Ozorian Prophet May 2013

Total Page:16

File Type:pdf, Size:1020Kb

Ozorian Prophet May 2013 OPENING DAY – OM IN THE DOME: THE WIZARD OF OZORA WILL BE THERE! PARTICIPATE IN THE MAGIC AT 19:30 UNIVERSALLY OWNED | OUR 5TH YEAR. ISSUE NO.29 – MONDAY, AUGUST 1, 2016 – INDEPENDENT AND FREE WEATHER FORECAST DAY 26°C | 79°F THE ROOTS ARE US NIGHT 17°C | 63°F TRIXX Weatherman REPORTS The cold weather front that arrived during the night brings a bit of a cooldown, and a stronger UV radiation too because the cold front clears up the air. Expect southern winds in the after- noon. It’s kite flying time! Strong and stormy winds breeze through the night. Temperatures drop to a fresher 26 degrees C from the 34 yesterday, so you can get fired up for Opening Night. INSIDE lineup overview MONDAY by CHICAGO – p4 gastro Firestarter by Blaze – p3 egotrip kai says – p4 ASTROLOGY The Moon in Cancer makes today of all days favor- able for opening all our Chakras, and makes most of us more sensitive than usual. But it’s not a usual DISCUSSION day for us Ozorians, this photo by Amit Itach by Amit Itach photo Opening Day, and even the stars are conspiring for Well, let’s see… I suppose I least daddies with grown up I just read about a recent So the question when I look us, as they enhance clear am to write about legends by children… And this would experiment where scientists at “roots”, is simply how vision, reflection, balance as it’s the Year of Roots at Marton even be right if electronic examined random people’s long we want to go back, Náray and compassion, elevating our beloved O.Z.O.R.A. music were some kind of a DNA and searched for and how it relates to the our attitudes towards all pink elephant result of a well their origins. The experi- artists playing at O.Z.O.R.A . around us, when you can isolated experiment… But it ment showed that there are get to know higher truths First thing that came to my Secondly, as I was endlessly could not be further from the no “pure races” anymore… One of the perspectives in a and go deep into your inner mind is that it seems like reminded by our lovely col- truth… that it’s just a con- most probably never were nutshell: worlds, connect with your every year is at some point leagues, most of the bands stantly changing incarnation (!), rather a giant melting past, on one of the best the “year of roots” but that I was constantly suggesting of self-expression that has no pot with endless possi- …And there was the boo- days for making peace and wouldn’t lead us anywhere to invite are minimum 20 real beginning nor end and bilities that alway create gie-woogie swing that positive thinking too. Spend except patting ourselves on years old… which made me happens everywhere in the something shockingly collided with blues and folk this day in comfort, as mak- the shoulder as a part of realize that the pioneers of meantime… So to grab on to beautiful (too), and just as it and created rock’n’roll. ing decisions is not for something special… electronic music are already something to write about is a is with us, it’s the same with today, so take your time to No, that’s not it. around retirement age or at quite a subjective task. “our” music. continues on page 2 > arrive, settle down and tap into our shared dream real- ity. Decide about which pro- grams to choose from after DRAGON NEST | ROOTS OVERVIEW | PHILOSOPHY you have properly opened up for the adventure ahead. On the wire brings the fire Seven Year of WoW – Wheel of Wisdom Symbols for the day are the Lee Scratch Perry in the house 2016 is our seventh year and O.Z.O.R.A. except that Ozorians lotus flower and water lily, Lee Scratch Perry on the wire seven is not only a sacred have asked us to please continue. associated with purity, re- Lee Scratch Perry in the house number to us but it represents birth and divinity, love and Lee Scratch Perry brings the fire seven different directions of So, of course we said YES! life. consciousness that we teach in By BEATA POZITIVA — Original Rocker original Shocker Lee the five day Wheel of Wisdom What an amazing and transfor- Scratch Perry came to earth in Jamaica on the 20th March Program at O.Z.O.R.A. Festival. mative journey it has been for 1936. With Sun, Mercury and also Venus in Pisces – where by Dr Sally M. Torkos Because of the seven directions, us to deliver this program, it has and Professor Béla F. Torkos it is at its highest point: in exaltation, it would be practical- we committed to seven years of grown and evolved and so have ly impossible for him to be anything other than a Creator. delivering our program and this we. continues on page 3 > would have been our last year at continues on page 2 > fellow ozorians! tune in do not forget to set your parking / emergency hand-brakes and find some wheel chocks, rocks, bricks, logs, etc to put behind or in front of your tires! On small children can only use the toilets with parental guidance. do not throw anything except toilet paper in the toilets. take care of each other and Radiozora on fm 91.6 watch out for your friends! campfire take care of the camp fire! also check for any fire-related updates