DOCSLIB.ORG

Roland Hayes, African-American Lyric Tenor

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Roland Hayes, African-American Lyric Tenor Roland Hayes, African-American Lyric Tenor Lyric tenor Roland Hayes, West Newbury’s pre- renaming it Angel Mo’ after his mother. The Hayes eminent concert virtuoso, was born on June 3, family summered there. 1887 at the plantation in Curryville, GA, where his In July of 1942, nationwide news stories made it mother, Fannie Mann, had been enslaved and the clear that wealth and fame provided the Hayes family continued as tenant farmers. His father, family no immunity from gratuitously violent William, died when Hayes was 11, and the family police action in support of the Jim Crow regime. moved to Chattanooga, TN. During a shopping excursion in Rome, GA, Helen Hayes’ talent and drive were apparent at an early Hayes and her daughter sat in a shoe store’s front age: he sang in the church choir, found voice “whites-only” seats. Words were exchanged; Mrs. instruction, and in 1911 was invited to become the Hayes was arrested. When Roland Hayes appeared lead tenor at Fisk University’s Jubilee Singers. At on the scene, an out-of-uniform policeman beat the same time, he worked several jobs to support him, handcuffed him, and jailed Roland and Helen. himself and his family. When the Jubilee Singers Rome’s police chief later denied the assault, and toured, Hayes decided to stay behind in Boston. Georgia’s governor declared that anyone displeased In Boston, Hayes worked as a page at John with segregation laws should stay out of the state. Hancock and saved money to support his music The Boston Globe was among many papers printing career. Notwithstanding the insistence of his editorials expressing outrage at Hayes’ “brutal and mother, voice teacher, and others in the music wanton” treatment. world that audiences would never listen to a black On November 14, 1946, the Newburyport Daily News man as a serious concert performer, he persevered. ran the headline, “Roland Hayes, Noted Singer, To Managing his own career, he sang in churches and Be Eagerly Welcomed As Resident of West other venues and by 1913 was known as the “Ne- Newbury.” Julian Steele, a civil rights leader in gro Caruso,” performing both classical pieces and Boston and himself an important person in West spirituals, which he did much to preserve. In 1920 Newbury’s history, was instrumental in the Hayes’ Hayes sailed for Europe. In 1921 he gave a com- decision to buy a home here. Located at 155 Crane mand performance for England’s King George V. Neck Street, the Hayes’ house sits on the hilltop After his triumphant return to the States in 1923, site where Enoch and Elizabeth Little first settled Hayes became the first African-American soloist and was built by their descendants. The Hayes kept appearing with the Boston Symphony Orchestra. their West Newbury home until 1953. He toured all over the country and the world, The Newburyport Daily News described Roland including this corner of it. The October 1, 1924 Hayes as “beloved by his West Newbury Newburyport Daily News stated, “When Roland neighbors.” A typical Newburyport Daily News story Hayes, internationally famed tenor comes to this of the time described a concert benefiting Anna city Monday evening, Oct. 27, for his song recital Jaques hospital: “Roland Hayes sang for grateful on the program of the sixth public concert of the neighbors last evening—and with ingratiating Newburyport Musical club, his choice of selections warmth and friendliness, sharing his great and will afford an unusually varied and interesting unique artistry with utmost generosity, enthusiasm, revelation of his powers both as a musician and as and sincerity.” an artist, of extraordinary scope and ability,” citing In his later years, Hayes mentored African-Amer- selections ranging from Handel and Schubert to ican vocalists and taught voice in Boston. Roland spirituals. Hayes died there on January 1, 1977, at age 89. His Hayes maintained a home base in Brookline with voice resonates to this day: click here, and imagine his wife Helen Mann Hayes and their daughter yourself in Old Town Hall on March 4, 1949, at a Afrika. He also purchased the 600-acre estate in concert benefiting the Town water system’s Georgia where his family had been enslaved, extension to Crane Neck Street. Roland Hayes, African-American Lyric Tenor Bust of Roland Hayes Source: http://afrovoices.com/roland-hayes-biography/ Newburyport Daily News 5/24/1948 Hayes’ summer home at 155 Crane Neck Street .
