Anne Frank's the Diary of a Young Girl: World War II and Young

Note: This chapter is excerpted from Dr. Joan F. Kaywell’s latest volume in her series Adolescent Literature as a Complement to the Classics. ANNE FRANK’S THE DIARY OF A YOUNG GIRL: WORLD WAR II AND YOUNG ADULT LITERATURE Introduction When I first taught this novel, now required for 8th grade students, I presented it in a very traditional fashion. We read the book, discussed certain sections, and saw the movie. No doubt I did the most work since I was the one leading the discussions while several students simply dismissed the topic as being irrelevant to modern times. Now that adolescent or young adult (YA) literature is readily available, my classes have a depth and breadth about them that I always wanted but didn’t know how to achieve. Through YA literature, students are exposed to a myriad of perspectives concerning World War II. In this unit, students will be able to acquire enough background knowledge about the Holocaust to participate in several meaningful class discussions and produce several unique group projects. This is different from the teacher telling students what to think since each student is responsible for reading and sharing something about World War II. In essence, the students are responsible for their learning and the teacher learns too. Through YA literature, all students (even the least motivated) may become engaged with the material. Joan F. Kaywell is Professor of English Education at the University of South Florida where she has won several teaching awards. She is passionate about assisting preservice and practicing teachers in discovering ways to improve literacy. She donates her time to the National Council of Teachers of English (NCTE) and its Florida affiliate (FCTE): She is Past President of NCTE’s Assembly on Literature for Adolescents (ALAN) and serves as its Membership Secretary; she is a Past-President of FCTE and is on its Board of Directors. Dr. Kaywell reviews young adult novels for The ALAN Review, The Journal of Adult and Adolescent Literacy, and Signal; and has edited two series of textbooks: five volumes of Adolescent Literature as a Complement to the Classics; six volumes of Using Literature to Help Troubled Teenagers Cope with [Various] Issues (Family 1999, Societal 1999, Identity 1999, Health 2000, End-of-Life 2000, Abuse 2004); and has written one: Adolescents At Risk: A Guide to Fiction and Nonfiction for Young Adults, Parents, and Professionals. Her tradebook Dear Author: Letters of Hope was written to help students choose reading as a healthy escape from pain. There are several different ways to set up a classroom to achieve the same goals. Ideally, you will present the accompanying list of YA novel annotations and let each student choose a different book of choice; choice is key in this unit. For less skilled readers, you can suggest some shorter or less difficult novels such as Chana Byers Abells’ The Children We Remember (a picture essay) or Hana Volavkova’s I Never Saw Another Butterfly (a collection of drawings and poems produced by children in the camps). Art Spiegelman’s graphic novels, Maus I and Maus II, are so engrossing that even non-readers feel the intensity of this work that won Spiegelman a Pulitzer Prize. These four books allow the least skilled readers in your classes to yield powerful contributions to class projects. Many students, however, will be able to read beyond reading level since this unit is extremely motivational. Already I am anticipating that many of you are saying, “Yea, right! I have a hard enough time getting my students to read the required book let alone read another one!” The group projects require participation from each group member to be successful; the projects are meaningful, relevant, and fun. Additionally, this unit has built-in peer pressure. If one student chooses to read Aranka Siegal’s Upon the Head of a Goat and another chooses Siegal’s Grace in the Wilderness, you can be sure that the class will not be satisfied knowing the life of Piri at nine when another classmate was supposed to read about her life at 17 years of age; the same holds true for Graham Salisbury’s Under the Blood Red Sun and its sequel, House of the Red Fish. After the students select the book they want to read outside of class, group them according to topic with no more than five students in one group. For the sake of convenience, I have included the annotations of the books that I would use in clusters depending upon their topic. Group project suggestions will follow the clusters, but students know they are encouraged to develop their own group project if they are interested in a specific subject. The annotations that are included are not exhaustive. Other