Choir Chaperones
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Durham E-Theses
Durham E-Theses The priesthood of Christ in Anglican doctrine and devotion: 1827 - 1900 Hancock, Christopher David How to cite: Hancock, Christopher David (1984) The priesthood of Christ in Anglican doctrine and devotion: 1827 - 1900, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/7473/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 VOLUME II 'THE PRIESTHOOD OF CHRIST IN ANGLICAN DOCTRINE AND DEVOTION: 1827 -1900' BY CHRISTOPHER DAVID HANCOCK The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. Submitted for the Degree of Doctor of Philosophy, University of Durham, Department of Theology, 1984 17. JUL. 1985 CONTENTS VOLUME. II NOTES PREFACE 1 INTRODUCTION 4 CHAPTER I 26 CHAPTER II 46 CHAPTER III 63 CHAPTER IV 76 CHAPTER V 91 CHAPTER VI 104 CHAPTER VII 122 CHAPTER VIII 137 ABBREVIATIONS 154 BIBLIOGRAPHY 155 1 NOTES PREFACE 1 Cf. -
REACHING out a Celebration of the Work of the Choir Schools’ Association
REACHING OUT A celebration of the work of the Choir Schools’ Association The Choir Schools’ Association represents 46 schools attached to cathedrals, churches and college chapels educating some 25,000 children. A further 13 cathedral foundations, who draw their choristers from local schools, hold associate membership. In total CSA members look after nearly 1700 boy and girl choristers. Some schools cater for children up to 13. Others are junior schools attached to senior schools through to 18. Many are Church of England but the Roman Catholic, Scottish and Welsh churches are all represented. Most choir schools are independent but five of the country’s finest maintained schools are CSA members. Being a chorister is a huge commitment for children and parents alike. In exchange for their singing they receive an excellent musical training and first-class academic and all-round education. They acquire self- discipline and a passion for music which stay with them for the rest of their lives. CONTENTS Introduction by Katharine, Duchess of Kent ..................................................................... 1 Opportunity for All ................................................................................................................. 2 The Scholarship Scheme ....................................................................................................... 4 CSA’s Chorister Fund ............................................................................................................. 6 Finding Choristers ................................................................................................................. -
Location of Choir and Musical Instruments, January 2012
ARCHDIOCESE OF PHILADELPHIA Office for Liturgical Music 222 North Seventeenth Street ! Philadelphia, Pennsylvania 19103-1299 215-587-3696 www.ArchPhilaMusic.org www.CathedralPhilaConcerts.org LOCATION OF CHOIR AND MUSICAL INSTRUMENTS COMMENTARY OFFICE FOR WORSHIP ARCHDIOCESE OF PHILADELPHIA Sacrosanctum Concilium, the document of the Second Vatican Council on the Sacred Liturgy, speaks clearly of the importance of music in the liturgy and, while urging that “choirs … be diligently promoted,” insists that “religious singing by the people … be skillfully fostered.” Implicit is the recognition of the special service and gift given to the people of God by skilled ministers of music who are, at the same time, members of the community at prayer. Subsequent Church documents and statements by the United States Conference of Catholic Bishops support, develop, and expand upon Sacrosanctum Concilium regarding music ministers. In particular, they speak of the proper location of the choir, cantor, and other musicians in the church building itself -- as both musicians and members of the assembly. The Office for Worship of the Archdiocese of Philadelphia, based upon the norms expressed in liturgical documents regarding the placement of musicians, offers the following guidelines to pastors, musicians, and worship committees. Musicians (choir, cantor, instrumentalists), recognized and appreciated for the special gift they bring to the celebration of the Sacred Liturgy, must be located in the church in such a way that they are also clearly perceived to be members of the worshipping assembly. While lending their special training and skill, they must also be servants of the Sacred Liturgy and members of the community at prayer. -
Winchester Cathedral Record 2020 Number 89