in the ozorian prophet or on radiozora fm 91.6. please make sure that your dog/s are on a leash at all times. you are responsible for your loved ones! 2 MONDAY, AUGUST 1, 2016 “to slip into the scene on a banana…” Even if you yourself don’t agree So I decided to make my own music Like everybody else I was just stand out to you for some reason < continues from page 1 with being labeled “The Queen and I gave it a try and I went to someone on the dancefloor hearing and have stood the test of time? Now, we not only teach the of Trance”, there were not many buy all things needed like a Atari this unbelievable music from all And why ‘gnocchi’? general five-day course, female DJs and producers back computer and my first multitimbral the artists like Astral Projection - – Gnocchi came out in 1996 on but also have an Initiate’s in 1994 when you started making Roland synth and a Ensoniq sampler Mahadeva, Hallucinogen - LSD that vinyl EP and had a major impact Program for people who and playing music. You say you and I slowly started learning Cubase. just came out on DAT. on the dancefloor which I had no want to dedicate more time happened “to slip into the scene on My first tracks got released through And that was my inspiration at that idea about when I did it. But people and energy to develop them- a banana… and did not break any DJ Anti and he was really surprised point. really loved that metallic kick and selves into more conscious legs”... that I did it all on basically nothing. – Then you kind of disappeared the delayed baseline so it was a huge human beings. The Initiate’s – interview /w MIRANDA I struggled so much in the beginning for a while. Why, where? What hit back then. So for me that track Program came about because to learn the technical part of it but I were you up to till now? What are is one of my best releases ever. And Ozorians, excited by what – Tell us a bit about that certain got it faster and faster because I was your other passions? What are many people agree that that track we were teaching, wanted banana:) How did it begin really? so determined to do it. your working on? is still amazing. I'm so honored for MORE. Next came Initiates What do you consider your musical I never realized that I was that – I ran out of ”gas” and I got bored that really. wanting MORE, so we then roots and main inspirations? good and I was surprised that I got of it all. I struggled with no inspira- – Any plans for a long-term developed the Advanced – My roots are Jean Michel Jarre, my first really bad tracks released tion and all the parties looked and revival or are you just going with Initiates program. Additionally Pink Floyd, Mike Oldfield, Kraftwerk but it worked so well on the dance- sounded the same and I don't know... the flow of things? Where would we have completed four years etc from the 70-80s that my parents floor where all tracks were played I was fed up really. I had released you like things to flow towards? of research on the effective- happened to play a lot. So I grew up to see how people react to it back so much and played almost every – As always I’m just hanging around ness of our programs (see with this psychedelic music, which then. But I had a different sound and weekend, so I guess I burned myself and have no idea where it's going to our research on our Ozora was normal for me. And as you say that was what was needed to get me out. So I moved out to the forest and take me, so I will just go with the festival Wheel of Wisdom there were 0 females making music somewhere.
Recommended publications
  • Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work.
    [Show full text]
  • The Dub June 2018
    1 Spanners & Field Frequency Sound System, Reading Dub Club 12.5.18 2 Editorial Dub Front cover – Indigenous Resistance: Ethiopia Dub Journey II Dear Reader, Welcome to issue 25 for the month of Levi. This is our 3rd anniversary issue, Natty Mark founding the magazine in June 2016, launching it at the 1st Mikey Dread Festival near Witney (an event that is also 3 years old this year). This summer sees a major upsurge in events involving members of The Dub family – Natty HiFi, Jah Lambs & Lions, Makepeace Promotions, Zion Roots, Swindon Dub Club, Field Frequency Sound System, High Grade and more – hence the launch of the new Dub Diary Newsletter at sessions. The aim is to spread the word about forthcoming gigs and sessions across the region, pulling different promoters’ efforts together. Give thanks to the photographers who have allowed us to use their pictures of events this month. We welcome some new writers this month too – thanks you for stepping up Benjamin Ital and Eric Denham (whose West Indian Music Appreciation Society newsletter ran from 1966 to 1974 and then from 2014 onwards). Steve Mosco presents a major interview with U Brown from when they recorded an album together a few years ago. There is also an interview with Protoje, a conversation with Jah9 from April’s Reggae Innovations Conference, a feature on the Indigenous Resistance collective, and a feature on Augustus Pablo. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors.
