016 Yea Sub Artist Name Field Category r Category Prabhakar Karekar - 201 Music Hindustani Vocal Akademi 6 Awardee Padma Talwalkar - 201 Music Hindustani Vocal Akademi 6 Awardee Koushik Aithal - 201 Music Hindustani Vocal Yuva Puraskar 6 Yashasvi 201 Sirpotkar - Yuva Music Hindustani Vocal 6 Puraskar Arvind Mulgaonkar - 201 Music Hindustani Tabla Akademi 6 Awardee Yashwant 201 Vaishnav - Yuva Music Hindustani Tabla 6 Puraskar Arvind Parikh - 201 Music Hindustani Sitar Akademi Fellow 6 Abir hussain - 201 Music Hindustani Sarod Yuva Puraskar 6 Kala Ramnath - 201 Akademi Music Hindustani Violin 6 Awardee R. Vedavalli - 201 Music Carnatic Vocal Akademi Fellow 6 K. Omanakutty - 201 Akademi Music Carnatic Vocal 6 Awardee Neela Ramgopal - 201 Akademi Music Carnatic Vocal 6 Awardee Srikrishna Mohan & Ram Mohan 201 (Joint Award) Music Carnatic Vocal 6 (Trichur Brothers) - Yuva Puraskar Ashwin Anand - 201 Music Carnatic Veena Yuva Puraskar 6 Mysore M Manjunath - 201 Music Carnatic Violin Akademi 6 Awardee J. Vaidyanathan - 201 Akademi Music Carnatic Mridangam 6 Awardee Sai Giridhar - 201 Akademi Music Carnatic Mridangam 6 Awardee B Shree Sundar 201 Kumar - Yuva Music Carnatic Kanjeera 6 Puraskar Ningthoujam Nata Shyamchand 201 Other Major Music Sankirtana Singh - Akademi 6 Traditions of Music of Manipur Awardee Ahmed Hussain & Mohd. Hussain (Joint Award) 201 Other Major Sugam (Hussain Music 6 Traditions of Music Sangeet Brothers) - Akademi Awardee Ratnamala Prakash - 201 Other Major Sugam Music Akademi -
Ensemble Taal Tarang Déploie Sur Scène L'héritage Millénaire De La Danse Kathak, Danse Classique Du Nord De L'inde
TARANA E N S E M B L E T A A L T A R A N G TARANA Pour les nostalgiques de l’Inde et du temps où dans les darbars (cours royales) des Maharajas, au coucher du soleil, les palais somptueux s’embaumait de chant et de musique… voici l’occasion de retourner dans ce passé magique et mystérieux ! Avec le spectacle « Tarana », l'Ensemble Taal Tarang déploie sur scène l'héritage millénaire de la danse Kathak, danse classique du Nord de l'Inde. Au fil du concert résonnent les accents envoûtants d'une voix, d'un sitar et d'un tabla. Ils accompagnent les évolutions de la danseuse pleine de grâce et et d'élégance. Maitryee nous fait découvrir l'univers de la danse Kathak et les arcanes d'un monde magique peuplé de dieux et de héros hindous. Le Kathak vous enchante par ses éclats de mouvements virevoltants, ses frappes de pieds sculptant des motifs rythmiques virtuoses, ses pirouettes tournoyantes et ses soudains éclats de figement extatique. Ces éclats de silence laissent transparaître une dimension nouvelle : l’élégance, la grâce et le corps lui-même se transforment en prière. La danse devient ainsi une passerelle vers le spirituel. Equipe Artistique Madhubanti Sarkar Chant Maitryee Mahatma Kathak Nabankur Bhattacharya Tabla Nazar Khan Sitar remplaçante Joyeeta Sanyal Sitar Madhubanti Sarkar http://madhubantimusic.com/ Issue d’une famille de musiciens de Calcutta (Inde), Madhubanti Sarkar a été initiée à la musique classique de l’Inde du Nord (style Hindustani) dès son enfance par son père, Goutam Kumar Sarkar, chanteur de Kheyal / Thumri, disciple du grand maître Pandit Jnan Prakash Ghosh.