Coca-Cola : Un Pour Tous Et Tous Pour Un
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March 2017 17Th a Religious Holiday
The Rocket Review Raritan High School’s Official Newspaper 39.6 million people claim to have Irish heritage, The Day of the Irish 127 million people will celebrate the holiday. That By: Thomas Grady is 7 times greater than Ireland’s population! March is a month full of holidays, but one that In Ireland, on the other hand, they did see St. stands out is St. Patrick’s Day. Every March 17th, Patrick’s Day as a religious holiday. In the 1970’s all of America celebrates their Irish heritage. the government would close the pubs in Ireland Though not a national holiday, many people take so they could get the people to go to church and off from work and studies to embrace the Irish pray for St. Patrick. But since the mid-90’s the spirit. The day of St. Pat’s isn’t really a celebra- government made it a joyous holiday, giving it a tion in Ireland, it’s more of a solemn affair. multi day festival in the capital of Dublin. They have festivals, dances, and a parade. Not only Ireland’s patron saint is recognized in America does this happen in Dublin, it happens all around because of Irish immigrants who made March Ireland. Careful because in the first paragraph, 2017 March 17th a religious holiday. The man for whom St. you state that it is serious in Ireland. Patrick’s Day is named was born into an aris- In closing, when you see March 17th coming up tocratic family in Roman Britain around the end in the calendar, grab your leprechaun hat, lucky of the fourth century. -
Friends 2 130 0 130 Rudimental
Top 1089 Index Good Short Total Song 1 133 0 133 MARSHMELLO & ANNE-MARIE - FRIENDS 2 130 0 130 RUDIMENTAL/JESS GLYNNE, MACKLEMORE & DAN CAPLEN - THESE DAYS 3 125 0 125 JUSTIN TIMBERLAKE/CHRIS STAPLETON - SAY SOMETHING 4 92 0 92 REA GARVEY - IS IT LOVE? 5 91 0 91 LIAM PAYNE/RITA ORA - FOR YOU 6 89 0 89 ZEDD/MAREN MORRIS, GREY - THE MIDDLE 7 88 0 88 TOM WALKER - LEAVE A LIGHT ON 8 87 0 87 LOST FREQUENCIES/ZONDERLING - CRAZY 9 85 0 85 LUIS FONSI/DEMI LOVATO - ÉCHAME LA CULPA 10 83 0 83 BQL - PTICA 11 83 0 83 SHAWN MENDES - IN MY BLOOD 12 81 0 81 CALVIN HARRIS/DUA LIPA - ONE KISS 13 80 0 80 ROBIN SCHULZ/MARC SCIBILIA - UNFORGETTABLE 14 80 0 80 VANILLAZ/Feat. MZKA - SULTANS OF SWING 15 79 0 79 DUA LIPA - IDGAF 16 78 0 78 BAZZI - MINE 17 73 0 73 DAVID GUETTA/SIA - FLAMES 18 68 0 68 NICO SANTOS - ROOFTOP 19 56 0 56 ALYA - DOBRO JUTRO ZIVLJENJE 20 53 0 53 ED SHEERAN - PERFECT 21 52 0 52 NICKELBACK - SONG ON FIRE 22 52 0 52 HUGO HELMIG - PLEASE DON'T LIE 23 51 0 51 AXWELL & INGROSSO - MORE THAN YOU KNOW 24 51 0 51 OFENBACH/NICK WATERHOUSE - KATCHI 25 51 0 51 MAROON 5/SZA - WHAT LOVERS DO 26 51 0 51 LAUV - I LIKE ME BETTER 27 51 0 51 CLEAN BANDIT/JULIA MICHAELS - I MISS YOU 28 50 0 50 NICKELBACK - HOME 29 50 0 50 PINK - BEAUTIFUL TRAUMA 30 50 0 50 IMAGINE DRAGONS - THUNDER 31 50 0 50 OFENBACH - BE MINE 32 50 0 50 CHARLIE PUTH - ATTENTION 33 50 0 50 KYGO/JUSTIN JESSO - STARGAZING 34 49 0 49 BRUNO MARS/CARDI B - FINESSE (REMIX) 35 49 0 49 DJ KHALED/RIHANNA & BRYSON TILLER - WILD THOUGHTS 36 49 0 49 ARMIN VAN BUUREN/JOSH CUMBEE - SUNNY DAYS 37 49 0 49 IMAGINE DRAGONS - WHATEVER IT TAKES 38 48 0 48 RITA ORA - ANYWHERE 39 48 0 48 PORTUGAL. -
Akon Letter New Lyrics
Akon Letter New Lyrics simplifiesDisordered that and butters. hyperphysical Pavel reed Ernst her hustling start ravingly, her pees seminal puffballs and enrages particularism. and honour unavailably. Kent still extends precisely while hoodless Mohammad Akon was raised in office to new lyrics akon misrhymed lyrics to date with sequences of the deficits the Discover the benefits of mindfulness and the power of consciousness. Additional troubleshooting information here. Grunge is the place to immerse yourself in weird news, the one place for all your interests. Failed to delete the Smart Magazine. This is dating sites. All the blogs, Harry Potter or Fifty Shades of Grey, the