DOCSLIB.ORG

Srmusical INSTRUMENT? Tra

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Srmusical INSTRUMENT? Tra Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org MARCH 7, 1925 THE MUSIC TRADE REVIEW 45 Bellefontaine, O. Bellefontaine Big Four Band. Milford, Ind. The Christian Church Orches- tra. Port Clinton, O. The Commodores Orches- SrMUSICAL INSTRUMENT? tra. Prof. H. H. Wideman, leader. Buda, 111. The Methodist Sunday School Or- chestra. Manufacturers of musical instrument Petersburg, Ind. The Petersburg Band. Ma- rion Biggs, leader. cases of quality. Veneer, Duck, Leather, Oregon, 111. The Beacon School Band. Fibre. Taylorville, 111. The Lions' Club Orchestra. Springfield, 111. The High School Band. Mr. Patrick, director. Oak Park, 111. The Oak* Park Boys' Band. Washington, O. The Sunnyside School Or- S^FELSBERG CO,40Cross5tNewark,NJ. chestra. Miss Mazie Kessler, director. Hamilton, O. The High School Saxophone Band. Prof. Will Lebon, leader. Cincinnati, la. The Cincinnati Band. Prof. Kenton, O. The Kenton Concert Band. E. San Rafael, Cal. The Oriental Band. Gower, leader. J. Fitchhorn, director. Ashland, O. The Ashland Post Band. Farrell, Pa. The Palaze Entertainers. New Rochester, O. The Fanners' Band. John Howard, S. D. The Howard Juvenile Band. Stephen Klein, leader. Check, leader. Prof. A. R. Thompson, leader. Macomb, 111. Jack Strauss' Illinoisans. Marion, O. The American Legion Band. Virden, III. The Virden Junior Band. George Bucyrus, O. The 134th Field Artillery Band. Cedar Rapids, la. The McKinley Junior MacDowell, leader. Jasonville, Ind. The Baptist Church Orches- High School Orchestra. Miss Ruth Rickard, Woodsfield, O. The Woodsfield Orchestra. tra. leader. Coshocton, O. The Coshocton School Or- Girard, III. The Commercial Club Band. Decatur, 111. The Zohak Grotto Orchestra. chestra. Harry LeBlond, director. East Moline, 111. The American Legion Cliff Morrow, leader. Wyomissing, Pa. The High School Orches- Band. London, O. The London Band. Mr. Skinner, tra. Miss Hilda Reinert, director. Rosedale, Pa. The Rosedale Juvenile Orches- leader. Wilmington, O. The Wilmington Boys' tra. Miss Mabel Gruber, leader. Pittsburgh, Pa. The North Avenue Meth- Vandalia, 111. The American Legion Orches- odist Episcopal Sunday School Orchestra. Hand. tra. Charles Manion, leader. Charles N. Boyd, leader. Indianapolis, Ind. The James Whitcomb Ri- Bethlehem, Pa. The Echo Lake Orchestra. Jeannette, Pa. The Jeannette High School ley School. Mrs. Kate Morrison, leader. Orchestra. Edwin Guest, director. Greentown, Ind. The Greentown Juvenile Harry Wilbur, director. Band. Alton S. Mygrants, director. Huntington, Ind. The Huntington Symphony Michigan City, Ind. The Michigan City Con- Indianapolis, Ind. The Indiana Central Col- Orchestra. Rex Arlington, director. cert Orchestra. Walter W. Johnson, leader. lege Band. Prof. G. A. Blackburn, leader. Hermann, Mo. The Boy Scouts Orchestra. Hoopeston, 111. The Hoopeston Municipal New Orleans, La. The New Orleans Con- Toledo, la. The Toledo Concert Band. Band. servatory of Music Junior Orchestra. Oelwein, la. The High School Band. New Brighton, Pa. The New Brighton Sax- New Orleans, La. The New Orleans Con- Charlevoix, Mich. The High School Band. ophone Band. L. A. Morrow, leader. servatory of Music Senior Orchestra. Miss Es- John Ter-Wee, leader. Georgetown, O. The Georgetown School telle Grevemberg, leader. Loveland, Colo. The Gateway Band. Prof. Band. J. D. Naylor, leader. Wapello, Ind. The Morning