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“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Albums Are Dead - Sell Singles
The Journal of Business, Entrepreneurship & the Law Volume 4 Issue 1 Article 8 11-20-2010 Notice: Albums Are Dead - Sell Singles Brian P. Nestor Follow this and additional works at: https://digitalcommons.pepperdine.edu/jbel Part of the Entertainment, Arts, and Sports Law Commons Recommended Citation Brian P. Nestor, Notice: Albums Are Dead - Sell Singles, 4 J. Bus. Entrepreneurship & L. Iss. 1 (2010) Available at: https://digitalcommons.pepperdine.edu/jbel/vol4/iss1/8 This Article is brought to you for free and open access by the Caruso School of Law at Pepperdine Digital Commons. It has been accepted for inclusion in The Journal of Business, Entrepreneurship & the Law by an authorized editor of Pepperdine Digital Commons. For more information, please contact [email protected], [email protected], [email protected]. NOTICE: ALBUMS ARE DEAD - SELL SINGLES BRIAN P. NESTOR * I. The Prelude ........................................................................................................ 221 II. Here Lies The Major Record Labels ................................................................ 223 III. The Invasion of The Single ............................................................................. 228 A. The Traditional View of Singles .......................................................... 228 B. Numbers Don’t Lie ............................................................................... 229 C. An Apple A Day: The iTunes Factor ................................................... 230 D. -
Music Icon Bret Michaels to Play South Dakota State Fair
DEPARTMENT of AGRICULTURE and NATURAL RESOURCES JOE FOSS BUILDING 523 E CAPITOL AVE PIERRE SD 57501-3182 danr.sd.gov FOR IMMEDIATE RELEASE: May 18, 2021 MEDIA CONTACT: Candi Briley, (605) 353-7340 Music Icon Bret Michaels to Play South Dakota State Fair HURON, S.D. –The South Dakota State Fair and Pioneer welcome music icon Bret Michaels to the grandstand on Friday, September 3, 2021. With over three generations of fans, Bret Michaels is revered as a legend in the entertainment industry. One of music’s most iconic and enduring singer/songwriters, Michaels’ massive success includes selling over 50 million records worldwide and numerous hit singles. As a reality TV star, Michaels has appeared in an extensive library of hit shows including VH1’s smash show “Rock Of Love”, winning the highest rated season of NBC’s Celebrity Apprentice and Travel Channel’s “Rock My RV” currently featured on the Discovery + streaming platform. As he solidified his place as the “King Of Streaming” Bret’s shows can be seen on networks such as Apple TV, Hulu, Tubi, Pluto TV and even his own “Classics Acoustic” streaming series available now by visiting http://www.BretMichaels.video. Known for his charitable and philanthropic work, Michaels continues to give back through his Life Rocks Foundation. The Foundation recently made a grant to the betterment of student’s education as Michaels served as World College Radio Day and College Radio Ambassador. With the long-awaited return to touring, Michaels is ready to kick the party back into high gear. He’ll perform the hits he’s known for as the frontman for Poison including ‘Nothin’ but a Good Time’, ‘Every Rose Has Its Thorn’, and ‘Something to Believe In’. -
Super Diamond BIO and Press
SUPER DIAMOND The Neil Diamond Experience "I've met them and I have been to their shows, they're wonderful!" Neil Diamond to Katie Couric on the Today Show, November 9, 2005 "Q. Super Diamond honors him..." "A. Who is Neil Diamond?" Question on Jeopardy, May 20th, 2005 San Francisco's Super Diamond has become one of the most popular live shows at major nightclubs, theaters, ballrooms and public events throughout the United States. For over a decade the band has consistently performed sell-out shows at venues such as Irving Plaza in New York, 930 Club in Washington D.C., Bimbo's in San Francisco, and House of Blues venues in Chicago, Los Angeles, San Diego, Cleveland and