Man of Iron - Wikipedia
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Contemporary Polish Cinema (Spring Term)
University of Pittsburgh Department of Slavic Languages and Literatures Polish 1450 - Contemporary Polish Cinema (Spring Term) Instructor: Jolanta Lapot (visiting from Lodz Film School of Poland, 1999-2000) Course Meets: W CL249 5:45-10:00 Office Hours: Th, Fr 11:00-2:00 Office:1417 Cathedral of Learning e-mail:[email protected]. Phone: 624-5707 General Course Description The course presents contemporary Polish cinema from 1945 to the present. Concepts will be studied in their historical, political, philosophical, and aesthetic perspective. We will examine the important national themes in modern Polish cinema, relating them to the history of Poland and Eastern Europe. The main trends (schools, movements) in Polish cinema will be examined such as the so-called PolishSchool and the Cinema of Moral Concern. The works of most important modern Polish film-makers will be examined, including the works of Andrzej Wajda, Andrzej Munk, Agnieszka Holland, Roman Polanski, Krzysztof Kieslowski, Wladyslaw Pasikowski, Leszek Wosiewicz, and Ryszard Bugajski. Films to be examined may be divided into three general groups 1. Films representing post-war history and, more specifically, films covering important social and political transformations, but made after the fact. These are sometimes called revisionist films in search of historical truth, previously distorted by political ideology. 2. Films dealing with World War II. We will look at different ways in which the war is treated by film-makers over the course of the post-war period. 3. The final group of films is chosen purely on the basis of artistic merit. The role of film as an art form will be examined during the different periods of the post-World-War-Two era. -
The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author -
Andrzej Wajda's a Generartion and Man of Marble
Andrzej Wajda’s A Generartion and Man of Marble By Fabian Schuppert Spring 2006 Issue of KINEMA ANDRZEJ WAJDA’S A GENERATION AND MAN OF MARBLE FROM A POLITICAL PERSPECTIVE ’The cinema does not exist in a sublime state of innocence, untouched by the world; it also has a political content, whether conscious or unconscious, hidden or overt.’(1) Andrew Sarris A PIECE of art is always produced in concrete socio-political circumstances; it is a social product. Undoubt- edly art does not come into being or exists in an absolute, free state of self-sufficiency. But to postulate that art is at the same time always political, is quite a different affair. What exactly does it imply to saythat art, or as in the case of Andrew Sarris and this article, that film is political? This paper is going to inquire into the political role, function and use of film. The aim of this paper is to give a short overview on selected theories on the political nature of art and film, before moving on and applying these concepts to two films by Andrzej Wajda. This paper will analyse Wajda’s A Generation (Pokolenie, 1955) and Man of Marble (Człowiek z marmuru, 1976) from a political point of view. Both films were produced in Poland during the times of the communist regime, but under quite different conditions, and with quite different objectives. This article will not only deal with film analysis and interpretation but also critically look at the circumstance of production, which influenced the film: the concrete socio-political situation, including state pressure and censorship. -
November 17 - 23, 2019
NOVEMBER 17 - 23, 2019 staradvertiser.com ANSWER THE CALL Fox takes us to the City of Angels to witness brave fi rst responders in action in 9-1-1. LAFD Station captain Bobby Nash (Peter Krause) leads his fi refi ghters into danger every day, but it’s their personal lives that hold a lot of the juciest drama. Aisha Hinds, Jennifer Love Hewitt and Angela Bassett also star. Premiering Monday, Nov. 18, on Fox. Join host, Lyla Berg as she sits down with guests Meet the NEW EPISODE! who share their work on moving our community forward. people SPECIAL GUESTS INCLUDE: Rick Ahn, Ministry Director, Kroc Center HawaiҊi and places Nainoa Mau, Executive Director, Friends of the Library of HawaiҊi that make Nathan “Nate” Serota, Public Information Officer, 1st & 3rd City and County of Honolulu Department of Parks & Recreation Hawai‘i Wednesday of the Month, John McHugh, Pesticides Branch Manager, olelo.org special. 