    [Show full text]
  • Sheet1 Page 1 809 Band Jam Session BLANK (Hit
    Sheet1 809 Band Jam Session BLANK (Hit Factor) Digital Near Mint $200 Al Brown Here I Am baby, come and Tit for Tat Roots VG+ $200 take me Al Senior Bonopart Retreat Coxsone Rocksteady VG $200 Old time Repress Baby Cham Man and Man Xtra Large Dancehall 2000 EXCELLENT $100 Baby Wayne Gal fi come in a dance free Upstairs Ent. Dancehall 95-99 EXCELLENT $100 Banana Man Ruling Sound Taurus Digital clash tune EXCELLENT $250 Benaiah Tonight is the night Cosmic Force Records Roots instrumental EXCELLENT $150 Beres Hammond Double trouble Steely & Clevie Reggae Digital VG+ $150 Beres Hammond They gonna talk Harmony House Roots // Lovers VG+ $150 Big Joe & Bim Sherman Natty cale Scorpio Roots VG+ $400 Big Youth Touch me in the morning Agustus Buchanan Roots VG++ $200 Billy Cole Extra careful Recrational & Educational Reggae Funk EXCELLENT $600 Bob Andy Games people play // Sun BLANK (FRM) Rocksteady VG+ // VG $400 shines for me Bob Marley & The Wailers I'm gonna put it on Coxsone SKA Good+ to VG- $350 Brigadier Jerry Pain Jwyanza Roots DJ EXCELLENT $200 answer riddim Buju Banton Big it up Mad House Dancehall 90's EXCELLENT $100 Carl Dawkins Satisfaction Techniques Reggae // Rocksteady Strong VG $200 Repress Carol Kalphat Peace Time Roots Rock International Roots VG+ $300 Chosen Few Shaft Crystal Reggae Funk VG $250 Clancy Eccles Feel the rhythm // Easy BLANK (Randy's) Reggae // Rocksteady Strong VG $500 snappin Clyde Alphonso // Carey Let the music play // More BLANK (Muzik City) Rocksteady VG $1200 El Flip toca VG Johnson Scorcher pero sin peso
    [Show full text]
  • Samson and Moses As Moral Exemplars in Rastafari
    WARRIORS AND PROPHETS OF LIVITY: SAMSON AND MOSES AS MORAL EXEMPLARS IN RASTAFARI __________________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board __________________________________________________________________ In Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY __________________________________________________________________ by Ariella Y. Werden-Greenfield July, 2016 __________________________________________________________________ Examining Committee Members: Terry Rey, Advisory Chair, Temple University, Department of Religion Rebecca Alpert, Temple University, Department of Religion Jeremy Schipper, Temple University, Department of Religion Adam Joseph Shellhorse, Temple University, Department of Spanish and Portuguese © Copyright 2016 by Ariella Y. Werden-Greenfield All Rights Reserved ii ABSTRACT Since the early 1970’s, Rastafari has enjoyed public notoriety disproportionate to the movement’s size and humble origins in the slums of Kingston, Jamaica roughly forty years earlier. Yet, though numerous academics study Rastafari, a certain lacuna exists in contemporary scholarship in regards to the movement’s scriptural basis. By interrogating Rastafari’s recovery of the Hebrew Bible from colonial powers and Rastas’ adoption of an Israelite identity, this dissertation illuminates the biblical foundation of Rastafari ethics and symbolic registry. An analysis of the body of scholarship on Rastafari, as well as of the reggae canon, reveals
    [Show full text]
  • 7” SINGLES SALE LIST No.1