Load more

Recommended publications
  • Everything Man Paul Robeson the Form and Function Of
    EVERYTHING THE MAN FORM AND FUNCTION PAUL OF ROBESON SHANA L. REDMOND EVERYTHING MAN refiguring american music A series edited by Ronald Radano, Josh Kun, and Nina Sun Eidsheim Charles McGovern, contributing editor duke university press | durham and london | 2020 EVERYTHING MAN THE FORM AND FUNCTION OF PAUL ROBESON shana l. redmond © 2020 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ∞ Cover designed by Drew Sisk Text designed by Matthew Tauch Typeset in Whitman by Copperline Book Services Library of Congress Cataloging- in- Publication Data Names: Redmond, Shana L., author. Title: Everything man : the form and function of Paul Robeson / Shana L. Redmond. Description: Durham : Duke University Press, 2020. | Includes bibliographical references and index. Identifiers:lccn 2019015468 (print) lccn 2019980198 (ebook) isbn 9781478005940 (hardcover) isbn 9781478006619 (paperback) isbn 9781478007296 (ebook) Subjects: lcsh: Robeson, Paul, 1898–1976. | Robeson, Paul, 1898–1976—Criticism and interpretation. | Robeson, Paul, 1898–1976—Political activity. | African American singers— Biography. | African American actors—Biography. Classification: lcc e185.97.r63 r436 2020 (print) | lcc e185.97.r63 (ebook) | ddc 782.0092 [b]—dc23 lc record available at https://lccn.loc.gov/2019015468 lc ebook record available at https://lccn.loc.gov/2019980198 Cover art: Norman Lewis (1909–1979), Too Much Aspiration, 1947. Gouache, ink, graphite, and metallic paint on paper, 21¾ × 30 inches, signed. © Estate of Norman Lewis. Courtesy of Michael Rosenfeld Gallery llc, New York, NY. This book is freely available in an open access edition thanks to tome (Toward an Open Monograph Ecosystem)— a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of Arcadia, a charitable fund of Lisbet Rausing and Peter Baldwin, and the ucla Library.
    [Show full text]
  • 25 Recommended Recordings of Negro
    25 Recommended Recordings of Negro Spirituals for Solo Vocalist Compiled by Randye Jones This is a sample of recordings recommended for enhancing library collections of Spirituals and, thus, is limited (with one exception) to recordings available on compact disc. This list includes a variety of voice types, time periods, interpretative styles, and accompaniment. Selections were compiled from The Spirituals Database, a resource referencing more than 450 recordings of Negro Spiritual art songs. Marian Anderson, Contralto He’s Got the Whole World in His Hands (1994) RCA Victor 09026-61960-2 CD, with piano Songs by Hall Johnson, Harry T. Burleigh, Lawrence Brown, J. Rosamond Johnson, Hamilton Forrest, Florence Price, Edward Boatner, Roland Hayes Spirituals (1999) RCA Victor Red Seal 09026-63306-2 CD, recorded between 1936 and 1952, with piano Songs by Hall Johnson, John C. Payne, Harry T. Burleigh, Lawrence Brown, Hamilton Forrest, Robert MacGimsey, Roland Hayes, Florence Price, Edward Boatner, R. Nathaniel Dett Angela Brown, Soprano Mosiac: a collection of African-American spirituals with piano and guitar (2004) Albany Records TROY721 CD, variously with piano, guitar Songs by Angela Brown, Undine Smith Moore, Moses Hogan, Evelyn Simpson- Curenton, Margaret Bonds, Florence Price, Betty Jackson King, Roland Hayes, Joseph Joubert Todd Duncan, Baritone Negro Spirituals (1952) Allegro ALG3022 LP, with piano Songs by J. Rosamond Johnson, Harry T. Burleigh, Lawrence Brown, William C. Hellman, Edward Boatner Denyce Graves, Mezzo-soprano Angels Watching Over Me (1997) NPR Classics CD 0006 CD, variously with piano, chorus, a cappella Songs by Hall Johnson, Harry T. Burleigh, Marvin Mills, Evelyn Simpson- Curenton, Shelton Becton, Roland Hayes, Robert MacGimsey Roland Hayes, Tenor Favorite Spirituals (1995) Vanguard Classics OVC 6022 CD, with piano Songs by Roland Hayes Barbara Hendricks, Soprano Give Me Jesus (1998) EMI Classics 7243 5 56788 2 9 CD, variously with chorus, a cappella Songs by Moses Hogan, Roland Hayes, Edward Boatner, Harry T.