good sources for annotations include materials readily available from the National Council of Teachers of English (NCTE) such as The ALAN Review, The English Journal, and several NCTE publications such as Books for You: A Booklist for Senior High Students and Your Reading: A Booklist for Junior High and Middle School Students. The International Reading Association (IRA) also has information pertaining to YA literature found in SIGNAL and the Journal of Adult and Adolescent Literacy. One of the finest collections of resources is a book compiled by Elaine Stephens, Jean Brown and Janet Rubin (1995) entitled, Learning about the Holocaust: Literature and Other Resources for Young People. This text provides an amazing list of organizations, books, and teaching strategies relevant for all grade levels. 2 Finally, teachers are encouraged to refer to the end of this chapter for a list of recommended articles, websites, and movies to enhance this unit of study. Group One: Jewish Children’s Experiences During World War Ii Anne Frank and Me by Cherie Bennett and Jeff Gottesfeld (287 pp.) The authors have adapted their 1998 play of the same title into this easy-to-read novel where Nicole Burns, a contemporary 10th-grade student who questions why they have to read The Diary of Anne Frank, is mysteriously transported in time into the person of Nicole Bernhardt, a 15-year-old Jewish girl living in occupied France. Nicole meets Anne Frank who helps her see the value of studying the Holocaust as she returns as Nicole Burns. (MS) London Calling by Edward Bloor (304 pp.) Martin Conway hates his school and all of the snobbery there. When his grandmother dies and leaves him an old Forties radio, he mysteriously teleports back in time to the London Blitz and meets Jimmy who needs his help. Through a series of alternating story lines between the past and present, Martin helps expose various sins committed in both times. (MS-HS) We Are Witnesses by Jacob Boas (208 pp.) Boas was born in the Westerbork Concentration Camp in Holland and writes this book from five teenage perspectives he found in reading their diaries: David Rubinowicz, Yitzhak Rudashevski, Moshe Flinker, Eva Heyman, and Anne Frank. As Boas points out, “alongside the other four diaries, Anne’s looks different than when you read it by itself as the sole voice of the Holocaust.” (MS) I Am David by Anne Holm (256 pp.) Twelve-year-old David has only known life in a concentration camp in Eastern Europe. When the opportunity to escape presents itself, David seizes it and then begins his journey to Denmark and freedom. Walden Media made a movie of this book, originally published in Denmark in 1963, by the same name in 2004. Since then, it has been mass marketed to educators. For teaching materials, visit their website. (MS) 3 Memories of My Life in a Polish Village: 1930-1949 by Toby Knobel Fluek (110 pp.) Toby Fluek was a small Jewish girl growing up in Czernica, Poland, when World War II started. She and her family moved to a Jewish ghetto and went into hiding several times to save their lives. By the war’s end, only she and her mother had survived. Now an artist in New York City, the author presents her story through her paintings and their descriptions. (MS) Room in the Heart by Sonia Levitin (285 pp.) Based on the true events of Germany’s invasion of Denmark, this story is told primarily from the alternating perspectives of two young Danes. After learning the Germans have plans to capture all of the Jewish people in Denmark, Julie takes her family to Sweden by boat. Her friend and co- narrator, Niels, joins the resistance when he discovers the Nazi plot while his friend, Emil, is captivated by and admires the power of the Germans. A large cast of characters reveals how the Danes fought the Nazi occupation and saved almost all of Denmark’s Jews. (MS-HS) Tug of War by Joan Lingard (208 pp.) Hugo and Astra, 14-year-old Latvian twins, are separated when the Russians invade their country in 1944. Hugo ends up in Hamburg, Germany, where a family takes care of him until the end of the war. Meanwhile, his family waits out the war in a refugee camp. When they are finally reunited, his family is disgruntled by Hugo’s German girlfriend and places him in a choice situation. (MS-HS) No Pretty Pictures: A Child of War by Anita Lobel (193 pp.) A winner of the Caldecott Award for Illustrators, Anita Lobel writes her memoir growing up in Krakow, Poland, during the Holocaust. She was only five when the Nazis invaded, and she is sent to live with their Catholic nanny in the country. Anita and her brother are eventually discovered and deported to a concentration camp where they live until the liberation.

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