KASIA ANDERSON, Ph.D

Total Page:16

File Type:pdf, Size:1020Kb

KASIA ANDERSON, Ph.D KASIA ANDERSON, Ph.D. Cell: 310-817-3210 - [email protected] Summary Award-winning journalist and accomplished communication scholar with 20 years of experience in online and print journalism seeks editorial position in dynamic digital newsroom. My specialties as a journalist include entertainment, culture, politics, and breaking news. In addition to my prior experience covering technology and film during the dot-com boom in San Francisco and as a newspaper reporter in New York City, I have served as an executive editor for the last decade at a top independent news and opinion site based in Los Angeles. I am also pushing forward with my scholarly research with a website and book project currently in the works. Education and Training Ph.D.: Communication, 2018; Master’s: Communication, 2006 USC Annenberg School for Communication and Journalism - Los Angeles, CA, United States 3.92 GPA Fields of study: Celebrity and politics, journalism, digital journalism, cultural studies, rhetorical criticism, popular culture, feminist studies, attention economy. Conferences and pubilcations: Presented paper as part of the "Engaging Counterpublics" panel at the 2005 NCA/AFA Summer Conference on Argumentation in Alta, Utah. [Cf. Anderson, Kasia. "How to "Dixie Chick": Celebrity Advocacy, Public Protest and the Body Politic." Conference Proceedings -- National Communication Association/American Forensic Association (Alta Conference on Argumentation), Jan. 2005, pp. 306-311.] Teaching assignments: Media and Society (T.A.); Ethical Issues in Entertainment and Communication (T.A.); Gender, Media, and Communication (T.A.); Music as Communication (T.A.), History of Broadcast Media (co-instructor); Introduction to Rhetoric (T.A.) Awards: T.A. of the Year, 2004 Bachelor of Arts: 1997 Swarthmore College - Swarthmore, Pennsylvania Magna cum laude graduate Honors Program graduate Major in English Literature Minor in Sociology Professional Experience Deputy Editor December 2013 to present Truthdig - Los Angeles, California Truthdig (www.truthdig.com) is an award-winning news and opinion website that focuses on current events, breaking news, politics and culture for an international readership. Advise editor-in-chief and publisher in planning short-and long-term coverage of news, plus feature stories, reviews, multimedia and other content. Manage 8-10 junior staff members and interns, assist them with pitching, writing, editing, posting and promoting stories on social media. Consult on development projects for story series sponsored by foundations, secure ongoing grants for key writers and award-winning projects such as Global Voices: Truthdig Women Reporting. Write several news stories and blog items per day, as well as longer-form movie reviews, television reviews and live blogs. Cultivate, manage and edit content by columnists, freelancers and other contributors. Represent site and assist in planning and producing Truthdig-sponsored special events: panels, screenings, talks and debates. Associate Director October 2012 to February 2014 Daniel Pearl Foundation - Los Angeles, California The Daniel Pearl Foundation is a nonprofit organization dedicated to cultivating cross-cultural understanding and supporting the work of international journalists. Assisted the Executive Director in running the Foundation's three programs. Developed, managed and implemented the Daniel Pearl Youth News program. Conducted outreach and cultivated development relationships within and beyond the L.A. community. Wrote and won a grant worth $50,000 for the Foundation's website. Managed successful planning and implementation of funds and services secured by grant. Researched and assisted with selection and placement of overseas journalists for DPF's fellowship program. Served as Foundation representative for visiting fellows, collaborated with Los Angeles Press Club to produce event honoring fellows. News Editor April 2012 to October 2012 The Wrap - Los Angeles, California TheWrap is an online trade news site, covering the entertainment industry via breaking news, features and reviews, and competing with The Hollywood Reporter, Variety and Deadline.com. Edited and produced an average of 15 