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Leprosy and Other Skin Disorders
Copyright by Robert Joseph Gallagher 2014 The report committee for Robert Joseph Gallagher Certifies that this is the approved version of the following report: An Annotated Translation of Chapter 7 of the Carakasaṃhitā Cikitsāsthāna: Leprosy and Other Skin Disorders APPROVED BY SUPERVISING COMMITTEE: Supervisor: __________________________________ Donald R. Davis _________________________________ Joel Brereton An Annotated Translation of Chapter 7 of the Carakasaṃhitā Cikitsāsthāna: Leprosy and Other Skin Disorders by Robert Joseph Gallagher, B.A., M.A. Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment for the degree of Master of Arts University of Texas at Austin May 2014 Dedication To my wife Virginia and our two daughters Michelle and Amy, who showed patience and understanding during my long hours of absence from their lives, while I worked on mastering the intricacies of the complex but very rewarding language of Sanskrit. In addition, extra kudos are in order for thirteen year-old Michelle for her technical support in preparing this report. Acknowledgements I wish to thank all the members of the South Asia team at UT Austin, including Prof. Joel Brereton, Merry Burlingham, Prof. Don Davis, Prof. Oliver Freiberger, Prof. Edeltraud Harzer, Prof. Patrick Olivelle, Mary Rader, Prof. Martha Selby and Jennifer Tipton. Each one has helped me along this path to completion of the M.A. degree. At the time of my last serious academic research, I used a typewriter to put my thoughts on paper. The transition from white-out to pdf has been challenging for me at times, and I appreciate all the help given to me by the members of the South Asia team. -
The Features of the Interpretation of Mañgala-Symbols in Buddhist Sanskrit Manuscripts from Central Asia
S. Shomakhmadov THE FEATURES OF THE INTERPRETATION OF MAÑGALA-SYMBOLS IN BUDDHIST SANSKRIT MANUSCRIPTS FROM CENTRAL ASIA Palaeographers working with the Buddhist MSS debate identified the ideogram of initial mañgala-Ğloka as .[5] ۦabout the interpretation of the mañgala-symbols opening o the Buddhist manuscript texts. The main problem of this In the 20s of 20th century E. Hultzsch (1857—1927) dispute is how to interpret ornamental symbols-ideo- solved this problem researching the epigraphic mate- grams (per se — logograms) at the beginning of the text: rial — namely, the AĞoka's Rock Edicts [6]. as siddham or (more rarely) as svasti? As Lore The discovery of ancient manuscripts near Gilgit in ,ۦas o Sander (Germany) points out, such question arises when 1936 gave a new impulse to the study of Central Asian studying the Gilgit manuscripts mainly [1]. At first Sanskrit manuscripts. N. Dutt and U. Wogihara were the glance, there is no fundamental difference between these leaders of that research process. After the World War II three openings: each of them represents the good wishes palaeographers turned to the studying of the Central Asia to adept before text reading. However, the accuracy and manuscript heritage again. So the dispute regarding the thoroughness of palaeographic science, as well as the interpretation of opening mañgala-symbols was contin- nuances of the etymology of the three sacred words, ued. We can distinguish three different point of views, require their clear identification. showing all possible answers to this question: -
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Int. J. Ayur. Pharma Research, 2014; 2(1): 11-16 ISSN: 2322 - 0910 International Journal of Ayurveda and Pharma Research Review Article MANUSCRIPTS IN INDIAN SYSTEM OF MEDICINE - A REVIEW Kundailia Neetika1*, Amartya Bose2, Saroch Vikas3 *1P.G. Scholar, Department of Rasashastra and Bhaishajya Kalpana, School of Ayurveda, Desh Bhagat University Mandigobindgarh (Punjab), India. 2P.G. Scholar, M.Pharmacy (Aurveda), Pune, India. 