Lincoln Friends of Chamber Music

Total Page:16

File Type:pdf, Size:1020Kb

Lincoln Friends of Chamber Music Lincoln Friends of Chamber Music 1965 - 2005 The First Forty Seasons Lincoln Friends of Chamber Music COMPLETE PROGRAMS 1965 - 2005 Compiled by Audun Ravnan Contents The Concerts ................................................................................................1 The Ensembles............................................................................................32 The Compositions ......................................................................................37 The Statistics...............................................................................................56 -ii- The Concerts The Concerts November 12, 1965 Amadeus Quartet Mozart Quartet in C Major, K. 465 Bartók Quartet No. 4 Brahms Quartet in A Minor, Opus 51, No. 2 February 3, 1966 Prague Quartet Beethoven Quartet in C Minor, Opus 18, No. 4 Hindemith Quartet No. 3, Opus 22 Dvoˇrák Quartet in F Major, Opus 96 (“American”) March 18, 1966 Lincoln Chamber Players Mozart Divertimento No. 4, K. 229 Beethoven Septet in E-flat Major, Opus 20 Martinu˚ Three Madrigals for Violin and Viola Webern Quartet, Opus 22 (1930) Stravinsky Septet (1953) April 22, 1966 Tipton Trio Rameau Suite in A Major for Flute, Piano and Cello Sammartini Sonata in G Major for Cello and Piano C.P.E. Bach Sonata in C Major for Flute and Piano Martinu˚ Trio for Flute, Cello and Piano Rachmaninoff Three Preludes, Opus 23, Nos. 6, 7, and 5 Villa Lobos Jet Whistle for Flute and Cello Damase Sonate en Concert for Flute, Cello and Piano October 28, 1966 Drolc Quartet Haydn Quartet in F Major, Opus 77, No. 2 Ravel Quartet in F Major Schubert Quartet in D Minor, D. 810 (“Death and the Maiden”) December 9, 1966 Lincoln Chamber Players Quantz Trio Sonata in C Minor Dvoˇrák Terzetto, Opus 74, for Two Violins and Viola Etler Allegro Molto from the Sextet (1959) Martinu˚ Rondi Saint-Saëns Septet, Opus 65, for Trumpet, Piano and Strings -1- The Concerts February 10, 1967 Juilliard String Quartet Schumann Quartet in A Minor, Opus 41, No. 1 Bartók Quartet No. 3 Beethoven Quartet in F Major, Opus 59, No. 1 March 10, 1967 Balsam-Kroll-Heifetz Trio Mozart Trio in G Major, K. 564 Beethoven Trio in E-flat Major, Opus 70, No. 2 Piston Trio No. 2 (1966) Brahms Trio in C Minor, Opus 101 November 10, 1967 Guarneri String Quartet Haydn Quartet in G Major, Opus 76, No. 1 Bartók Quartet No. 2 Beethoven Quartet No. 14 in C-sharp Minor, Opus 131 January 12, 1968 Chigiano Sextet Schoenberg Verklärte Nacht, Opus 4 Brahms Sextet in G Major, Opus 36 February 9, 1968 Zagreb String Quartet Haydn Quartet in G Minor, Opus 74, No. 3 Shostakovich Quartet No. 1 in C Major, Opus 49 Beethoven Quartet in C Major, Opus 59, No. 3 March 8, 1968 Lincoln Chamber Players Schubert Octet in F Major, Opus 166, for Strings and Winds Janácekˇ Concertino for Piano and Chamber Orchestra April 26, 1968 Alma Trio Beethoven Trio in E-flat Major, Opus 1, No. 1 Brahms Trio in C Major, Opus 87 Schubert Trio in E-flat Major, Opus 100 October 18, 1968 Allegri Quartet Mozart Quartet in B-flat Major, K. 458 Britten Quartet No. 2 in C Major, Opus 36 Beethoven Quartet in F Major, Opus 135 -2- The Concerts November 12, 1968 Bronislav