    [Show full text]
  • The Harlem Renaissance: a Handbook
    .1,::! THE HARLEM RENAISSANCE: A HANDBOOK A DISSERTATION SUBMITTED TO THE FACULTY OF ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF ARTS IN HUMANITIES BY ELLA 0. WILLIAMS DEPARTMENT OF AFRO-AMERICAN STUDIES ATLANTA, GEORGIA JULY 1987 3 ABSTRACT HUMANITIES WILLIAMS, ELLA 0. M.A. NEW YORK UNIVERSITY, 1957 THE HARLEM RENAISSANCE: A HANDBOOK Advisor: Professor Richard A. Long Dissertation dated July, 1987 The object of this study is to help instructors articulate and communicate the value of the arts created during the Harlem Renaissance. It focuses on earlier events such as W. E. B. Du Bois’ editorship of The Crisis and some follow-up of major discussions beyond the period. The handbook also investigates and compiles a large segment of scholarship devoted to the historical and cultural activities of the Harlem Renaissance (1910—1940). The study discusses the “New Negro” and the use of the term. The men who lived and wrote during the era identified themselves as intellectuals and called the rapid growth of literary talent the “Harlem Renaissance.” Alain Locke’s The New Negro (1925) and James Weldon Johnson’s Black Manhattan (1930) documented the activities of the intellectuals as they lived through the era and as they themselves were developing the history of Afro-American culture. Theatre, music and drama flourished, but in the fields of prose and poetry names such as Jean Toomer, Langston Hughes, Countee Cullen and Zora Neale Hurston typify the Harlem Renaissance movement. (C) 1987 Ella 0. Williams All Rights Reserved ACKNOWLEDGEMENTS Special recognition must be given to several individuals whose assistance was invaluable to the presentation of this study.
    [Show full text]
  • Folklorist of the Brush and Palette: Rare Winold Reiss Exhibition
    “Folklorist of the Brush and Palette”: Rare Winold Reiss Exhibition Features Distinct, Illuminating Portraits of Harlem Figures by Victoria L. Valentine on May 3, 2018 • 8:58 am WINOLD REISS, “Harlem Girl with Blanket,” circa 1925 FORTY WORKS BY A HARLEM LEGEND are on view in midtown Manhattan. “Winold Reiss Will Not Be Classified” at Hirschl & Adler gallery presents works spanning the German American artist’s four decade career. Winold Reiss (1886–1953) was variously considered an artist, designer, illustrator, architect, printmaker, and muralist. The exhibition, the first compre- hensive presentation of Reiss’s work in three decades, features oil paintings, watercolors, pastels, prints and drawings that capture a range of subjects, including a handful of works about Harlem. Reiss famously made portraits of W. E. B. Du Bois, Mary McLeod Bethune, Paul Robeson, Charles S. Johnson, James Weldon Johnson, and Alain Locke. Nearly a century ago, Locke edited a special issue of Survey Graphic dedicated to black artistic expression. The March 1925 edition of the social science journal was full of essays by writers and intellectuals such as Du Bois, Albert C. Barnes, Arthur Schomburg, who were shaping the cultural discourse, and selec- tions by young African American poets, including Countee Cullen, Langston Hughes, Anne Spencer, and Jean Toomer, who would come to define the Harlem Renaissance. The seminal publication was both a literary and visual record. Titled “Harlem: Mecca of the New Negro,” the issue was illustrated by Reiss, who contributed stylized portraits of Harlem figures, Art Deco graphics, and a cover portrait of Roland Hayes, the composer and tenor vocalist regarded as the first internationally recognized African American concert performer.