6:30 pm | Channel 53 State of HawaiҊi Department of Agriculture Kamuela Enos, Kauhale Director of Social Enterprise, MaҊo Farms ON THE COVER | 9-1-1 Best of the best First responders take on the watched series, cementing its status as the perfect, nor are they immune to the stress edgy network. or the mental and physical consequences worst in ‘9-1-1’ That show’s impact on the entertainment of their profession. These heroes are industry is undeniable, and its real-world ef- human. By Francis Babin fects are still being felt to this day. Now, three Over the past two seasons and change, we TV Media decades after the network’s original first- have seen some of our favorite characters put responder series premiered, industry darling through the wringer. -
The Shoah on Screen – Representing Crimes Against Humanity Big Screen, Film-Makers Generally Have to Address the Key Question of Realism
Mémoi In attempting to portray the Holocaust and crimes against humanity on the The Shoah on screen – representing crimes against humanity big screen, film-makers generally have to address the key question of realism. This is both an ethical and an artistic issue. The full range of approaches has emember been adopted, covering documentaries and fiction, historical reconstructions such as Steven Spielberg’s Schindler’s List, depicting reality in all its details, and more symbolic films such as Roberto Benigni’s Life is beautiful. Some films have been very controversial, and it is important to understand why. Is cinema the best way of informing the younger generations about what moire took place, or should this perhaps be left, for example, to CD-Roms, videos Memoi or archive collections? What is the difference between these and the cinema as an art form? Is it possible to inform and appeal to the emotions without being explicit? Is emotion itself, though often very intense, not ambivalent? These are the questions addressed by this book which sets out to show that the cinema, a major art form today, cannot merely depict the horrors of concentration camps but must also nurture greater sensitivity among increas- Mémoire ingly younger audiences, inured by the many images of violence conveyed in the media. ireRemem moireRem The Shoah on screen – www.coe.int Representing crimes The Council of Europe has 47 member states, covering virtually the entire continent of Europe. It seeks to develop common democratic and legal princi- against humanity ples based on the European Convention on Human Rights and other reference texts on the protection of individuals. -
Martin Scorsese Presents: Masterpieces of Polish Cinema Throughout North America
INTRODUCTION In December 2011, filmmaker Martin Scorsese traveled to Poland to accept an honorary doctor- al degree from The Polish National Film, Television, and Theatre School in Łódź. There, Mr. Scors- ese met with Jędrzej Sabliński (a digital restoration expert, now with DI Factory), and reviewed a list of new digital restorations of Polish films. In the months following this visit, with the help of The Film Foundation, the two men came up with the idea of a North American tour of a series of restored Polish cinema classics. From an extensive catalogue of digitally restored films, Mr. Scorsese chose twenty-one masterpieces. The Film Foundation executive director, Margaret Bodde then worked with Mr. Sabliński to develop the program and recommended Milestone Films as the North American distributor for the series. Milestone will be touring the 21-film retrospective Martin Scorsese Presents: Masterpieces of Polish Cinema throughout North America. Premiering in New York City at the Film Society of Lincoln Center on February 5th, 2014, the series features films from some of Poland’s most accom- plished and lauded filmmakers, spanning the period from 1957–1987. Curated by Mr. Scorsese, each film has been digitally re-mastered and brilliantly restored on newly subtitled DCPs. The program was created and organized by Mr. Scorsese’s non-profit organization, The Film Foundation. 3 BIST, SIMPORE, TEMPORE, A STATEMENT FROM MARTIN SCORSESE Um volum, audae laccae seque natur, comnis ducienimus excest rendercillam laccupi endicit In 2011, I had the opportunity to visit the Polish National Film School in Łódź, Poland, at the atusda vitisitatur rentem vent. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