Gimpel, violin, and Louis Crowder, piano Beethoven Sonata in G Major, Opus 30, No. 3 Debussy Sonata in G Minor Franck Sonata in A Major December 13, 1968 Lincoln Chamber Players Zelenka Sonata VI Beethoven Piano Trio in B-flat Major, Opus 97 (“Archduke”) Hindemith Abendkonzert, Plöner Musiktag No. 4 Casella Serenata January 25, 1969 Borodin Quartet Barber Quartet, Opus 11 Shostakovich Quartet No. 4 in D Major, Opus 83 Schnittke Quartet No. 1 (1966) Mozart Quartet No. 15 in D Minor, K. 421 March 21. 1969 Interlochen Arts Quintet Muller Quintet No. 1 in E-flat Major Villa Lobos Quintet En Forme De Choros Damase Seventeen Variations, Opus 22 Hindemith Kleine Kammermusik, Opus 24, No. 2 November 14, 1969 Deller Consort Madrigals Tomkins Oyez, Has Any Found a Lad? Tomkins Weep No More, Thou Sorry Boy Pilkington Have I Found Her? Weelkes Cease Sorrows Now Wilbye Adieu, Sweet Amaryllis Lute Solos Dowland Orlando Sleepeth Dowland The Earl of Essex, His Galliard Dowland Lachrimae Dowland Sir John Smith, His Allmaine Dowland Fantasie -3- The Concerts November 14, 1969 Deller Consort (cont) Alfred Deller, with Harpsichord Purcell I Attempt from Love’s Sickness to Fly Purcell Crown the Altar Purcell Here Let My Life (with gamba obligato) Cantata Buxtehude In Dulci Jubilo Strings and Continuo Purcell Pavan in A Minor Purcell Sonata in F (“The Golden Sonata”) Voices and Continuo Clarke Blest Be Those Sweet Regions Purcell Close Thine Eyes and Sleep Secure Purcell In Guilty Night Anthem Purcell O Give Thanks January 16, 1970 Bartók Quartet Beethoven Quartet in E-flat Major, Opus 74 (“Harp”) Bartók Quartet No. 6 Debussy Quartet in G Minor, Opus 10 February 13, 1970 La Salle Quartet Mendelssohn Quartet in E-flat Major, Opus 12 Penderecki Quartet (1960) Beethoven Quartet in B-flat Major, Opus 130, with Grosse Fuge, Opus 133 March 27, 1970 Lincoln Chamber Players Mozart Cassation for Oboe, Clarinet, Horn and Bassoon Brahms Trio, Opus 40, for Horn, Violin and Piano Stravinsky L’Histoire du Soldat (Suite) May 1, 1970 Amadeus Quartet Beethoven Quartet in D Major, Opus 18, No. 3 Seiber Quartet No. 3 Brahms Quartet in C Minor, Opus 51, No. 1 -4- The Concerts October 9, 1970 New Cleveland Quartet Haydn Quartet in D Major, Opus 76, No. 5 Berg Quartet, Opus 3 Beethoven Quartet in F Major, Opus 59, No. 1 November 7, 1970 Moscow Trio Tchaikovsky Trio in A Minor, Opus 50 (“To the Memory of a Great Artist”) Haydn Trio in G Major, Hob. 15 Shostakovich Trio in E Minor, Opus 67 December 11, 1970 Lincoln Chamber Players Vivaldi Concerto in G Minor, P. 360 Mozart Trio in B-flat Major, K. 498 Hindemith Septet for Wind Instruments Casella Sinfonia Revueltas Ocho Por Radio February 12, 1971 Dimov Quartet Haydn Quartet in D Major, Opus 64, No. 5 (“Lark”) Webern Quartet, Opus 28 Goleminov Microquator Schumann Quartet in A Major, Opus 41, No. 3 March 19, 1971 New York Brass Quintet Anonymous Sonata from Die Bänkelsängerlieder 16th Century Carmina am Glasel Gabrieli Canzona Prima A 5 Bach Contrapunctus No. IX (from Art of the Fugue) Maurer Three Pieces Haines Sonata for Brass Quintet Nagel Suite for Brass Quartet and Piano Etler Quintet for Brass Instruments (1963) Bozza Sonatine (1950) November 5, 1971 Early Music Quartet Early Monophonic Music (12th Century) El Sabio A Madre (Cantiga) Vidal