2018-2019 Season Brochure
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Summer 2012 Boston Symphony Orchestra
boston symphony orchestra summer 2012 Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 131st season, 2011–2012 Trustees of the Boston Symphony Orchestra, Inc. Edmund Kelly, Chairman • Paul Buttenwieser, Vice-Chairman • Diddy Cullinane, Vice-Chairman • Stephen B. Kay, Vice-Chairman • Robert P. O’Block, Vice-Chairman • Roger T. Servison, Vice-Chairman • Stephen R. Weber, Vice-Chairman • Vincent M. O’Reilly, Treasurer William F. Achtmeyer • George D. Behrakis • Alan Bressler • Jan Brett • Susan Bredhoff Cohen, ex-officio • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Nancy J. Fitzpatrick • Michael Gordon • Brent L. Henry • Charles H. Jenkins, Jr. • Joyce G. Linde • John M. Loder • Carmine A. Martignetti • Robert J. Mayer, M.D. • Aaron J. Nurick, ex-officio • Susan W. Paine • Peter Palandjian, ex-officio • Carol Reich • Edward I. Rudman • Arthur I. Segel • Thomas G. Stemberg • Theresa M. Stone • Caroline Taylor • Stephen R. Weiner • Robert C. Winters Life Trustees Vernon R. Alden • Harlan E. Anderson • David B. Arnold, Jr. • J.P. Barger • Leo L. Beranek • Deborah Davis Berman • Peter A. Brooke • Helene R. Cahners • James F. Cleary† • John F. Cogan, Jr. • Mrs. Edith L. Dabney • Nelson J. Darling, Jr. • Nina L. Doggett • Mrs. John H. Fitzpatrick • Dean W. Freed • Thelma E. Goldberg • Mrs. Béla T. Kalman • George Krupp • Mrs. Henrietta N. Meyer • Nathan R. Miller • Richard P. Morse • David Mugar • Mary S. Newman • William J. Poorvu • Irving W. Rabb† • Peter C. Read • Richard A. Smith • Ray Stata • John Hoyt Stookey • Wilmer J. Thomas, Jr. • John L. Thorndike • Dr. Nicholas T. Zervas Other Officers of the Corporation Mark Volpe, Managing Director • Thomas D. -
Mark Padmore
` BRITTEN Death in Venice, Royal Opera House, Covent Garden At the centre, there’s a tour de force performance by tenor Mark Padmore as the blocked writer Aschenbach, his voice apparently as fresh at the end of this long evening as at the beginning Erica Jeal, The Guardian, November 2019 Tenor Mark Padmore, exquisite of voice, presents Aschenbach’s physical and spiritual breakdown with extraordinary detail and insight Warwick Thompson, Metro, November 2019 Mark Padmore deals in a masterly fashion with the English words, so poetically charged by librettist Myfanwy Piper, and was in his best voice, teasing out beauty with every lyrical solo. Richard Fairman, The Financial Times, November 2019 Mark Padmore is on similarly excellent form as Aschenbach. Padmore doesn’t do much opera, but this role is perfect for him………Padmore is able to bring acute emotion to these scenes, without extravagance or lyricism, drawing the scale of the drama back down to the personal level. Mark Padmore Gavin Dixon, The Arts Desk, November 2019 Tenor ..It’s the performances of Mark Padmore and Gerald Finley that make the show unmissable. …Padmore……conveys so believably the tragic arc of Aschenbach’s disintegration, from pompous self-regard through confusion and brief ecstatic abandon to physical and moral collapse. And the diction of both singers is so clear that surtitles are superfluous. You will not encounter a finer performance of this autumnal masterpiece. Richard Morrison, The Times, November 2019 BACH St John Passion¸ Orchestra of the Age of Enlightenment, Simon Rattle. Royal Festival Hall, London Mark Padmore has given us many excellent evangelists, yet this heartfelt, aggrieved, intimate take on St John’s gospel narrative, sometimes spiked with penetrating pauses, still seemed exceptional. -
Garrick Ohlsson
