Eskapade Fraktur

Creating new common ground between a nimble oldtyle serif and an experimental Fraktur, by Alisa Nowak.

about the typeface The Eskapade family is the result of Alisa Nowak’s research into Eskapade Fraktur is more contrasted and slightly bolder than Roman and German blackle!er forms, mainly Fraktur letters. The the usual darkness of a regular weight. The innovative Eskapade idea was to adapt these broken forms into a contemporary family Fraktur italic, equally based on the Cancellaresca script previously instead of creating a faithful revival of a historical typeface. mentioned, is secondarily influenced by the Sütterlin forms – an On one hand, the two normal Eskapade styles are conceived for unique script practiced in Germany in the vanishingly short period continuous text in books and magazines with good legibility in between 1915 and 1941 – especially as seen in the capital le!ers. smaller sizes. On the other hand, the two angled Eskapade Fraktur Although there are many Fraktur-style typefaces available today, styles capture the reader’s attention in headlines with its mixture only a few include true italic forms, and usually they are slanted of round and straight forms as seen in ‘e’, ‘g’, and ‘o’. It can also be uprights rather than proper italics. This motivated extensive exper- used for visual identities, logotypes, and packaging. imentation with the italic Fraktur shapes and resulted in some Eskapade roman adopts a humanist structure, but is more con- unusual and interesting solutions. In addition to standard capitals, densed than other oldstyle serifs. The reason behind this stems Eskapade Fraktur offers a second set of more decorative capitals from the goal of closely resembling the Fraktur style to create har- with double-stroke lines for encouraging experimental use and mony in mixed text settings. Legibility is enhanced by its low con- amplifying creative application. trast between thick and thin strokes and its tall x-height. Eskapade The complete Eskapade family comes in six styles, speaks mul- offers an airy and light typographic colour with its smooth design. tiple languages, and, along with our entire catalogue, has been Eskapade Italic is based on the Cancellaresca script and shows optimised for today’s varied screen uses. i some particularities in its condensed and round forms. This structure also provided the base for Eskapade Fraktur Italic. styles Eskapade Regular Eskapade Italic Eskapade Fraktur Regular Eskapade Fraktur Italic Eskapade Fraktur Black Eskapade Fraktur Black Italic

www.type-together.com | © 2015 all rights reserved eskapade fraktur, character set sample ABCDEFGHIJKLM NOPQRSTUVWXYZ ABCDEFGHIJKLM NOPQRSTUVWXYZ abcdefghijklmnopq rstuvwxyzßæðẁůšþ Œ Ǽ Ł ĞĄĦǾŢŪĐÑ {[(*&¶,:@?!§«»-)]} €£$¥01234567891 ‰01234567890123 www.type-together.com | © 2015 all rights reserved eskapade fraktur, background

Sütterlin

Fraktur

AGMWY Eskapade Fraktur Italic AGMWY Eskapade Fraktur

eskapade capitals Above, some capital letters fromEskapade Fraktur and Eskapade Fraktur italic are shown in compari- son with the Sütterlin script and Fraktur to under- stand the influence of these two models and their final interpretation. The capital letters ofEskapade Fraktur are much more even-tempered for good legibility, because this characteristic is more important in Roman than in Italic typefaces.

Sütterlin script is a German handwriting system from 1911, created by the pedagogue and graphic artist Ludwig Sütterlin. It was developed to sub- stitute the condensed and slanted Kurrent script. Sütterlin is completely straight, counters are more opened, proportion between x-height, ascenders and descenders are at a ratio of 1:1:1. Since 1941 it is not in use anymore and nowadays, it is very difficult to decipher the strange and loopy forms.

www.type-together.com | © 2015 all rights reserved eskapade, character set sample ABCDEFGHIJKLM NOPQRSTUVWXYZ abcdefghijklmnopq rstuvwxyzßæðẁůšþ Œ Ǽ Ł ĞĄĦǾŢŪĐÑ {[(*&¶,:@?!§«»-)]} ©®™ªº“”†‡№≤≥∞√ €£$¥012345678923/54 ‰0123456789012345

www.type-together.com | © 20152013 all rights reserved eskapade, poster specimen Jargon & Resümee savoir vivre mit ’nem rendezvous Högsta bistånd »Aber woher weißt du das?« €2368 bonus a redução da tarifa 83 N. 7th St. Williamsburg Brooklyn NY 11211 Miláčku!?