3Lecturer, Department of Rasashastra and Bhaishajya Kalpana, School of Ayurveda, Desh Bhagat University Mandigobindgarh (Punjab), India. Received on: 11/11/2013 Revised on: 15/01/2014 Accepted on: 26/02/2014 ABSTRACT India has a rich intellectual and also a textual heritage that dates back to several hundreds of years. India culminates one of the largest collections of medical manuscripts of any civilization in the world. The different types of manuscripts in ISM (Indian System of Medicine) includes, Ayurveda that is spread all over India since antiquity along with Siddha this is mainly confined to South India, so rig-pa, which is confined to Tibetan plateau and Unani-Tibb this is Greco-Arabian system of medicine, which came to India along with the Muslims. A proper understanding in the review of ancient manuscripts revealed that the past existence of medical manuscripts evidences were available mainly in four forms those were Bhurja patra (palm leaves), old handmade paper and commonly available paper. The review also revealed that presently available medical texts, which are in use now, represents less than 2% of medical literature which are in use now, information which are now lost that were present in the manuscript. -
Sushruta: the First Plastic Surgeon in 600 B.C
The Internet Journal of Plastic Surgery ISPUB.COM Volume 4 Number 2 Sushruta: The first Plastic Surgeon in 600 B.C. S Saraf, R Parihar Citation S Saraf, R Parihar. Sushruta: The first Plastic Surgeon in 600 B.C.. The Internet Journal of Plastic Surgery. 2006 Volume 4 Number 2. Abstract Sushruta, one of the earliest surgeons of the recorded history (600 B.C.) is believed to be the first individual to describe plastic surgery. Sushruta who lived nearly 150 years before Hippocrates vividly described the basic principles of plastic surgery in his famous ancient treatise 'Sushruta Samhita' 1,2 in 600 B.C. 'Sushruta Samhita'(Sushruta's compendium) which is one of the oldest treatise dealing with surgery in the world indicates that he was probably the first surgeon to perform plastic surgical operations. This paper presents a historical window into various contributions of Sushruta to plastic surgery and allied fields which were described in 'Sushruta Samhita' more than 2500 years ago. Although many people consider Plastic Surgery as a Figure 1 relatively new specialty, the origin of the plastic surgery had Figure 1: Sushruta (600 B.C.) his roots more than 4000 years old in India, back to the Indus River Civilization. The mythico-religious shlokas (hymns) associated with this civilization were compiled in Sanskrit language between 3000 and 1000 B.C. in the form of Vedas, the oldest sacred books of the Hindu religion. This era is referred to as the Vedic period (5000 years B.C) in Indian history during which the the four Vedas, namely the Rigveda, the Samaveda, the Yajurveda, and the Atharvaveda were compiled. -
Sanskrit Literature
A HISTORY OF SANSKRIT LITERATURE Oxford University Press, Amen House, London E.C.4 GLASGOW NEW YORK "TOR01"'n"O MEL.BOURNE WELLINGTON BOMBAY CALCUTTA·MADRAS KARACHl CAPE TOWN lBADAN NAlROBI ACCkA 5.lNGAPORE FIRST EDITION 1920 Reprinted photographically in Great Britain in 1941, 1948, 1953, 1956 by LOWE & BRYDONE, PRINTERS, LTD., LONDON from sheets of the first edition A HISTORY OF SANSKRIT LITERATURE BY A. BERRIEDALE KEITH, D.C.L., D.LI'IT. Of the Inner Temple, Barnster-at-Law, and Advocate Regius Professor of Sansknt and Comparative Philology and Lecturer on the Constitution of the British Empire in the UnIversity of Edinburgh OXFORD UNIVERSITY PRESS Pnnted III Great Bntam IN MEMORIAM FRATRIS ALAN DAVIDSON KEITH (1885-1928) PREFACE AKEN in conjunc"tion with my Sanskrit Drama, published T in 19~4, this work covers the field of Classical Sanskrit Literature, as opposed to the Vedic Literature, the epics, and the PuralJ.as~ To bring the subject-matter within the limits of a single volume has rendered it necessary to treat the scientific literature briefly, and to avoid discussions of its subject-matter which appertain rather to the historian of grammar, philosophy, law, medicine, astronomy, or mathematics, than to the literary his torian. This mode of treatment has rendered it possible, for the first time in any treatise in English on Sanskrit Literature, to pay due attention to the literary qualities of the Kavya. Though it was to Englishmen, such as Sir William Jones and H. T. Cole brooke, that our earliest knowledge of Sanskrit poetry was due, no English poet shared Goethe's marvellous appreciation of the merits of works known to him only through the distorting medium of translations, and attention in England has usually been limited to the Vedic literature, as a source for comparative philology, the history of religion, or Indo-European antiquities; to the mysticism and monism of Sanskrit philosophy; and to the fables and fairy-tales in their relations to western parallels. -