news and opinion/review stories per day. Managed a group of 8-10 reporters and reviewers, assigning and editing their stories. Pitched and wrote long- and short-form stories, syndicated in partnership with Reuters. Contributed big-picture strategies for the site at editorial meetings and planning sessions. Established and developed a beat covering the intersection between entertainment and politics. Associate Editor/Arts & Culture Editor February 2007 to April 2012 Truthdig - Los Angeles, California Edited and managed a group of prominent columnists, including Gore Vidal, Chris Hedges and Robert Scheer. Advised the publisher and editor-in-chief on branding and growing the site. Successfully led the planning and launch of Truthdig's Arts & Culture section. Wrote several film and book reviews, plus 4-8 multimedia blog items daily. Represented Truthdig and developed the brand via weekly Truthdig Radio shows on KPFK 90.7 FM and at sponsored events. Established key partnerships with synergistic sites including The Huffington Post and The Nation. Reporter October 2000 to August 2002 New York Daily News - New York, NY The Daily News covers the five boroughs and ranks among the U.S.' top papers in terms of circulation. Covered a diverse lineup of NYC-based events every night for the features section. Conducted interviews with prominent figures from the political, cultural and literary arenas. Co-wrote daily entertainment columns, including the nationally syndicated "Rush & Molloy" column. Researched, wrote and collaborated with other sections on feature stories and series. Assisted columnists in identifying, pitching, reporting out and writing daily stories. Movie News Editor August 1999 to August 2000 Reel.com - Emeryville, California Reel.com was a content and e-commerce site for film buffs and an early adopter of matching/recommendation technology. Created all of Reel.com's content in its Movie News section. Interviewed filmmakers, actors and writers on press junkets and in one-on-one settings. Wrote film reviews, produced features and interviews for various sections of the site. Consulted with executive team and recommended innovation and growth strategies for the site's news and feature content. Produced panels, events and specialized content for the San Francisco Film Festival, which Reel.com co-sponsored. Reporter/Producer August 1998 to August 1999 ON24.com - San Francisco, CA ON24.com began as a content producer, focusing on streaming media reports about the tech industry. Conducted and produced 8-10 streaming audio news briefs daily, featuring interviews with industry leaders. Created unique content covering technology, finance and other angles about companies like Microsoft, TiVo and eBay. Trained other reporters in online news and webcast media production. Assisted CEO and management team, during the company's earliest beginnings, in establishing, defining and shaping the enduring brand. Awards and Honors • Southern California Journalism Award: First Place, Online Entertainment News (2016) • National Arts and Entertainment Journalism Award: First Place, Online Industry/Arts News (2014) • Southern California Journalism Award: Second Place, Online Group Blog (2016) • National Arts and Entertainment Journalism Award: Second Place, Online Celebrity News (2016) • Southern California Journalism Award: Second Place, Online Group Blog (2015) • Southern California Journalism Award: Third Place, Online Entertainment News (2016) • National Arts and Entertainment Journalism Award: Third Place, Online Arts Hard News (2016) • Webby People's Voice Award: Political Blog (for Truthdig, 2015) • Webby Award: Political Blog (for Truthdig, 2011) • Webby Award: Political Blog (for Truthdig, 2010) • Webby Award: Political Blog (for Truthdig, 2007) • Webby People's Voice Award: Political Blog (for Truthdig, 2007) Skills Managing newsrooms and training digital Fundraising journalists Event production Multimedia reporting and news production Radio feature reporting and interviewing Undergraduate- and graduate-level teaching Nonprofit development Reporting, writing, and editing of news and Proficient in Spanish feature articles Computer skills: HTML, CSS, JQuery, Excel, Word Social media for the news industry Press, Photoshop, Final Cut Pro .