18/22 pt (regular) Calligraphy, be it done with the broad-edge pen, brush, or other tools, has been fundamental in the development of Eskapade. Its influence is clearly visible in the construction of the top serifs contrasting the curved bottom serifs and the fluid aspect of terminals and tails, such as on ‘g’ and ‘r’. The shapes of the diagonal letters are based on a less formal calligraphic model, but still uses the broad edge pen. — The letters were then subject to a further process of pencil drawing and digital re-interpretation, which gave

18/22 pt (italic) Calligraphy, be it done with the broad-edge pen, brush, or other tools, has been fundamental in the development of Eskapade. Its influence is clearly visible in the construction of the top serifs contrasting the curved bottom serifs and the fluid aspect of terminals and tails, such as on ‘g’ and ‘r’. The shapes of the diagonal letters are based on a less formal calligraphic model, but still uses the broad edge pen. — The letters were then subject to a further process of pencil drawing and digital re-interpretation, which gave them the final shape. The designs of ‘e’ and ‘c’ are derived from draw-

18/22 pt (regular & italic) Calligraphy, be it done with the broad-edge pen, brush, or other tools, has been fundamental in the development of Eskapade. Its influence is clearly visible in the construction of the top serifs contrasting the curved bottom serifs and the fluid aspect of terminals and tails, such as on ‘g’ and ‘r’. The shapes of the diagonal letters are based on a less formal calligraphic model, but still uses the broad edge pen. — The letters were then subject to a further process of pencil drawing and digital re-interpretation, which gave them the final shape. The designs of ‘e’ and ‘c’ are derived from drawings

8/10 pt (regular & italic) 10/12 pt (regular & italic) 12/14 pt (regular & italic) Po ôsmykrát sa vo dňoch 25. 6. – 1. 7. 2012 konal Po ôsmykrát sa vo dňoch 25. 6. – 1. 7. Po ôsmykrát sa vo dňoch 25. 6. – 1. martinský festival divadiel na Slovensku Dotyky a 2012 konal martinský festival divadiel na spojenia a opäť bol jeho každodenný program napl- 7. 2012 konal martinský festival Slovensku Dotyky a spojenia a opäť bol nený až do neskorých nočných hodín. Dramaturgia divadiel na Slovensku Dotyky a spo- nasledovala minuloročný model, kedy v prvý deň jeho každodenný program naplnený až do pod názvom Dotyky a spojenia JUNIOR predstavila neskorých nočných hodín. Dramaturgia jenia a opäť bol jeho každodenný tvorbu vysokých divadelných škôl a výsledky projektu nasledovala minuloročný model, kedy v program naplnený až do neskorých Platforma 11+. Už sa akosi vžilo možno nie veľmi prvý deň pod názvom Dotyky a spojenia nočných hodín. Dramaturgia nasle- šťastné triedenie a stavba programu na základe akejsi hierarchie – ranné predstavenia pre deti a mládež, JUNIOR predstavila tvorbu vysokých diva- dovala minuloročný model, kedy v odpoludňajší blok činoherných predstavení, resp. predsta- delných škôl a výsledky projektu Platforma prvý deň pod názvom Dotyky a spo- vení kamenných divadiel. Záver každého festivalového dňa 11+. Už sa akosi vžilo možno nie veľmi šťastné jenia JUNIOR predstavila tvorbu vyso- zavŕšila tzv. alternatíva. To je však veľmi zjednodušené triedenie a stavba programu na základe akejsi pomenovanie, ktoré vlastne ani príliš nekorešponduje s tým, hierarchie – ranné predstavenia pre deti a mlá- kých divadelných škôl a výsledky projektu čo si pod termínom alternatívne divadlo môžeme predstaviť. Platforma 11+. Už sa akosi vžilo možno Vo väčšine prípadov šlo o klasické činoherné divadlo. Jediným dež, odpoludňajší blok činoherných predstavení, alternatívnym prvkom bol čas uvedenia, ktorý skôr ako resp. predstavení kamenných divadiel. Záver nie veľmi šťastné triedenie a stavba pro-