bernard haitink conductor emeritus seiji ozawa music director laureate 2013–2014 Season | Week 14 andris nelsons music director designate season sponsors Table of Contents | Week 14 7 bso news 15 on display in symphony hall 16 the boston symphony orchestra 19 old strains reawakened: the boston symphony’s historical instrument collection by douglas yeo 27 this week’s program Notes on the Program 28 The Program in Brief… 29 Richard Wagner 35 Witold Lutos´lawski 43 Dmitri Shostakovich 51 To Read and Hear More… Guest Artists 57 Andris Poga 59 Garrick Ohlsson 62 sponsors and donors 72 future programs 74 symphony hall exit plan 75 symphony hall information the friday preview talk on january 24 is given by harlow robinson of northeastern university. program copyright ©2014 Boston Symphony Orchestra, Inc. design by Hecht Design, Arlington, MA cover photo of BSO principal bassoon Richard Svoboda by Stu Rosner BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617)266-1492 bso.org andris nelsons, ray and maria stata music director designate bernard haitink, lacroix family fund conductor emeritus, endowed in perpetuity seiji ozawa, music director laureate 133rd season, 2013–2014 trustees of the boston symphony orchestra, inc. Edmund Kelly, Chair • William F. Achtmeyer, Vice-Chair • Carmine A. Martignetti, Vice-Chair • Stephen R. Weber, Vice-Chair • Theresa M. Stone, Treasurer David Altshuler • George D. Behrakis • Jan Brett • Paul Buttenwieser • Ronald G. Casty • Susan Bredhoff Cohen, ex-officio • Richard F. Connolly, Jr. • Diddy Cullinane • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Thomas E. Faust, Jr. • Michael Gordon • Brent L. -
Digital Concert Hall
Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence. -
Stéphane Denève Commits to Serve As Music Director of the St
FOR IMMEDIATE RELEASE [March , ] Contacts: St. Louis Symphony Orchestra: Eric Dundon [email protected], (,D-+FG-D,(D National/International: NiKKi Scandalios [email protected], L)D-(D)-D)MD STÉPHANE DENÈVE COMMITS TO SERVE AS MUSIC DIRECTOR OF THE ST. LOUIS SYMPHONY ORCHESTRA THROUGH THE 2025/2026 SEASON Extension highlights mission-driven collaboration and continued artistic and institutional stability for the nation’s second-oldest orchestra (March , WUWX, St. Louis, MO) – Today, the St. Louis Symphony Orchestra announced a four-year extension of Stéphane Denève’s contract as Music Director. The extended contract runs through the end of the SLSO’s +)+V/+)+G season, which will be Denève’s seventh as Music Director. Denève’s initial three-year contract began With the / season following one season as Music Director Designate. His long partnership With the SLSO began in , When he led the SLSO for the first of many engagements as a guest conductor prior to his appointment as Music Director. The announcement comes as Denève leads the SLSO in the return of live concerts With audiences at PoWell Hall, the first since early November +)+. Steven Finerty, Chair of the SLSO Board of Trustees, said, “Stéphane is the ideal partner for the SLSO. He brings a profound musicianship and a deep understanding to his role, Which he infuses With great creativity, good humor, humility, and humanity. Along With President and CEO Marie-Hélène Bernard—with whom he has developed a remarKable partnership—Stéphane has helped hone the SLSO as an artistically excellent, community-minded, and financially responsible organization for years to come.” Marie-Hélène Bernard, SLSO President and CEO, said, “In the time Stéphane has been Music Director, he has continued to build on the celebrated artistic legacy of the SLSO While advancing the next era of the orchestra. -
PR 1516 Season Highlights.Indd