Winchester Cathedral Record 2020 Number 89 Friends of Winchester Cathedral 2 The Close, Winchester, Hampshire SO23 9LS 01962 857 245 [email protected] www.winchester-cathedral.org.uk Registered Charity No. 220218 Friends of Winchester Cathedral 2020 Royal Patron Her Majesty the Queen Patron The Right Reverend Tim Dakin, Bishop of Winchester President The Very Reverend Catherine Ogle, Dean of Winchester Ex Officio Vice-Presidents Nigel Atkinson Esq, HM Lord Lieutenant of Hampshire Cllr Patrick Cunningham, The Right Worshipful, the Mayor of Winchester Ms Jean Ritchie QC, Cathedral Council Chairman Honorary Vice-President Mo Hearn BOARD OF TRUSTEES Bruce Parker, Chairman Tom Watson, Vice-Chairman David Fellowes, Treasurer Jenny Hilton, Natalie Shaw Nigel Spicer, Cindy Wood Ex Officio Chapter Trustees The Very Reverend Catherine Ogle, Dean of Winchester The Reverend Canon Andy Trenier, Precentor and Sacrist STAFF Lucy Hutchin, Director Lesley Mead Leisl Porter Friends’ Prayer Most glorious Lord of life, Who gave to your disciples the precious name of friends: accept our thanks for this Cathedral Church, built and adorned to your glory and alive with prayer and grant that its company of Friends may so serve and honour you in this life that they come to enjoy the fullness of your promises within the eternal fellowship of your grace; and this we ask for your name’s sake. Amen. Welcome What we have all missed most during this dreadfully long pandemic is human contact with others. Our own organisation is what it says in the official title it was given in 1931, an Association of Friends. -
Diocese of Newcastle Prayer Diary September 2021
Diocese of Newcastle Prayer Diary September 2021 1 Wednesday 4 Saturday Giles of Provence, hermit, c.710 Birinus, bishop of Dorchester, apostle of Wessex, • Diocese of Ekiti West (Nigeria) 650 Bp Rufus Adepoju • Diocese of Ely • Diocese of Møre: Bp Stephen Conway Bishop Ingeborg Midttømme • Diocese of Møre: • Diocese of Newcastle: Department manager on church subjects: Diocesan Director of Education: Arvid Helle Paul Rickeard • Tynemouth Deanery: Area Dean: Tim Mayfield 2 Thursday Martyrs of Papua New Guinea, 1901, 1942 This week … • Diocese of Eldoret (Kenya) Bp Christopher Ruto ‘You do well if you really fulfil the royal law • Diocese of Møre: The Diocesan Council according to the scripture, “You shall love • Diocese of Newcastle: your neighbour as yourself”.’ (James 2:8) Assistant Directors of Education (School The King of love pours out his love on us: Effectiveness): Ann Vernon, Jo Warner let’s pray that we might have the grace and Assistant Director of Education courage to love ourselves, as well as the (Governance): Liane Atkin grace and opportunity to share God’s love • The Mothers’ Union: For Mothers’ Union generously with our others. Gift Aid recorder Lesley Bolton who works to support the finances in the organisation, 5 FOURTEENTH SUNDAY AFTER TRINITY enabling more outreach to happen • Porvoo Communion: 3 Friday Diocese of Ribe (Evangelical Lutheran Church Gregory the Great, bishop of Rome, teacher of in Denmark) the faith, 604 Diocese of St Asaph (Church in Wales) • Diocese of Port Elizabeth (South Africa) Diocese of Salisbury -
The Acoustics of the Choir in Spanish Cathedrals
acoustics Article The Acoustics of the Choir in Spanish Cathedrals Alicia Alonso * , Rafael Suárez and Juan J. Sendra Instituto Universitario de Arquitectura y Ciencias de la Construcción, Escuela Técnica Superior de Arquitectura, Universidad de Sevilla, Seville 41012, Spain; [email protected] (R.S.); [email protected] (J.J.S.) * Correspondence: [email protected]; Tel.: +34-954-559-51 Received: 13 November 2018; Accepted: 4 December 2018; Published: 6 December 2018 Abstract: One of the most significant enclosures in worship spaces is that of the choir. Generally, from a historical point of view, the choir is a semi-enclosed and privileged area reserved for the clergy, whose position and configuration gives it a private character. Regarding the generation and transformation of ecclesial interior spaces, the choir commands a role of the first magnitude. Its shape and location produce, on occasions, major modifications that significantly affect the acoustics of these indoor spaces. In the case of Spanish cathedrals, whose design responds to the so-called “Spanish type”, the central position of the choir, enclosed by high stonework walls on three of its sides and with numerous wooden stalls inside, breaks up the space in the main nave, thereby generating other new spaces, such as the trascoro. The aim of this work was to analyse the acoustic evolution of the choir as one of the main elements that configure the sound space of Spanish cathedrals. By means of in situ measurements and simulation models, the main acoustic parameters were evaluated, both in their current state and in their original configurations that have since disappeared. -
Lancelot Andrewes' Doctrine of the Incarnation
