GEORGE RAFT (George Ranft) Filmografia Essenziale Dal 1947 Al 1980

Total Page:16

File Type:pdf, Size:1020Kb

GEORGE RAFT (George Ranft) Filmografia Essenziale Dal 1947 Al 1980 GEORGE RAFT (George Ranft) Filmografia essenziale dal 1931 al 1946 ANNO TITOLO TITOLO ORIGINALE REGIA VOTO 1931 IL RE DEI CHIROMANTI PALMY DAYS EDWARD SUTHERLAND 7,5 1932 L' AMORE E` UN RACKET LOVE IS A RACKET WILLIAM A. WELLMAN 7 1932 SCARFACE - LO SFREGIATO SCARFACE H. HAWKS • R. ROSSON 9 1932 SE AVESSI UN MILIONE IF I HAD A MILLION REGISTI VARI 8 1933 SPAVALDERIA THE BOWERY RAOUL WALSH 7,5 1934 BOLERO IDEM WESLEY RUGGLES 7 1934 QUARTIERE CINESE LIMEHOUSE BLUES ALEXANDER HALL 6 1934 SQUILLO DI TROMBA THE TRUMPET BLOWS STEPHEN ROBERTS 6 1935 IL DOMATORE DI DONNE SHE COULDN'T TAKE IT TAY GARNETT 6,5 1935 THE GLASS KEY IDEM FRANK TUTTLE 7 1935 RUMBA IDEM MARION GERING 6,5 1936 BIONDA AVVENTURIERA YOURS FOR THE ASKING ALEXANDER HALL 7 1937 ANIME SUL MARE SOULS AT SEA HENRY HATHAWAY 7,5 1938 IL FALCO DEL NORD SPAWN OF THE NORTH HENRY HATHAWAY 7,5 1938 TU ED IO YOU AND ME FRITZ LANG 6,5 1939 MORIRE ALL' ALBA EACH DAWN I DIE WILLIAM KEIGHLEY 7,5 1939 SONO COLPEVOLE ! I STOLE A MILLION FRANK TUTTLE 7 1939 STRISCE INVISIBILI INVISIBLE STRIPES LLOYD BACON 7,5 1940 L' ISOLA DEGLI UOMINI PERDUTI THE HOUSE ACROSS THE BAY ARCHIE MAYO 7 1940 STRADA MAESTRA THEY DRIVE BY NIGHT RAOUL WALSH 8 1941 FULMINATI MANPOWER RAOUL WALSH 7,5 1942 OMBRE DI BROADWAY BROADWAY WILLIAM A. SEITER 6,5 1943 LE SPIE BACKGROUND TO DANGER RAOUL WALSH 7 1944 LA NAVE DELLA MORTE FOLLOW THE BOYS EDWARD SUTHERLAND 6 1945 LA BARRIERA D' ORO NOB HILL HENRY HATHAWAY 6,5 1945 ONDE INSANGUINATE JOHNNY ANGEL EDWIN L. MARIN 7 1946 L' AMORE PUO` ASPETTARE MR. ACE EDWIN L. MARIN 6 1946 NOTTURNO DI SANGUE NOCTURNE EDWIN L. MARIN 7,5 1946 SANGUE ALL' ALBA WHISTLE STOP LEONIDE MOGUY 7 www.eurodeon.it GEORGE RAFT (George Ranft) Filmografia essenziale dal 1947 al 1980 ANNO TITOLO TITOLO ORIGINALE REGIA VOTO 1947 CONTRABBANDO A SHANGHAI INTRIGUE EDWIN L. MARIN 6 1947 TRE FIGLI IN GAMBA - VIGILIA DI NATALE CHRISTMAS EVE EDWIN L. MARIN 7 1948 LABBRA AVVELENATE RACE STREET EDWIN L. MARIN 6,5 1949 LA LUCE ROSSA RED LIGHT ROY DEL RUTH 7 1949 MAROCCO OUTPOST IN MOROCCO ROBERT FLOREY 6 1949 I MORTI NON PARLANO JOHNNY ALLEGRO TED TETZLAFF 6,5 1951 IL COVO DEI GANGSTERS I'LL GET YOU FOR THIS JOSEPH M. NEWMAN 6 1952 AZIONE DI CONTROSPIONAGGIO ESCAPE ROUTE S. FRIEDMAN • P. G. SCOTT 6 1952 BANDITI SENZA MITRA LOAN SHARK SEYMOUR FRIEDMAN 7 1953 DRAMMA NELLA CASBAH - MISSIONE AD ALGERI IDEM R. ENRIGHT • E. ANTON 6 1954 L' AMANTE SCONOSCIUTO BLACK