Rio Grande's Last Race and Other Verses
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Anti-Black Racism and the Foreign Black Other: Constructing Blackness and the Sporting Migrant
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and Scholarship Repository ANTI-BLACK RACISM AND THE FOREIGN BLACK OTHER: CONSTRUCTING BLACKNESS AND THE SPORTING MIGRANT BY MUNENE FRANJO MWANIKI DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Sociology in the Graduate College of the University of Illinois at Urbana-Champaign, 2014 Urbana, Illinois Doctoral Committee: Associate Professor Margaret Kelley, Chair Professor Tim Liao Associate Professor Moon-Kie Jung Associate Professor Monica McDermott ABSTRACT The popularity and globalization of sport has led to an ever-increasing black athletic labor migration from the global South to, primarily, the U.S. and Western European countries. While the hegemonic ideology surrounding sport is that it brings different people together and ameliorates social boundaries, sociologists of sport have shown this to be a gross simplification. Instead, sport is often seen to reinforce and recreate social stereotypes and boundaries, especially as it regards race and the black athlete in body and culture. At best we can think of sport as a contested terrain for both maintaining and challenging racial norms and boundaries. The mediated black athlete has thus always, for better or worse, impacted popular white perceptions of blackness broadly and globally. While much work has been done to expose the workings of race and racism in sport, studies have tended to homogenize black populations and have not taken into account the varying histories and complexities of, specifically, black African migrant athletes. -
Written Evidence Submitted by Netflix
Written evidence submitted by Netflix Submission to Digital, Culture, Media and Sport Committee inquiry The future of Public Service Broadcasting June 2020 Netflix in the UK 1. Netflix is a streaming subscription video on demand (SVoD) service that allows customers to watch a wide variety of TV shows, films, documentaries, and more over the internet and ad-free on any one of thousands of internet-connected devices at a time and place of their choice. We are a global service, offered in 190 countries with close to 180 million subscribers, of whom over 12 million are in the UK. 2. The UK is one of Netflix’s top three locations for production globally, along with the U.S. and Canada. In 2019 we invested over £400m1 here in local content, with over 50 different shows in production including co-productions with the public service broadcasters and in total over £500m in UK production - a third of all our production in Europe. We expect our investment here to continue growing; our long-term commitment to the UK creative community and our intention to increase our investment in production is also reflected in our announcement last year that we are creating a dedicated production hub in the UK, based at Shepperton Studios.2 3. Localised content is increasingly a priority for our business, both in the UK and around the world. Since 2019 we have appointed several UK-based commissioners overseeing scripted and unscripted content, including drama, comedy, factual, and kids and family - all of whom built their careers in the UK film and TV industry, including with the PSBs. -
Made on Merseyside
Made on Merseyside Feature Films: 2010’s: Across the Universe (2006) Little Joe (2019) Beyond Friendship Ip Man 4 (2018) Yesterday (2018) (2005) Tolkien (2017) X (2005) Triple Word Score (2017) Dead Man’s Cards Pulang (2016) (2005) Fated (2004) Film Stars Don’t Die in Liverpool (2016) Alfie (2003) Fantastic Beasts and Where to Find Them Digital (2003) (2015) Millions (2003) Florence Foster Jenkins (2015) The Virgin of Liverpool Genius (2014) (2002) The Boy with a Thorn in His Side (2014) Shooters (2001) Big Society the Musical (2014) Boomtown (2001) 71 (2013) Revenger’s Tragedy Christina Noble (2013) (2001) Fast and Furious 6 John Lennon-In His Life (2012) (2000) Jack Ryan: Shadow Recruit Parole Officer (2000) (2012) The 51st