125TH ANNIVERSARY 2015–2016 SEASON Season Highlights Orchestras • The New York Philharmonic opens Carnegie Hall’s 125th anniversary season with Music Director Alan Gilbert conducting the world premiere of a new work by Magnus Atlanta Symphony Orchestra and Chorus Lindberg, co-commissioned by Carnegie Hall, in addition to Ravel’s Daphnis et Chloé Baltimore Symphony Orchestra Suite No. 2 and Tchaikovsky’s Piano Concerto No. 1 with soloist Evgeny Kissin, who Bavarian Radio Symphony Orchestra kicks off his season-long Perspectives series with this performance. (Oct. 7, SA/PS) Berliner Philharmoniker • The Philadelphia Orchestra returns to Carnegie Hall for four concerts led by Music Boston Symphony Orchestra Director Yannick Nézet-Séguin that include Gil Shaham playing Bartók’s Violin Concerto No. 2; Jan Lisiecki performing Beethoven’s Piano Concerto No. 4; Haydn’s Budapest Festival Orchestra Symphony No. 103, “Drumroll,” and Bruckner’s Symphony No. 4, “Romantic”; and a The Cleveland Orchestra final program of Rachmaninoff’s Piano Concerto No. 1 with Lang Lang and Mahler’s The MET Orchestra Symphony No. 10 in Deryck Cooke’s performing edition. (Oct. 13, Jan. 14, Jan. 26, May 11, SA/PS) Minnesota Orchestra New York Philharmonic • Music Director Andris Nelsons leads the Boston Symphony Orchestra in three nights of concerts that include the New York premiere of Sebastian Currier’s Divisions; New York String Orchestra Beethoven’s Piano Concerto No. 3 with Paul Lewis; a concert performance of Richard Orchestra of St. Luke’s Strauss’s Elektra with soprano Christine Goerke in the title role; and Prokofiev’s Orchestre National de France Alexander Nevsky with mezzo-soprano Nadezhda Serdyuk and the Tanglewood Festival Chorus. -
3-6-19 Paul Lewis
Paul Lewis, piano Joseph Haydn Piano Sonata in E Minor Hob XVI: 34 (1732 – 1809) I. Presto II. Adagio III. Vivace molto Johannes Brahms Three Intermezzi op. 117 (1833 – 1897) Andante moderato Andante non troppo e con molto espressione Andante con moto ***Intermission*** Ludwig van Beethoven 33 Variations in C on a Waltz by Diabelli op. 120 (1770 – 1827) 1. Theme 2. Variation 1 Alla Marcia maestoso 3. Variation 2 Poco Allegro 4. Variation 3 L’istesso tempo 5. Variation 4 Un poco più vivace 6. Variation 5 Allegro vivace 7. Variation 6 Allegro ma non troppo e serioso 8. Variation 7 Un poco più allegro 9. Variation 8 Poco vivace 10. Variation 9 Allegro pesante e risoluto 11. Variation 10 Presto 12. Variation 11 Allegretto 13. Variation 12 Un poco più moto 14. Variation 13 Vivace 15. Variation 14 Grave e maestoso 16. Variation 15 Presto scherzando 17. Variation 16 Allegro 18. Variation 17 [No tempo marking] 19. Variation 18 Poco moderato 20. Variation 19 Presto 21. Variation 20 Andante 22. Variation 21 Allegro con brio 23. Variation 22 Allegro molto (alla “Notte e giorno faticar” di Mozart) 24. Variation 23 Allegro assai 25. Variation 24 Fughetta. Andante 26. Variation 25 Allegro 27. Variation 26 [No tempo marking] 28. Variation 27 Vivace 29. Variation 28 Allegro 30. Variation 29 Adagio ma non troppo 31. Variation 30 Andante, sempre cantabile 32. Variation 31 Largo, molto expressivo 33. Variation 32 Fuga. Allegro - Poco Adagio 34. Variation 33 Tempo di Minuetto moderato, ma non tirarsi dietro The Steinway Concert Grand Piano used in this concert is a gift from the McDermott Family, made in memory of John H. -
Previous Releases in the Roussel Series
KEY RELEASES | January 2012 STÉPHANE DENÈVE CONDUCTS ROUSSEL © J Henry Fair Albert ROUSSEL (1869-1937) Le festin de l’araignée (The Spider’s Banquet) Padmâvatî Ballet Suites Nos 1 and 2 Royal Scottish National Orchestra ∙ Stéphane Denève One of Roussel’s most performed orchestral works, The Spider’s Web was composed during his earlier impressionistic period, and depicts the beauty and violence of insect life in a garden. Roussel’s experiences as a lieutenant in the French Navy first introduced him to Eastern influences, and the ‘operaballet’ Padmâvatî was inspired by his later visit to the ancient city of Chittor in Rajasthan state of western India. It uses aspects of Indian music to evoke this city’s legendary siege by the Mongols. This is the fifth and final volume in Stéphane Denève and the RSNO’s acclaimed survey of Roussel’s orchestral works. “An excellent disc, splendidly and idiomatically performed and a superb advertisement for composer, conductor