    [Show full text]
  • “Were You There”—Roland Hayes (1940) Added to the National Registry: 2013 Essay by Randye Jones (Guest Post)*
    “Were You There”—Roland Hayes (1940) Added to the National Registry: 2013 Essay by Randye Jones (guest post)* By the end of the 1930’s, tenor Roland Hayes (1887-1977) had already accomplished more as a professional concert recitalist than any African American of his or earlier generations. The son of former slaves, Hayes had found substantial acclaim in Europe—including a command performance before British royalty—before returning to the United States for several successful tours. He had also supported the careers of numerous other African American singers, including Marian Anderson, Paul Robeson, Dorothy Maynor, Edward Boatner and William Warfield. The Depression had depleted his finances and forced him once again to set up his own engagements. The spreading clouds of war in Europe made it unsafe for him to seek work there. The tenor split his time between concertizing in the United States and making a failed effort to develop the plantation, Angelmo Farms, that he had bought years earlier and named for his mother. And he returned to the recording studio. Years earlier, as a struggling young African American musician, Hayes had found the path to a professional career as a concert singer to be virtually untrod. He was determined not only to clear that path for himself, but to make it easier for others who wished to travel it as well. He decided to pay, out of his own limited funds, to make several records on Columbia, a label with an established reputation for quality Classical releases. Among the songs he selected for this 1918 project was H.
    [Show full text]
  • February/March 2017 Volume XIII, No. 4
    Volume XIII, No. 4 February/March 2017 PRESERVING A HISTORIC HAVEN: THE WALKER HOME Corey Rogers, Chief Historian Lucy Craft Laney Museum of Black History, Augusta with introduction by Melissa Jest, African American Programs Coordinator, HPD he modest two-story frame house that served as the This home joins many local tributes to Walker such as the Thome of Reverend Charles Thomas (C.T.) Walker first African American Legion in Augusta, C.T. Walker stands quietly on the bustling boulevard that bears his Elementary School; Gwinnett Street renamed Laney- name near downtown Augusta. One could imagine it Walker Boulevard in 1976. was a quiet respite for the preacher who drew crowds and became know as the Black Spurgeon for his dynamic Rev. C.T. Walker was born on February 5, 1858, near oratory. Hephzibah, Georgia to Thomas and Hannah Walker. Although his father died Although the home long the day before he was born, ago passed out of the Walker was surrounded ownership of the Walker by an extended family that family, Historic Augusta not only assisted in his Foundation, Inc. (HAF) upbringing, but also served worked with heirs of a as role models that would later owner for several inspire his spiritual and years to prepare the professional life. property for preservation. On October 1, 1877, at Last fall, HAF purchased the age of 19, he was the home. It will called to pastor Franklin move forward to Covenant Baptist Church in rehabilitate the house Hephzibah. Between 1877 and to help stabilize the and 1885, Reverend Walker neighborhood. Located would lead no less than at 1011 Laney-Walker Boulevard.
    [Show full text]
  • RH June 12 Press Release
    Contact: Rob Daves, Co-chair Hidden Brookline, HIDDEN a committee of the Town of Brookline’s Office of Diversity, Inclusion and Community Relations Phone (617) 566-7334 BROOKLINE [email protected] BROOKLINE, MA May 17, 2016: Press Release BROOKLINE TO HONOR WORLD-RENOWNED AFRICAN AMERICAN TENOR AND TRAILBLAZER ROLAND HAYES WITH THE DEDICATION OF A PLAQUE AND A CEREMONY IN FRONT OF THE HOME WHERE HE LIVED FOR ALMOST 50 YEARS SUNDAY, JUNE 12, 2016 AT 3 TO 4 PM (rain or shine) In the street in front of 58 ALLERTON STREET, BROOKLINE (between High Street and Pond Avenue) Free and open to all. Roland Hayes grew up on a farm where his mother had been enslaved, yet he rose up to become one of the world’s greatest tenors, breaking racial barriers across the United States and throughout the world, a trailblazer for others like Marian Anderson and Paul Robeson. In 1923 he became the first African American to solo with the Boston Symphony Orchestra. Proud of his heritage, he always included African American Spirituals in his concerts. He was a giant in the history of American music, yet here in the town where he made his home and was once revered, there is no permanent memorial to honor him. This will change on June 12th, when we dedicate a bronze plaque in front of his home and honor a man with a voice that enlightened, brightened and changed the world. • Music, story and Brookline connections will be the heart of the program. • Members of the Hayes family will unveil the plaque, which features an image of Hayes, carved by the renowned sculptor Robert Shure.