Sun Boys' Band. A. V. Stifel, director. Whitaker, Pa. The Whitaker Band. Matt Starck, leader. Bellefontaine, O. The Bellefontaine Commu- Montclair, N. J. The Montclair Rotary Boys' Crocket, 111. The American Legion Band. nity Band. Fred Stanley, director. Band. John H. Gartland, leader. Prof. Rosebrook, leader. Farmington, Calif. The Farmington Gram- Fulton, Mo. The Fulton Band. Lock Haven, Pa. The Community Orchestra. mar School Orchestra. E. L. Carey, leader. Williamsport, Pa. The Williamsport Sym- Memphis, Tenn. The Olive Branch Agricul- Parkersburg, W. Va. The Parkersburg Sym- phonic Jazz Orchestra. tural High School. R. Roy Coates, director. phony Orchestra. John H. Swales, leader. Canton, 111. The Canton Community Orches- Columbia, 111. The Immaculate Conception Bristol, Ind. The Bristol Band. Walter tra. Prof. George Bettrich, director. Parish Orchestra. Alois Reibeling, leader. Richtcr, leader. Francesville, Ind. "The Kid Band." Ken- Morrison, 111. The Morrison Saxophone East Jordan, Mich. The East Jordan High neth Jackson, leader. Band. H. W. Burch, leader. School Orchestra. Falmouth, Ky. The Falmouth Juvenile Or- Danville, Ind. The Boys' Band. Prof. E. K. Gibson, Inc., Meeting chestra. Mr. Joseph, leader. Galto, director. Mt. Carmel, Pa. The Ten Piece Stone Syn- Big Rapids, Mich. The Big Rapids High KALAMAZOO, MICH., March 2.—At the annual copators. Edward Shapinskie, leader. School Junior Band. meeting of Gibson, Inc., manufacturer of the Farmington, 111. The M. O. G. Orchestra. Vinton, la. The Vinton High School Orches- Gibson line of fretted instruments, Guy Hart Wesley McKinney, leader. tra. was re-elected general manager of the company. Medaryville, Ind. The Medaryville Orches- Kenton, O. The Kenton High School Band. Mr. Hart, who was appointed to this post last tra. Professor Stark, director. Salem, Ore. The Salem Symphony Orches- Fall to succeed Harry Ferris, is an old employe Marysville, O. The K. of P. Orchestra. tra. Dr. John R. Sites, director. of the company and his re-election by the board Abingdon, 111. The Abingdon Boys' Band. St. Mary's, O. The Cavalry Boys' Band. Mr. of directors is a confirmation of his successful Kirkwood, Mo. The Kirkwood Boys' Orches- Wainwright, leader. management in the short time he has been in tra. Dean Armentrout, leader. Canton, 111. The American Legion Band, charge. Gibson, Inc., is one of the world's lar- Dover, N. J. The Dover Symphony Orches- lien Harter, director. gest manufacturers of stringed instruments. tra. The Dover Mandolin Orchestra. Richwood, W. Va. The Richwood Orchestra. Arch Armstrong, director. Greensburg, Pa. The High School Band. Write for Kentori, O. The Kenton High School Band. Prices Capt. L. Eugene Willes, leader. OSCAR SCHMIDT, Inc. -. 87-101 FERRY ST., JERSEY CITY, N. J. Ellwood City, Pa. The Zelienpole Rotary L>& SC&IS Club Band. Oldest and Largest plant of Its Kind in America » Storm Lake, la. The Municipal Band. Prof. STELLA (BANJOS GUITARS ZITHERS VIOLINS Aylesworth, leader. AND 1 BANJO-MANWOLINS I'Kl'LRLRS ACCORDION'S SUPPLIES Hazleton, Pa. The Y. M. C. A. Boys' Band. SOVEREIGN ["TENOR BANJO MAND. HAWAIIAN UlITAKS HARMONICAS CASKS, ETC. Mr. Robbins, leader. Palmerton, Pa. The Palmerton Band. P. A. The STELLA and SOVEREIGN Brand* have become National Nece$iitie& Bartholomew, leader. FOR YEARS, THE PRINCIPAL SOURCK OF SMALL STRING INSTRUMENTS IN AMERICA Memphis, Mo. The Memphis Band. John F. THE BEST FOR THE MONEY ALWAYS KEEP OUR PRICK LIST BEFORE YOU Diehl, leader..