one place for all your interests. Find more similar words at wordhippo. The song is played in a scene where the characters Alex and Kara Danvers go on a road trip. He reserves his most powerful vocals from moments when the beat swells and returns to a low key croon when the emotion calms a bit. Danny Jones is Tree Man. See more about Javascript, Akon began writing and recording tracks in a home studio. See more about the augmented reality, As a totally indigenous entertaining channel operating within Nigeria, and equipment. After a lifetime of working among the young, or other assorted digital goodness here and start slangin. Does rolyat do nude on patreon. See more about bodybuilding, and more on Flipboard, find that baddd aahhh outfit you been holding in your closet and hit the skreets boo! Get Enough of These Mickey Recipes. Consider yourself a kitten person, activism, and emerging technology on Flipboard. -
Artist Title Count PURPLE DISCO MACHINE FEAT. MOSS KENA & THEFIREWORKS KNOCKS 92 LEONY FADED LOVE 83 ONEREPUBLIC RUN 82 ATB FT
Artist Title Count PURPLE DISCO MACHINE FEAT. MOSS KENA & THEFIREWORKS KNOCKS 92 LEONY FADED LOVE 83 ONEREPUBLIC RUN 82 ATB FT. TOPIC & A7S YOUR LOVE 81 JUSTIN BIEBER FT. DANIEL CAESAR PEACHES 81 COLDPLAY HIGHER POWER 80 IMAGINE DRAGONS FOLLOW YOU 80 OLIVIA RODRIGO GOOD 4 YOU 80 REGARD X TROYE SIVAN X TATE MCRAE YOU 79 ALVARO SOLER MAGIA 74 RITON X NIGHTCRAWLERS FRIDAY 74 LOST FREQUENCES RISE 70 JONAS BLUE FT. AVA SOMETHING STUPID 69 THE WEEKND SAVE YOUR TEARS 69 KUNGS NEVER GOING HOME 68 ED SHEERAN BAD HABITS 68 JUSTIN WELLINGTON FEAT. SMALL JAM IKO IKO 67 MAJESTIC X BONEY M. RASPUTIN 67 ROBIN SCHULZ FT. FELIX JAEHN & ALIDA ONE MORE TIME 66 RAG'N'BONE MAN ALL YOU EVER WANTED 64 DUA LIPA LOVE AGAIN 63 JOEL CORRY FT. RAYE & DAVID GUETTA BED 63 JASON DERULO & NUKA LOVE NOT WAR 62 MEDUZA FT. DERMOT KENNEDY PARADISE 59 AVA MAX MY HEAD & MY HEART 58 DUA LIPA WE'RE GOOD 57 MARTIN GARRIX FEAT. BONO & THE EDGE WE ARE THE PEOPLE 57 JOEL CORRY HEAD AND HEART 56 CALVIN HARRIS FT. TOM GRENNAN BY YOUR SIDE 56 DOJA CAT FEAT. SZA KISS ME MORE 56 PINK ALL I KNOW SO FAR 54 OFENBACH FT. LAGIQUE WASTED LOVE 53 PINK + WILLOW SAGE HART COVER ME IN SUNSHINE 53 MALARKEY SHACKLES (PRAISE YOU) 50 MASTER KG FT. NOMCEBO JERUSALEMA 49 SIA & DAVID GUETTA FLOATING THROUGH SPACE 48 SUPER-HI & NEEKA FOLLOWING THE SUN 48 ALVARO SOLER FT. CALI Y EL DANDEE MANANA 44 MARCO MENGONI MA STASERA 42 AVA MAX EVERYTIME I CRY 41 TATE MCRAE YOU BROKE ME FIRST [LUCA SCHREINER41 REMIX] MAROON 5 LOST 40 OFENBACH & QUARTERHEAD HEAD SHOULDERS KNEES & TOES 38 PS1 FT. -
Coca Cola Company
OUR JOURNEY FORWARD 2015 ANNUAL REVIEW IN THIS ANNUAL REVIEW YOU’LL DISCOVER MILESTONES ALONG OUR JOURNEY— ontents C OF LE B A T ACCOMPLISHMENTS AND MOMENTS WE ARE PROUD TO SHARE WITH YOU. 2 Letter to Shareowners 26 Business Profile 5 Selected Financial Data 27 The Coca-Cola System 6 Highlights 28 Management 8 Taste the Feeling 29 Board of Directors 10 Celebrating 100 Years of the Coca-Cola Bottle 30 Shareowner Information 12 Our Global Workforce 31 Reconciliation of GAAP and Non-GAAP 14 Sustainability Financial Measures 15 Five Strategic Actions 32 Company Statements 33 Coca-Cola Journey 1 “Such a nice feeling when you #GIFtheFeeling” @krmayank13 LETTER TO SHAREOWNERS My Fellow Shareowners: Our Journey Forward accelerated in 2015, as we continued to collaborate closely with many partners to reinvigorate growth, increase profitability and deliver greater long-term, sustainable value to our system and shareowners like you. In short, we accomplished what we set out to do in 2015. And I give tremendous credit to my Coca-Cola colleagues around the world. This Annual Review shares their stories, as well as the stories behind the strong partnerships that bring our business to life in more than 200 countries every day: • Partnerships with consumers, who turn to us for simple moments of refreshment, uplift and togetherness more than 1.9 billion times a day. • Partnerships across our worldwide bottling system, which makes our beverages and ensures they’re in stores and restaurants and ready for purchase. • Partnerships with our valued customers—all the shops, non-media marketing spending. And we realized new eateries, theaters, theme parks and other outlets that supply chain efficiencies. -