Recommended publications
  • National Journalism Awards
    George Pennacchio Carol Burnett Michael Connelly The Luminary The Legend Award The Distinguished Award Storyteller Award 2018 ELEVENTH ANNUAL Jonathan Gold The Impact Award NATIONAL ARTS & ENTERTAINMENT JOURNALISM AWARDS LOS ANGELES PRESS CLUB CBS IN HONOR OF OUR DEAR FRIEND, THE EXTRAORDINARY CAROL BURNETT. YOUR GROUNDBREAKING CAREER, AND YOUR INIMITABLE HUMOR, TALENT AND VERSATILITY, HAVE ENTERTAINED GENERATIONS. YOU ARE AN AMERICAN ICON. ©2018 CBS Corporation Burnett2.indd 1 11/27/18 2:08 PM 11TH ANNUAL National Arts & Entertainment Journalism Awards Los Angeles Press Club Awards for Editorial Excellence in A non-profit organization with 501(c)(3) status Tax ID 01-0761875 2017 and 2018, Honorary Awards for 2018 6464 Sunset Boulevard, Suite 870 Los Angeles, California 90028 Phone: (323) 669-8081 Fax: (310) 464-3577 E-mail: [email protected] Carper Du;mage Website: www.lapressclub.org Marie Astrid Gonzalez Beowulf Sheehan Photography Beowulf PRESS CLUB OFFICERS PRESIDENT: Chris Palmeri, Bureau Chief, Bloomberg News VICE PRESIDENT: Cher Calvin, Anchor/ Reporter, KTLA, Los Angeles TREASURER: Doug Kriegel, The Impact Award The Luminary The TV Reporter For Journalism that Award Distinguished SECRETARY: Adam J. Rose, Senior Editorial Makes a Difference For Career Storyteller Producer, CBS Interactive JONATHAN Achievement Award EXECUTIVE DIRECTOR: Diana Ljungaeus GOLD International Journalist GEORGE For Excellence in Introduced by PENNACCHIO Storytelling Outside of BOARD MEMBERS Peter Meehan Introduced by Journalism Joe Bell Bruno, Freelance Journalist Jeff Ross MICHAEL Gerri Shaftel Constant, CBS CONNELLY CBS Deepa Fernandes, Public Radio International Introduced by Mariel Garza, Los Angeles Times Titus Welliver Peggy Holter, Independent TV Producer Antonio Martin, EFE The Legend Award Claudia Oberst, International Journalist Lisa Richwine, Reuters For Lifetime Achievement and IN HONOR OF OUR DEAR FRIEND, THE EXTRAORDINARY Ina von Ber, US Press Agency Contributions to Society CAROL BURNETT.
    [Show full text]
  • Print Journalism: a Critical Introduction
    Print Journalism A critical introduction Print Journalism: A critical introduction provides a unique and thorough insight into the skills required to work within the newspaper, magazine and online journalism industries. Among the many highlighted are: sourcing the news interviewing sub-editing feature writing and editing reviewing designing pages pitching features In addition, separate chapters focus on ethics, reporting courts, covering politics and copyright whilst others look at the history of newspapers and magazines, the structure of the UK print industry (including its financial organisation) and the development of journalism education in the UK, helping to place the coverage of skills within a broader, critical context. All contributors are experienced practising journalists as well as journalism educators from a broad range of UK universities. Contributors: Rod Allen, Peter Cole, Martin Conboy, Chris Frost, Tony Harcup, Tim Holmes, Susan Jones, Richard Keeble, Sarah Niblock, Richard Orange, Iain Stevenson, Neil Thurman, Jane Taylor and Sharon Wheeler. Richard Keeble is Professor of Journalism at Lincoln University and former director of undergraduate studies in the Journalism Department at City University, London. He is the author of Ethics for Journalists (2001) and The Newspapers Handbook, now in its fourth edition (2005). Print Journalism A critical introduction Edited by Richard Keeble First published 2005 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX9 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” Selection and editorial matter © 2005 Richard Keeble; individual chapters © 2005 the contributors All rights reserved.