8/10 pt (regular & italic) 10/12 pt (regular & italic) 12/14 pt (regular & italic) Wer derzeit nach der Abenddämmerung den Blick Wer derzeit nach der Abenddämmerung Wer derzeit nach der Abenddämme- nach oben schweifen lässt, der kann bei klarem den Blick nach oben schweifen lässt, der Himmel zwei rätselhafte, nahe beieinander liegende rung den Blick nach oben schweifen kann bei klarem Himmel zwei rätselhafte, Lichter sehen. Die Folge: Bei Werner Walter, Betreiber lässt, der kann bei klarem Himmel einer bundesweiten UFO-Meldestelle, steht das nahe beieinander liegende Lichter sehen. Telefon nicht mehr still. Außerirdischen-Besuch oder Die Folge: Bei Werner Walter, Betreiber zwei rätselhafte, nahe beieinander falscher Alarm? Wir haben uns von dem UFO-Exper- einer bundesweiten UFO-Meldestelle, steht liegende Lichter sehen. Die Folge: Bei ten aufklären lassen. Werner Walter glühen die Ohren das Telefon nicht mehr still. Außerirdi- Werner Walter, Betreiber einer bun- in diesen Tagen. Der Grund: Immer mehr Meldungen über mysteriöse Lichter am Himmel gehen bei seiner schen-Besuch oder falscher Alarm? Wir desweiten UFO-Meldestelle, steht das bundesweiten UFO-Meldestelle ein. Die meisten der haben uns von dem UFO-Experten aufklären Telefon nicht mehr still. Außerirdischen- Anrufer beschreiben das Gleiche: zwei ungewöhnliche, leicht lassen. Werner Walter glühen die Ohren in die- Besuch oder falscher Alarm? Wir haben uns versetzte Lichtpunkte am Nachthimmel. Sie blinken nicht, sen Tagen. Der Grund: Immer mehr Meldungen weshalb es sich dabei nicht um Flugzeuge handeln kann. über mysteriöse Lichter am Himmel gehen bei von dem UFO-Experten aufklären lassen. Kommen sie nun doch, um uns zu holen, die Außerirdischen? Werner Walter glühen die Ohren in diesen Jupiter und Venus gehen derzeit auf Tuchfühlung. Mit dieser seiner bundesweiten UFO-Meldestelle ein. Die Frage geraten die Anrufer zu Herrn Walter. meisten der Anrufer beschreiben das Gleiche: Tagen. Der Grund: Immer mehr Meldungen