Baron De Mon Da Covit (Troubadour) Anonymous Tempest Est Jucumdum (Carmina Burana) -5- The Concerts November 5, 1971 Early Music Quartet (cont.) Early Polyphony (13th Century) Anonymous Benedicamus Domino (Organum) Buran Celum Non Animum (Conductus) Cruce Aucune On Trouvé (Motet) Perotin Salvatoris Hodie (Conductus) Late Polyphony: Italy (14th Century) Landino Gram Piant Agli Occhi (Ballata) de Florentia All Ombre d’un Perlara (Madrigal) de Florentia Con Bracchi Assai (Caccia) Late Polyphony: France (15th Century) Dufay Adieu M’Amour (Rondeau) Anonymous On Sus Vous Dormez Trop (Virelais) The “Golden Age” of Spanish Music (16th Century) Anonymous Fertileza Tu Vega Ortiz Ricercada Anonymous Claros Y Frescos Rios Ortiz Ricercada de Moratio Pues Que No Late Italian Renaissance (16th Century) Luzzaschi La Spagna Cara S’io Sedo Anonymous Io Son Maistro Barileto Ortiz Pass E Mezzo Moderno Anonymous Canta Georgia Elizabethan Instrumental Music (ca. 1600) Ferrabosco Spanish Pavinge Cutting Greensleeves Hume Pavane Dowland Adieu for Master Oliver Cromwell Dowland Fantasia Hume Touch Me Sweetly -6- The Concerts December 3, 1971 Fine Arts Quartet Mozart Quartet in F Major, K. 590 Wuorinen String Quartet (1970-71) Dvoˇrák Quartet in A-flat Major, Opus 105 January 28, 1972 Lincoln Chamber Players Bach Concerto in C Minor for Violin and Oboe, S. 1060 Mozart Quintet in E-flat Major for Piano, Oboe, Clarinet, Horn and Bassoon Bozza Suite Breve En Trio for Oboe, Clarinet and Bassoon, Opus 67 Poulenc Le Bal Masqué, Cantata Profane for Baritone and Chamber Orchestra February 25, 1972 Tokyo String Quartet Mozart Quartet in G Major, K. 387 Beethoven Quartet in F Minor, Opus 95 Bartók Quartet No. 1, Opus 7 April 15, 1972 Hungarian Quartet Haydn Quartet in G Major, Opus 77, No. 1 Kodaly Quartet No. 2, Opus 10 Schubert Quartet in G Major, D. 887 (Opus 161) October 27, 1972 Richards Woodwind Quintet Fine Partita for Wind Quintet (1948) Gebauer Quintet No. 2 in E-flat Major Milhaud La Cheminée du roi René (1939) Hindemith Kleine Kammermusik, Opus 24, No. 2 (1922) January 26, 1973 Lincoln Chamber Players Stachowicz Veni Consolator for Soprano, Trumpet and Bassoon Handel Sünder Schaut mit Furcht und Zagen (Brockes’ Passion) Handel Come Ever Smiling Liberty (Judas Maccabeus) Mozart Quartet in G Minor, K. 478, for Piano, Violin, Viola and Cello Bach Mein Gläubiges Herze, Fröhliche (Cantata 68) Bach Seufzer, Thränen, Kummer, Noth (Cantata 21) Ibert Five Pieces for Oboe, Clarinet and Bassoon Martinu˚ Rondi -7- The Concerts February 24, 1973 Juilliard String Quartet Arriaga Quartet No. 1 in D Minor Ives Quartet No. 2 (1913) Ravel Quartet in F Major March 16, 1973 Beaux Arts Trio Haydn Trio in C Major, Hob. XV/27 Ravel Trio in A Minor Schubert Trio in B-flat Major, Opus 99 April 21, 1973 New York String Sextet Boccherini Sextet in F Major, Opus 24, No. 5 Mozart Quintet in C Major, K. 515 Schubert Quintet in C Major, Opus 163 October 26, 1973 Stradivari String Quartet with Richard Stoltzman, clarinet Bartók Quartet No. 3 Brahms Quintet in B Minor for Clarinet and Strings, Opus 115 Mendelssohn Quartet in E-flat Major, Opus 44, No. 3 November 9, 1973 Baroque Ensemble of the U. S. S. R. Boismortier Sonata for Three Melody Instruments and Figured Bass Leclair Sonata No.