    [Show full text]
  • University of Oklahoma Graduate College
    UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE THE SELF-PERCEPTION OF VIDEO GAME JOURNALISM: INTERVIEWS WITH GAMES WRITERS REGARDING THE STATE OF THE PROFESSION A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By Severin Justin Poirot Norman, Oklahoma 2019 THE SELF-PERCEPTION OF VIDEO GAME JOURNALISM: INTERVIEWS WITH GAMES WRITERS REGARDING THE STATE OF THE PROFESSION A DISSERTATION APPROVED FOR THE GAYLORD COLLEGE OF JOURNALISM AND MASS COMMUNICATION BY Dr. David Craig, Chair Dr. Eric Kramer Dr. Jill Edy Dr. Ralph Beliveau Dr. Julie Jones © Copyright by SEVERIN JUSTIN POIROT 2019 All Rights Reserved. iv Acknowledgments I’ve spent a lot of time and hand wringing wondering what I was going to say here and whom I was going to thank. First of all I’d like to thank my committee chair Dr. David Craig. Without his guidance, patience and prayers for my well-being I don’t know where I would be today. I’d like to also thank my other committee members: Dr. Eric Kramer, Dr. Julie Jones, Dr. Jill Edy, and Dr. Ralph Beliveau. I would also like to thank former member Dr. Namkee Park for making me feel normal for researching video games. Second I’d like to thank my colleagues at the University of Oklahoma who were there in the trenches with me for years: Phil Todd, David Ferman, Kenna Griffin, Anna Klueva, Christal Johnson, Jared Schroeder, Chad Nye, Katie Eaves, Erich Sommerfeldt, Aimei Yang, Josh Bentley, Tara Buehner, Yousuf Mohammad and Nur Uysal. I also want to extend a special thanks to Bryan Carr, who possibly is a bigger nerd than me and a great help to me in finishing this study.
    [Show full text]
  • Digital Journalism Studies the Key Concepts
    Digital Journalism Studies The Key Concepts FRANKLIN, Bob and CANTER, Lily <http://orcid.org/0000-0001-5708-2420> Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/26994/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version FRANKLIN, Bob and CANTER, Lily (2019). Digital Journalism Studies The Key Concepts. Routledge key guides . Routledge. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk <BOOK-PART><BOOK-PART-META><TITLE>The key concepts</TITLE></BOOK- PART-META></BOOK-PART> <BOOK-PART><BOOK-PART-META><TITLE>Actants</TITLE></BOOK-PART- META> <BODY>In a special issue of the journal Digital Journalism, focused on reconceptualizsing key theoretical changes reflecting the development of Digital Journalism Studies, Seth Lewis and Oscar Westlund seek to clarify the role of what they term the “four A’s” – namely the human actors, non-human technological actants, audiences and the involvement of all three groups in the activities of news production (Lewis and Westlund, 2014). Like Primo and Zago, Lewis and Westlund argue that innovations in computational software require scholars of digital journalism to interrogate not simply who but what is involved in news production and to establish how non-human actants are disrupting established journalism practices (Primo and Zago, 2015: 38). The examples of technological actants
    [Show full text]
  • The Roles of Civic and Traditional Journalism
    UNLV Theses, Dissertations, Professional Papers, and Capstones 12-2011 Comparative and critical analysis: The roles of civic and traditional journalism Kendle Walters University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Community-Based Research Commons, and the Journalism Studies Commons Repository Citation Walters, Kendle, "Comparative and critical analysis: The roles of civic and traditional journalism" (2011). UNLV Theses, Dissertations, Professional Papers, and Capstones. 1377. http://dx.doi.org/10.34917/3275266 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. COMPARATIVE AND CRITICAL ANALYSIS: THE ROLES OF CIVIC AND TRADITIONAL JOURNALISM by Kendle Walters University of Nevada, Las Vegas Bachelor of Arts, Communication Studies 2009 A thesis submitted in partial fulfillment of the requirements
    [Show full text]
  • Via Issuelab
