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Theodore Parker's Man-Making Strategy: a Study of His Professional Ministry in Selected Sermons
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1993 Theodore Parker's Man-Making Strategy: A Study of His Professional Ministry in Selected Sermons John Patrick Fitzgibbons Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Literature in English, North America Commons Recommended Citation Fitzgibbons, John Patrick, "Theodore Parker's Man-Making Strategy: A Study of His Professional Ministry in Selected Sermons" (1993). Dissertations. 3283. https://ecommons.luc.edu/luc_diss/3283 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1993 John Patrick Fitzgibbons Theodore Parker's Man-Making Strategy: A Study of His Professional Ministry in Selected Sermons by John Patrick Fitzgibbons, S.J. A Dissertation Submitted to the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Chicago, Illinois May, 1993 Copyright, '°1993, John Patrick Fitzgibbons, S.J. All rights reserved. PREFACE Theodore Parker (1810-1860) fashioned a strategy of "man-making" and an ideology of manhood in response to the marginalization of the professional ministry in general and his own ministry in particular. Much has been written about Ralph Waldo Emerson (1803-1882) and his abandonment of the professional ministry for a literary career after 1832. Little, however, has been written about Parker's deliberate choice to remain in the ministry despite formidable opposition from within the ranks of Boston's liberal clergy. -
Bible Matters: the Scriptural Origins of American Unitarianism
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Vanderbilt Electronic Thesis and Dissertation Archive BIBLE MATTERS: THE SCRIPTURAL ORIGINS OF AMERICAN UNITARIANISM By LYDIA WILLSKY Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY In Religion May, 2013 Nashville, Tennessee Approved: Professor James P. Byrd Professor James Hudnut-Beumler Professor Kathleen Flake Professor Paul Lim Professor Paul Conkin TABLE OF CONTENTS INTRODUCTION……………………………………………………………………………3 CHAPTER 1: WILLIAM ELLERY CHANNING AND THE PASTORAL ROOTS OF UNITARIAN BIBLICISM………………………………………………………………………………..29 CHAPTER 2: WHAT’S “GOSPEL” IN THE BIBLE? ANDREWS NORTON AND THE LANGUAGE OF BIBLICAL TRUTH………………………………………...................................................77 CHAPTER 3: A PRACTICAL SPIRIT: FREDERIC HENRY HEDGE, THE BIBLE AND THE UNIVERSAL CHURCH…………………………………………………………………...124 CHAPTER 4: THE OPENING OF THE CANON: THEODORE PARKER AND THE TRANSFORMATION OF BIBLICAL AUTHORITY…………………………………………..168 CONCLUSION…………………………………………………………...........................205 BIBLIOGRAPHY…………………………………………………………………………213 INTRODUCTION The New England Unitarians were a biblical people. They were not biblical in the way of their Puritan ancestors, who emulated the early apostolic Church and treated the Bible as a model for right living. They were a biblical people in the way almost every Protestant denomination of the nineteenth century -
Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 I I 75-3032
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
“The Humble, Though More Profitable Art”
“THE HUMBLE, THOUGH MORE PROFITABLE ART”: PANORAMIC SPECTACLES IN THE AMERICAN ENTERTAINMENT WORLD, 1794- 1850 by Nalleli Guillen A dissertation submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History Spring 2018 © 2018 Nalleli Guillen All Rights Reserved “THE HUMBLE, THOUGH MORE PROFITABLE ART”: PANORAMIC SPECTACLES IN THE AMERICAN ENTERTAINMENT WORLD, 1794- 1850 by Nalleli Guillen Approved: __________________________________________________________ Arwen P. Mohun, Ph.D. Chair of the Department of History Approved: __________________________________________________________ George H. Watson, Ph.D. Dean of the College of Arts and Sciences Approved: __________________________________________________________ Ann L. Ardis, Ph.D. Senior Vice Provost for Graduate and Professional Education I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: __________________________________________________________ Katherine C. Grier, Ph.D. Professor in charge of dissertation I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: __________________________________________________________ Rebecca L. Davis, Ph.D. Member of dissertation committee I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: __________________________________________________________ David Suisman, Ph.D. Member of dissertation committee I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. -
Modern Spiritualism: Its Quest to Become a Science Creative Works
