The Orante and the Goddess in the Roman Catacombs
THE ORANTE AND THE GODDESS IN THE ROMAN CATACOMBS Valerie Abrahamsen ABSTRACT The Orante, or Orans, figure, a very common and important symbol in early Christian art, is difficult to interpret. Theories of what she meant to early Christians, especially Roman Christians who buried their dead in the catacombs, range from a representation of the soul of the deceased to a symbol of filial piety. In this article, I will attempt to show that the Orante figure originates with the prehistoric goddess, the all-encom- passing Nature deity worshipped for millennia throughout the Mediterranean world. While many early Christians super- imposed Christian meaning on her, it is likely that other Christians still viewed her in conjunction with the earlier Nature goddess of birth, life, death and rebirth, even as they worshipped God in male form. Introduction he Orante or Orans, generally a female figure with open eyes and upraised hands, is a pervasive symbol in early TChristian art, perhaps “the most important symbol in early Christian art.”1 Found frequently in the late second-century art in the Roman catacombs, as well as in sculpture, her head is almost always covered with a veil, and she wears a tunic. She exists both as a separate symbol and as the main figure in a number of Biblical scenes, but rarely in masculine form with male clothing. Instead, she frequently stands in for male figures in scenes of deliverance—she becomes Noah in the ark, Jonah in the boat and spewed out of the whale, Daniel between the lions, and the three young men in the fiery furnace.
[Show full text]