    National Arts Journalism Program THE STATE OF ARTS JOURNALISM: A PANEL DISCUSSION This is an edited and abbreviated transcript of a National Arts Journalism Program panel on the state of arts journalism held at The National Hotel in Miami on May 1, 1999. Panelists: Bruce Weber, National Cultural Correspondent, The New York Times. Weber has also worked for the Times as an editor for the Sunday magazine, metro reporter, and theater beat reporter. Previously he was a fiction editor for Esquire magazine, and the editor of Look Who’s Talking, an anthology of American short stories. Cheryl Kushner, Entertainment Editor, Newsday. At the time of the panel discussion, Kushner was the entertainment editor for The Cleveland Plain Dealer. She was a 1996-97 National Arts Journalism Program Fellow. Danyel Smith, Editor-at-large, Time, Inc. At the time of the panel discussion, Smith was editor in chief of VIBE and editorial director for Blaze. Smith has also worked as rhythm and blues editor at Billboard, music editor at SF Weekly, and columnist at Spin. She was a 1996-97 National Arts Journalism Program Fellow. Raymond Sokolov, Arts and Leisure Editor, The Wall Street Journal. Sokolov has worked as a reporter, book reviewer, and columnist for various publications including The New York Times, where he was food editor and restaurant critic, Natural History, Travel and Leisure, Food and Wine, and Cuisine. Moderator: Ileana Oroza, Assistant Managing Editor, The Miami Herald. Oroza has also worked for the Herald as editorial writer, foreign editor, arts and entertainment editor, and at El Herald, city editor, features editor, and general assignment reporter.
    [Show full text]
  • Popular Music Journalism As Public Sphere
    UNIVERSITY OF STIRLING PEDRO NUNES Department of Film and Media POPULAR MUSIC AND THE PUBLIC SPHERE: THE CASE OF PORTUGUESE MUSIC JOURNALISM Submitted for the degree of Doctor of Philosophy January, 2004 i Abstract Music journalism has been acknowledged as an important space of mediation between artists and consumers. Journalists and critics have played an historical role in the creation of discourse on popular music and are acknowledged by the music industry as an important referent in promotion strategies. Research on the subject has been mostly focused either on the relationship between music journalism and the wider music industry in which it operates or on its status as a field of cultural production. Little consideration has been given to the role played by music journalists in articulating popular music with wider political, social and cultural concerns. This thesis will examine the case-study of Portuguese popular music journalism. It will address its historical evolution and current status by taking into consideration some dimensions, namely, the wider institutional contexts that frame the status of music journalism and how they work upon it, the ideologies and values realised in journalistic discourse, the journalists’ relationship to the music industry (as represented by record labels/companies and concert promotion companies) and issues of interactivity with readers. The thesis will draw on theories of the public sphere and, to a lesser extent, on Bourdieu’s notions of field, capital and habitus to assess the possibilities for music journalism to create reasoned discourse on ii popular music and, therefore, contribute to wider debates on the public sphere of culture.
    [Show full text]
  • Journalism , Media and the Challenge of Human Rights
    JOURNALISM, MEDIA AND THE CHALLENGE OF HUMAN RIGHTS REPORTING The International Council on Human Rights Policy The International Council on Human Rights Policy was established in Geneva in 1998 to conduct applied research into current human rights issues. Its research is designed to be of practical relevance to policy- makers in international and regional organisations, in governments and intergovernmental agencies, and in voluntary organisations of all kinds. The Council is independent, international in its membership, and participatory in its approach. It is registered as a non-profit foundation under Swiss law. Additional information about the Council, and other research projects it is undertaking, can be found at the end of this document. Journalism, media and the challenge of human rights reporting The International Council on Human Rights Policy wishes to thank the Ford Foundation (New York), the Swedish International Development Co- operation Agency (SIDA), the Royal Danish Ministry of Foreign Affairs (DANIDA), the Jacob Blaustein Institute for Human Rights (New York), OXFAM (United Kingdom) and Christian Aid (United Kingdom) for their financial support of the Council and of this research. Journalism, media and the challenge of human rights reporting © 2002, International Council on Human Rights Policy © Copyright 2002 International Council on Human Rights Policy 48, chemin du Grand-Montfleury, POB 147, 1290 Versoix, Switzerland Journalism, Media and the Challenge of Human Rights Reporting, 2002, International Council on Human Rights Policy, Versoix, Switzerland. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic mail, mechanical, photocopying, recording and/or otherwise without the prior permission of the publisher.