Ophthalmology in Ancient India, Sushruta's Time and the Modern
FEATURE Ophthalmology in ancient india, Sushruta’s time and the modern era BY DHIREN BUJARBORUA hile reading an article Sushruta’s time has long been a encountered while doing the surgery. related to the history of controversial subject due to a lack of Several reasons, such as translation Indian ophthalmology, direct evidence [3]. The original copy of the original work by a non- W I came across this of Sushruta Samhita, the monumental medical Sanskrit scholar, difficulty in description of a surgical procedure: treatise on surgery written by interpreting Vedic Sanskrit and the “The doctor warmed the patient’s Sushruta, is not traceable. However, understanding of cataract at that time eye with the breath of his mouth. He a version of this textbook was might lead to this confusion. Recently rubbed the closed eye of the patient discovered in 1890 in Kuchar, Chinese there has been some debate whether with his thumb and then asked the Turkestan, and was named after the we should consider the operation patient to look at his knees. The man to whom it was sold, Hamilton done by Sushruta to be extracapsular patient’s head was held firmly. The Bower. The Bower manuscript is cataract extraction or couching [7,8]. doctor held the lancet between his currently housed in the Bodlean But in ancient times, cataractous fore-finger, middle-finger and thumb Library in Oxford [4]. Hoernle edited lenses were dislocated into the and introduced it into the patient’s and critically evaluated it and placed vitreous cavity rather than removed eye towards the pupil, in the strict sense. -
Mantra and Yantra in Indian Medicine and Alchemy
Ancient Science of Life Vol. VIII, Nos. 1. July 1988, Pages 20-24 MANTRA AND YANTRA IN INDIAN MEDICINE AND ALCHEMY ARION ROSU Centre national de la recherché scientifique, Paris (France) Received: 30 September1987 Accepted: 18 December 1987 ABSTRACT: This paper was presented at the International Workshop on mantras and ritual diagrams in Hinduism, held in Paris, 21-22 June1984. The complete text in French, which appeared in the Journal asiatique 1986, p.203, is based upon an analysis of Ayurvedc literature from ancient times down to the present and of numerous Sanskrit sources concerning he specialized sciences: alchemy and latrochemisry, veterinary medicine as well as agricultural and horticulture techniques. Traditional Indian medicine which, like all possession, were deeply rooted in their Indian branches of learning, is connected consciousness. The presence of these in with the Vedas and him Atharvaveda in medical literature is less a result of direct particular, is a rational medicine. From the Vedic recollections than of their persistence time of he first mahor treatises, those of in the Hindu tradition, a fact to which testify Caraka and Susruta which may be dated to non-medical Sanskrit texts (the Puranas and the beginning of the Christian era, classical Tantra) with regard to infantile possession. Ayurveda has borne witness to its scientific Scientific doctrines and with one another in tradition. While Sanskrit medical literature the same minds. The general tendency on bears the stamp of Vedic speculations the part of the vaidyas was nevertheless to regarding physiology, its dependence on limit, in their writings, such popular Vedic pathology is insignificant and wholly contributions so as to remain doctrines of negligible in the case of Vedic therapeutics. -
Indian Serpent Lore Or the Nagas in Hindu Legend And
