Home Learning for Reception (1.6.20 – 12.6.20)
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The Ratha Yatra of Sri Jagannath
Srimandira The Ratha Yatra of Shri Jagannath l Jayanta Narayan Panda Orissa the Land of festivals is known Green timbers respectively. Beside the D.F.O. Nayagarh have been supplying 3 world-wide during the monsoon for the Nos. of Simuli timbers for last some years. spectacular festival, Ratha Yatra or the Now a days the availability of Fasi species Car Festival of Shri Jagannath. Among of trees has become a problem in twelve major festivals, viz. the Snana Nayagarh Division, as a result of which Yatra, the Ratha Yatra, the Sayan Yatra, the D.F.O. Nayagarh has to procure the the Dakshinayana Yatra, the Fasi trees from other Divisions to supply Parswaparivartan Yatra, the Utthapana the same to the Temple Administration. Yatra, the Pravarana Yatra, the Like previous years the D.F.O. Nayagarh Pusyabhisheka Yatra, the Uttarayana sends first truck load of timber before Yatra, the Dola Yatra, the Damanaka Yatra 'Basanta Panchami' and the rest of the and the Akshaya Trutiya Yatra are timbers reaches in a phased manner. celebrated inside the temple of Lord Jagannath ; The Ratha Yatra or the Car The construction of the Rathas starts Festival of Lord deserves special mention. on the Akshaya Trutiya day. The progress This festival draws millions of tourists both of construction is monitored regularly by in-land and foreigners to the Grand Road. a team of officials. The Executive And the deities come down from the main Engineer, R & B, Puri Division, Puri is temple to the Grand Road to meet the reviewing the progress from time to time. -
Nabakalebar Ratha Yatra 2015
Nabakalebar Ratha Yatra 2015 1 Place of Good Work done Odisha State 2 Area Puri Police District 3 Nature of Good Work Successful Police Arrangement during Nabakalebar Ratha Yatra 2015 4 Police Station and District or Puri District Police Unit/ Battalion 5 Date of Good Work done 17.07.2015 to 29.07.2015 (dd-mm-yyyy ) 6 Brief of work done Puri also known as Shree Khetra, located on the east coast of India in the state of Odisha, is regarded as one of the “Four Dhams” (Char Dham) of Hindus. The presiding deities of Puri are Lord Jagannath, Goddess Subhadra and Lord Balabhadra, who all adorn the sanctum of Shri Jagannath Temple, Puri, the 12th century architectural marvel. Rath Yatra is the annual festival of presiding deities, who are taken on giant chariots (Rath) dragged by thousands of devotees. The celebration continues for 11 days during which period about two million of devotees congregate in the Holy Dham of Puri. Nabakalebar, the periodical ceremonial re-embodiment of the wooden idols of Lord Jagannath, Devi Subhadra, Lord Balabhadra and Lord Sudarshan, normally falls after a gap of 19 years though on certain occasions it takes place after a gap of 12 years. The last Nabakalebar of the deities took place in the year-1996. Due to improvement of infrastructure including road and railway connectivity to Puri, more than five million congregation was anticipated during Nabakalebar-2015. Keeping in view the safety, security, law and order and traffic management of mega festival, Nabakalebar-2015, elaborate Police arrangements were made by the Odisha Police for this occasion. -
Understanding the Return Ratha Yatra Part-01
Photo by Bhakta Charles By Madhavananda Das Part one: THE OPULENT ANSWER Many devotees ask how we are to understand the Ulṭā, or Bahudhā — return Ratha-yātrā in Jagannath Puri? If (as Gaudiya Vaishnavas state) we consider the Guṇḍicā-yatra, or Ratha-yātrā to respresent the ecstatic emotions of the residents of Vrindavan taking Krishna home from Kuruksetra. How do we then understand the return Ratha-yātrā? Is it a festival celebrating taking Krishna away from Vrindavan? There are two sides, two answers, that can be offered to this question. To understand them, one first needs to consider something about the