Recommended publications
  • 5 Music Cruises 2019 E.Pub
    “The music is not in the notes, but in the silence between.” Wolfgang Amadeus Mozart RHINE 2019 DUDOK QUARTET Aer compleng their studies with disncon at the Dutch String Quartet Academy in 20 3, the Quartet started to have success at internaonal compeons and to be recognized as one of the most promising young European string quartets of the year. In 20 4, they were awarded the Kersjes ,rize for their e-ceponal talent in the Dutch chamber music scene. .he Quartet was also laureate and winner of two special prizes during the 7th Internaonal String Quartet 0ompeon 20 3 1 2ordeau- and won st place at both the st Internaonal String Quartet 0ompeon 20 in 3adom 4,oland5 and the 27th 0harles 6ennen Internaonal 0hamber Music 0ompe7 on 20 2. In 20 2, they received 2nd place at the 8th 9oseph 9oachim Internaonal 0hamber Music 0ompeon in Weimar 4:ermany5. .he members of the quartet ;rst met in the Dutch street sym7 phony orchestra “3iccio=”. From 2009 unl 20 , they stu7 died with the Alban 2erg Quartet at the School of Music in 0ologne, then to study with Marc Danel at the Dutch String Quartet Academy. During the same period, the quartet was coached intensively by Eberhard Feltz, ,eter 0ropper 4Aindsay Quartet5, Auc7Marie Aguera 4Quatuor BsaCe5 and Stefan Metz. Many well7Dnown contemporary classical composers such as Kaija Saariaho, MarD7Anthony .urnage, 0alliope .sou7 paDi and Ma- Knigge also worDed with the quartet. In 20 4, the Quartet signed on for several recordings with 3esonus 0lassics, the worldEs ;rst solely digital classical music label.
    [Show full text]
  • Avalon String Quartet
    Faculty Recital Series Avalon String Quartet Blaise Magnière, violin Richard O. Ryan Endowed Chair in Violin Marie Wang, violin Anthony Devroye, viola Cheng-Hou Lee, cello Saturday, April 17, 2021 7 p.m. Boutell Memorial Concert Hall PROGRAM String Quartet in A minor, No. 2 Florence Price Moderato (1887-1953) Andante cantabile Juba: Allegro Finale: Allegro String Quartet in F Major, Op. 59 No. 1 Ludwig van Beethoven Allegro (1770-1827) Allegretto vivace e sempre scherzando Adagio molto e mesto Thème russe: Allegro PROGRAM NOTES Ludwig van Beethoven: String Quartet in F Major, Op. 59 No. 1 (1806) When Andreas Razumovsky, the Russian ambassador in Vienna, commissioned a set of quartets from Beethoven, the composer threw himself into the project and wrote three in 1806. Exhibiting a breadth and difficulty never before encountered in the medium, the so-called "Razumovsky" Quartets confused both performers and listeners at first but quickly found favor. In these works, Beethoven applied the middle-period style he had initiated in the "Eroica" Symphony of 1803; they also feature "symphonic" passages in which he seems to make the four instruments sound like a string orchestra. Beginning in the cello, the expansive opening theme of the first quartet gently climbs up four octaves. The next theme moves by contrast with leaps and staccato articulations. After a harmonically quirky transition, a graceful secondary melody unfolds, which ends by trading half notes among the voices. The development begins like the exposition (which does not repeat) but suddenly veers off in a new direction; it features a wide variety of textures, including a double fugue.