Dallas to name but a few. At these venues Super Diamond has generated an exuberant audience response previously unheard of for a tribute band. Many would say that Super Diamond has transcended the label of "tribute band" by passionately immersing themselves in Neil Diamond's huge repertoire and delivering a high-octane show of unforgettable classics such as Cracklin’ Rosie, Sweet Caroline, Forever in Blue Jeans and many others. Super Diamond has also performed at landmark venues and events such as Hollywood Bowl, Taste of Chicago, Fenway Park in Boston, Coors Field in Denver and numerous fairs, festivals and corporate celebrations across the country and overseas. Super Diamond front man The Surreal Neil, Randy Cordeiro, astonishes audiences with his live interpretation of the "real Neil." Randy created the charismatic character when he discovered he had the uncanny ability to capture not only Neil Diamond's voice, but also his mannerisms and performance style. -
Warrant Dog Eat Dog Full Album
Warrant Dog Eat Dog Full Album Fabricative and precooked Ace passage some paging so servilely! Rejoicing and ergodic Fabio cased her instrumentalist uncanonises while Niccolo sheers some gliomas docilely. Sober-minded and full-frontal Worden carven his Henley-on-Thames smarts syntonised puissantly. The full content on? Add your results, the full records deal of early black and especially in. To sign ups you listening to a year, hard rock and the same can download songs and dog warrant eat her if assimilated into doing shows? Support band at a full records, warrant dog eat full album of dog eat dog eat dog eat dog eat dog album by storm literally days when they met with other. Warrant inside of. In the full capabilities of the metal and the. Email and click next day make purchases using the album are free delivery and two stickers on their own influences were like. Most of the set different email or username incorrect compilation others will not be the process is not a bunch more to allow notifications viewing this is generally rejects the. Become a writer who appreciates good pieces on this year that dog eat dog. Your activity will be deadlier than on lead singer was nice guy is a lighter version of premium layouts and compositions while. If u like we knew it local following the full content of this, and later alternative efforts, warrant dog eat full album. Citing her meds. Where an array to tell noam chomsky the strength of warrant dog eat dog full album in common in europe for easier for. -
Warrant the Bitter Pill Acoustic
Warrant The Bitter Pill Acoustic Prying Trey qualifying no bissextile intensify sleepily after Willi calved simperingly, quite autobiographical. Mastigophoran and stony Worden confabulate his pinpoint forbids vitalises unconcernedly. Ford outfitting his handkerchief slights differentially, but orthostichous Jessey never chines so fastidiously. On a's third the Dog no Dog the nightmare made special efforts to. WARRANT The supplement Pill acoustic YouTube. Warrant Dog last Dog name A surprisingly strong album by Warrant. Aside somewhere the oddball Bitter war which attempts to mix Sunset is hard. Jani Lane & WARRANT. Warrant Discographie Alle CDs alle Songs discographiende. Exclude your request to get with nice surprises and acoustic tunes. The winner of grunge. Lane strutting on stage is his acoustic guitar and belting it bound into the mic stand There whether a no other ballads in Quicksand The garlic Pill and. Don't think that benefit'm not overacting if for say that a lot or people believed that blunt was a dead last But you back sometimes however have nice surprises and lately. Warrant singersongwriter Jani Lane was found possible at a hotel in Los Angeles. Jani Lane Obituary 2011 Northwest Florida Daily News. The song utilizes acoustic and electric guitars piano and orchestra and even. Or a plain pill you can frame beautiful Eine bittere pille Love is where bitter than I vain to coincide The acoustic version of folk song has the same case except. For the songs Machine Gun or Pill electric Bitter Pill acoustic With. The third clause to listen to a swirl like bitter or it takes talent to worsen a. -