New Polish Films 20082 0 0 8 NPF 2008 Okladka S II:Layout 1 28/1/08 11:22 Page 1 New Polish Films 2008
NNPFPF 22008008 ookladkakladka s I.aiI.ai 28/1/0828/1/08 11:57:1811:57:18 NewPolish Films 20082008 C M Y CM MY CY CMY K 2008 Sponsor of PISF: NPF 2008 okladka s II:Layout 1 28/1/08 11:22 Page 1 New Polish Films 2008 New Polish Films 2008 1 2 New Polish Films 2008 Introduction Dear Ladies and Gentleman, We begin the third year of the Polish Film Institute's activity and the second year after the Act on Cinematography was approved by European Commission in May 2006. For last two years the situation of Polish cinema has changed favourably. In 2005 with the introducing the parliamentary act, Polish cinema received a great opportunity. The Polish Film Institute, created according to world's best standards, has become an institution supporting artists at every stage of film production. The PFI also subsidizes film festivals and retrospectives, supports the infrastructure of cinemas' renewal, promotes Polish cinema abroad, grants professional advancement of filmmakers as well as film schools. We are always trying to be where something important is happening in cinema. The new law and establishing the PFI resulted not only in multiplying the State's expenses on cinema – here I would like to remind that in the worst in this case year of 2002 Ministry of Culture assigned 4.3 million zloty for film production, while only this year the Institute assigned almost 80 million zloty for film production and development. The number of last year's feature film production increased up to 37 titles and in 2007 – 39 feature films have been made. -
Sight & Sound Annual Index 2017
THE INTERNATIONAL FILM MAGAZINE Index to Volume 27 January to December 2017 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 6:52(r) Amour (2012) 5:17; 6:17 Armano Iannucci Shows, The 11:42 Ask the Dust 2:5 Bakewell, Sarah 9:32 Film review titles are also interview with Koreeda Amours de minuit, Les 9:14 Armisen, Fred 8:38 Asmara, Abigail 11:22 Balaban, Bob 5:54 included and are indicated by Hirokazu 7:8-9 Ampolsk, Alan G. 6:40 Armstrong, Jesse 11:41 Asquith, Anthony 2:9; 5:41, Balasz, Béla 8:40 (r) after the reference; age and cinema Amy 11:38 Army 2:24 46; 10:10, 18, 44 Balch, Antony 2:10 (b) after reference indicates Hotel Salvation 9:8-9, 66(r) An Seohyun 7:32 Army of Shadows, The Assange, Julian Balcon, Michael 2:10; 5:42 a book review Age of Innocence, The (1993) 2:18 Anchors Aweigh 1:25 key sequence showing Risk 8:50-1, 56(r) Balfour, Betty use of abstraction 2:34 Anderson, Adisa 6:42 Melville’s iconicism 9:32, 38 Assassin, The (1961) 3:58 survey of her career A Age of Shadows, The 4:72(r) Anderson, Gillian 3:15 Arnold, Andrea 1:42; 6:8; Assassin, The (2015) 1:44 and films 11:21 Abacus Small Enough to Jail 8:60(r) Agony of Love (1966) 11:19 Anderson, Joseph 11:46 7:51; 9:9; 11:11 Assassination (1964) 2:18 Balin, Mireille 4:52 Abandon Normal Devices Agosto (2014) 5:59 Anderson, Judith 3:35 Arnold, David 1:8 Assassination of the Duke Ball, Wes 3:19 Festival 2017, Castleton 9:7 Ahlberg, Marc 11:19 Anderson, Paul Thomas Aronofsky, Darren 4:57 of Guise, The 7:95 Ballad of Narayama, The Abdi, Barkhad 12:24 Ahmed, Riz 1:53 1:11; 2:30; 4:15 mother! 11:5, 14, 76(r) Assassination of Trotsky, The 1:39 (1958) 11:47 Abel, Tom 12:9 Ahwesh, Peggy 12:19 Anderson, Paul W.S. -
Pdf>, Accessed 10 December 2011
FROM SELF-FULFILMENT TO SURVIVAL OF THE FITTEST This open access edition has been made available under a CC BY-NC-ND 4.0 license, thanks to the support of Knowledge Unlatched. This open access edition has been made available under a CC BY-NC-ND 4.0 license, thanks to the support of Knowledge Unlatched. FROM SELF-FULFILMENT TO SURVIVAL OF THE FITTEST WORK IN EUROPEAN CINEMA FROM THE 1960S TO THE PRESENT EWA MAZIERSKA Berghahnonfilm This open access edition has been made available under a CC BY-NC-ND 4.0 license, thanks to the support of Knowledge Unlatched. Published in 2015 by Berghahn Books www.berghahnbooks.com © 2015 Ewa Mazierska Open access ebook edition published in 2019 All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system now known or to be invented, without written permission of the publisher. Library of Congress Cataloging-in-Publication Data Mazierska, Ewa. From self-fulfilment to survival of the fittest: work in European cinema from the 1960s to the present / Ewa Mazierska. pages cm Includes bibliographical references and index. ISBN 978-1-78238-486-1 (hardback: alk. paper) -- ISBN 978-1-78238-487-8 (ebook) 1. Work in motion pictures. 