Southern Illinois University Carbondale OpenSIUC Modern Spiritualism: Its Quest to Become A Science Creative Works 2021 Modern Spiritualism: Its Quest to Become A Science John Haller Jr Follow this and additional works at: https://opensiuc.lib.siu.edu/histcw_ms Copyright © 2020, John S. Haller, Jr. All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means without the prior written permission of the publisher. ISBN (print): 9798651505449 Interior design by booknook.biz This Article is brought to you for free and open access by the Creative Works at OpenSIUC. It has been accepted for inclusion in Modern Spiritualism: Its Quest to Become A Science by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Modern Spiritualism: Its Quest to Become A Science By John S. Haller, Jr. Copyright © 2020, John S. Haller, Jr. All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means without the prior written permission of the publisher. ISBN (print): 9798651505449 Interior design by booknook.biz Spiritualism, then, is a science, by authority of self-evident truth, observed fact, and inevitable deduction, having within itself all the elements upon which any science can found a claim. (R. T. Hallock, The Road to Spiritualism, 1858) TABLE OF CONTENTS Introduction 1 Chapters 1. Awakening 11 2. Rappings 41 3. Poughkeepsie Seer 69 4. Architect of the Spirit World 95 5. Esoteric Wisdom 121 6. American Portraits 153 7. -
The Dial Vol. 1
The Dial O f this supplementary volume, printed in connection with the Rowfant reprint of “The D ial” one hundred and twenty-seven copies have been issued, this being No............. An Historical and Biographical Introduction to Accompany The Dial As Reprinted in Numbers for The Rowfant Club George Willis Cooke In Two Volumes Vol. I Cleveland The Rowfant Club 1902 Copyrighted by The Rowfant Club of Cleveland 1902 Preface In this book an attempt has been made to bring together all the accessible facts about the editing and publishing of “ The Dial.” For many of these facts I have been indebted to other volumes, some of them well known, as in the instance of the biographies of Margaret Fuller, Emerson, and Alcott. Others are rare or but little known, as in the case of Eliza beth Hoar’s biography of Mrs. Samuel Ripley, the biography of O. A. Brownson by his son, and many similar works. Other sources of information have been magazines and news papers, which are to be found in only a few libraries. Many of the facts presented, however, have been obtained at first hand from individuals, by means of interviews and corre spondence. I have letters written me by many of the con tributors to “ The Dial,” and these I have frequently quoted or drawn upon for information. Letters from Lowell, Dana, Alcott, Cranch, Ward, Clarke, Cabot, Hedge, Curtis, W. H Channing, Wilson, Miss Peabody, and Miss Clapp, have been thus used. In the case of those contributors who are well known, the purpose had in view in the following pages has been to state what were their relations to the transcendental club and “ The Dial.” Those not widely known, or of whom lives have not been published, receive a more detailed biograph ical treatment. -
"Between Faith and Unbelief: American Transcendentalists And
Between Faith and Unbelief Studies in the History of Christian Traditions Founded by Heiko A. Oberman† Edited by Robert J. Bast Knoxville, Tennessee In cooperation with Henry Chadwick, Cambridge Scott H. Hendrix, Princeton, New Jersey Paul C.H. Lim, Nashville, Tennessee Eric Saak, Indianapolis, Indiana Brian Tierney, Ithaca, New York Arjo Vanderjagt, Groningen John Van Engen, Notre Dame, Indiana VOLUME 136 Between Faith and Unbelief American Transcendentalists and the Challenge of Atheism By Elisabeth Hurth LEIDEN • BOSTON 2007 Cover illustration: Horizonte des Glaubens, Verlag Moritz Diesterweg, Frankfurt am Main 1971. This book is printed on acid-free paper. ISSN: 1573-5664 ISBN: 978 90 04 16166 5 Copyright 2007 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in aretrievalsystem,ortransmittedinanyformorbyanymeans,electronic,mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. Fees are subject to change. printed in the netherlands CONTENTS Acknowledgments ..................................................... vii Introduction........................................................... -
Finding Aid to the Reverend Samuel Longfellow
Longfellow House - Washington’s Headquarters National Historic Site Finding Aid Reverend Samuel Longfellow (1819-1892) Papers, 1792-1963 (bulk dates: 1835-1894) Edition 3.0 (2019) Collection Catalog No. LONG 33705 DOCUMENT INFORMATION AND VERSION HISTORY Edition Date of Author(s) Revision 1.0 Summer Margaret Welch, Northeast Museum Services Center 2005 2.0 Fall 2006 3.0 May 2019 Kate Hanson Plass, LONG Cover Illustration: The Reverend Samuel Longfellow, ca. 1873. George Kendell Warren, photographer. Longfellow Family Photograph Collection. (3007-4-2-3-16) Courtesy of Longfellow House-Washington’s Headquarters National Historic Site. The Rev. Samuel Longfellow Papers -- i CONTENTS Preface ...................................................................................................................................... iii Restrictions .................................................................................................................................v Introduction ................................................................................................................................1 Processing History ..................................................................................................................1 Abbreviations Used in this Document .....................................................................................3 Part 1: Collection Description .....................................................................................................4 Scope and Content Note ..........................................................................................................6 -