WIDOW NUNNALLY JOHNSON 7,5 1954 SENZA SCAMPO ROGUE COP ROY ROWLAND 8 1955 SPIONAGGIO ATOMICO A BULLET FOR JOEY LEWIS ALLEN 7 1956 IL GIRO DEL MONDO IN 80 GIORNI AROUND THE WORLD IN 80 DAYS MICHAEL ANDERSON 7,5 1959 A QUALCUNO PIACE CALDO SOME LIKE IT HOT BILLY WILDER 9,5 1959 IL RITORNO DELL' ASSASSINO JET OVER THE ATLANTIC BYRON HASKIN 6 1960 COLPO GROSSO OCEAN'S ELEVEN LEWIS MILESTONE 7,5 1961 L' IDOLO DELLE DONNE THE LADIES' MAN JERRY LEWIS 7,5 1964 JERRY 8 ¾ THE PATSY JERRY LEWIS 8 1966 RIFIFI INTERNAZIONALE DU RIFIFI A PANAME DENYS DE LA PATELLIERE 6,5 1967 I CINQUE DRAGHI D' ORO FIVE GOLDEN DRAGONS JEREMY SUMMERS 6,5 1967 JAMES BOND 007 - CASINO ROYALE CASINO ROYALE REGISTI VARI 7,5 1968 SKIDOO SKIDOO ! OTTO PREMINGER 7 1972 UNA FACCIA DI C... HAMMERSMITH IS OUT PETER USTINOV 7 1977 SEXTETTE IDEM KEN HUGHES 6 1980 IL DETECTIVE CON LA FACCIA DI BOGART THE MAN WITH BOGART'S FACE ROBERT DAY 7 www.eurodeon.it.
Recommended publications
  • Boxoffice Records: Season 1937-1938 (1938)
    ' zm. v<W SELZNICK INTERNATIONAL JANET DOUGLAS PAULETTE GAYNOR FAIRBANKS, JR. GODDARD in "THE YOUNG IN HEART” with Roland Young ' Billie Burke and introducing Richard Carlson and Minnie Dupree Screen Play by Paul Osborn Adaptation by Charles Bennett Directed by Richard Wallace CAROLE LOMBARD and JAMES STEWART in "MADE FOR EACH OTHER ” Story and Screen Play by Jo Swerling Directed by John Cromwell IN PREPARATION: “GONE WITH THE WIND ” Screen Play by Sidney Howard Director, George Cukor Producer DAVID O. SELZNICK /x/HAT price personality? That question is everlastingly applied in the evaluation of the prime fac- tors in the making of motion pictures. It is applied to the star, the producer, the director, the writer and the other human ingredients that combine in the production of a motion picture. • And for all alike there is a common denominator—the boxoffice. • It has often been stated that each per- sonality is as good as his or her last picture. But it is unfair to make an evaluation on such a basis. The average for a season, based on intakes at the boxoffices throughout the land, is the more reliable measuring stick. • To render a service heretofore lacking, the publishers of BOXOFFICE have surveyed the field of the motion picture theatre and herein present BOXOFFICE RECORDS that tell their own important story. BEN SHLYEN, Publisher MAURICE KANN, Editor Records is published annually by Associated Publica- tions at Ninth and Van Brunt, Kansas City, Mo. PRICE TWO DOLLARS Hollywood Office: 6404 Hollywood Blvd., Ivan Spear, Manager. New York Office: 9 Rockefeller Plaza, J.