State (2000) Blood (2012) My Kingdom Kelly and Victor (2011) (2000) Captain America: The First Avenger Al’s Lads (2010) (2000) Liam (2000) 2000’s: Route Irish (2009) Harry Potter and the Deathly Hallows (2009) Nowhere Fast (2009) Powder (2009) Nowhere Boy (2009) Sherlock Holmes (2008) Salvage (2008) Kicks (2008) Of Time in the City (2008) Act of Grace (2008) Charlie Noads RIP (2007) The Pool (2007) Three and Out (2007) Awaydays (2007) Mr. Bhatti on Holiday (2007) Outlaws (2007) Grow Your Own (2006) Under the Mud (2006) Sparkle (2006) Appuntamento a Liverpool (1987) No Surrender (1986) Letter to Brezhnev (1985) Dreamchild (1985) Yentl (1983) Champion (1983) Chariots of Fire (1981) 1990’s: 1970’s: Goin’ Off Big Time (1999) Yank (1979) Dockers (1999) Gumshoe (1971) Heart (1998) Life for a Life (1998) 1960’s: Everyone -
NP 2013.Docx
LISTE INTERNATIONALE DES NOMS PROTÉGÉS (également disponible sur notre Site Internet : www.IFHAonline.org) INTERNATIONAL LIST OF PROTECTED NAMES (also available on our Web site : www.IFHAonline.org) Fédération Internationale des Autorités Hippiques de Courses au Galop International Federation of Horseracing Authorities 15/04/13 46 place Abel Gance, 92100 Boulogne, France Tel : + 33 1 49 10 20 15 ; Fax : + 33 1 47 61 93 32 E-mail : [email protected] Internet : www.IFHAonline.org La liste des Noms Protégés comprend les noms : The list of Protected Names includes the names of : F Avant 1996, des chevaux qui ont une renommée F Prior 1996, the horses who are internationally internationale, soit comme principaux renowned, either as main stallions and reproducteurs ou comme champions en courses broodmares or as champions in racing (flat or (en plat et en obstacles), jump) F de 1996 à 2004, des gagnants des neuf grandes F from 1996 to 2004, the winners of the nine épreuves internationales suivantes : following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (Amérique du Sud/South America) Japan Cup, Melbourne Cup (Asie/Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Queen Elizabeth II Stakes (Europe/Europa) Breeders’ Cup Classic, Breeders’ Cup Turf (Amérique du Nord/North America) F à partir de 2005, des gagnants des onze grandes F since 2005, the winners of the eleven famous épreuves internationales suivantes : following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (Amérique du Sud/South America) Cox Plate (2005), Melbourne Cup (à partir de 2006 / from 2006 onwards), Dubai World Cup, Hong Kong Cup, Japan Cup (Asie/Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Irish Champion (Europe/Europa) Breeders’ Cup Classic, Breeders’ Cup Turf (Amérique du Nord/North America) F des principaux reproducteurs, inscrits à la F the main stallions and broodmares, registered demande du Comité International des Stud on request of the International Stud Book Books. -
© 2012 Marlia Fontaine-Weisse All Rights Reserved
© 2012 MARLIA FONTAINE-WEISSE ALL RIGHTS RESERVED “LEARNED GEM TACTICS”: EXPLORING VALUE THROUGH GEMSTONES AND OTHER PRECIOUS MATERIALS IN EMILY DICKINSON’S POETRY A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts Marlia Fontaine-Weisse December, 2012 “LEARNED GEM TACTICS”: EXPLORING VALUE THROUGH GEMSTONES AND OTHER PRECIOUS MATERIALS IN EMILY DICKINSON’S POETRY Marlia Fontaine-Weisse Thesis Approved: Accepted: _______________________________ ________________________________ Advisor Dean of the College Dr. Jon Miller Chand Midha, Ph.D. _______________________________ ________________________________ Faculty Reader Dean of the Graduate School Dr. Mary Biddinger George R. Newkome, Ph.D. _______________________________ ________________________________ Faculty Reader Date Dr. Patrick Chura _______________________________ Faculty Reader Dr. Hillary Nunn _______________________________ Department Chair Dr. William Thelin ii ABSTRACT Reading Emily Dickinson’s use of pearls, diamonds, and gold and silver alongside periodicals available during her day helps to build a stronger sense of what the popular American cultural conceptions were regarding those materials and the entities they influenced. After looking at pearls in “The Malay – took the Pearl –” (Fr451) in Chapter II, we discover how Dickinson’s invocation of a specific kind of racial other, the Malay, and the story she constructs around them provides a very detailed view of the level of racial bias reserved for the Malay race, especially in relation to their role in the pearl industry. Most criticism regarding her gemstone use centers upon the various layers of interpretation fleshed out from her work rather than also looking to her poems as a source of musings on actual geo-political occurrences. -