8/10 pt (regular & italic) 10/12 pt (regular & italic) 12/14 pt (regular & italic) La modelo estadounidense de origen brasileño Sheyla La modelo estadounidense de origen brasi- La modelo estadounidense de origen Hershey, de 32 años, ha protagonizado un suceso del leño Sheyla Hershey, de 32 años, ha protago- que ha salido con vida gracias a sus grandes pechos, que brasileño Sheyla Hershey, de 32 años, nizado un suceso del que ha salido con vida amortiguaron el impacto del choque de su coche contra ha protagonizado un suceso del que un árbol. Hershey, residente en la pequeña ciudad de gracias a sus grandes pechos, que amortigua- Humble, Texas, se dirigía a su casa cuando su coche se ron el impacto del choque de su coche contra ha salido con vida gracias a sus gran- salió de la carretera y se estampó con un árbol. La mode- un árbol. Hershey, residente en la pequeña des pechos, que amortiguaron el im- lo no llevaba puesto el cinturón de seguridad y el airbag ciudad de Humble, Texas, se dirigía a su casa pacto del choque de su coche contra no se activó pero sí lo hicieron sus airbag artificiales, los implantes mamarios que le concedieron el Guinness y cuando su coche se salió de la carretera y se un árbol. Hershey, residente en la peque en esta ocasión amortiguaron el impacto. «Me salva- estampó con un árbol. La modelo no llevaba queña ciudad de Humble, Texas, se ron la vida, mis pechos amortiguaron el impacto del golpe. Sin puesto el cinturón de seguridad y el airbag no se dirigía a su casa cuando su coche se ellos, estaría muerta», ha afirmado Hershey en un informativo activó pero sí lo hicieron sus airbag artificiales, los de la televisión local. Sin embargo, los implantes mamarios le implantes mamarios que le concedieron el Guin- salió de la carretera y se estampó con han ocasionado bastantes problemas a Hershey. En verano de un árbol. La modelo no llevaba puesto 2010 sufrió una infección en ellos y unos mese después fue so- ness y que en esta ocasión amortiguaron el impac- metida a una intervención para quitarle parte de los implantes. to. «Me salvaron la vida, mis pechos amortiguaron el cinturón de seguridad y el airbag no se

18/22 pt (regular) Calligraphy, be it done with the broad-edge pen, brush, or other tools, has been fundamental in the development of Eskapade. Its influence is clearly visible in the construction of the top serifs contrasting the curved bottom serifs and the fluid aspect of terminals and tails, such as on ‘g’ and ‘r’. The shapes of the diagonal letters are based on a less formal calligraphic model, but still uses the broad edge pen. — The letters were then subject to a further process of pencil drawing and digital re-interpretation, which gave them the final shape. The designs of ‘e’ and

18/22 pt (italic) Calligraphy, be it done with the broad-edge pen, brush, or other tools, has been fundamental in the development of Eskapade. Its influence is clearly visible in the construction of the top serifs contrasting the curved bottom serifs and the fluid aspect of terminals and tails, such as on ‘g’ and ‘r’. The shapes of the diagonal letters are based on a less formal calligraphic model, but still uses the broad edge pen. — The letters were then subject to a further process of pencil drawing and digital re-interpretation, which gave them the final shape. The designs of ‘e’ and ‘c’ are derived from drawings made with only one con-

18/22 pt (regular & italic | initials) Calligraphy, be it done with the broad-edge pen, brush, or other tools, has been fundamental in the development of Eskapade. Its influence is clearly visible in the construction of the top serifs contrasting the curved bottom serifs and the fluid aspect of terminals and tails, such as on ‘g’ and ‘r’. The shapes of the diagonal letters are based on a less formal calligraphic model, but still uses the broad edge pen. — The letters were then subject to a further process of pencil drawing and digital re-interpretation, which gave them the final shape. The designs of ‘e’ and ‘c’ are derived from drawings made with only one continuous line, with the pencil

24/26 pt (black) Calligraphy, be it done with the broad-edge pen, brush, or other tools, has been fundamental in the development of Eskapade. Its influence is clearly visible in the construction of the top serifs contrasting 24/26 pt (black italic) Calligraphy, be it done with the broad-edge pen, brush, or other tools, has been fundamental in the development of Eskapade. Its influence is clearly visible in the construction of the top serifs contrasting

20/22 pt (black) Calligraphy, be it done with the broad-edge pen, brush, or other tools, has been fundamental in the development of Eskapade. Its influence is clearly visible in the construction of the top serifs contrasting the curved bottom serifs and the fluid aspect of terminals and tails, such as on ‘g’ and ‘r’. The

20/22 pt (black italic) Calligraphy, be it done with the broad-edge pen, brush, or other tools, has been fundamental in the development of Eskapade. Its influence is clearly visible in the construction of the top serifs contrasting the curved bottom serifs and the fluid aspect of terminals and tails, such as on ‘g’ and ‘r’. The shapes of the diago-