    IRIE RECORDS GMBH 7“ SINGLES SALE LIST No.1 PAGE 1 7” SINGLES SALE LIST No.1 IRIE RECORDS GMBH HÜFFERSTRASSE 9-10 D-48149 MÜNSTER GERMANY TEL. 0251-45106 FAX. 0251-42675 EMAIL: [email protected] --------------------------- PRICES: 1 - 5 ITEMS/7” = 8,95 DM EACH 6 - 10 ITEMS/7” = 8,00 DM EACH 11 - 25 ITEMS/7” = 7,00 DM EACH 26 - 50 ITEMS/7” = 6,00 DM EACH 51 or more = 5,00 DM EACH POSTAGE: 8,50 DM (INSIDE GERMANY) POSTAGE: OTHER EUROPEAN COUNTRIES/REST OF THE WORLD WILL BE CHARGED AT COSTS PLEASE EMAIL OR FAX US YOUR ORDERS AS SOON AS POSSIBLE AS QUANTITIES ARE LIMITED! PLEASE STATE ALTERNATIVES TO RECEIVE THE ORDERED QUANTITY! ------------------------------------------- IRIE RECORDS GMBH 7“ SINGLES SALE LIST No.1 PAGE 2 ABUI PRODUCTION NEW PRODUCT – SHOULD I/TREMOR VERSION MAJOR STONE – MASH THEM CORN/TREMOR VERSION MEEKIE MELODY – STRANGE/DISNEY WORLD VERSION CLIVE MEDIA – SORRY FI HAR/VIBES VERSION CLIVE MEDIA – MAN A KILL MAN/VISION VERSION AFC U-4-I-A – UNTIL I GET YOU BACK/GET YOU BACK MIX 2 AFRICAN MUSEUM TONY BREVETT – BRIGHT STAR/SHOOT ON SIGHT E.Q. – BE WITH YOU/VERSION JAH GUAYA – KEEP THE SABATH HOLY/VERSION MELODIANS – BRIGHT STAR/VERSION AFRICAN STAR MIKAL ASHER – ORIGINAL BINGIE/VERSION GRANTY ROOTS – MAMA OMEGA/VERSION MAGANOE – WHAT’S ANOTHER DAY/VERSION AFRO DEZIAC DETERMINE/J. KELLY – HANDS IN DI AIR/HOW COME, HOW LONG AKSHON HOUSE CALLALOO MAN – MAMA FIRST BORN/VERSION COLONEL LLOYDIE – DEM-A-CRY/VERSION GONZALIS – NAH NYAM/VERSION STEVE MACHETE – WOLF/VERSION ALSENCERE – BABYLON WORLD/VERSION ALFOMEGA PRINCE THEO –
    [Show full text]
  • A Skinhead Reggae
    ReggaeWeb Site – Minden, ami Reggae! www.reggaeweb.atw.hu A Skinhead Reggae A skinheadek (bırfejőek) „elıdei”, a modok voltak. A modok már fıleg fekete zenét hallgattak: Rhytm & Blues-t, soult és skát. A fehér R&B bandák (mint a Davis Group, a The Who, a Small Faces) csak a modok egy kisebb csoportján belül örvendtek nagyobb népszerőségnek. A fehér brit popzene, mint a Beatles, vagy az egész hippi-mocsok, inkább a középosztály gyerekeinek a zenéje volt. Egy másik csoport, amibıl sok skinhead került ki, a jamaikai bevándorlók gyerekei voltak. Ezek a srácok, akik magukat rudeboy- oknak hívták (a kingston-i nyomornegyed gengszterei után) a szüleik hazájának zenéjét hallgatták: skát, rocksteadyt és reggaet. Tehát már az elıd-szubkultúra zenéje, a soul és a reggae, elıre meghatározta az elsı skinhead-generáció zenei stílusát. A jamaikai zenestílusok idıbeli és stílusbeli tagolása: 1959-tıl 1966-ig ska, 1966-tól 1968-ig rocksteady, 1968-tól reggae. A reggae tehát 1968-ban felváltotta, a lassabb, soul- orientált rocksteadyt. A reggae tempója gyorsabb volt és az elıtérben inkább a ritmus állt (fıleg a basszus és a gitár által). Egyébként közületek azoknak, akik csupán valamilyen új divat-reggae-t ismertek: a reggae stílusa az elsı években lényegesen durvább volt és nem olyan lágy, mint ahogy azt az ember a 70’-es évek közepebeli Bob Marley lemezekrıl ismerheti. A jamaikai zene készítés feltételei meg voltak pecsételve az ország rossz gazdasági helyzete miatt. Jól mutatja be a zeneügyeket Jamaikán az 1970- es években a „The harder they come” címő film Jimmy Cliff-fel a fıszerepben. Az akkori jamaikai zenészek helyzete elég erısen különbözött a mai európai bandákétól.