British TV Streaming Guide
NETFLIX Website: http://netflix.com Description: One of the biggest and oldest streaming services, Netflix offers a wide variety of content from all over the world - along with quite a bit of their own original content. Available On: Roku, Fire TV, Apple TV, Apple iPhone & iPad, Chromecast, Fire tablets, select Smart TVs, Android phones and tablets, and computer (via web browser). Cost: $8.99/month (1 screen), $12.99 HD (2 screens same time), $15.99 UHD (4 screens same time) Now Streaming Mysteries & Crime Dramas The A List - 2018 - This series blends The Five – 2016 - Years after a young boy romance, drama, suspense, and mystery disappears, his DNA turns up at a crime when a group of young women go to a scene. Based on the novel by Harlen remote camp with a supernatural Coben. presence. The Frankenstein Chronicles – 2015 to Broadchurch – 2013 to 2017 - When an 11- 2017 - In 1827 London, a detective hunts a year-old boy is murdered in a quiet coastal killer with an appetite for dismemberment. community, town secrets are exposed. Giri/Haji - 2019 - Japanese detective Kenzo David Tennant (Deadwater Fell) and Olivia Mori travels to London to figure out Colman (Rev) star. whether his brother Yuto, presumed dead, Collateral – 2018 - When a pizza delivery is actually dead. Yuto is believed to have man is gunned down in London, DI Kip killed the nephew of a Yakuza member, Glaspie refuses to accept that it's just a and the search draws Kenzo into the dark random act of violence. Her investigation and dangerous criminal underworld of drags her into a dark underworld she never London. -
Military Wives
MILITARY WIVES PRODUCTION NOTES INTRODUCTION The inspirational story of friendship, love, and support on the home front. A group of women come together as their partners serve in Afghanistan. Together they form the very first military wives choir, helping each other through some of life’s most difficult moments and also becoming a media sensation and global movement in the process. Peter Cattaneo (The Full Monty) directs Oscar® Nominee and BAFTA® Winner Kristin Scott Thomas (Darkest Hour) and BAFTA® Nominee Sharon Horgan (Catastrophe) in this feel good crowd-pleaser. MILITARY WIVES stars Kristin Scott Thomas, Sharon Horgan, Greg Wise (A Private War) and Jason Flemyng (Lock, Stock and Two Smoking Barrels). Rounding out the cast and playing the military wives are Emma Lowndes (Downton Abbey), Gaby French (Victoria), Lara Rossi (Robin Hood), Amy James-Kelly (Safe) and India Ria Amarteifio (Line of Duty). Co-written by BIFA award-winner Rachel Tunnard (Adult Life Skills) and award-winning writer Rosanne Flynn (Crossbones, Meconium) MILITARY WIVES is produced by Rory Aitken and Ben Pugh of 42 and Piers Tempest for Tempo Productions. Josh Varney is the executive producer for 42 and Emma Willis and Hana Carter for Twenty Twenty TV. Also, executive producing are Rene Besson, Orlando Wood, Jo Bamford, Josh Horsfield, Emma Berkofsky, Stephen Spence, Liz Gallacher, Hugo Grumbar, Tim Haslam, Peter Touche and Zygi Kamasa. MILITARY WIVES was shot on location for six weeks around London and Yorkshire at the end of 2018 and will be distributed by Lionsgate in the UK. Embankment Films arranged the financing and is handling International sales, co-representing the USA with CAA. -
Fortieth Homecoming Day John Knowles" a Separatepeace Is the "Book of the Davidson's 40Th Annual Homecoming Day Will Be Semester,' Announced This Week