nature of Sri Jagannath Puri Dham. In his book, The Embankment of Separation (chapter 7), Srila Prabhupada’s Orissan disciple, Sri Srimad Gour Govinda Maharaja describes Lord Jagannath and Puri as: aiśvarya-mādhurya yugala-milana — “The combination of both opulence and sweetness.” This point is substantiated by Srila Sanatan Goswami who writes in his Bṛhad-Bhāgavatāmṛta (2.5.212): śrī-kṛṣṇa-devasya sadā priyaṁ tat kṣetraṁ yathā śrī-mathurā tathaiva tat-pāramaiśvarya-bhara-prakāśa lokānusāri-vyavahāra-ramyam “Just as Mathura-Vrindavan is eternally dear to Sri Krishna, so too is his abode of Purushottam Kshetra Jagannath Puri. There in Puri, Krishna displays supreme opulence and while at the same time presents pastimes that are full of sweetness.” Understanding Return Ratha-yatra Page — 2 This may strike the learned readers as confusing, for in terms of siddhānta, there is a vast difference between the qualities of aiśvarya, opulence; and mādhurya, sweetness. When jñāna and aiśvarya, knowledge of the Lord’s opulence and position, are present then rati-saṅkucita — love is shrunken. -
Bhairabi - Jagannatha Kshetra
Odisha Review June - 2014 Bhairabi - Jagannatha Kshetra Dr. Prafulla Chandra Mohanty Odisha is the land of spiritual and cultural meaningless. With the above background the monuments. The biggest religious cultural centre article gives a brief description of ancient Bhairabi inside the state is Puri and it is famous for the Kshetra presently developed as Durga-Madhaba shrine of Lord Jagannath. Jagannath Dham is one Kshetra situated in the sacred land of Mantridi of the four important Dhams (centres) of India area in Ganjam district of South Odisha. Maa Sri situated at the eastern part of our country. Siddha Bhairabi Kshetra was situated at a 18 Jagannath Dham of Puri termed as Sankha kms distance towards south east corner of Kshetra situtated in a triangular land scape looking Berhampur city on the side of N.H.-5. The like a coanch. It is also the Shreekshetra which signifies the place of Lakshmi, the spouse of Lord Jagannath the Lord of the Universe, Who is well known as the Goddess of wealth. In Odisha there are other kshetras (centres) like Arka Kshetra (place of Sun), at Konark, Tulsi Kshetra at Kendrapara (Baldevjew temple), Sabar Shreekshetra of tribals at Koraput, Saran Srikshetra at Marada (Ganjam), Saila Shreekshetra at Anugul and Durga-Madhaba or Shaktipeeth was famous for the cult of Bhairab Bhairabi-Jagannath Kshetra at Mantridi of South which was believed to be present since 400 B.C. Odisha. In Bhagawat Geeta, Lord Srikrishna narrates about the kshetra & khetrangya where The Durga Madhab kshetra has two kshetra is the place where God of the Universe important deities. -
The Deities of New Vrindaban
The Deities of New Vrindaban Aaron Boyd, Maggie Dorsten, Lauren Spartano, and Stephanie Villaire 1 Deity Worship in the Hare Krishna Faith Hare Krishna devotees make the distinction that they perform Deity worship and not idol worship. Madhudvisa dasa, a member of the New Vrindaban community, explains, “It is Krishna on the altar, not a stone statue or an idol. But unless our eyes are purified we can’t see Krishna, we think he is a statue…but he is Krishna. We worship Krishna, not a ‘form of Krishna’ or a ‘statue of Krishna’.” In other words, Krishna is so spiritual that He cannot be seen with the senses. Therefore, Krishna agrees to appear in the form of a Deity so that devotees can worship and make offerings to Him. More specifically, each day, the devotees cook seven meals for Krishna, bathe and dress Him, and chant and sing songs for Him. Deity Construction No hard and fast rules exist to govern the type of material from which the Deities must be constructed. A Deity (also known as a “murti”) can be made out of any type of material because devotees believe that Krishna can appear in any form. According to Madhudvisa dasa, “The Deity is made by a devotee, but the devotee doesn’t try to ‘make’ Krishna. He prays for Krishna to appear in the form of the Deity.” Installing Deities The question of whether or not to open a Hare Krishna center must be considered carefully before actions are taken. Once a Hare Krishna temple is installed, it is impossible to un-install the Deities within it. -