18/22 pt (black regular & black italic | initials) 18/22 pt (black regular & black italic | initials) Calligraphy, be it done with the Calligraphy, be it done with the broad-edge pen, brush, or other broad-edge pen, brush, or other tools, has been fundamental in tools, has been fundamental in the development of Eskapade. the development of Eskapade. Its influence is clearly visible in Its influence is clearly visible in the construction of the top ser- the construction of the top ser-

8/10 pt (regular & italic) 10/12 pt (regular & italic) 12/14 pt (regular & italic) To nejalterantivnější, nejexperimentálnější a možná i To nejalterantivnější, nejexperimentálnější To nejalterantivnější, nejexperimen- nejodvážnější v českém profesionálním divadle se a možná i nejodvážnější v českém pro- dnes odehrává především na jevištích divadel pro děti tálnější a možná i nejodvážnější fesionálním divadle se dnes odehrává a mládež. Začaly to kdysi Buchty a loutky svými pohádkami v českém profesionálním divadle pro zlobivé děti. Koncepcí divadla pro celou rodinu především na jevištích divadel pro děti a se o něco podobného pokoušeli Hana Burešová s mládež. Začaly to kdysi Buchty a loutky svými se dnes odehrává především na Janem Bornou v Divadle v Dlouhé. Razantně do pohádkami pro zlobivé děti. Koncepcí divadla jevištích divadel pro děti a mlá- trendu odvážného, experimentálního – tedy v zásadě pro celou rodinu se o něco podobného dež. Začaly to kdysi Buchty a loutky alternativního – divadla pro děti vstoupil ale až Jiří Adámek v pražském Divadle Minor svou inscenací Z pokoušeli Hana Burešová s Janem Bornou svými pohádkami pro zlobivé děti. knihy džunglí. Byla (a stále je) magickým „hmatovým“ v Divadle v Dlouhé. Razantně do trendu Koncepcí divadla pro celou rodinu divadlem interpretovaným v netradičním prostoru, odvážného, experimentálního – tedy v se o něco podobného pokoušeli s přímým, živým kontaktem s herci a využíváním zásadě alternativního – divadla pro děti až burianovských voicebandů. Minor dnes oslovuje vstoupil ale až Jiří Adámek v pražském Hana Burešová s Janem Bornou tvůrce právě z tohoto divadelního podhoubí. Nebojí se v Divadle v Dlouhé. Razantně do hledat neznámé formy a mapovat neobvyklá témata. Divadle Minor svou inscenací Z knihy Jinou cestu alternativnímu divadlu pro děti (a mlá- džunglí. Byla (a stále je) magickým „hma- trendu odvážného, experimentál-

8/10 pt (regular & italic) 10/12 pt (regular & italic) 12/14 pt (regular & italic) Wer derzeit nach der Abenddämmerung den Blick nach Wer derzeit nach der Abenddämmerung den Wer derzeit nach der Abenddämme- oben schweifen lässt, der kann bei klarem Himmel zwei Blick nach oben schweifen lässt, der kann rätselhafte, nahe beieinander liegende Lichter sehen. Die rung den Blick nach oben schweifen bei klarem Himmel zwei rätselhafte, nahe Folge: Bei Werner Walter, Betreiber einer bundesweiten lässt, der kann bei klarem Himmel zwei UFO-Meldestelle, steht das Telefon nicht mehr still. beieinander liegende Lichter sehen. Die Folge: Außerirdischen-Besuch oder falscher Alarm? Wir haben uns Bei Werner Walter, Betreiber einer bundeswei- rätselhafte, nahe beieinander liegende von dem UFO-Experten aufklären lassen. Werner Walter ten UFO-Meldestelle, steht das Telefon nicht Lichter sehen. Die Folge: Bei Werner glühen die Ohren in diesen Tagen. Der Grund: Immer mehr mehr still. Außerirdischen-Besuch oder falscher Walter, Betreiber einer bundesweiten Meldungen über mysteriöse Lichter am Himmel gehen bei seiner bundesweiten UFO-Meldestelle ein. Die meisten der Alarm? Wir haben uns von dem UFO-Experten UFO-Meldestelle, steht das Telefon nicht Anrufer beschreiben das Gleiche: zwei ungewöhnliche, leicht aufklären lassen. Werner Walter glühen die mehr still. Außerirdischen-Besuch oder versetzte Lichtpunkte am Nachthimmel. Sie blinken nicht, wes- Ohren in diesen Tagen. Der Grund: Immer mehr falscher Alarm? Wir haben uns von dem halb es sich dabei nicht um Flugzeuge handeln kann. Kommen Meldungen über mysteriöse Lichter am Himmel sie nun doch, um uns zu holen, die Außerirdischen? Jupiter und gehen bei seiner bundesweiten UFO-Meldestelle ein. UFO-Experten aufklären lassen. Werner Venus gehen derzeit auf Tuchfühlung. Mit dieser Frage geraten Walter glühen die Ohren in diesen Tagen. die Anrufer zu Herrn Walter. Seine UFO-Meldestelle mit Sitz in Die meisten der Anrufer beschreiben das Gleiche: Mannheim hat es sich zum Ziel gesetzt, angebliche UFO-Rätsel zwei ungewöhnliche, leicht versetzte Lichtpunkte Der Grund: Immer mehr Meldungen über