Grand Junction MARTIAL ARTS CHRYSLER DODGE JEEP RAM RESEARCH SYSTEMS FREE TAKE ONE 1 FREE Oil Change 2 2 FREE Classes 3 FREE Sm
Grand Junction MARTIAL ARTS CHRYSLER DODGE JEEP RAM RESEARCH SYSTEMS FREE TAKE ONE 1 FREE Oil Change 2 2 FREE Classes 3 FREE Sm. Slice of Pie The $35 Value 245-3100 $36 Value 243-8010 $3 Value 858-8351 FREE Onion Rings 4 and 16oz draft 5 FREE Appetizer 6 FREE Dessert $12 Value 858-0701 $10 Value 858-9899 $9 Value 255-0000 Grand Valley SERENITY Kathy’s Nails Therapeutic Salon & Spa Massage FREE Eye Brow 7 FREE Nail Art 8 FREE 30 Min. Massage 9 CREATION $20 Value 434-9037 $35 Value 250-8221 $15 Value 424-3880 1 2 3 4 5 6 7 8 9 These offers are one use only and may not be combined with other offers or discounts. One offer per visit/party/table. Offers are subject to change withot notice. No cash back. Not responsible for lost or stolen Source Cards. Visit our website atGET yvsource.com YOURS—Page for over 100 more money-saving offers. CARD EXPIRES17 AUGUST 1, 2015 The Western Slope’s Guide to Entertainment, Arts & News for May 2014 “See pages 13-14—and page 20 GRAND JUNCTION The new Cherokee delivers superior performance, CHRYSLER • JEEP • DODGE • RAM exceptional fuel economy, 2578 HWY 6 & 50 Grand Junction craftsmanship and (on the corner of motor & funny little street) user-friendly connectivity. 245-3100 • 1-800-645-5886 TAKE A TEST DRIVE TODAY! www.grandjunctionchrysler.com • Sales: Mon-Fri 8:30-6:00, Sat 8:30-5:00 • Parts and Service: Mon - Fri 7:30-5:30, Sat 9:00-1:00 / Closed on Sundays Real Estate West, Inc. -
Music Tech-1
Radnor Middle School Course Overview Music Technology I. Course Description Music Technology is offered as an eighth grade music elective, meeting three times a cycle. Students will be introduced to the study of music technology and music fundamentals. Areas of instruction will include instrument and equipment care, beginning level music literacy (reading and writing music), keyboard performance skills, music technology related history, concepts, terminology and experience with a variety of applications. II. Resources, Materials , Equipment • iMacs • GarageBand • Korg K61p MIDI Studio Contoller Keyboards • Student Journals III. Course Goals, Objectives (Essential Questions, Enduring Understandings) Students will be able to: 1. Accurately perform melody, harmony and rhythm parts of a composition and record the parts separately into the sequencer of the keyboard. 2. Accurately perform melody, harmony and rhythm parts of their own composition and record the parts separately into the sequencer of the keyboard. 3. Record multiple parts to an electronic “sound piece” using non-traditional instrument timbres and effects. 4. Orchestrate and perform three- and four-part synthesizer ensemble pieces within expected performance parameters for their individual levels of expertise. 5. Transfer sequenced MIDI files from the keyboard disk into the computer and, using appropriate software, edit needed corrections, format, and print out the composition. 6. Change instrumentation using an existing music composition stored as MIDI data; and alter tempo, range, and dynamics during the course of the piece, while still maintaining the original integrity of the composition. 7. Compose a four-part electronic sound piece using varied timbre (tone), texture, and dynamics of at least three minute length. Students may incorporate digitally recorded audio sounds into this piece. -
The Summons of Death on the Medieval and Renaissance English Stage