Ratha Yatra and Its Origin in Puri
ISSN 0970-8669 Odisha Review Ratha Yatra and Its Origin in Puri Dr. Janmejay Choudhury he Ratha Yatra of Jagannath, however, is Bakrabak Chakrapani Pattanaik, Gundicotsava Trecognized as the most famous of the twelve Varnanam of Bhagabat Brahma and Gundicha Vije festivals. It is the second important Yatra of Lord of Brajanath Badajena deserve a special mention. Jagannath. It has become so famous that millions Also, Narahari Panda in the ‘Brahma Prakasika of people from India and abroad assemble at Puri Tika’ of Megha Dutam has successfully interpreted every year to watch Lord Jagannath on this the theme with the Ratha Yatra of Lord Jagannath occasion with worship in their eyes. The Rig. Veda speaks of the Raths that moved in the air. These were the three storeyed Rathas drawn by horses. Panini also refers to Ratha, while analyzing the word ‘Rathastha, Rathaganak’, etc. According to the Ramayana, the Ratha which is used in the games is called ‘Pusya’, while the Ratha employed by Gods is known as Marut. There is also descriptions of Ratha in Bhagavat, Mahabharat, Visnupurana, in a good style. Ratha Yatra is celebrated at Kautilya-Arthasastra and Sukra Niti. The Buddhist different places in Odisha, notably, at Puri. Konark Literature, especially, Lalita Vistara and Buddha- holds a Ratha Yatra in honour of the Sun God, Carita also speaks of Ratha. while every year is witnessed a similar festival of Lord Lingaraj. It may be presumed that the Ratha It has inspired Sanskrit and Odia poets to Yatra of Puri is existed anterior to the Ratha Yatra compose various works, of which Vasantotsava of Bhubaneswar. -
View Entire Book
Orissa Review * June - 2006 A Cult to Salvage Mankind Sarat Chandra The cosmic and terrestrial : both realities are The Hindu inclusiveness is nowhere as reflected in the Jagannath cult of Orissa. The evident as in the rituals of Lord Jagannath. Even cosmic reality of the undying spirit which romance is not excluded in the deity's schedule: abides, endures and sustains; the cosmic reality Once in a week the God is closeted with his of birth and death, as well as the beauty and consort Laksmi (in the ritual Ekanta). The refinement of the terrestrial world are mirrored Sayana Devata golden sculpture used in the in this all-inclusive mid-night ritual after the religious practice. "The Bada Singhara Dhupa, is visible and invisible both not only suggestive but worlds meet in man", even explicit. sang the British poet T.S.Eliot in the Four Over a year Lord Quartets. We may say Jagannath, like human that the Jagannath cult is beings, is engaged in designed to reflect both multification activities. the visible, this-worldly On one occasion realities as well as the (Banabhoji Besha) He cosmic phenomena. sets out on a picnic trip, Hence, the cult reflects a to an idyllic forest land, life style of a god who has which is suggestive of the numerous human God's love for natural attributes. beauty. On the other occasions (seven times in a year), the Lord goes This makes the God and the cult unique. for hunting expeditions. During the summer Several traits characterize the God: the everyday rituals of bathing, brushing of teeth, he goes for boat rides for twenty-one days dressing-up and partaking of food materials. -
Search a Journal of Arts, Humanities & Management Vol-IX, Issue-1 January, 2015