8/10 pt (regular & italic) 10/12 pt (regular & italic) 12/14 pt (regular & italic) La modelo estadounidense de origen brasileño Sheyla Hers- La modelo estadounidense de origen brasileño La modelo estadounidense de origen hey, de 32 años, ha protagonizado un suceso del que ha salido Sheyla Hershey, de 32 años, ha protagonizado un con vida gracias a sus grandes pechos, que amortiguaron el brasileño Sheyla Hershey, de 32 años, suceso del que ha salido con vida gracias a sus impacto del choque de su coche contra un árbol. Hershey, ha protagonizado un suceso del que ha residente en la pequeña ciudad de Humble, Texas, se dirigía grandes pechos, que amortiguaron el impacto del a su casa cuando su coche se salió de la carretera y se estampó choque de su coche contra un árbol. Hershey, re- salido con vida gracias a sus grandes con un árbol. La modelo no llevaba puesto el cinturón de sidente en la pequeña ciudad de Humble, Texas, pechos, que amortiguaron el impacto seguridad y el airbag no se activó pero sí lo hicieron sus air- se dirigía a su casa cuando su coche se salió de la del choque de su coche contra un árbol. bag artificiales, los implantes mamarios que le concedieron el Guinness y que en esta ocasión amortiguaron el impacto. carretera y se estampó con un árbol. La modelo no Hershey, residente en la pequeña ciudad de «Me salvaron la vida, mis pechos amortiguaron el impacto llevaba puesto el cinturón de seguridad y el airbag no Humble, Texas, se dirigía a su casa cuando del golpe. Sin ellos, estaría muerta», ha afirmado Hershey en se activó pero sí lo hicieron sus airbag artificiales, los su coche se salió de la carretera y se estampó un informativo de la televisión local. Sin embargo, los implantes implantes mamarios que le concedieron el Guinness mamarios le han ocasionado bastantes problemas a Hershey. En y que en esta ocasión amortiguaron el impacto. «Me con un árbol. La modelo no llevaba puesto verano de 2010 sufrió una infección en ellos y unos mese después el cinturón de seguridad y el airbag no se fue sometida a una intervención para quitarle parte de los im- salvaron la vida, mis pechos amortiguaron el impac- plantes. La modelo no llevaba puesto el cinturón de seguridad y to del golpe. Sin ellos, estaría muerta», ha afirmado activó pero sí lo hicieron sus airbag artifi-