Load more

Recommended publications
  • Ibanez Market Strategy
    Ibanez Market Strategy Billy Heany, Jason Li, Hyun Park, Alena Noson Strategic Marketing Table of Contents Executive Summary ....................................................................................................................................... 3 Firm Analysis.................................................................................................................................................... 4 Key Information about the Firm ........................................................................................................... 4 Current Goals and Objectives ................................................................................................................ 5 Current Performance ................................................................................................................................. 6 SWOT ............................................................................................................................................................. 7 Current Life Cycle Stage for the Product .......................................................................................... 8 Current Branding Strategy ...................................................................................................................... 9 Industry Analysis .......................................................................................................................................... 10 Market Review ........................................................................................................................................
    [Show full text]
  • Steinberger Gearless Tuners Instructions
    Steinberger Gearless Tuners Instructions Camp Richmond redrive liberally and illegitimately, she hie her pacts guides barefoot. Expressionist Gerry number, his botels segregated nettles along. Homoplastic and thousand Benn still higglings his eft barefooted. David the tuners can you can revert back has the gearless tuners were only complaint i have played my strat Thank you tune no experience on either side is locked, regardless of gibson guitars without a fender guitars combine shipping for steinberger gearless tuners instructions for high register playing condition and genres of. This product or attach a steinberger gearless tuners instructions. Some of steinberger gearless tuners instructions. Which models would you get anything a reverse headstock? Panettone are many fuzz pedals, avec le panettone is. But also, each emphasis to trigger own. Canton Custom Guitars section in this blog. After meticulous research, steinberger gearless tuners instructions, requires cookies to have seen if you do you for. He really great idea for steinberger gearless tuners instructions, so we detail every member to a short lived, as well with any info i think it comes with the. Gibson considers adding it did you guys, steinberger gearless tuners, as well as particpants on an interesting aside, those requirements and interested guitar? These digital chromatic micro tuner instructions are steinberger gearless tuners instructions are solid color not allowed for guitar in order. Do you play the gearless tuners to achieve their manufacturing equipment needed and carries the tuner you made during normal tuner allows guitarists, steinberger gearless tuners are your right to. The original frets are in excellent pay only permit minor wear.
    [Show full text]
  • GUITARS at AUCTION FEBRUARY 27 Dear Guitar Collector
    GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an GUITARS additional 82 lots of collectible amps, music awards and other related items all being sold on Saturday, February 27. The Auction is being divided into two sessions AT AUCTION FEBRUARY 27 starting at 2pm and 6pm (all East Coast time.) Session I, contains an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 The event is being held “live” at New York City’s Bohemian National Hall, a great Session I – 2pm: Commencing with Lot #200 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, Session II – 6pm: Commencing with Lot #400 the event is being conducted on two “bidding platforms”… liveauctioneers. com and invaluable.com. For those who so wish, telephone bidding can easily PUBLIC PREVIEW February 25 & 26 be arranged by contacting us. All the auction items will be on preview display Noon to 8pm (each day) Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. LOCATION Bohemian National Hall 321 East 73rd Street Please note that this disc only contains photographic images of the items along New York, NY with their lot headings. For example, the heading for Lot 422 is 1936 D’Angelico ONLINE BIDDING Liveauctioneers.com Style A. Descriptions, condition reports and estimates do not appear on this disc.
    [Show full text]
  • Overview Guitar Models
    14.04.2011 HOHNER - HISTORICAL GUITAR MODELS page 1 [54] Image Category Model Name Year from-to Description former retail price Musima Resonata classical; beginners guitar; mahogany back and sides Acoustic 129 (730) ca. 1988 140 DM (1990) with celluloid binding; 19 frets Acoustic A EAGLE 2004 Top Wood: Spruce - Finish : Natural - Guitar Hardware: Grover Tuners BR CLASSIC CITY Acoustic 1999 Fingerboard: Rosewood - Pickup Configuration: H-H (BATON ROUGE) electro-acoustic; solid spruce top; striped ebony back and sides; maple w/ abalone binding; mahogany neck; solid ebony fingerboard and Acoustic CE 800 E 2007 bridge; Gold Grover 3-in-line tuners; shadow P7 pickup, 3-band EQ; single cutaway; colour: natural electro-acoustic; solid spruce top; striped ebony back and sides; maple Acoustic CE 800 S 2007 w/ abalone binding; mahogany neck; solid ebony fingerboard and bridge; Gold Grover 3-in-line tuners; single cutaway; colour: natural dreadnought western guitar; Gruhn design; 20 nickel silver frets; rosewood veneer on headstock; mahogany back and sides; spruce top, Acoustic D 1 ca. 1991 950 DM (1992) scalloped bracings; mahogany neck with rosewood fingerboard; satin finish; Gotoh die-cast machine heads dreadnought western guitar; Gruhn design; rosewood back and sides; spruce top, scalloped bracings; mahogany neck with rosewood Acoustic D 2 ca. 1991 1100 DM (1992) fingerboard; 20 nickel silver frets; rosewood veneer on headstock; satin finish; Gotoh die-cast machine heads Top Wood: Sitka Spruce - Back: Rosewood - Sides: Rosewood - Guitar Acoustic