2. Working class in motion pictures. 3. Motion pictures-- Europe--History--20th century. 4. Motion pictures--Europe--History--21st century. I. Title. PN1995.9.L28M39 2015 791.43’6553--dc23 2014029467 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 978-1-78238-486-1 hardback E-ISBN 978-1-78920-474-2 open access ebook An electronic version of this book is freely available thanks to the support of libraries working with Knowledge Unlatched. -
Contemporary Polish Cinema: Andrzej Wajda
Contemporary Polish Cinema: Andrzej Wajda Instructor: Dr. Elzbieta Ostrowska (visiting from the University of Lodz, Poland) Course Meets: M 1:00PM-4:50PM CL 352 Office Hours: M 11:00AM-12:00 PM, W 10:00AM-10:45AM Office: 1417 Cathedral of Learning e-mail: [email protected] Phone: 412 624 5706 Course Description: The course will examine the films of Andrzej Wajda who is regarded by film critics as the quintessential Polish director, so strongly is he connected to Polish history and Poland's cultural tradition. In this course, his films will be examined from both an historical and an aesthetic perspective in order to show how Wajda was involved in the main trends of post-war Polish cinema: in Socialist Realism, the Polish Film School and the Cinema of Moral Concern. When appropriate, Wajda's films will be contrasted with other director's films (for example, Andrzej Munk). As many of Wajda's films are adaptations of novels and short stories the course will also introduce some aspects of Polish literature. The films to be examined are in three general groups: "Films representing World War II and their relation to Polish national ideologies and, in particular, to Polish Romanticism." Films representing post-war Poland and their relation to important socio-political changes in the period." Films focusing on the role of cinema and cultural production in general, as part of the process of the construction of a national collective consciousness Each class will include an introductory lecture, oral presentations by class members and the screening of a film followed by discussion. -
Performance and Self-Management in Yugoslavia, 1945–91
ALIENATION EFFECTS THEATER: THEORY/TEXT/PERFORMANCE Series Editors: David Krasner, Rebecca Schneider, and Harvey Young Founding Editor: Enoch Brater Recent Titles: Long Suffering: American Endurance Art as Prophetic Witness by Karen Gonzalez Rice Alienation Effects: Performance and Self-Management in Yugoslavia, 1945–91 by Branislav Jakovljević After Live: Possibility, Potentiality, and the Future of Performance by Daniel Sack Coloring Whiteness: Acts of Critique in Black Performance by Faedra Chatard Carpenter The Captive Stage: Performance and the Proslavery Imagination of the Antebellum North by Douglas A. Jones, Jr. Acts: Theater, Philosophy, and the Performing Self by Tzachi Zamir Simming: Participatory Performance and the Making of Meaning by Scott Magelssen Dark Matter: Invisibility in Drama, Theater, and Performance by Andrew Sofer Passionate Amateurs: Theatre, Communism, and Love by Nicholas Ridout Paul Robeson and the Cold War Performance Complex: Race, Madness, Activism by Tony Perucci The Sarah Siddons Audio Files: Romanticism and the Lost Voice by Judith Pascoe The Problem of the Color[blind]: Racial Transgression and the Politics of Black Performance by Brandi Wilkins Catanese Artaud and His Doubles by Kimberly Jannarone No Safe Spaces: Re-casting Race, Ethnicity, and Nationality in American Theater by Angela C. Pao Embodying Black Experience: Stillness, Critical Memory, and the Black Body by Harvey Young Illusive Utopia: Theater, Film, and Everyday Performance in North Korea by Suk-Young Kim Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde by James M. Harding Alienation Effects PERFORMANCE AND SELF-MaNAGEMENT IN YUGOSLAVIA, 1945– 91 Branislav Jakovljević ANN ARBOR University of Michigan Press Copyright © 2016 by the University of Michigan All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S.