D.G.A. 79 9 INDIAN SERPENT-LOEE OR THE NAGAS IN HINDU LEGEND AND ART INDIAN SERPENT-LORE OR THE NAGAS IN HINDU LEGEND AND ART BY J. PH. A'OGEL, Ph.D., Profetsor of Sanskrit and Indian Archirology in /he Unircrsity of Leyden, Holland, ARTHUR PROBSTHAIN 41 GREAT RUSSELL STREET, LONDON, W.C. 1926 cr," 1<A{. '. ,u -.Aw i f\0 <r/ 1^ . ^ S cf! .D.I2^09S< C- w ^ PRINTED BY STEPHEN AUSTIN & SONS, LTD., FORE STREET, HERTFORD. f V 0 TO MY FRIEND AND TEACHER, C. C. UHLENBECK, THIS VOLUME IS DEDICATED. PEEFACE TT is with grateful acknowledgment that I dedicate this volume to my friend and colleague. Professor C. C. Uhlenbeck, Ph.D., who, as my guru at the University of Amsterdam, was the first to introduce me to a knowledge of the mysterious Naga world as revealed in the archaic prose of the Paushyaparvan. In the summer of the year 1901 a visit to the Kulu valley brought me face to face with people who still pay reverence to those very serpent-demons known from early Indian literature. In the course of my subsequent wanderings through the Western Himalayas, which in their remote valleys have preserved so many ancient beliefs and customs, I had ample opportunity for collecting information regarding the worship of the Nagas, as it survives up to the present day. Other nations have known or still practise this form of animal worship. But it would be difficult to quote another instance in which it takes such a prominent place in literature folk-lore, and art, as it does in India. -
Aurel Stein and the Kiplings: Silk Road Pathways of Converging and Reciprocal Inspiration
Publications 7-10-2018 Aurel Stein and the Kiplings: Silk Road Pathways of Converging and Reciprocal Inspiration Geoffrey Kain Embry-Riddle Aeronautical University, [email protected] Follow this and additional works at: https://commons.erau.edu/publication Part of the History of Art, Architecture, and Archaeology Commons Scholarly Commons Citation Kain, G. (2018). Aurel Stein and the Kiplings: Silk Road Pathways of Converging and Reciprocal Inspiration. Humanities, 7(3). https://doi.org/10.3390/h7030068 This Article is brought to you for free and open access by Scholarly Commons. It has been accepted for inclusion in Publications by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. humanities Article Aurel Stein and the Kiplings: Silk Road Pathways of Converging and Reciprocal Inspiration Geoffrey Kain Honors Program, Embry-Riddle Aeronautical University, Daytona Beach, FL 32114, USA; [email protected] Received: 4 June 2018; Accepted: 5 July 2018; Published: 10 July 2018 Abstract: Biographies of the renowned linguistic scholar and archaeological explorer Sir Marc Aurel Stein (1862–1943) inevitably yet briefly refer to the role played by John Lockwood Kipling (1837–1911), as curator of the Lahore Museum—with its extensive collection of ancient Gandharan Greco-Buddhist sculpture—in exciting Stein’s interests in and theories of what likely lay buried under the sands of the Taklamakan Desert. A more insistent focus on the coalescing influences in the Stein-Kipling relationship, including a subsequent line of evident inspiration from Stein to the internationally famed author and Nobel laureate Rudyard Kipling (Lockwood’s son; 1865–1936), helps to synthesize some of the highlights of Stein’s first expedition into the remote Tarim Basin of Chinese Turkestan, including and involving the forgeries manufactured by the Uyghur treasure-seeker Islam Akhun. -
To Open a PDF of the Transcript of the Neil Schmid
China Law & Policy Interview with Dr. Neil Schmid Scholar-in-Residence at the Dunhuang Academy & Leading Authority on medieval Buddhist art April 17, 2015 Transcript of April 17, 2015 Interview with Dr. Neil Schmid This is China Law & Policy and welcome to our podcast. Tibet is considered the Buddhist capital of China, causing many not familiar with China’s geography to believe that Buddhism came to China from India through Tibet. But with the highest mountain peaks in the world, the Himalayas, separating India and China, Buddhism had to take a different route. Instead, it entered northern China through what has become known as the Silk Road. As a result, some very early Buddhist art can be found in remote northwestern regions of China. One such example are the Buddhist cave art in Dunhuang, an oasis town situated in the Gobi Desert. The Mogao Caves are probably the best known. But any trip to the Mogao caves by a Buddhist art novice leaves one with many questions on the art, the