    [Show full text]
  • Supporting European Art Forms, Oftentimes to the Exclusion of Other Art Forms, Artists, Arts Organizations, and Their Patrons, in Particular People of Color
    SAN FRANCISCO WAR MEMORIAL AND PERFORMING ARTS CENTER RENTAL REQUESTS: June 10, 2021 DAVIES SYMPHONY HALL San Francisco Symphony July 2021 $12,960.00 August 2021 $6,150.00 Rehearsals and performances for July and August. WAR MEMORIAL OPERA HOUSE San Francisco Opera Tech and Packing May 2021 $7,075.00 HERBST THEATRE American Bach Soloists $5,500.00 Baroque Summer Festival August 1, 6 & 7, 2021 New Year's Eve Concert December 31, 2021 UCSF School of Medicine August 8, 2021 $1,375.00 White Coat Ceremony San Francisco Performances $58,800.00 Alexander String Quartet w/ R. Greenberg September 5 & 11, 2021 Concert September 26, 2021 Catalyst Quartet w/ Stewart Goodyear October 7, 2021 Theo Bleckmann October 20, 2021 Brooklyn Rider w/ Nicholas Phan October 21, 2021 Jennifer Koh w/ Misty Mazzoli October 23, 2021 Jan Lisiecki October 27, 2021 Dover Quartet w/ Davone Tynes November 9, 2021 Catalyst Quartet w/ Anthony McGill November 11, 2021 Gift Concert November 16, 2021 Castalian Quartet November 17, 2021 Jonathan Biss December 11, 2021 Golda Schultz January 21, 2022 Alexander String Quartet w/ R. Greenberg January 22, 2022 Alexander String Quartet w/ R. Greenberg January 29, 2022 Steven Isserlis January 29, 2022 Andrew Tyson January 30, 2022 Catalyst Quartet w/ Dashon Burton February 11 , 2022 Dublin Guitar Quartet February 12, 2022 Alexander String Quartet w/ R. Greenberg February 19, 2022 Alexander String Quartet w/ R. Greenberg March 5, 2022 Isata Kanneh-Mason March 7, 2022 Alexander String Quartet w/ R. Greenberg March 12, 2022 Brooklyn
    [Show full text]
  • Bach 759 - J.S
    BACH 759 - J.S. BACH: The Six TRIO SONATAS on the Pedal Harpsichord ______________________________________________________________________________ The Trio Sonata is very much a “Baroque” form, if not a Baroque invention. A three- or four-movement piece, tuneful and light, suitable for family home entertainment, the Trio Sonata normally featured two treble instruments: for example, violin and flute or oboe, with a bass instrument and harpsichord to fill out the harmonies. Instruments used would be whatever was available - home music-making was a popular pastime, and reached a high standard of proficiency. Bach was not satisfied, however, to relegate the bass line to simple accompaniment. An early example of Bach’s Trio Sonatas may be found, surprisingly perhaps, in his Sonatas for Violin and Clavier, BWV 1014-1019 (Baroque Music Collection BACH 719-20), in which the “Trio” consists of Violin, plus the two hands of the Clavier score, each of the three having equal prominence, each participating equally in the fun, with the melody and counterpoint passing freely from one to the other. The Six Trio Sonatas for Two Keyboards and Pedal (für zwey Claviere und Pedal) were composed much later, and in addition to equality between the three parts, provide an extra feature in the form of a severe technical challenge. Forkel, Bach’s first biographer, who drew heavily on the reminiscences of Carl Philip Emmanuel Bach, states categorically that Bach composed these Trio Sonatas in order to perfect the pedal technique of his son Wilhelm Friedemann, an objective which, as Forkel adds, appears to have been admirably achieved. Thus, despite the lively, tuneful character of these almost dance-like pieces, they do in fact conceal a wealth of technical difficulties - almost traps - for the player, particularly in demanding total independence of hands and feet.