    [Show full text]
  • Mary White Ovington Papers
    Mary White Ovington Collection Papers, 1854-1948 6.25 linear feet Accession # 323 OCLC# The papers of Mary White Ovington were placed in the Archives of Labor and Urban Affairs by Mrs. Carrie Burton Overton, Miss Ovington's secretary, in 1969, 1971 and 1973 and were opened for research in 1973. Mary White Ovington was born in Brooklyn in 1865.In 1895, after education in private schools and at Radcliffe College, she began a career as asocial worker. From 1904 on, she devoted herself to the particular problems of Negro populations in New York and other cities. In 1909 she participated in the founding of the NAACP. She remained an officer and prominent figure in the organization until her retirement in 1947. Miss Ovington was the author of several books and numerous articles. Her history of the NAACP, The Walls Came Tumbling Down, is in both the Archives Library and the Wayne State Purdy Library collections. Miss Ovington died in New York in 1951. Important subjects covered in the collection are: Unpublished autobiographical material by Miss Ovington Living conditions of the poor in New York City in the early 1900s Negroes in the American South in the early 1900s Foundation and growth of the NAACP The Civil Rights Movement, in general, up to 1947 Ovington family history, 1800-1948 Among the important correspondents are: (an index to the location of these letters will be found on the last page of the guide) Jane Addams Herbert Lehman Arna Bontemps Claude McKay Benjamin Cardozo Elmer Rice John White Chadwick Robert H. Schauffler LorenzaCole A.
    [Show full text]
  • Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre
    Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) James Cotton Living the Blues James Cotton; Larry McCray; John Primer; Johnny B. Gayden; Brian Jones; Dr. John; Lucky Peterson; Joe Louis Walker 1994 1121-105-242 19 Blues (music) Willie Dixon Willie Dixon; Andy McKaie; Don Snowden 1988 1121-105-249 01 Oversized case; 2 CD box set Blues (music) Cincinnati Blues (1928-1936) Bob Coleman's Cincinnati Jug Band and Associates; Walter Coleman; Bob Coleman no date 1121-105-242 17 Found with CD album in Box #10, Item #28; Case was found separately Blues (music) Willie Dixon, The Big Three Trio Willie Dixon; The Big Three Trio 1990 1121-105-242 18 Blues (music) The Best of Muddy Waters Muddy Waters 1987 1121-105-242 08 Blues (music) The Roots of Robert Johnson Robert Johnson 1990 1121-105-242 07 Blues (music) The Best of Mississippi John Hurt Mississippi John Hurt; Bob Scherl 1987 1121-105-242 06 Blues (music) Bud Powell: Blues for Bouffemont Bud Powell; Alan Bates 1989 1121-105-242 36 Friday, May 11, 2018 Page 1 of 89 Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) Big Bill Broonzy Good Time Tonight Big Bill Broonzy 1990 1121-105-242 04 Blues (music) Bessie Smith The Collection Bessie Smith; John Hammond; Frank Walker 1989 1121-105-242 38 Blues (music) Blind Willie Johnson Praise God I'm Satisfied Blind Willie Johnson 1989 1121-105-242 20 Post-it note was found on the back of this CD case, photocopy made and placed in envelope behind CD.