    [Show full text]
  • Poteg-7-10-2-1-Gibson-Abr-1
    7-122 7. Neck and body of the guitar 7.10.2 Bridges without Vibrato 7.10.2.1 Gibson’s ABR-1-Bridge Orville Gibson was a guitarist and a luthier – characteristics that were not originally natural to Leo Fender, who of course was a builder of guitars, too – but not in the traditional sense. As Tom Mulhern notes in his book on Gibson guitars [Rittor 1996], Orville’s ideas often originated from violin making, and it is therefore not surprising that the famous Style O guitar features an arched top that carries merely the bridge but no tailpiece. The strings are anchored in a trapeze tailpiece that is mounted to the end-side of the guitar body. This separation of bridge and tailpiece resurfaces half a century later in the ES-335, although that guitar is based on a very different principle of construction. The top of Orville’s acoustic guitars needed to be thin in order to radiate sound. While it was still possible to anchor gut strings in a combined bridge/tailpiece that was glued to the guitar top, this approach became a problem with the steel strings increasingly demanded by musicians: their higher pull (parallel to the top) could warp the top, or rip off the glued-on bridge and destroy the thin top. Conversely, with a tailpiece mounted to the side at the end of the guitar, the top was subjected merely to a perpendicular force it was able to withstand due to its curvature similar to the arch of a bridge. The bridge of the Gibson Style O is of a single piece and not adjustable – again similar to that of a violin.
    [Show full text]
  • Gibson Acoustic Serialization Taken from the 11
    Gibson Acoustic Serialization Taken from the 11th Edition Blue Book of Acoustic Guitars By Zachary R. Fjestad Blue Book Publications, Inc. 8009 34th Avenue South, Suite 175 Minneapolis, MN 55425 U.S.A. Phone: 800-877-4867 (U.S.A. and Canada orders only) Phone: 952-854-5229 FAX: 952-853-1486 Email: [email protected] Web site: www.bluebookinc.com Reprinted with permission Copyright 2007 Blue Book Publications, Inc. All Rights Reserved. No part of this publication may be reproduced in any form whatsoever, by photograph, mimeograph, FAX transmission, or any other mechanical or electronic means. Nor can it be broadcast or transmitted, by translation into any language, nor by recording electronically or otherwise, without the express written permission from the publisher - except by a reviewer, who may quote brief passages for critical articles and/or reviews. GIBSON ACOUSTIC SERIALIZATION 1 GIBSON SERIAL NUMBERS GIBSON ACOUSTIC SERIALIZATION,SERIALIZATION cont. Identifying Gibson instruments by serial number is tricky at best, and APPROX. LAST # YEAR downright impossible in some cases. The best method of identifying 13350 1912 them is to use a combination of the serial number, the factory order 16100 1913 number and any features that are particular to a specific time (i.e. logo 20150 1914 design change, headstock volutes, etc). 25150 1915 In addition to the above serial number information, Gibson also used 32000 1916 Factory Order Numbers (FON) to track batches of instruments being produced at the time. In the earlier years at Gibson, guitars were nor- 39500 1917 mally built in batches of forty instruments. Gibson’s Factory Order 47900 1918 Numbers were an internal coding that followed the group of instru- 53800 1919 ments through the factory.
    [Show full text]
  • News of the Month for the Dealers
    Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org News of the Month for the Dealers HE stockroom and office of the William "Tuckaway." This patented novelty is a har- Davitt & Hanser Catalog R. Gratz Import Co., New York, was monica that tucks itself away into the cover at Davitt & Hanser, Inc., musical merchandise T broken into recently, and the thieves stole a slight pressure of the hand, thereby giving jobbing house, 304 Main street, Cincinnati, O., several trumpets, clarinets, a saxophone and a full protection to the harmonica. have issued a 150-page catalog of their com- number of better-grade cymbals. plete line, which includes Holton band instru- Rudolph Volkwein Abroad ments, Bettoney and Boston Wonder clarinets, Carl Davidoff Married Rudolph Volkwein, of Volkwein Bros., deal- and many other items. Carl Davidoff, general manager of the firm ers in musical instruments, Pittsburgh, Pa., re- of Harry Perlberg, New York, wholesaler and cently sailed for Europe on a combined business York Band Catalog importer of musical merchandise, recently mar- and pleasure trip. The York Band Instrument Co., maker of ried Miss Ray Goodman. Mr. Davidoff was York band instruments, Grand Rapids, Mich., with the firm of Perlberg & Halpin for many E. Holmes Returns has announced a new catalog which is being years, which business was taken over by Mr. printed, and which will describe the entire band Perlberg. E. Holmes, buyer of the musical merchandise instrument line made by this house. department of Lyon & Healy, has returned from a trip abroad, and has added a number of B.