and orchestra. Highly recommended.” (Gramophone on Vol. 4 / 8.572135) Booklet notes in English Listen to an excerpt from The Spider’s Banquet: Catalogue No: 8.572243 Total Playing Time: 54:53 About Stéphane Denève Stéphane Denève is the newly-appointed Chief Conductor of the Stuttgart Radio Symphony Orchestra (SWR) and, since 2005, Music Director of the Royal Scottish National Orchestra. He has made regular appearances with the Scottish orchestra at the Edinburgh International Festival and BBC Proms and the Festival Présences, and at celebrated venues throughout Europe including the Vienna Konzerthaus, Amsterdam Concertgebouw, and Théâtre des Champs-Elysées. He and the orchestra have made a number of acclaimed recordings together, including a survey of the works of Albert Roussel for Naxos, the first disc of which won a Diapason d’Or de l’année in 2007. -
Mark Padmore, Tenor Paul Lewis, Piano 03 Diumenge, 19 D’Abril De 2015
Mark Padmore, tenor Paul Lewis, piano 03 DIUMENGE, 19 D’abril DE 2015. 18.00 h – Sala de Concerts Mark Padmore, tenor Paul Lewis, piano I Franz Schubert (1797-1828) Die schöne Müllerin, D 795 (La bella molinera, sobre poemes de Wilhelm Müller) 1. Das Wandern 2. Wohin? 3. Halt 4. Danksagung and er Bach 5. Am Feierabend 6. Der Neugierige 7. Ungeduld 8. Morgengruss 9. Des Müllers Blumen 10. Tränenregen 11. Mein 12. Pause 13. Mit dem grünen Lautenbande 14. Der Jäger 15. Eifersucht und Stolz 16. Die liebe Farbe 17. Die böse Farbe 18. Trockne Blumen 19. Der Müller und der Bach 20. Des Baches Wiegenlied Durada aproximada del concert: 60 minuts sense pausa Catalunya Música enregistra aquest concert. Per tornar-lo a escoltar, consulteu la programació a www.catmusica.cat Tots sou part del Palau Gràcies! Mecenes Protectors Mecenes d’Honor Media Partners Col·laboradors Aena — Aenor — Almirall, S.A. — Armand Basi — Autoritat Portuària de Barcelona — Bagués-Masriera Joiers — Coca-Cola — Col·legi de Farmacèutics de Barcelona — Col·legi d’Enginyers de Camins, Canals i Ports — Deloitte — Esteve — Fluidra, S.A. — Fundació Castell de Peralada — Hoteles Catalonia — La Fageda — Loteria de Catalunya — Memora — Metalquimia, S.A. — Quadis — Roca Junyent, S.L.P. — Saba Infraestructures, S.A. — Vueling Amics Benefactors Ascensores Jordà, S.A. — Clos Interiors, S.L. — Dalkia Catalunya, S.A. — Eurofirms ETT S.L.U. — Fundació Antoni Serra Santamans — Horaci Miras Giner — Teatre Romea Comentari Un jove moliner, en el seu despreocupat vagareig, coneix una noia, la filla d’un altre moliner, de qui s’enamora sense èxit. -
Master Class with Paul Lewis, Piano
Master Class with Paul Lewis Sunday 3 December 3pm, Salon Presented by Melbourne Recital Centre This master class is supported by Arnold and Mary Bram & Lyndsey and Peter Hawkins GUEST ARTIST Paul Lewis piano Isaac Chok piano FRANZ LISZT (1811 - 1886) Transcendental Etude, S.139 No.6 Vision Ann Nguyen piano LUDWIG VAN BEETHOVEN (1770 - 1827) Piano Sonata No.18, Op.31, No.3 I Allegro ABOUT THE PARTICIPANTS Isaac Chok is currently a student at Monash University studying a Bachelor of Music and Science. He has been a finalist at various competitions, and enjoys exploring a diverse range of piano repertoire from classical to jazz and pop. Isaac is a student under the tutelage of Tamara Smolyar and has participated in master classes from Geoffrey Saba, Louisa Breen and Dobbs Franks. Isaac is an accomplished piano teacher, working with 30 students each week from a range of age groups and music backgrounds. With the recital-standard background of FTCL and LMusA, Ann Nguyen was admitted to The University of Melbourne's Bachelor of Music program and has been awarded four prestigious scholarships for excellence throughout her studies. Ann graduated from the Bachelor degree with First-Class Honours and then completed her Honours degree in 2016. Ann is currently studying her Masters of Music (Music Performance) through higher research with Professor Ian Holtham at the Melbourne Conservatorium of Music, University of Melbourne. ABOUT THE MASTER CLASS LEADERSHIP CIRCLE & ENSEMBLE GIOVANE This Paul Lewis Master Class has been made possible through the generous support of Arnold and Mary Bram and Lyndsey and Peter Hawkins. -