    [Show full text]
  • Hathaway Collection
    Finding Aid for the Henry Hathaway Collection Collection Processed by: Yvette Casillas, 7.29.19 Finding Aid Written by: Yvette Casillas, 7.29.19 OVERVIEW OF THE COLLECTION: Origination/Creator: Hathaway, Henry Title of Collection: Henry Hathaway Collection Date of Collection: 1932 - 1970 Physical Description: 84 volumes, bound Identification: Special Collection #26 Repository: American Film Institute Louis B. Mayer Library, Los Angeles, CA RIGHTS AND RESTRICTIONS: Access Restrictions: Collection is open for research. Copyright: The copyright interest in this collection remain with the creator. For more information, contact the Louis B. Mayer Library. Acquisition Method: Donated by Henry Hathaway, circa 1975 . BIOGRAPHICAL/HISTORY NOTE: Henry Hathaway (1898 – 1985) was born Henri Leopold de Fiennes on March 13, 1889, in Sacramento, California, to actress Jean Weil and stage manager Henry Rhody. He started his career as a child film actor in 1911. In 1915 Hathaway quit school and went to work at Universal Studios as a laborer, later becoming a property man. He was recruited for service during World War I in 1917, Hathaway saw his time in the army as an opportunity to get an education. He was never deployed, contracting the flu during the 1918 influenza pandemic. After being discharged from the army in 1918, Hathaway pursued a career in financing but returned to Hollywood to work as a property man at Samuel Goldwyn Studios and Paramount Studios. By 1924 Hathaway was working as an Assistant Director at Paramount Studios, under directors such as Josef von Sternberg, Victor Fleming, Frank Lloyd, and William K. Howard. Hathaway Collection – 1 In 1932 Hathaway directed his first film HERITAGE OF THE DESERT, a western.
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • 7Mo Arte.Pdf -.:: Universidad Monteávila
    SÉPTIMO ARTE UNA INTRODUCCIÓN AL CINE © Universidad Monteávila ISBN: 980-12-2072-8 Depósito Legal: If25220063702596 Impresión: Altolitho C.A., Caracas 2009 CINECLUB MONTEÁVILA SÉPTIMO ARTE UNA INTRODUCCIÓN AL CINE Para recordar a ROBERTO GENTY TREMONT (11.2.1944 – 4.4.1985), quien, en el Cineclub Monteávila, como en todo lo que hizo —con su trabajo, su prontitud, su inteligencia y su alegría—, era imprescindible sin hacerse notar. INTRODUCCIÓN LA INCIDENCIA DEL CINE en la sociedad contemporánea es un hecho definido y esta- ble. Más y más se ve nuestro medio ambiente colmado por esas imágenes en movimiento que, gracias a los avances técnicos, se nos presentan de múltiples formas y con muy diversos propósitos. Entre ellas televisión, avisos comerciales, vídeo juegos, ahora in- ternet , la sesión cinematográfica en sala de proyección oscura juega un papel relevan- te: todos, con mayor o menor frecuencia, vamos al cine, de tal manera que ese ir al cine es parte de nuestro programa habitual como el horario de trabajo, la tertulia fami- liar o la fiesta para celebrar un cumpleaños o un aniversario de bodas. Por esa razón se hace necesario el pro- ponernos, con toda conciencia, cultivar si- quiera un poco nuestra capacidad de apre- ciación cinematográfica. Así como hemos aprendido y se nos enseña a leer y degustar un libro, aprovechando al máximo su lectu- ra a la vez que ejercitamos nuestra capaci- dad crítica, así también hemos de aprender a ver, gustar y evaluar las obras cinemato- gráficas a las cuales estamos periódicamente expuestos. Tal es el propósito de las siguientes pá- ginas, que recogen un breve conjunto de ideas presentadas bajo el título de una in- troducción al cine, como parte de un curso organizado por el CINECLUB MONTEÁVILA en el primer semestre del año 1967.