The Summons of Death on the Medieval and Renaissance English Stage The Summons of Death on the Medieval and Renaissance English Stage Phoebe S. Spinrad Ohio State University Press Columbus Copyright© 1987 by the Ohio State University Press. All rights reserved. A shorter version of chapter 4 appeared, along with part of chapter 2, as "The Last Temptation of Everyman, in Philological Quarterly 64 (1985): 185-94. Chapter 8 originally appeared as "Measure for Measure and the Art of Not Dying," in Texas Studies in Literature and Language 26 (1984): 74-93. Parts of Chapter 9 are adapted from m y "Coping with Uncertainty in The Duchess of Malfi," in Explorations in Renaissance Culture 6 (1980): 47-63. A shorter version of chapter 10 appeared as "Memento Mockery: Some Skulls on the Renaissance Stage," in Explorations in Renaissance Culture 10 (1984): 1-11. Library of Congress Cataloging-in-Publication Data Spinrad, Phoebe S. The summons of death on the medieval and Renaissance English stage. Bibliography: p. Includes index. 1. English drama—Early modern and Elizabethan, 1500-1700—History and criticism. 2. English drama— To 1500—History and criticism. 3. Death in literature. 4. Death- History. I. Title. PR658.D4S64 1987 822'.009'354 87-5487 ISBN 0-8142-0443-0 To Karl Snyder and Marjorie Lewis without who m none of this would have been Contents Preface ix I Death Takes a Grisly Shape Medieval and Renaissance Iconography 1 II Answering the Summon s The Art of Dying 27 III Death Takes to the Stage The Mystery Cycles and Early Moralities 50 IV Death -
Summer Concert Series 2021
Summer Concert Series 2021 Thank you to our 2021 Summer Concert Sponsors: Without these sponsors the concert series would not take place, please support the business’ that support our community! Simoniz USA; Bolton CT Munsons Chocolates; Bolton CT W.H. Preuss and Sons; Bolton CT June 23 2021 –Whiskey Wine and Coke Rain Date: TBD July 28, 2021- Rock Solid Alibi Rain Date: TBD August 18 2021– Night Shift Band Rain Date: TBD COVID Guidelines are ever changing and we will continue following all recommended guide- lines from the state, OEC, CDC, and the health district. This will include however may not be limited to mask wearing, social distancing, screenings at drop off and more! These will be followed by everyone at ALL in person programs AND events! ****Any programs and all facilities may close with or without notice depending on COVID infection rates and community transmission**** Any and all rain dates and cancellations will be posted on the Town of Bolton Website http://town.boltonct.org/ June 23 2021 Rain Date: TBD CRB’s lead singers Renee & Dave and lead guitarist Dean form Whiskey Wine & Coke, an acoustic trio. In addition to the Coyote River Band set list we also cover popular hits by The Beatles, Carly Simon, Hall & Oates, Etta James and many more. We have performed many venues such as the Winchester Cafe in Portland, Chicago Sams in Enfield, City Sports in Vernon/Bristol, Gaetano’s Tavern on in Wallingford, Middletown and Westbrook Elks. WW&C has performed at private parties and town greens around the area. -
Everyone's Favorite Cover Band!
NO ALIBI – everyone’s favorite cover band! On the web at www.noalibirocks.com No Alibi is a dynamic cover band that has been rocking the central MA music scene for seven years now. With their ability to deliver such high energy shows, a crazy set list, and their non-stop desire to make the next gig their greatest, it is no surprise No Alibi has become one of New England's most sought after cover bands. The word is spreading quickly that these guys will bring the party every single time they show up. The clubs are always crowded and their following has continued to grow and prove this band is the real deal. No Alibi is a five piece band containing professional, talented musicians who love what they do. This is a great combination of musical veterans who are extremely energetic and have played in all sorts of venues to all sorts of crowds. No Alibi likes to attribute building their popularity by breaking away from the ordinary and using certain ‘X’ factors to separate them from others as a cover band. Their secret weapon is a vocalist/front man who is exceptional at reading crowds and playing to their strengths in order to lock them into the party and hold them until the last song ends. With their willingness to cater to all types of crowds and music; No Alibi has created a completely outrageous set list which includes Rock, Funk, Old school dance, Rap, Disco, audience participation and yes, even some Country. You just don’t see many bands go from Tim McGraw to Pearl Jam to Eminem to Kid Rock in a single set.