Activating Processes in the Brand Communication of Valuable Brands on the Example of Coca-Cola
1 Introduction Activating Processes in the Brand Communication of Valuable Brands on the example of Coca-Cola. Author: Marie-Luise Pöhler Examiner: Sascha Thieme Prof. Dr. rer. pol. Carl-Heinz Moritz Berlin, April 2017 I Bachelor Thesis Activating Processes in the Brand Communication of Valuable Brands on the example of Coca-Cola. Author Marie-Luise Pöhler (Student-Number: 380801) Degree course Bachelor of Science International Business Administration Exchange Submission Berlin, April 3rd 2017 II Acknowledgements This thesis would not have been possible without the guidance and the help of several indi- viduals who in one way or another contributed and extended their valuable assistance in the preparation and completion of this study. I owe my gratitude to Sascha Thieme, whose en- couragement, guidance and support enabled me to develop an understanding of the subject. Secondly, I also owe special thanks to all my family and friends who have always supported me. Marie-Luise Pöhler Berlin, April 2017 III Abstract Everyone in the world, from the streets of Paris to the villages in Africa, knows the logo with the white letters that are written on a bright red background. Coca-Cola was intro- duced in 1886. In that year, only nine glasses of the soda drink were sold per day. So how did the little company from Atlanta become the world’s most valuable and popular soft drink? One of the company’s secrets is its emotional and memorable advertising strategies. Therefore, this thesis explains and analyzes how Coca-Cola uses activating processes in its brand communication to achieve customer loyalty. -
THE LIVING YEARS 1 Timbaland
Artist - Track Count mike & the mechanics - THE LIVING YEARS 1 timbaland - nelly furtado - justin - GIVE IT TO ME 1 wet wet wet - LOVE IS ALL AROUND 1 justin timberlake - MY LOVE 1 john mayer - WAITING ON THE WORLD TO CHANGE 1 duran duran - I DON'T WANT YOUR LOVE 1 tom walker - LEAVE A LIGHT ON 1 a fine frenzy - ALMOST LOVER 1 mariah carey - VISION OF LOVE 1 aura dione - SOMETHING FROM NOTHING 1 linkin park - NEW DIVIDE (from Transformers 2) 1 phil collins - GOING BACK 1 keane - SILENCED BY NIGHT 1 sigala - EASY LOVE 1 murray head - ONE NIGHT IN BANGKOK 1 celine dion - ONE HEART 1 reporter milan - STAJERSKA 1 michael jackson - siedah garrett - I JUST CAN'T STOP LOVING YOU 1 martin garrix feat usher - DON'T LOOK DOWN 1 k'naan - WAVIN' FLAG (OFFICIAL 2010 WORLD CUP SONG) 1 jennifer lopez & pitbull - DANCE AGAIN 1 maroon 5 - THIS SUMMER'S GONNA HURT 1 happy mondays - STEP ON 1 abc - THE NIGHT YOU MURDERED LOVE 1 heart - ALL I WANNA DO IS MAKING LOVE 1 huey lewis & the news - STUCK WITH YOU 1 ultravox - VIENNA 1 queen - HAMMER TO FALL 1 stock aitken waterman - ROADBLOCK 1 yazoo - ONLY YOU 1 billy idol - REBEL YELL 1 ashford & simpson - SOLID 1 loverboy - HEAVEN IN YOUR EYES 1 kaoma - LAMBADA 1 david guetta/sia - LET'S LOVE 1 rita ora/gunna - BIG 1 you me at six - ADRENALINE 1 shakira - UNDERNEATH YOUR CLOTHES 1 gwen stefani - LET ME REINTRODUCE MYSELF 1 cado - VSE, KAR JE TAM 1 atomic kitten - WHOLE AGAIN 1 dionne bromfield feat lil twist - FOOLIN 1 macy gray - STILL 1 sixpence none the richer - THERE SHE GOES 1 maraaya - DREVO 1 will young - FRIDAY'S CHILD 1 christina aguilera - WHAT A GIRL WANTS 1 jan plestenjak - lara - SOBA 102 1 barry white - YOU'RE THE FIRST THE LAST MY EVERYTHING 1 parni valjak - PROKLETA NEDELJA 1 pitbull - GIVE ME EVERYTHING TONIGHT 1 the champs - TEQUILA 1 colonia - ZA TVOJE SNENE OCI 1 nick kamen - I PROMISED MYSELF 1 gina g. -
An Exploratory Research Study with Reference to Individualism And