I At TTw ' LssW l^^B L. - . -I ABC... ...HI... ... ZZZ (Staff Phot.» by McCutchen and Smith) TONIGHT SATURDAY 6:30— HomecomingQueen candidates' 11— Wildcat— Club Meeting banquet Noon Student-Alumni barbecue 2— game 8:15— Concert, Carlos Montoya Football 8— Concert, Chad Mitchell Trio — Formal dance, Union 10 «f The News and Editorial Voice of Davidson College 25, NUMBER SEVEN' VOL. LII DAVIDSON COLLEGE, DAVIDSON, N. C. FRIDAY. OCTOBER 1963 A SEPARATE PEACE Knowles'FirstNovelToBe Football,ConcertsHighlight YBook-Of-The-Semester BY HARRY CARR Fortieth Homecoming Day John Knowles" A SeparatePeace is the "Book of the Davidson's 40th annual Homecoming Day will be Semester,' announced this week. the YMCA held tomorrow highlighted by the Davidson-Presbyterian Knowk-k will appear at Dav- Chambers Auditorium.Informal CLASH! College football game and featuring the revivals of a idson Dec. 3 to lecture at chapel discussions will follow both ses- In an attempt to draw student-alumnibarbecue and the selection of a Homecom- and at gions. Slips Tuesday morning a Committee away the ing 1963. Executive eager crowds from Queen for special assembly night in. fj Separate that ]jls rst book. A first annual Patterson Fra- The homecoming celebration, tickets for the luncheon at the captured 1960 Peace the Ros- ternity Court Alumni Picnic whichbegan with the dedication Union desk. Bill DeVaughn, National tomorrow, enthal Award of the a novel match of of the Richardson AthleticField president of Linglc Manor, indi- Institute of Arts and Letters, as AP the English game of croquet Pacifier To Freshmen cated Agent in 1923, will attract to the cam- considerableinterest from U.N. -
Django Unchained (2012) Screenplay
' \Jl't-H- en �'1 J drtecitJ b/ qu eh+; h -r�r... n+ l ho ,r Lo\5-t- () .<..+-t vof I 3/ I;)-- ftp�;L 2 t 1-h 1) \ I ' =------- I EXT - COUNTRYSIDE - BROILING HOT DAY As the film's OPENING CREDIT SEQUENCE plays, complete with its own SPAGHETTI WESTERN THEME SONG, we see SEVEN shirtless and shoeless BLACK MALE SLAVES connected together with LEG IRONS, being run, by TWO WHITE MALE HILLBILLIES on HORSEBACK. The location is somewhere in Texas. The Black Men (ROY, BIG SID, BENJAMIN, DJANGO, PUDGY RALPH, FRANKLYN, and BLUEBERRY) are slaves just recently purchased at The Greenville Slave Auction in Greenville Mississippi. The White Hillbillies are two Slave Traders called, The SPECK BROTHERS (ACE and DICKY). One of the seven slaves is our hero DJANGO.... he's fourth in the leg iron line. We may or may not notice a tiny small "r" burned into his cheek ("r" for runaway), but we can't help but notice his back which has been SLASHED TO RIBBONS by Bull Whip Beatings. As the operatic Opening Theme Song plays, we see a MONTAGE of misery and pain, as Django and the Other Men are walked through blistering sun, pounding rain, and moved along by the end of a whip. Bare feet step on hard rock, and slosh through mud puddles. Leg Irons take the skin off ankles. DJANGO Walking in Leg Irons with his six Other Companions, walking across the blistering Texas panhandle .... remembering... thinking ... hating .... THE OPENING CREDIT SEQUENCE end. EXT - WOODS - NIGHT It's night time and The Speck Brothers, astride HORSES, keep pushing their black skinned cargo forward. -
Vermont Commons School Summer Reading List 2011
Vermont Commons School Summer Reading List 2011 . 2011Common Texts: 7th and 8th Grades: To Kill a Mockingbird by Harper Lee 9th, 10th, 11th, and 12th Grades: A Stranger in the Kingdom by Howard Frank Mosher Dear Parents, Students, and Friends, The Language Arts Department is excited to share this year’s Common Text selections, the Summer Reading Lists, and assignments. Our Common Texts this year are To Kill a Mockingbird by Harper Lee, for 7th and 8th grades and A Stranger in the Kingdom by Howard Frank Mosher, for 9th, 10th, 11th, and 12th grades. Vermont Commons wants to join with the Vermont Council on the Humanities to celebrate the 50th Anniversary of Harper Lee’s class novel of innocence, prejudice, and the moral awakening of a young girl. Mosher’s novel is a perfect partner book to Lee’s as it depicts similar themes and targets an older audience. Students will read about diversity in each text and will be involved