    [Show full text]
  • Miscellaneous Material
    Belknap Collection for the Performing Arts Cinema Miscellaneous Material MISCELLANEOUS MATERIAL The Belknap PHOTOGRAPH collection preserves thousands of shimmering PUBLICITY and PRODUCTION images dating back to the age of Victorian theatre and spanning 20th century vaudeville, Broadway, radio and television. The photos are filed alphabetically by performer name or show title. Performer Production Stills A treasure trove of eclectic information is available in the FLORIDA PERFORMING ARTS VERTICAL FILE highlighting the STATE OF FLORIDA ("Dance Associations", 'Story Tellers", "Theatre Conference", etc), individual CITIES AND TOWNS (from the Panhandle to the Keys in an alphabetical listing), and the city of GAINESVILLE (including the University of Florida) performing arts scene. Florida Vertical File Cities and Towns Vertical File Gainesville Vertical File Trevor "Tommy" Bale epitomized the versatile "circus man" who "did it all" in the center ring and behind the scenes. Noted as one of the world's greatest tiger trainers, Bale was also known as a gifted clown, acrobat, trick bicyclist, vaudevillian and ringmaster. Bale's unpublished and unedited autobiographical manuscript ( written under the guidance of famed ghostwriter and editor Walter B. Gibson - creator of THE SHADOW), paints an exciting picture of the early 20th century European vaudeville and circus circuits. Bale vividly describes the triumphs, glory, pain and agony of life on the road, culminating in Bale's headlining contract with the Ringling Brothers and Barnum and Bailey Circus in the mid 1950s. The TREVOR "TOMMY" BALE COLLECTION promises three rings (and more) full of circus lore. The John W. Lindell Collection includes cartoon, comic strip and animation art anthologies and histories collected by John W.
    [Show full text]
  • Web Paramount Historical Calendar 6-12-2016.Xlsx
    Paramount Historical Calendar Last Update 612-2016 Paramount Historical Calendar 1928 - Present Performance Genre Event Title Performance Performan Start Date ce End Date Instrumental - Group Selections from Faust 3/1/1928 3/7/1928 Movie Memories 3/1/1928 3/7/1928 Movie News of the Day 3/1/1928 3/7/1928 Instrumental - Group Organs We Have Played 3/1/1928 3/7/1928 Musical Play A Merry Widow Revue 3/1/1928 3/7/1928 Musical Play A Merry Widow Revue 3/1/1928 3/7/1928 Musical Play A Merry Widow Revue 3/1/1928 3/7/1928 Dance Accent & Jenesko 3/1/1928 3/7/1928 Dance Felicia Sorel Girls 3/1/1928 3/7/1928 Vocal - Group The Royal Quartette 3/1/1928 3/7/1928 Comedian Over the Laughter Hurdles 3/1/1928 3/7/1928 Vocal - Group The Merry Widow Ensemble 3/1/1928 3/7/1928 Movie Feel My Pulse 3/1/1928 3/7/1928 Instrumental - Individual Don & Ron at the grand organ 3/1/1928 3/7/1928 Movie The Big City 3/8/1928 3/14/1928 Instrumental - Individual Don & Ron at the grand organ 3/8/1928 3/14/1928 Variety Highlights 3/8/1928 3/14/1928 Comedian A Comedy Highlight 3/8/1928 3/14/1928 Vocal - Individual An Operatic Highllight 3/8/1928 3/14/1928 Variety Novelty (The Living Marionette) 3/8/1928 3/14/1928 Dance Syncopated 3/8/1928 3/14/1928 Dance Slow Motion 3/8/1928 3/14/1928 Dance Millitary Gun Drill 3/8/1928 3/14/1928 Comedian Traffic 3/8/1928 3/14/1928 Instrumental - Group novelty arrangement 3/8/1928 3/14/1928 Comedian Highlights 3/8/1928 3/14/1928 Movie West Point 3/15/1928 3/21/1928 Instrumental - Individual Don & Ron at the grand organ 3/15/1928 3/21/1928 Variety
    [Show full text]