Lancelot Andrewes’ Doctrine of the Incarnation Respectfully Submitted to the Faculty of Nashotah House In Fulfillment of the Requirements for The Degree of Master of Theological Studies Davidson R. Morse Nashotah House May 2003 1 Acknowledgements I am deeply indebted to the whole faculty of Nashotah House Seminary for the care and encouragement I received while researching and writing this thesis. Greatest thanks, however, goes to the Rev. Dr. Charles Henery, who directed and edited the work. His encyclopedic knowledge of the theology and literature of the Anglican tradition are both formidable and inspirational. I count him not only a mentor, but also a friend. Thanks also goes to the Rev. Dr. Tom Holtzen for his guidance in my research on the Christological controversies and points of Patristic theology. Finally, I could not have written the thesis without the love and support of my wife. Not only did she manage the house and children alone, but also she graciously encouraged me to pursue and complete the thesis. I dedicate it to her. Rev. Davidson R. Morse Easter Term, 2003 2 O Lord and Father, our King and God, by whose grace the Church was enriched by the great learning and eloquent preaching of thy servant Lancelot Andrewes, but even more by his example of biblical and liturgical prayer: Conform our lives, like his, we beseech thee, to the image of Christ, that our hearts may love thee, our minds serve thee, and our lips proclaim the greatness of thy mercy; through the same Jesus Christ our Lord, who liveth and reigneth with thee and the Holy Spirit, one God, now and for ever. -
Cathedral Statistics 2019
Cathedral Statistics 2019 Research and Statistics Church House Great Smith Street London SW1P 3AZ Tel: 020 7898 1547 Published 2020 by Research and Statistics. Copyright © Research and Statistics 2020 All rights reserved. This document is available on line at https://www.churchofengland.org/researchandstats Any reproduction of the whole or any part of the document should reference: Church of England Research and Statistics, Great Smith Street, London SW1P 3AZ Email: [email protected] Twitter: @cofestats The opinions expressed in this booklet are those of the authors and do not necessarily reflect the official policy of the General Synod or National Church Institutions of the Church of England. 1 Summary This report presents information about worship and other activities taking place in Church of England cathedrals from 1st January to 31st December 2019. Data are collected from all 42 mainland Church of England cathedrals and from Westminster Abbey, through an annual cathedral statistics survey. Among other things, the survey asks about attendance at Sunday and midweek services; Easter and Christmas services; school visits; baptisms, marriages, and funerals; musical activities and volunteering. For reference, the survey form and guidance notes can be found in Appendix 2. Worship attendance (page 7) • A total of 37,300 people per week (82% adults and 18% children aged under 16) were reported attending usual cathedral services in 2019, a similar number to 2018 (37,100). Total weekly attendance is 13% larger in 2019 than it was a decade ago in 2009. • Weekly attendance at usual cathedral services is split fairly evenly between Sunday (47%) and midweek (53%) services. -
Altar Server Guidelines for St. John the Baptist Catholic Church
Altar Server Guidelines for St. John the Baptist Catholic Church Altar Servers Guidelines: St. John the Baptist, Dunnellon PRELIMINARIES: General Information Number of Servers Needed: Generally at weekend Masses, in the Catholic World, Altar Servers number from 2-6 servers. For pastoral reasons of promoting Children and Youth Ministry in the parish, as far as possible, we’ll need 3-5 “youth” Altar Servers for the Sunday 10.30 am Mass: three servers, if no incense is used and five servers if incense is used. If incense is NOT USED, we need only the Server Captain/Cross Bearer and the two Acolytes (Candle Bearers). If incense is USED, we need five servers, while three performs the roles already stated, the remaining two (only very mature and capable teenagers) will play the role of the Thurifer and the Incense Boat Bearer. In any case, three servers: the Server Captain/Cross Bearer and the two Acolytes sit on the altar, while the Thurifer and the Incense Boat Bearer both sit at the Baptistry area. NOTE: As a general rule, when the congregation stands or kneels, the Servers stand (except during the Consecration of the Bread and Wine: At this time, the servers should kneel, unless they are adults with knee problem). While standing and/or walking the Servers are to hold their hands in the praying position. The praying position is with palms of the hands together, fingers extended, thumbs crossed, hands chest high such that finger tips are about shoulder high. When the congregation sits, the Servers sit. In the sitting position the Servers’ hands should be on their laps. -