    [Show full text]
  • Clancy Eccles Freedom (Anthology 1967-73) Mp3, Flac, Wma
    Clancy Eccles Freedom (Anthology 1967-73) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Freedom (Anthology 1967-73) Country: UK & Europe Released: 2005 Style: Reggae, Rocksteady, Roots Reggae, Lovers Rock, Ska MP3 version RAR size: 1880 mb FLAC version RAR size: 1435 mb WMA version RAR size: 1128 mb Rating: 4.5 Votes: 884 Other Formats: MP3 WAV TTA MP2 VQF DXD AA Tracklist 1-1 –Clancy Eccles What Will Your Mama Say 1-2 –Hemsley Morris Stay Loose 1-3 –Eric Morris* Say What You're Saying 1-4 –Clancy*, Lee* & Sticky* C. N. Express 1-5 –Clancy Eccles & Velma Mongal Oh My Lover 1-6 –Clancy Eccles & Claudelle Clarke Two Of A Kind 1-7 –Winston Wright & The Dynamites I Did It 1-8 –Larry Marshall & Alvin* Please Stay 1-9 –Eric Morris* My Lonely Days 1-10 –Theo Beckford* Easy Snappin' 1-11 –Busty Brown Here Comes The Night 1-12 –Clancy Eccles Feel The Rhythm 1-13 –Clancy Eccles, Velma Mongal Let Us Be Lovers 1-14 –Clancy Eccles Deacon Don 1-15 –Clancy Eccles Bag-A-Boo (Don't Brag Don't Boast) 1-16 –The Dynamites Last Call (Aka Tribute To Drumbago) 1-17 –Clancy Eccles Fattie Fattie 1-18 –Carl Dawkins Rodney's History 1-19 –The Dingle Brothers I Don't Care 1-20 –The Dynamites John Public (Aka Tom Hark) 1-21 –Clancy Eccles Sho Be Do 1-22 –King Stitt Fire Corner 1-23 –Clancy Eccles & Noel "Scully" Simms Mount Zion (We Want To Go Back Home) 1-24 –Clancy Eccles The World Needs Love 1-25 –King Stitt Vigerton 2 1-26 –Winston Wright & The Dynamites Mr Midnight (Aka Skokiaan) 1-27 –Clancy Eccles & Chorus* Africa 1-28 –Cynthia Richards Foolish
    [Show full text]
  • Racism Perspective As Reflected in Bob Marley's and the Wailer's Songs
    perpustakaan.uns.ac.id digilib.uns.ac.id RACISM PERSPECTIVE AS REFLECTED IN BOB MARLEY’S AND THE WAILER’S SONGS THESIS Submitted as A Partial Fulfillment of Requirements For The Sarjana Degree in the English Department Faculty of Letters and Fine Arts Sebelas Maret University by SETYO CAHYANINGTYAS C 1307530 ENGLISH DEPARTMENT FACULTY OF LETTERS & FINE ARTS SEBELAS MARET UNIVERSITY SURAKARTA 2011 commit to user i perpustakaan.uns.ac.id digilib.uns.ac.id RACISM PERSPECTIVE AS REFLECTED IN BOB MARLEY’S AND THE WAILER’S SONGS by SETYO CAHYANINGTYAS C 1307530 Approved to be examined by the Consultant Thesis Consultant; Dra . Nani Sukarni, MS. NIP.195103211981032002 Head of English, Non Regular Program Drs . Sugiyarto Budi Waskito, M.Pd. NIP. 195811081983031001 commit to user ii perpustakaan.uns.ac.id digilib.uns.ac.id RACISM PERSPECTIVE AS REFLECTED IN BOB MARLEY’S AND THE WAILER’S SONGS by SETYO CAHYANINGTYAS C 1307530 Accepted and Approved by The Board of Examiners Faculty of Letters and Fine Arts Sebelas Maret University On June 16, 2011 Position Name Signature Chairperson Drs. Hendarto R, MA (…………………) NIP. 196506011992032002 Secretary Dra. SK. Habsari, M.Hum, Ph.D (………………….) NIP. 196703231995122001 First Examiner Dra. Nani Sukarni, MS (………………….) NIP. 195103211981032002 Second Examiner Dra. Endang Sri Astuti, MS (…………………..) NIP. 195208141981032001 Dean of Faculty of Letters and Fine Arts Sebelas Maret University Drs. Riyadi Santosa, M.Ed, Ph.D. NIP 196003281986011001 commit to user iii perpustakaan.uns.ac.id digilib.uns.ac.id Pronouncement Name; Setyo Cahyaningtyas NIM; C1307530 Stated wholeheartedly that the thesis entitled Racism perspective as reflected in Bob Marley’s and The Wailer’s songs is originally made by the researcher.