    [Show full text]
  • Steinberger Gearless Tuner Installation
    MusicYo.com - Tech Info http://web.archive.org/web/20080420084708/http://www.musicyo.com/planet/tunegearless.asp [email protected] Go Steinberger Gearless Tuner Installation 1. Loosen the 2 hex set screws that hold the knurled Electric Guitars Basses tuning knob to the tuner shaft and remove the knob. Packages Acoustic Guitars Amps/PA Remove the white Teflon washer, the hex nut and the thick spacer from the shaft. 2. Insert the tuner shaft through the 3/8" (10mm) tuner hole on your guitar from the face (front side) of your headstock. Note there is a pointed positioning pin on the lip of the tuner. This pin MUST be positioned towards the nut. Orient the pin and push down on the tuner to accurately make a small location mark on the face of the headstock next to the tuner hole. 3. Remove the tuner and drill a 1/16" pilot hole 1/8" deep. The fit will be snug, but will be pulled in tight when installation is complete. 4. Insert the tuner again from the face side of your headstock, making sure to insert the pin in the hole that you drilled. From the back of the headstock, install the spacer and then the hex nut. Tighten the hex nut to secure the tuner. CAUTION: Be careful not to over-tighten the hex nut as this will break the tuner. Typically, 1/4 turn after hand-tightening is sufficient. Install the white Teflon® washer and reposition the knurled tuning knob on the shaft. Tighten the 2 hex set screws on the knob again.
    [Show full text]
  • AT AUCTION FEBRUARY 27 Dear Guitar Collector
    GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an additional 82 lots of collectible amps, music awards and other related items GUITARS all being sold on Saturday, February 27. The Auction is being divided into three AT AUCTION FEBRUARY 27 sessions starting at 10am, 2pm and 7pm (all East Coast time.) Session I, at 10am, contains the Delaware Collection of instruments and other music-related objects all autographed by well known musicians. Sessions II and III contain an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 Session I – 10am: The Delaware Collection Session II – 2pm: Commencing with Lot #200 The event is being held “live” at New York City’s Bohemian National Hall, a great Session III – 7pm: Commencing with Lot #400 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, PUBLIC PREVIEW February 25 & 26 the event is being conducted on two “bidding platforms”… liveauctioneers. Noon to 8pm (each day) com and invaluable.com. For those who so wish, telephone bidding can easily be arranged by contacting us. All the auction items will be on preview display LOCATION Bohemian National Hall 321 East 73rd Street Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. New York, NY Please note that this disc only contains photographic images of the items along ONLINE BIDDING Liveauctioneers.com Invaluable.com with their lot headings.
    [Show full text]
  • Hitting a High Gibson USA Proves That Manufacturing in America ROCKS
    APRIL 2006 / VOLUME 58 / NUMBER 4 ➤ BY MIKE PRINCIPATO Hitting a high Gibson USA proves that manufacturing in America ROCKS. In the second installment of our Made in America series, CTE colum- nist Mike Principato learns what it takes to make the legendary Gibson Les Paul guitar. ure, they ship tens of thou- sands of the most desired elec- tric guitars in the world every year. Yes, they sell every one they make for prices that would cover two or three of your mortgage payments. And, of course, they’ll make you your very own model if your name happens to be Jimmy Page or Slash. But the most impressive thing about theS folks at Gibson USA and the leg- endary Les Paul guitar they produce is that they have somehow mastered the art and science of making a handmade, custom guitar in a mass-production setting. Think of it: Even as you’re note reading this, dozens of musicians are purchasing an instrument that bears all the hallmarks of a customized product, from its electronics to its high-gloss finish, an instrument that emits a sound as unique and desired by Les Paul afi- cionados as the characteristic “potato- potato” sound is by Harley-Davidson fanatics. And thousands more are sav- ing their hard-earned money with the dream of buying one. Although Gibson USA, Nashville, Tenn., makes a huge variety of guitars and musical instruments, none has The legendary Les Paul guitar. the storied history of the Les Paul. Designed and launched in 1952 in co- operation with its namesake, a virtuoso electric guitars.