The Unifying Role of the Choir Screen in Gothic Churches Author(S): Jacqueline E
Beyond the Barrier: The Unifying Role of the Choir Screen in Gothic Churches Author(s): Jacqueline E. Jung Source: The Art Bulletin, Vol. 82, No. 4, (Dec., 2000), pp. 622-657 Published by: College Art Association Stable URL: http://www.jstor.org/stable/3051415 Accessed: 29/04/2008 18:56 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=caa. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We enable the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org Beyond the Barrier: The Unifying Role of the Choir Screen in Gothic Churches JacquelineE. Jung Thomas Hardy's early novel A Laodicean (first published in in church rituals, "anti-pastoral devices"4 designed to prevent 1881) focuses on the relationship between Paula Power, a ordinary people from gaining access to the sacred mysteries. -
The Preacher's Voice in Early Seventeenth‐Century Posthumous
Page 1 of 30 Renaissance Studies 1 Recent studies in the early modern sermon suggest that preaching matters more than print. Peter McCullough, one of the most important sermon scholars working today (and the general editor of the Oxford edition of Donne’s sermons), argues, in the ‘Introduction’ to his volume of Launcelot Andrewes’ sermons, that ‘Sermons, although avidly consumed by Elizabethan and Jacobean readers, were first and foremost live, theatrical events. As Vickers has said of classical oratory, they are “performance-art”’ (xxxviii). In another article, McCullough suggests that ‘It is dangerous… to treat “sermons” as an undifferentiated category to which the same kinds of interpretation always apply. Early modern sermons – whether “elite” or otherwise – were radically occasional pieces of performed writing, contingent upon the contexts in and for which they were delivered. They suffer, in turn, from any interpretative engagement that does not attend carefully to the circumstances outside the remaining textual artefact that moulded and shaped it ab origine ’ (‘Preaching’ 213-4). McCullough is not wrong: it is often the case that sermons need to be studied in context with great care. Court sermons, McCullough’s specialty, especially repay the kind of embedded reading that pays attention to audiences, political and religious context, and other important influences. I take issue, however, with the assumption that our readings of the ‘remaining textual artifact’ need always to be embedded in the performance of the sermon in the pulpit. I certainly agree that we must not read all sermons as if Accepted Article they were ‘undifferentiated’ but that makes it all the more important to recognize when early modern sermons require other modes of reading to discern what’s at stake in their publication for their writers, editors, and readers. -
Cathedral Choir Mark Potvin, Conductor
Cathedral Choir Mark Potvin, conductor 2019 Wisconsin Tour From the Conductor CATHEDRAL CHOIR Cathedral Choir is one of five auditioned choirs at Luther Welcome, one and all! We are delighted you have chosen College. The ensemble is composed of select singers drawn to join us for this performance. mostly from the rich talent of the college’s sophomore class. Cathedral Choir participates actively in campus worship, Cathedral Choir’s program evokes faith experiences in Christmas at Luther, and at special events and concerts that stem from disparate emotional states and cultural throughout the academic year. backgrounds. In Praise and Petition, the choir explores Cathedral Choir has collaborated with Collegiate Chorale, prayers representative of deep despair and certain hope. Nordic Choir, and the Luther College Symphony Orchestra to perform major choral/orchestral works, such as Brahms’ Two of the selections in this selection—“Hear My Prayer” A German Requiem, Haydn’s Lord Nelson Mass, Handel’s and “Timor et Tremor”—are vastly different settings of Messiah, and the premiere of Luther Mass by Stephen similar texts. The first is a chromatic, angst-ridden prayer Paulus. In October 2017, Cathedral joined Collegiate Chorale of penitence. The second hearkens to divine mysteries and Concert Band to premiere a collage cantata composed by Luther alumni and students to commemorate the 500th through peaceful, crystalline tone clusters. The final piece anniversary of the Protestant Reformation. in the set offers the assurance of salvation in the midst Active in the creation of new music, Cathedral Choir has of trials and tribulation, a theme expanded upon in the premiered choral works by Ola Gjeilo, Mack Wilberg, Daniel remainder of the program.