    [Show full text]
  • 1 Music and the Rise of Caribbean Nationalism: the Jamaican Case Gregory Freeland Department of Political Science California
    1 Music and the Rise of Caribbean Nationalism: The Jamaican Case Gregory Freeland Department of Political Science California Lutheran University (805) 493-3477 [email protected] 2 Abstract Caribbean nationalism emerged in many ways, but music played a vital role in furnishing emotion and ideological cohesion, and fueled the excitement and sustainability of nationalist identification leading up and following independence. This study employs the musical form, ska, to exemplify how music generated a sense of nationalism in Jamaica during the late 1950s and early 1960s, and as such provided strength for independence stability and some of the courage and excitement that sustained it through its early manifestation. Music created metaphorical and emotional meanings as well as political meanings through lyrics and rhythms that helped frame independence as more than an image of freedom from colonial rule. This study utilizes interviews, music lyrics, and literature to conclude that a cultural force, like, music, created a stronger sense of nationalism among Jamaicans, which facilitated the rise of a cultural uniqueness and collective identity. 1 History has shown that music profoundly shapes the goals and objectives of a people moving toward collective identity, cultural nationalism, and political independence. Music also transmits ideologies and political demands to adherents and activists of political, cultural, and social movements. This musical effect played out dramatically in the rise of Caribbean nationalism.1 Caribbean nationalism emerged in many ways, but music played a vital role in furnishing emotion and ideological cohesion, and fueled the excitement and sustainability of nationalist identification. This effect is exemplified with, for example, merengue in the Dominican Republic, calypso in Trinidad-Tobago, and rumba in Cuba.
    [Show full text]
  • The Top 200 Greatest Reggae Songs
    The top 200 greatest reggae songs 1. No Woman, No Cry - Bob Marley & the Wailers 2. Israelites - Desmond Dekker & the Aces 3. Stir It Up - Bob Marley & the Wailers 4. Pressure Drop - Toots & the Maytals 5. The Harder They Come - Jimmy Cliff 6. One Love - Bob Marley & the Wailers 7. 54-46 That's My Number - Toots & the Maytals 8. Satta Massagana - The Abyssinians 9. Funky Kingston - Toots & the Maytals 10. Montego Bay - Freddie Notes & The Rudies 11. Many Rivers To Cross - Jimmy Cliff 12. Marcus Garvey - Burning Spear 13. Legalize It - Peter Tosh 14. Redemption Song - Bob Marley & the Wailers 15. Here I Come - Dennis Brown 16. Get Up, Stand Up - Bob Marley & the Wailers 17. Rudy Got Soul - Desmond Dekker & The Aces 18. The Tide Is High - The Paragons 19. Three Little Birds - Bob Marley & the Wailers 20. Everything I Own - Ken Boothe 21. Night Nurse - Gregory Isaacs 22. You Don't Care - The Techniques 23. Vietnam - Jimmy Cliff 24. Rivers Of Babylon - The Melodians 25. Police & Thieves - Junior Murvin 26. Buffalo Soldier - Bob Marley & the Wailers 27. Red Red Wine - UB40 28. Cherry Oh Baby - Eric Donaldson 29. (I Am) The Upsetter - Lee "Scratch" Perry 30. Sitting & Watching - Dennis Brown 31. Jammin' - Bob Marley & the Wailers 32. Wear You To The Ball - U-Roy & The Paragons 33. Two Sevens Clash - Culture 34. I Shot The Sheriff - Bob Marley & the Wailers 35. Armagideon Time - Willie Williams 36. 007 Shanty Town - Desmond Dekker & The Aces 37. A Love I Can Feel - John Holt 38. Revolution - Dennis Brown 39. Queen Majesty - The Techniques 40.