    [Show full text]
  • A Chronology of All Artists' Appearances with the Chamber
    75 Years of Chamber Music Excellence: A Chronology of all artists’ appearances with the Chamber Music Society of Louisville st 1 ​ Season, 1938 – 1939 ​ Kathleen Parlow, violin and Gunnar Johansen, piano The Gordon String Quartet The Coolidge Quartet The Heermann Trio nd 2 ​ Season, 1939 – 1940 ​ The Budapest String Quartet The Stradivarius Quartet Marcel Hubert, cello and Harold Dart, piano rd 3 ​ Season, 1940 – 1941 ​ Ralph Kirkpatrick, harpsichord and Lois Wann, oboe Belgian Piano­String Quartet The Coolidge Quartet th 4 ​ Season, 1941 – 1942 ​ The Trio of New York The Musical Art Quartet The Pro Arte Quartet th 5 ​ Season, 1942 – 1943 ​ The Budapest String Quartet The Coolidge Quartet The Stradivarius Quartet th 6 ​ Season, 1943 – 1944 ​ The Budapest String Quartet Gunnar Johansen, piano and Antonio Brosa, violin The Musical Art Quartet th 7 ​ Season, 1944 – 1945 ​ The Budapest String Quartet The Pro Arte Quartet Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord th 8 ​ Season, 1945 – 1946 ​ The Musical Art Quartet Nikolai Graudan, cello and Joanna Graudan, piano Philip Manuel, harpsichord and Gavin Williamson, harpsichord The Budpest String Quartet th 9 ​ Season, 1946 – 1947 ​ The Louisville Philharmonic String Quartet with Doris Davis, piano The Albeneri Trio The Budapest String Quartet th 10 ​ Season, 1947 – 1948 ​ Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord The Budapest String Quartet The London String Quartet The Walden String Quartet The Albeneri Trio th 11 ​ Season, 1948 – 1949 ​ The Alma Trio
    [Show full text]
  • Network Notebook
    Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.
    [Show full text]
  • Cds by Composer/Performer
    CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H.
    [Show full text]
  • Early Music Review EDITIONS of MUSIC Here Are Thirteen Works in the Present Volume
    Early Music Review EDITIONS OF MUSIC here are thirteen works in the present volume. The first two are masses by John Bedingham, while the others are anonymous mass movements (either New from Stainer & Bell T single or somehow related). Previous titles in the series have been reviewed by Clifford Bartlett, and I confess this English Thirteenth-century Polyphony is the first time I have looked at repertory from this period A Facsimile Edition by William J. Summers & Peter M. since I studied Du Fay at university! At that time I also Lefferts sang quite a lot of (slightly later) English music, so I am not Stainer & Bell, 2016. Early English Church Music, 57 completely unfamiliar with it. I was immediately struck 53pp+349 plates. by the rhythmic complexity and delighted to see that the ISMN 979 0 2202 2405 8; ISBN 978 0 85249 940 5 editions preserve the original note values and avoids bar £180 lines - one might expect this to complicate matters with ligatures and coloration to contend with, but actually it is his extraordinarily opulent volume (approx. 12 laid out in such a beautiful way that everything miraculously inches by 17 and weighing more than seven pounds makes perfect sense. Most of the pieces are in two or three T- apologies for the old school measurements!) is a parts (a fourth part – called “Tenor bassus” – is added to marvel to behold. The publisher has had to use glossy paper the Credo of Bedingham’s Mass Dueil angoisseux in only in order to give the best possible colour reproductions of one of the sources).