    [Show full text]
  • Journalism Ethics. Here Is a Summary Given to Students
    For Distribution To CP’s Teaching journalism ethics and standards at Kingston University London Information requested by the Leveson Inquiry Professor Brian Cathcart November 2011 ¯ (a) An introductory section setting out who you are, your current position and a brief outline of your career to date. I have been professor of journalism at Kingston University London since 2005; before that I was senior lecturer for two years, since helping to create the course in 2003. I am Irish, with a history degree from Trinity College Dublin¯ My career in journalism began with a graduate traineeship at Reuters in 1978/9¯ I remained at Reuters as a correspondent until 1986, when I joined the launch team of the Independent newspaper as a foreign news sub-editor. I was the launch foreign editor of the Independent on Sunday in 1990, later becoming that paper’s deputy editor¯ I left in 1997 to work as a freelance and write books, including Were You Still Up for Portillo? (1997), The Case of Stephen Lawrence (1999), Jill Dando: Her Life and Death (2001), and The Fly in the Cathedral (2004)¯ In 2003-7 I was assistant editor and also media columnist of the New Statesman, and in 2008-10 I was specialist adviser to the House of Commons select committee on culture, media and sport in the inquiry which produced the report Press standards, libel and privacy (2010). At Kingston I am director of research in the department and I have led two research projects in association with the Natural History Museum which have been funded by the Arts and Humanities Research Council to the tune of £275,000¯ At Kingston I have taught both BA and MA students, creating and leading over time a total of six modules as well as having a role in delivering about six more.
    [Show full text]
  • Media and Communication Open Access Journal | ISSN: 2183-2439
    Media and Communication Open Access Journal | ISSN: 2183-2439 Volume 7, Issue 4 (2019) PeripheralPeripheral ActorsActors inin Journalism:Journalism: AgentsAgents ofof ChangeChange inin Journalism,Journalism, CultureCulture andand PracticePractice Editors Avery E. Holton, Valerie Belair-Gagnon and Oscar Westlund Media and Communication, 2019, Volume 7, Issue 4 Peripheral Actors in Journalism: Agents of Change in Journalism, Culture and Practice Published by Cogitatio Press Rua Fialho de Almeida 14, 2º Esq., 1070-129 Lisbon Portugal Academic Editors Avery E. Holton (University of Utah, USA) Valerie Belair-Gagnon (University of Minnesota-Twin Cities, USA) Oscar Westlund (Oslo Metropolitan University, Norway / Volda University College, Norway / University of Gothenburg, Sweden) Available online at: www.cogitatiopress.com/mediaandcommunication This issue is licensed under a Creative Commons Attribution 4.0 International License (CC BY). Articles may be reproduced provided that credit is given to the original and Media and Communication is acknowledged as the original venue of publication. Table of Contents Space for the Liminal Valerie Belair-Gagnon, Avery E. Holton and Oscar Westlund 1–7 Where Do We Draw the Line? Interlopers, (Ant)agonists, and an Unbounded Journalistic Field Scott A. Eldridge II 8–18 Working on the Margins: Comparative Perspectives on the Roles and Motivations of Peripheral Actors in Journalism Aljosha Karim Schapals, Phoebe Maares and Folker Hanusch 19–30 Online Participatory Journalism: A Systematic Literature Review Katherine M. Engelke 31–44 The New Advertisers: How Foundation Funding Impacts Journalism Patrick Ferrucci and Jacob L. Nelson 45–55 Molo.news: Experimentally Developing a Relational Platform for Local Journalism Andreas Hepp and Wiebke Loosen 56–67 Activism, Advertising, and Far-Right Media: The Case of Sleeping Giants Joshua A.