    [Show full text]
  • NGO 5Th Edition Amendments.Pages
    Never Grow Old 5th edition amendments (10 August 2021) AMENDMENTS: A BRIGHTER DAY - Scotty APPRENTICE DENTIST - Lone BEHOLD THE LAND - Joseph Hill Mama (Bunny Brown) Ranger [ON THE OTHER SIDE OF [FULL UP1/2/STUDIO ONE A CRADLE IN BETHLEHEM - DUB] ROOTS 2/THE SOUND OF Jimmy Tucker [BLING BLING The Thing (Jackie Mittoo & The YOUNG JAMAICA/STUDIO ONE CHRISTMAS/CHRISTMAS Sound Dimension); Dentist Dub (Dub HI-FI SPECIAL BOX SET] GREETINGS FROM STUDIO ONE] Specialist) ((credited to Culture on FULL UP)) ADORABLE YOU - Doreen Schaefer ARMAGIDEON TIME - Willie BELIEVERS WALK - Christine & [ADORABLE YOU] Williams 12”; [ARMAGIDEON The Marvetts 1/2 AFRICAN BEAT - Don Drummond TIME/FULL UP /RESPECT TO BETTER DUB - Dub Specialist [BEST OF DON DRUMMOND] STUDIO ONE/STUDIO ONE [BETTER DUB/STUDIO ONE DUB Accra (Dub Specialist); Roots DISCO MIX/THE SOUND OF FIRE SPECIAL] Undying (Dub Specialist) YOUNG JAMAICA]; Heavy Rock ~ 1/2 ((aka AFRIKAAN BEAT - Lester ARMAGIDEON VERSION - BIG MISTAKE - Bassies [FULL UP / Sterling)) Willie & The Brentford Rockers GET READY ROCKSTEADY/ AFRIKAAN BEAT - Lester Sterling [VERSION DREAD]; STUDIO ONE ROCKSTEADY 2] [STUDIO ONE SCORCHER] ARMAGEDEON TIME - Music School (Sir Harry); Thirty One Accra (Dub Specialist); Roots Willie Williams (re-mix) Thirty Five (Roy Burrowes, Clifford Undying (Dub Specialist) Real Rock ~ Jordan & Charles Davis) ((aka African Beat - Don Drummond/ AWAY FROM YOU - (workshop BIG POT - Larry & Alvin Sound Dimension)) musicians) [JAZZ JAMAICA/ Where Is The Love (Wailing Soul); ALL IN THE GAME (aka IT’S
    [Show full text]
  • Skinhead Nation
    Website Preface As a lot of people reading this will already know, the first book published by S.T. Publishing was Spirit Of ‘69 - A Skinhead Bible back in 1991. Originally, a mainstream publisher in London, UK, was going to release it, but after a few months of pissing me about, I decided to do it myself. At the time, I knew sweet Fanny Adams about the publishing game, but it’s amazing what you can achieve when a lorry turns up at your front door with a mountain of books and you know every last penny you have (and then some) is riding on the fact that you can shift them. I wrote Spirit Of ‘69 - A Skinhead Bible not because I think I’m some sort of expert on skinheads, but because I passionately believed that the history of the cult, warts and all, had to be written from the inside. Before Spirit Of ‘69, there had only ever been one skinhead book that sought to act as a guide to the skinhead cult – Nick Knight’s Skinhead (Omnibus Press). First published in 1982, it was largely meant as a vehicle for photographer Nick Knight’s skinhead portraits, but was padded out with a few pages on skinhead origins, music, dress, behaviour and the like. What really makes it worth having though is the section on fashion by Jim Ferguson, something that to this day is held in very high regard by skinheads all over the world, and particularly by those who choose to dress in the original skinhead style.
    [Show full text]