David Bunnell Olmstead Literary Portraits Sequential Listing Page
David Bunnell Olmstead Literary Portraits Sequential listing Following is a list of items in the scrapbooks, in order of appearance. Olmstead's descriptions and annotations are given in quotation marks. For example, for the first item, Maurice Thompson, Olmstead’s notes are "Poet. Novelist. 1844-1901." While the information provided by Olmstead is always interesting, it is not always accurate. Due to difficulties in reading his handwriting and to changes over time, the names given in the list below may or may not be spelled correctly or in their modern form. Common abbreviations appearing in the list and in the scrapbooks include: Personal names: Titles, ranks, etc.: Alex., Alex'r. Alexander Arc. or Arch. Archbishop And. Andrew B. Born Ant. Anthony Bap. Baptized Arch. Archibald Bar., Bart., Bt. Baron, Baronet Benj. Benjamin Bp. Bishop Ch., Cha., Chas. Charles Cap., Cap’n Captain Ed., Edw. Edwin or Edward Col. Colonel Eliz. Elizabeth DD Doctor of Divinity Fr. Francis Ed. Editor Fr’d., Fr’c., Fred., Frederic/k Eng. England Fred’k. Geo., G. George Esq. Esquire Hen., Hen’y. Henry Fr. Frater or Father Iohannus, Ioh. John FRS Fellow of the Royal Society Jas. James Gen., Gen’l General Jn., Jno., Jon. Jonathan Gov. Governor Jos. Joseph or Josiah Hon. Honorable Mich. Michael JD Juris Doctor (law degree) Rob., Robt. Robert KBE Knight of the British Empire Sam’l. Samuel KC (or QC) King’s Counsel (or Queen’s Counsel) Th., Thos. Thomas LLD Legum Doctor (law degree) Wm., Will’m. William Maj. Major MD Doctor of Medicine MP. Member of Parliament OBE Order of the British Empire PhD. -
Entertainment in Lincoln's Springfield
Entertainment in Lincoln’s Springfield (1834-1860) East Side of the Public Square: Circa 1860. Cook’s Hall is the third building from the right. After the February 13, 1858 fire, the east side was rebuilt with four, three-story brick buildings. One of them housed a large public hall on the second floor. It came to be known as Cook’s Hall and was a popular place for public gatherings, theatrical performances, balls and parties, and drills of the Springfield Grays. Spring Creek Series Richard E. Hart The Abraham Lincoln Association I hope that readers will find this interesting, fun, and helpful in filling in the details of the environment that Abraham Lincoln experienced in his 24-year Springfield residency. I have enjoyed preparing this glimpse and as always have been amazed at what I find in Lincoln’s Springfield when examined. I am a strong believer that the minutiae of local history matters, particularly in helping us understand the world around those who acted on the larger stage of history. Journal, Thursday, June 17, 1858. Entertainment in Lincoln’s Springfield Table of Contents Table of Contents Table of Contents .................................................................................................................................................................................... i Introduction ........................................................................................................................................................................................ viii Entertainment Venues .......................................................................................................................................................................... -
Revolution Mr Emerson's
MR EMERSON’S REVOLUTION EDITED BY JEAN MCCLURE MUDGE To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/310 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Mr. Emerson’s Revolution Edited by Jean McClure Mudge http://www.openbookpublishers.com © 2015 Jean McClure Mudge. Copyright of individual chapters is maintained by the chapter’s author(s). Version 1.1. Minor edits made, August 2016. The text in this work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the author (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the author’s name, chapter title and the following title information: Jean McClure Mudge (ed.). Mr Emerson’s Revolution. Cambridge, UK: Open Book Publishers, 2015. http://dx.doi.org/10.11647/OBP.0065 Many of the illustrations are published with more restrictive re-use licences. Please see the list of illustrations for attribution relating to individual images. Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. For information about the rights of the Wikimedia Commons images, please refer to the Wikimedia website (the relevant links are listed in the list of illustrations).