in activities surrounding this theme throughout the year. Once again, we’ve divided the reading list into three categories: (1) Classics and Prize Winners (2) Books that Speak to the VCS Mission Statement (3) Other Books for Summer. We are asking students to choose a book from two of the categories, as well as the Common Text, for a total of three books to be read this summer. Finally, some students have asked for quick summaries of the books on our list, so we have provided some short descriptions at the end of the lists. For more summaries, we encourage students to browse the bookstore or an online bookseller such as Barnes & Noble.com. -
THE WALTER STANLEY CAMPBELL COLLECTION Inventory and Index
THE WALTER STANLEY CAMPBELL COLLECTION Inventory and Index Revised and edited by Kristina L. Southwell Associates of the Western History Collections Norman, Oklahoma 2001 Boxes 104 through 121 of this collection are available online at the University of Oklahoma Libraries website. THE COVER Michelle Corona-Allen of the University of Oklahoma Communication Services designed the cover of this book. The three photographs feature images closely associated with Walter Stanley Campbell and his research on Native American history and culture. From left to right, the first photograph shows a ledger drawing by Sioux chief White Bull that depicts him capturing two horses from a camp in 1876. The second image is of Walter Stanley Campbell talking with White Bull in the early 1930s. Campbell’s oral interviews of prominent Indians during 1928-1932 formed the basis of some of his most respected books on Indian history. The third photograph is of another White Bull ledger drawing in which he is shown taking horses from General Terry’s advancing column at the Little Big Horn River, Montana, 1876. Of this act, White Bull stated, “This made my name known, taken from those coming below, soldiers and Crows were camped there.” Available from University of Oklahoma Western History Collections 630 Parrington Oval, Room 452 Norman, Oklahoma 73019 No state-appropriated funds were used to publish this guide. It was published entirely with funds provided by the Associates of the Western History Collections and other private donors. The Associates of the Western History Collections is a support group dedicated to helping the Western History Collections maintain its national and international reputation for research excellence. -
Sartor Resartus: the Life and Opinions of Herr Teufelsdröckh
Sartor Resartus The Life and Opinions of Herr Teufelsdröckh Thomas Carlyle This public-domain (U.S.) text was scanned and proofed by Ron Burkey. The Project Gutenberg edition (“srtrs10”) was subse- quently converted to LATEX using GutenMark software and re-edited with lyx software. The frontispiece, which was not included in the Project Gutenberg edition, has been restored. Report problems to [email protected]. Revi- sion B1 differs from B0a in that “—-” has ev- erywhere been replaced by “—”. Revision: B1 Date: 01/29/2008 Contents BOOK I. 3 CHAPTER I. PRELIMINARY. 3 CHAPTER II. EDITORIAL DIFFICULTIES. 11 CHAPTER III. REMINISCENCES. 17 CHAPTER IV. CHARACTERISTICS. 33 CHAPTER V. THE WORLD IN CLOTHES. 43 CHAPTER VI. APRONS. 53 CHAPTER VII. MISCELLANEOUS-HISTORICAL. 57 CHAPTER VIII. THE WORLD OUT OF CLOTHES. 63 CHAPTER IX. ADAMITISM. 71 CHAPTER X. PURE REASON. 79 i ii CHAPTER XI. PROSPECTIVE. 87 BOOK II. 101 CHAPTER I. GENESIS. 101 CHAPTER II. IDYLLIC. 113 CHAPTER III. PEDAGOGY. 125 CHAPTER IV. GETTING UNDER WAY. 147 CHAPTER V. ROMANCE. 163 CHAPTER VI. SORROWS OF TEUFELSDRÖCKH. 181 CHAPTER VII. THE EVERLASTING NO. 195 CHAPTER VIII. CENTRE OF INDIFFERENCE. 207 CHAPTER IX. THE EVERLASTING YEA. 223 CHAPTER X. PAUSE. 239 BOOK III. 251 CHAPTER I. INCIDENT IN MODERN HISTORY. 251 CHAPTER II. CHURCH-CLOTHES. 259 iii CHAPTER III. SYMBOLS. 265 CHAPTER IV. HELOTAGE. 275 CHAPTER V. THE PHOENIX. 281 CHAPTER VI. OLD CLOTHES. 289 CHAPTER VII. ORGANIC FILAMENTS. 295 CHAPTER VIII. NATURAL SUPERNATURALISM. 307 CHAPTER IX. CIRCUMSPECTIVE. 323 CHAPTER X. THE DANDIACAL BODY. 329 CHAPTER XI. TAILORS. 349 CHAPTER XII. FAREWELL. 355 APPENDIX.