history and its significance. Fortunately, China Law & Policy had the opportunity to sit down with Dr. Neil Schmid, an American expert on Buddhist Studies and Dunhuang. ****************************************************************************** [00:57] EL: Thank you for joining us today. First, can you give us a little bit of background on the caves: when were they first constructed, why and by whom? [01:05] NS: Elizabeth, thank you for inviting me. So there’s a story, maybe apocryphal, that in 366 [CE] a monk by the name of Le Zun had a vision. This is a vision that happened outside of the oasis of Dunhuang, in a small, small ravine with a cliff face. -
Bulletin of the School of Oriental and African Studies the Evolution of The
Bulletin of the School of Oriental and African Studies http://journals.cambridge.org/BSO Additional services for Bulletin of the School of Oriental and African Studies: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here The evolution of the Buddhist rakā genre in the light of new evidence from Gandhāra: The *Manasvi-nāgarāja-sūtra from the Bajaur Collection of Kharohī Manuscripts Ingo Strauch Bulletin of the School of Oriental and African Studies / Volume 77 / Issue 01 / February 2014, pp 63 - 84 DOI: 10.1017/S0041977X14000044, Published online: 15 May 2014 Link to this article: http://journals.cambridge.org/abstract_S0041977X14000044 How to cite this article: Ingo Strauch (2014). The evolution of the Buddhist rakā genre in the light of new evidence from Gandhāra: The *Manasvi-nāgarāja-sūtra from the Bajaur Collection of Kharohī Manuscripts . Bulletin of the School of Oriental and African Studies, 77, pp 63-84 doi:10.1017/S0041977X14000044 Request Permissions : Click here Downloaded from http://journals.cambridge.org/BSO, IP address: 85.218.40.63 on 09 Jun 2014 Bulletin of SOAS, 77, 1 (2014), 63–84. © SOAS, University of London, 2014. doi:10.1017/S0041977X14000044 The evolution of the Buddhist raksạ̄genre in the light of new evidence from Gandhāra: The *Manasvi-nāgarāja-sūtra from the Bajaur Collection of Kharosṭḥī Manuscripts Ingo Strauch Université de Lausanne, Switzerland [email protected] Abstract This article examines the *Manasvi-nāgarāja-sūtra, a unique text in the raksạ̄genre of Buddhist literature dating to the early centuries of the com- mon era. In addition to exploring special features of the vocabulary and meaning of this text, the article places the *Manasvi-nāgarāja-sūtra in the wider context of Buddhist textual and ritual practice in the first, second and third centuries CE. -
BUDDHIST MANUSCRIPTS Volume IV
MANUSCRIPTS IN THE SCHØYEN COLLECTION BUDDHIST MANUSCRIPTS Volume IV MANUSCRIPTS IN THE SCHØYEN COLLECTION MANUSCRIPTS IN THE SCHØYEN COLLECTION BUDDHIST MANUSCRIPTS Volume IV General Editor: Jens Braarvig Editorial Committee: Jens Braarvig, Paul Harrison, Jens-Uwe Hartmann, Kazunobu Matsuda, Gudrun Melzer, Lore Sander HERMES PUBLISHING · OSLO 2016 Hermes Academic Publishing & Bookshop A/S, P.O.Box 2709 Solli, N-0204 Oslo © Jens Braarvig 2016 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Hermes Academic Publishing & Bookshop. Exceptions are allowed in respect of any fair dealing for the purpose of research or private study, or criticism or review. Enquiries concerning reproduction outside these terms should be sent to the publisher with the address as stated above. ISBN 978-82-8034-203-4 Printed in Norway by RK Grafisk AS Oslo THIS VOLUME IS DEDICATED TO KLAUS WILLE IN GRATEFUL RECOGNITION OF HIS GENEROSITY TO HIS COLLEAGUES AND HIS PRODIGIOUS CONTRIBUTIONS TO THE STUDY OF BUDDHIST MANUSCRIPTS CONTENTS ACKNOWLEDGEMENTS xi GENERAL INTRODUCTION xiii CONVENTIONS xv ABBREVIATIONS xvii I) Sūtra: a) Āgama: 1. Fragments of an Ekottarikāgama Manuscript in Gāndhārī Chanida Jantrasrisalai, Timothy Lenz, Lin Qian, Richard Salomon 1 2. Fragments of the Itivṛttaka Mitsuyo Demoto 123 3. A Folio of a Parallel to the Śalyasūtra or Sunakkhattasutta Jens-Uwe Hartmann, Klaus Wille 151 4. A Possible Sanskrit Parallel to the Pali Uruvelasutta Peter Skilling, Saerji, Prapod Assavavirulhakarn 159 b) Mahāyāna: 5. Fragments of a Gāndhārī Version of the Bhadrakalpikasūtra Stefan Baums, Andrew Glass, Kazunobu Matsuda 183 6.