search A Journal of Arts, Humanities & Management Vol-IX, Issue-1 January, 2015 DDCE Education for All DDCE, UTKAL UNIVERSITY, BHUBANESWAR, INDIA Prof. S. P. Pani, Director,DDCE, Utkal University, Bhubaneswar. Dr. M. R. Behera Lecturer in Oriya, DDCE, Utkal University, Bhubaneswar. Dr. Sujit K. Acharya Lecturer in Business Administration DDCE, Utkal University, Bhubaneswar. Dr. P. P. Panigrahi Executive Editor Lecturer in English, DDCE, Utkal University, Bhubaneswar. ISSN 0974-5416 Copyright : © DDCE, Utkal University, Bhubaneswar Authors bear responsibility for the contents and views expressed by them. Directorate of Distance & Continuing Education, Utkal University does not bear any responsibility. Published by : Director, Directorate of Distance & Continuing Education, Utkal University, Vanivihar, Bhubaneswar – 751007. India. Reach us at E-mail : [email protected]. 91-674 –2376700/2376703(O) Type Setting & Printing: CAD 442, Saheed Nagar Bhubaneswar - 751 007 Ph.: 0674-2544631, 2547731 ii History is TRUTH and TRUTH is God. History is a search for the ultimate truth , an understanding which would end the search for any further explanation. Many of you may feel disturbed with such a content. In fact, many of you may feel this statement to be very subjective. Indeed you may opine that history is all about alternative explanations, choice of one explanation over the others with justification. In this short editorial an attempt is being made to explore, ‘History as Truth’. History like any other discipline can never be dealt in isolation; however, it may seem so. It is not even a distinct part of the whole, it is indeed the whole itself- both temporally and spatially. Why all search in history may be partial yet the partial search always can be of the whole only. -
Worship of Durgamadhab in the Grand Temple, Puri
Odisha Review October - 2015 Worship of Durgamadhab in the Grand Temple, Puri Durgamadhab Dash God is one. But He is adored and worshipped in God¶s Maya Shakti is also described as different names and forms. The believers of God the Adya-Shakti of the universe. In some places, hold the view that the different forms of God whom She is worshipped in the name of Jwalamukhi. people worship are but the symbolic expressions In other places, She is worshipped in the name of of different manifestations of the divine energy. Kanyakumari. She is also worshipped at some By His very divine nature, God is present places as Bimala and somewhere as Durga, everywhere. He knows everything. He is aware Bhairabi, Mangala and so on. All these divine of the past. He knows the future. He is all- forms are the expressions of one and the same powerful. So He is known as the omnipresent, Mayashakti of the Almighty Lord. For the sake omnipotent and omniscient Lord of the universe. of a uniform expression, this divine prowess is eulogized as the Adya Shakti of the divine God is also adored as Parabramha. He creation. is the supreme power of the universe. Within Him In Srikshetra Puri, the four armed Durga is present the mystic power known as Maya- is worshipped as Bimala Thakurani. She is also Shakti, the power of delusion. It is this divine adored and worshipped as Bhairabi. Lord force of the Lord that is ever vibrant. It is always Jagannath, the presiding deity of the Temple is agile in nature. -
Wood in Jagannnath Cult and Its Management During Colonial and Post-Colonial Period
International Journal of Engineering Science Invention ISSN (Online): 2319 – 6734, ISSN (Print): 2319 – 6726 www.ijesi.org Volume 3 Issue 2ǁ February 2014ǁ PP.43-47 Wood in Jagannnath Cult and Its Management during Colonial and Post-Colonial Period 1,Mohanty. B.N , 2,Pattanaik.M.R U.N.Autonomous College Of Sc. &Tech, Adaspur , ABSTRACT :There is enough evidence to show that dense forests once covered in India. The changing forest composition and cover can be closely linked to the growth and change of civilizations. Over the years, as man progressed the forest began gradually depleting. The growing population and man’s dependence on the forest have been mainly responsible for this. In 1840, the British colonial administration promulgated an ordinance called Crown Land (Encroachment) Ordinance. This ordinance targeted