    [Show full text]
  • Quatuor Ébène Pierre Colombet Violin • Gabriel Le Magadure Violin Marie Chilemme Viola • Raphaël Merlin Cello
    Wednesday 12 December 2018 7.30pm Quatuor Ébène Pierre Colombet violin • Gabriel Le Magadure violin Marie Chilemme viola • Raphaël Merlin cello Ludwig van Beethoven String Quartet in F Op. 18 No. 1 Johannes Brahms String Quartet in C minor Op. 51 No. 1 I n t e r v a l (20 minutes) Ludwig van Beethoven String Quartet in F Op. 135 This evening’s concert will be streamed live, and will be available to watch afterwards on the Wigmore Hall website. PROGRAMME: £3 CAVATINA Chamber Music Trust has donated free tickets for 8-25 year-olds for the concert on 12 December 2018. For details of future concerts please call the Box Office on 020 7935 2141. 2018 cover-autumn test print.indd 1 29/08/2018 10:28 Ludwig van Beethoven Beethoven arrived in Vienna in 1792, a year after Mozart’s tragic death. The young, (1770–1827) Bonn-born composer was effectively travelling to the Habsburg capital to take up where the late, lamented composer had String Quartet in F Op. 18 No. 1 left off. He even carried a letter to that end, (1798–1800) written by his friend Count von Waldstein: Allegro con brio ‘You are going to Vienna in fulfilment Adagio affettuoso ed appassionato of your long-frustrated wishes. The Scherzo. Allegro molto Genius of Mozart is still mourning and Allegro weeping the death of her pupil. She found a refuge but no occupation with the inexhaustible Haydn; through him Johannes Brahms she wishes once more to form a union (1833–1897) with another.
    [Show full text]
  • 000000018 1.Pdf
    THE BOHUSLAV MARTINŮ FOUNDATION THE BOHUSLAV MARTINŮ INSTITUTE THE INTERNATIONAL MARTINŮ CIRCLE INTERVIEW WITH CONDUCTOR JIŘÍ BĚLOHLÁVEK martinůJANUARY—APRILrevue 2010 VOL.X NO. FESTIVAL IN BASEL 2009 1 MARTINŮ EVENTS IN LONDON MARTINŮ RECORDINGS ķ IN THE GERMAN RADIO ARCHIVES contents 3 Martinů Revisited Highlights 4 news —Anna Fárová Dies —Zdeněk Mácal’s Gift 5 International Martinů Circle 6 festivals —The Fruit of Diligent and Relentless Activity CHRISTINE FIVIAN 8 interview …with Jiří Bělohlávek ALEŠ BŘEZINA 9 Liturgical Mass in Prague MILAN ČERNÝ 10 News from Polička LUCIE JIRGLOVÁ UP 0121-2 11 special series —List of Martinů’s Works VIII 12 research —Martinů Treasures in the German Radio Archives GREGORY TERIAN 13 review —Martinů in Scotland GREGORY TERIAN 14 review —Czech Festival in London UP 0123-2 UP 0126-2 PATRICK LAMBERT 16 festivals —Bohuslav Martinů Days 2009 PETR VEBER 17 news / conference 18 events 19 news UP 0106-2 UP 0122-2 UP 0116-2 —New CDs, Publications ARCODIVA Jaromírova 48, 128 00 Praha 2, Czech Republic tel.: +420 223 006 934, +420 777 687 797 • fax: +420 223 006 935 e-mail: [email protected] ķ highlights IN 2010 TOO WE ARE CELEBRATING a momentous anniversary – 120 years since the birth of Bohuslav Martinů (8 December 1890, Polička). Numerous ensembles and music organisations have included Martinů works in their 2010 repertoire. We will keep you up to date on this page with the most significant events. MORE INFORMATION > www.martinu.cz > www.czechmusic.org ‹vFESTIVALS—› The 65th Prague Spring The 65th PRAGUE SPRING INTERNATIONAL MUSIC FESTIVAL International Music Festival Prague, 12 May—4 June 2010 Prague / 12 May—4 June 2010 www.festival.cz 15 May 2010, 11.00 am > Martinů Hall, Lichtenštejn Palace Scherzo, H.