    [Show full text]
  • The Harlem Renaissance: a Very Short Introduction Pdf, Epub, Ebook
    THE HARLEM RENAISSANCE: A VERY SHORT INTRODUCTION PDF, EPUB, EBOOK Cheryl A. Wall | 152 pages | 25 Aug 2016 | Oxford University Press Inc | 9780199335558 | English | New York, United States The Harlem Renaissance: A Very Short Introduction PDF Book This book was so interesting and so well written. David Gallay rated it really liked it Oct 01, May 08, Amy rated it really liked it Shelves: , masters-degree , summer-reading. Text credits. Enlarge cover. Women writers and artists are restored to their rightful place. Oxford University Press is a department of the University of Oxford. Despite its use of the Shakespearean sonnet form, the poem had an immediate impact on blacks who embraced it as a statement of their determination to resist oppression. Taught me a lot about the Harlem Renaissance: I didn't realize that it was mainly a short timebetween the Great War and the Great Depression. Cheryl A. Very good and fun to read a little book like this. What Is Africa to Me? It might be better described as an experimental novel that attempts to render the jazz-inflected life of Harlem in prose; its most evocative scenes depict jazz performances — the instruments, voice and dance. Dear Customer, As a global organization, we, like many others, recognize the significant threat posed by the coronavirus. The Harlem Renaissance was a cultural awakening among African Americans between the two world wars. Read More. Jul 15, Cookie rated it really liked it. Inventing new selves 3. Emily rated it liked it Jan 20, They are exactly what they say: short intros into large topics.
    [Show full text]
  • Biographies of African Americans
    Teacher Workbooks Social Studies Series Language Arts Integration Beginning Level Black History Month, Vol. 1 © Copyright 2003 Teachnology Publishing Company A Division of Teachnology, Inc. For additional information, visit us at www.teach-nology.com/publishing Table of Contents People Marion Anderson 1-3 Maya Angelou 4-6 Crispus Attucks 7 Benjamin Banneker 8-17 James Pierson Bechwourth 18-22 Mary McLeod Bethune 23-30 Answers 31 Worksheet Format Summary Writing Reading Comprehension 1-3, 8-10, 18-20, 23 Short Answer Reading Comprehension 4-7, 10 Internet Reading Comprehension 11-17, 21-22, 24-30 Answers 31 Standard Social Studies programs should include experiences that provide for the study of people, places, and environments 1-30 Answers 31 © 2003 Teachnology, Inc. iii Name _______________________________ Date __________________________ February Holidays: Black History Month Directions: Read the text below. Write a summary of the information. Write in complete sentences and remember to proofread for correct spelling and punctuation. Marion Anderson According to some sources, Marion Anderson was born on February 17, 1902. However, her death certificate lists her date of birth as February 27, 1897. Marion loved to sing as a young girl. Eventually, her talent was recognized by tenor Roland Hayes. Hayes served as a mentor in Marion’s developing career. After many years of hard work and learning, Marion became the first African American to sing at the Metropolitan Opera. She made this appearance on January 7, 1955. ________________________________________________________________________
    [Show full text]
  • Black History Month Listening Calendar
    Black History Month Listening Calendar This year the music department are challenging you to listen to a different piece of music that was written or performed by a black composer every day. These are artists that you may not have heard of but who have definitely impacted the musical world! Monday Tuesday Wednesday Thursday Friday 1st 2nd Thomas ‘Blind Tom’ George Bridgetower Wiggins 5th 6th 7th 8th 9th Roland Hayes Marian Anderson Dean Dixon Camilla Williams Hazel Scott 12th 13th 14th 15th 16th Nina Simone Martina Arroyo Sanford Allen Jessye Norman Wynton Marsalis 19th 20th 21st 22nd 23rd Le Chevalier de Saint- Sheku Kanneh-Mason Samuel Coleridge-Taylor Florence B Price George Walker Georges Black History Month Listening Calendar Thursday 1st October: George Bridgetower (1778 – 1860) George Bridgetower, a once celebrated English violin virtuoso of Afro-European descent, was Beethoven’s protégé – for a short while. Impressed by his playing, Beethoven decided to formally dedicate his ‘Kreutzer’ Violin Sonata No. 9 to Bridgetower. But the pair had an argument, and Beethoven retracted his dedication – instead naming his sonata after French violinist, Rodolphe Kreutzer. George Bridgetower’s name soon got lost in history, and he died in poverty in Peckham, his name forgotten. Next time you hear a performance of the ‘Kreutzer’ Sonata, spare a thought for the man after whom it should really be named. Black History Month Listening Calendar Friday 2nd October: Thomas ‘Blind Tom’ Wiggins (1849 - 1908) ‘Blind Tom’ was born the son of slaves. By the age of 10, he was the highest paid pianist of the 19th century.
    [Show full text]