Oxford Piano Festival 1 - 9 August 2020
Alfred Brendel KBE Patron Oxford Sir András Schiff President Philharmonic Marios Papadopoulos MBE Artistic Director Orchestra Oxford Piano Festival 1 - 9 August 2020 Pianist MAGAZINE Media partner REFLECTIONS ON THE 2019 OXforD PIANO FESTIVAL WELCOME from FESTIVAL ARTISTIC DIRECTOR MARIOS PapaDopoULOS ‘So great to come across and performance of two titled sonatas and the Diabelli Variations later that evening – a fitting exchange ideas with so many way to mark 250 years since the birth of the legendary pianists.’ composer who transformed the piano sonata. As well as young talent, we have some ‘Was a blast to be back! I’m highly distinguished guests at this year’s festival. Nelson Freire, one the finest Brahms enjoying so much to be a part of players alive, makes his Festival debut in a the Oxford family and I would performance of Brahms’s Piano Concerto No. 2 with the Oxford Philharmonic Orchestra, love to come back next year!’ which it is my privilege and pleasure to conduct. Elisabeth Leonskaja, a towering Last year in this introduction, I wrote pianist and prolific recording artist, also ‘Every performance I played, I had about the apparently endless, universal makes her Festival debut in the opening a lot of useful feedback from the capabilities of the piano – the instrument’s concert on 1 August. A champion of unusual status as both a solo orator and a congenial and contemporary repertoire, Alain Lefèvre professors, audiences and observers.’ conversationalist, a vessel for self-absorbed also joins us for the first time. introspection and unbounded, triumphant communication. I am particularly proud that the Festival has a habit of cultivating long-term friendships. -
AVAILABLE JULY 12TH Ludwig Van BEETHOVEN Complete Piano
harmonia mundi HMC902053/55 Barcode: 0794881966226 3 CDS for 2 AVAILABLE JULY 12TH Ludwig van BEETHOVEN Complete Piano Concertos Paul Lewis (piano); BBC Symphony Orchestra / Jiri Belohlávek PROMOTION • Special document (précommande France + International) • Special EPK on line (making of, interviews) • Dedicated widget At the press launch of this year’s BBC Proms season Roger Wright (Controller, BBC Radio 3 and Director of the BBC Proms) announced that for the first time ever, one pianist, Paul Lewis, would be performing all Beethoven’s Piano Concertos, albeit with different orchestras. His complete set of the Beethoven sonatas enjoyed extraordinary acclaim in the UK, culminating in the prestigious ‘Recording of the Year’ award from Gramophone magazine for the fourth volume in 2008. Encouraged by what has now become a worldwide success, Paul Lewis has chosen to turn his attention to the five piano concertos with these distinguished partners. Recorded between July 2009 and March 2010, these interpretations paint a portrait of Beethoven full of light and shade. Paul Lewis studied with Joan Havill at the Guildhall School of Music and Drama, before going on to study privately with Alfred Brendel. Today, Paul Lewis is a regular guest at many of the world’s most prestigious venues and festivals, performing with leading orchestras and conductors such as Sir Colin Davis, Bernard Haitink, Christoph von Dohnanyi, Sir Mark Elder, Sir Charles Mackerras, Wolfgang Sawallisch, Sir Andrew Davis and Marin Alsop. He has given recitals across Europe and the United States, as well as in Japan and Australia. Paul Lewis has a particularly strong relationship with London’s Wigmore Hall, where he has appeared on more than 40 occasions and where he launched a Schubert cycle with tenor Mark Padmore.