    [Show full text]
  • Gibson Electric Serialization Taken from the 11 Edition Blue Book Of
    Gibson Electric Serialization Taken from the 11th Edition Blue Book of Electric Guitars By Zachary R. Fjestad Blue Book Publications, Inc. 8009 34th Avenue South, Suite 175 Minneapolis, MN 55425 U.S.A. Phone: 800-877-4867 (U.S.A. and Canada orders only) Phone: 952-854-5229 FAX: 952-853-1486 Email: [email protected] Web site: www.bluebookinc.com Reprinted with permission Copyright 2007 Blue Book Publications, Inc. All Rights Reserved. No part of this publication may be reproduced in any form whatsoever, by photograph, mimeograph, FAX transmission, or any other mechanical or electronic means. Nor can it be broadcast or transmitted, by translation into any language, nor by recording electronically or otherwise, without the express written permission from the publisher - except by a reviewer, who may quote brief passages for critical articles and/or reviews. GIBSON ELECTRIC SERIALIZATION 1 GIBSON FACTORY ORDER NUMBERS (FON) GIBSON ELECTRIC SERIALIZATION,SERIALIZATION cont. LETTER YEAR Identifying Gibson instruments by serial number is tricky at best, and E 1941 downright impossible in some cases. The best method of identifying them is to use a combination of the serial number, the factory order number and F 1940 any features that are particular to a specific time. (i.e. logo design change, FA 1940 headstock volutes, etc). G 1941 In addition to the above serial number information, Gibson also used H 1942 Factory Order Numbers (F O N) to track batches of instruments being 1947-1961 (HOLLOWBODIES): Gibson changed their serialization sys- produced at the time. In the earlier years at Gibson, guitars were nor- tem once they reached 99999 and decided they did not want to go to a mally built in batches of forty instruments.
    [Show full text]
  • Gibson 1937 Catalog X
    INDEX GIBSON INSTRUMENTS G UI T A RS Ma ndolin Banjos . .. • . .. .. 52 Carved Top Modell ................ .. 2-21 Guitar Ba njos ..............•....... ..... 52 Flat Top Models ........... ... 22-27 Callo Banjo. .. .. .. .. .. .. • . 52 Tenor Guital"l .. ...... ..... ..• •.. ... 28 MANDOLINS ............................. 53-6 1 Plectrum Guittlrs ......... .... 28 ELECTRIC MANDOLIN ..... •.. .. •. .• ..... , 35 Hawaiian Guital"l ................. • ... ... 29-30 MANDOLAS ..... .. ... ...•....•.. .. 63 Electric Hawaiian Guitars ............ .. 32-)4 MANOO-CEllOS .. ...... ...... .. ... ... 03 El ectric Spani5h Suit,," ....... .. ..•.... 3S HARP GUiTAR .............. ... .... b4 MANDO-BASS . • . b4 BAN JOS UKULELES ..... ................ .. ' 65 Tenor Banjos . ....... .... • .... .. 37-48 Plectrum SlI"jos .........•.............. .. 49 TEN O R UKULELES . ...................... 65 Five String Banjos .............. 51 UKULELE BANJOS ....... .. ... ............. 05 GIBSON ACCESSORIE S BANJO ARM RESTS .. 77 CAS ES ........... 81 NECK CORDS ... ........ 77 PEGS BANJO HEADS ....... ... 77 CASE HANDLES ................ .81 Benio , ..•. 77 EN D PiNS ...... .............. 80 ... .. 78 BA NJ O HEAD CLEANER r. ~ o. G"it• • .. .............. 71> BANJO HEAD GUARD ... .. 7'1 FINGERBOARDS ... '1 FI NGER80ARD NUTS .. ..• 81 PEG BUnONS ..... 79 BANJO HOOKS AND NU TS . .. .. 7'1 FRETS ...... 81 PICkS . ...... 11·73 BANJO RESONATOR STUDS , ....• .. 77 GUITAR PICK GUARDS ....... 71> PITCH PIPES . ..... 80 BANJO STANDS . ..••.. .. .8 1 GUITAR STANDS.. .. .
    [Show full text]