¿para texto? ¿PARA TEXTO? all caps 1708% a–b [ende] 1708% A–B [ENDE] ligatures aufbau, fjord, affiliate aufbau, fjord, affiliate

discretionary ligatures häckeln, Achtung, Then häckeln, Achtung, Then

proportional figures 0123456789£$¢€¥ƒ¤ 0123456789£$¢€¥ƒ¤

tabular figures 0123456789£$¢€¥ƒ¤ 0123456789£$¢€¥ƒ¤

numerator / denominator 0123456789/0123456789 0123456789/0123456789

arbitrary fractions 1/2 3/4 1/6 5/7 2/9 1/2 3/4 1/6 5/7 2/9 34/670

superior / inferior H2O xb8 y35 4Index H2O xb8 y35 4Index

ordinals 1o 2a 1o 2a

(long s) historical form Lost paradise Loſt paradiſe romanian/moldavian findik mulţumesc findik mulțumesc

swash caps (stylistic set 1) ABCDEFGHIJKLMNOP ABCDEFGHIJKLMNOP only eskapade fraktur QRSTUVWXYZ QRSTUVWXYZ

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Lat supported languages include (Latin): available font sets: Afar, Afrikaans, Albanian, Asturian, Basque, Belarusian, Bosnian, Breton, Catalan, Chamorro, Chichewa, Cornish, Crimean Tatar, Croatian, Czech, Danish, Dutch, English, Esperanto, Eskapade Lat Pro Estonian, Faroese, Finnish, French, Frisian, Friulian, Gaelic (Irish), Gaelic (Scottish), Galician, German, Greenlandic, Hawaiian, Hungarian, Icelandic, Ido, Indonesian, Interlingua, Italian, Eskapade Fraktur Lat Pro Karelian, Kashubian, Kiribati, Kurdish, Ladin, Latin, Latvian, Lithuanian, Luxembourgian, Malay, Maltese, Maori, Northern Sotho, Norwegian (Bokmål), Norwegian (Nynorsk), Occitan, Palauan, Polish, Portuguese, Rarotongan , Romani, Romanian, Romansh, Sami (Inari), Sami (Lule), Sami (Northern), Sami (Southern), Samoan, Sango, Serbian, Shona, Slovak, Slovenian, Sorbian (Lower), Sorbian (Upper), Spanish (Castillian), Swahili, Swati, Swedish, Tagalog (Filipino), Tahitian, Tetum, Tokelauan, Tsonga, Tswana, Turkish, Turkmen, Veps, Wallisian, Walloon, Welsh, Wolof, Yapese, …

Pro extended typographic features: Basic ligatures, 4 sets of figures (lining, tabular lining, old-style, tabular old-style), arbitrary fractions, superiors & inferiors, decorative caps, class kerning, case sensitive characters.

the designer Upgrade from single weight to Eskapade, Type Design: Alisa Nowak is a native German independent full bundle Alisa Nowak type and graphic designer based in the north Buy a single weight (or more) now and get www.type-together.com/eskapade of France. reimbursed if you buy the whole font bundle During her studies of visual communi- later at any time. This is a great way to explore © TypeTogether cation at “Fachhochschule Düsseldorf”, a new typeface without full commitment. To Eskapade is a registered trademark of she spent one year as exchange student in take advantage of this, please write and email TypeTogether. All rights reserved. Besançon, where she focused her interest on to [email protected] For further information, pricing and ordering, type design. please visit www.type-together.com After her diploma in 2009 in Düsseldorf, custom work she specialised in designing typefaces in the We offer custom type solutions tailored to the context of formation “post-diplôme typogra- customer’s needs. This may include new type- phie & langage at École supérieure d’art et de faces developed from scratch, font modifica- design d’Amiens” in France. tions of existing typefaces, extension of lan- Currently she is teaching there calligraphy guage support or creation of logotypes. Please & type design. At the same time she contin- contact us for details. ues to design typefaces with a great interest in German scripts. Since 2012 she is also webfonts working at Parisian type foundries. We have partnered up with Typekit, Fontdeck, and Fonts.com that are able to reliably serve our fonts to your websites and provide you with the necessary technical support. Self-hosting is availabe for websites with over 1 million pageviews per month. Please contact us, if you wish to use this service. [email protected]