forests in Britain’s Asian colonies, and vested all forests, wastes, unoccupied and uncultivated lands to the crown. Odisha is known as the land of LordJagannath due to unflinching faith of general populace of the State in the deity. The world-famous Ratha Yatra (Car Festival) of LordJagannath, Purl is the most important festival and is being celebrated since time immemorial in the grandest manner, in accordance with the ancient prescribed rituals and rites. The Ratha Yatra of Lord Lingaraj at Bhubaneswar is also equally important and both the Ratha Yatras have been accorded the status of states festivals. The species required for construction of above 3chariots are Phasi (Anogeissus accuminata),Dhaura (Anogeissus latifolia), -
A Study of Patta Painting in Orissa
JASO 29/3 (1998): 197-211 FOLK ART AT THE CROSSROADS OF TRADITION AND MODERNITY: A STUDY OF PATTA PAINTING IN ORISSA MAMA TA TRIPA THY P ATTA painting, or patta chitra, is one of the typical regional arts of the coastal state of Orissa in eastern India. Like any other form of painting, irrespective of time and space, it possesses its own set of meanings and purposes. In particular, it expresses some of the religious and mythological aspects of Oriya culture, focus ing on the Hindu epics in general, the Mahabharata and the Ramayana, and the Jagannath cult in particular. Patta painting is of linear design, vegetable pigments being applied to a spe ciaJIy prepared cloth using a brush. Although overtly religious, it does not simpJy express a set of religious ideas or values and is much more than a merely visual art to be looked at and be appreciated: it expresses a whole set of beliefs and practices relating to life and death held by the artisans themselves. Traditionally it was prac tised only by the Chitrakara caste as their caste occupation. However, although it has retained its basic characteristics, it has been affected by the advent of science and technology as well as other aspects of modernization in the twentieth century. This has had an impact in terms of technology, the materials used, commercializa tion, and the use of the craft. To some extent, therefore, patta painting is at the 198 Mamata Tripathy crossroads of tradition and modernity, a situation that heralds a uncertain future for the craft. -
Ratha Yatra of Baripada - Unique in Many Ways
ISSN 0970-8669 Odisha Review aripada, the headquarters of Mayurbhanj Abdhi (4) and Subhransu (1) or 1497 Bdistrict bears the testimony of many corresponding to I575 A.D. magnificent monument of immense religious significance under the patronage of the illustrious Legend has it that Maharaja Baidyanath Bhanja rulers. Apart from Puri, Lord Jagannath, Bhanja had gone to Puri to have a darshan of worshipped as Shri Haribaldev Mahaprabhu at Lord Jagannath but was denied entry into Puri, Baripada is the second biggest one in Odisha and for he failed to offer the demanded gold coins for is acclaimed as the Second Shreekshetra of the purpose. Another version to the legend goes Odisha. like this .When Maharaja Baidyanath Bhanj went to Puri in royal splendour with the accompaniment The temple of Lord Jagannath at Baripada, of chhatro and chamara, the Gajapati made of laterite stone with exquisite designs Maharaja of Puri refused permission as it was engraved in the walls, has height of 84'-6". A brick display of higher status over the Thakur Raja of boundary wall encircles the temple which is a Puri. The prevailing custom then was that the Ratha Yatra of Baripada - Unique in Many Ways Balabhadra Ghadai replica of that of Lord Jagannath temple at Puri. devotees to Puri would come as common men A small inscription in two lines is found fixed to without showing of any supremacy over the the upper portion of the right hand boundary wall Gajapati who is chalanti Vishnu designate. of the temple indicates the date of construction of The Maharaja went in penance near the Atharanala Bridge , the gateway to Shrikshetra.