    [Show full text]
  • SFMUSIC DAY LIVE + FREE 35 Groups
    jazz creative music new music chamber music t early music h e s t 12noon-8pm r i sunday n september 25 G Q 2016 u a r t e t — t h e F Playbill i r s t 2 5 0 y e a r s SFMUSIC DAY LIVE + FREE 35 groups . 155 artists . 4 stages herbst theater . green room atrium theater . education studio san francisco war memorial veterans building 401 van ness avenue . san francisco www. sffcm. org © 2016 dpdp SFMUSIC DAY Sunday September 25, 2016 12:45 Montclair Women’s Big Band ** page 43 1:30 Kasey Knudsen Sextet** page 39 intermission 2:45 Friction Quartet page 36 3:30 Redwood Tango Ensemble** page 47 4:15 Dialogue - Ben Goldberg & Myra Melford** page 32 intermission 5:30 Del Sol String Quartet page 21 6:15 Quartet San Francisco page 22 7:00 Kronos Quartet page 23 HERBST THEATER HERBST 12:00 Sunset Duo** page 51 12:45 martha & monica page 41 1:30 Delphi Trio page 31 intermission 2:45 SF Conservatory of Music Faculty Artists Quartet page 17 3:15 Telegraph Quartet page 18 3:55 Chamber Music Society of San Francisco page 19 4:30 Thalea Quartet page 20 intermission 5:30 New Esterházy Quartet page 46 THE GREEN ROOM 6:15 Earplay page 33 7:00 Vajra Voices** page 54 early & chamber music contemporary & new music jazz & creative music ** Presidio Sessions Artists _ concert schedule page 63 2 . SFMusic Day 2016 LIVE + FREE 12 noon - 8:00pm 12:00 The String Quartet—The First 250 Years by Kai Christiansen page 8 12:30 St.
    [Show full text]
  • Analysis and Performance Problems of Vítězslava Kaprálová’S
    ANALYSIS AND PERFORMANCE PROBLEMS OF VÍTĚZSLAVA KAPRÁLOVÁ’S STRING QUARTET, OP. 8 (1935-1936) by MARTA BLALOCK (Under the direction of Clint Taylor) ABSTRACT Vítězslava Kaprálová might have been forgotten due to her untimely death during the World War II, however her music has resurfaced in the past decades and her name is well known in the Czech Republic. With no published edition of Kaprálová’s String Quartet, currently available instrumental parts and recordings vary from the original autograph. This study focuses on historical and theoretical analysis of the work, editorial suggestions, and performance issues. The original autograph is compared to two copyist manuscripts of individual parts as well as two available sound recordings. INDEX WORDS: Vitezslava Kapralova, Vítězslava Kaprálová, String quartet, Czech, Moravia, Modernism, 1935, 1936, Analysis, Performance, Woman composer, Women in music, String quartet tradition, Folk music ANALYSIS AND PERFORMANCE PROBLEMS OF VÍTĚZSLAVA KAPRÁLOVÁ’S STRING QUARTET, OP. 8 (1935-1936) by MARTA BLALOCK B.Mus., Music Performance, University of Georgia, 2000 M.M., Music Performance, University of Georgia, 2003 A Dissertation Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF MUSICAL ARTS ATHENS, GEORGIA 2008 © 2008 Marta Blalock All Rights Reserved ANALYSIS AND PERFORMANCE PROBLEMS OF VÍTĚZSLAVA KAPRÁLOVÁ’S STRING QUARTET, OP. 8 (1935-1936) by MARTA BLALOCK Major Professors: Levon Ambartsumian Clint Taylor Committee: Adrian Childs Stephen Valdez Mark Neumann Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia December 2008 DEDICATION To my mother Ivanka Žaludová, for her encouragement and support.
    [Show full text]