    [Show full text]
  • Professional Roles in News Content: Analyzing Journalistic Performance in the Chilean National Press
    International Journal of Communication 8 (2014), 2090–2112 1932–8036/20140005 Professional Roles in News Content: Analyzing Journalistic Performance in the Chilean National Press CLAUDIA MELLADO1 University of Santiago, Chile CLAUDIA LAGOS University of Chile, Chile This article examines the presence of six dimensions of professional roles in news— watchdog, disseminator-interventionist, civic, loyal-facilitator, service, and infotainment—by means of a quantitative content analysis of 1,988 news stories published by the national desk of five Chilean national newspapers in 2010. The study also analyzes differences between the quality press and the popular press, as well as between different news topics, providing empirical evidence about the ways in which media orientation and journalistic beats can shape journalistic performance. Our results indicate that, overall, the disseminator role is the most commonly used in Chilean news, followed by the entertainment and civic roles. The watchdog, service, and especially the loyal-facilitator roles were, in turn, almost absent. The data also show “that the presence of the analyzed dimensions of professional roles in news content depends on both the media orientation and the journalistic beat. While the infotainment and disseminator roles are more influenced by the orientation of the media—elite versus popular—the watchdog, service, civic and loyal-facilitator roles are more influenced by the main topic of the story. Keywords: journalism, professional roles, journalistic role performance, news content, media orientation, journalistic beat Introduction The study of professional roles has have been the subject of great concern in journalism research for the last 50 years, providing valuable insight into journalistic professionalization as well as the analysis of the impact of journalism on political and democratic life (Donsbach, 2008; Norris & Odugbemi, 2008; Weaver & Willnat, 2012).
    [Show full text]
  • Department of Mass Communication and Journalism Maulana Azad
    Maulana Azad National Urdu University Department of Mass Communication and Journalism Agreed Structure Under CBCS for PG Program-M.A (JMC) 2016-17 MA (JMC) CGPA Credits (100) Mandatory Non - CGPA (6) Semester Subject Core Subject Subject Generic Skill Enhancement Ability Enhancement Subject/Title Code Course Code Discipline Specific Elective Code Elective course course Credit (4 x 4 = 16) (2 x 4 = 8) (1 x 2 = 2) (2 x 2 =4) Introduction to Communication Theroy 4 JMC 101 History of Media 4 JMC 102 Print Journalism 4 English I JMC 103 - - - - - 2 Writing & Editing for Print Media (Practical's) 6 JMC 104 Media Law & Society 4 JMC 105 Radio Production 4 Advertising & Market Research JMC 201 DSE 201 4 Radio Production (Practical's) 4 Video JMC 202 Documentary II Public Relations & Corporate GE 201 2 - Television Journalism 4 Production JMC 203 DSE 202 Communications 4 4 Television Journalism (Practical's) 4 JMC 204 Communication Research 4 DSE 301 Advance Journalism & Niche JMC 301 Reporting Production & Editing for Electronic Media 4 JMC 302 Digital Photography Television & Video Production 4 III JMC 303 GE 301 & Image - - Web & Convergent Journalism DSE 302 Editing Television & Video Production (Practical's) 4 4 JMC 304 4 Film Studies 4 JMC 305 Graphic & Animation 4 JMC 401 International & Intercultural Graphic & Animation (Practical's) 4 JMC 402 DSE 401 Communication 4 Video Editing Translation for Urdu Media 4 JMC 403 GE 401 or English IV or Advertising - Translation for Urdu Media (Practical's) 4 2 JMC 404 GE 402 Culture 4 Dissertation 4 Development Communication JMC 405 DSE 402 4 Internship & Activities 2 JMC 406 Total Credits 80 - 12 - 8 2 4 Total Credit: 100 SEMESTER I Paper - Core Introduction to Communication Theory (JMC 101) Max.
    [Show full text]