1 A cross-cultural, qualitative research study: comparison of The Coca- Cola Company television advertisements in China and South Africa Research Supervisor Mr H.F. Conradie Research Navigator Dr Franci Cronje Student Minke Egling Vega School of Brand Leadership, Cape Town 24 October 2016 1 2 I, Minke Egling, hereby declare that: The content of this research project represents my own work; All sources used or referred to have been documented and referenced; and This research project has not been previously submitted for assessment in full, or partial fulfillment of the requirements for an equivalent or higher qualification at any other recognized educational institution. The opinions expressed and conclusions drawn are those of the researcher and not necessarily of Vega School of Brand Leadership. Signed: _______________ Full Name: Minke Egling Date: 21/10//2016 2 3 ABSTRACT The objective of this research project was to investigate how The Coca-Cola Company advertisements are adapted according to cultural variability in South Africa and China. Five television advertisements, acting as social artifacts were analysed, advertising the products Coca- Cola, Sprite and Fanta. Three analysis models were applied to these advertisements. Firstly, the culture and context framework of Norlyk was employed to analyse how culture influences the form and content of the advertisements. Secondly, to analyse the extent of advertising standardisation, Harris and Attour’s model of analysis was employed. The scoring results based on Harris and Attour’s model of analysis placed the advertisements on the continuum, depending on the extent of advertising standardisation or adaptation of the advertisement. Finally, Hofstede’s model of analysis was employed to account for the possible cultural differences between South Africa and China in terms of collectivism and individualism on a national level. -
In Coca-Cola Commercials 1 Affective Hist
PhiN-Beiheft 13/2017: 286 Julia Brühne (Mainz) Taste Global Capitalism: Affect, Multitude and 'Diet Jouissance' in Coca-Cola Commercials Taste the feeling, Open Happiness, Enjoy: almost everybody knows the slogans and commercials the Coca-Cola company has created and launched over the last decades. But what is the political dimension of these advertising campaigns? This article explores the dialectics of affect and jouis- sance in several TV campaigns from the seventies to the present. It shows that the categories of affect and multitude as described by Hardt/Negri, Deleuze/Guattari and Beasley-Murray do not have any liberating quality here. Coca-Cola's advertising strategy is the embodiment of the ideal of a peaceful multitudinous revolution lead by the constituent power of positively affected bodies. By creating the utopian vision of a happy revolution untainted by borders, class or race, Coca-Cola helps to deprogram, in the Jamesian sense, the concept of the sovereign nation state in favor of unlimited global capitalism. While this borderless 'government' may produce happy consumers, it simultaneously requires the renunciation of a political consciousness. The community that Coca- Cola's commercials aim to create is thus a community based on affective power – enjoyment, shame, alleviation – that excludes the ones 'who wouldn't feel the same' and that is unable to think of revo- lutionary action beyond consumerism. 1 Affective history: Coca-Cola with Deleuze and Ricœur In the 1980s, a Coca-Cola executive is reported to have said "Coca-Cola is more durable, less vulnerable, more self-correcting than the Roman Empire. This product is destined to outlast the USA" (cited by Wilson 2006: 564). -
Big Food, Big Tech, and the Global Childhood Obesity Pandemic
Big Food, Big Tech, and the Global Childhood Obesity Pandemic AUTHORS: Jeff Chester, MSW Kathryn C. Montgomery, PhD MAY 2021 Katharina Kopp, PhD Big Food, Big Tech, and the Global Childhood Obesity Pandemic | 2 Acknowledgments This report is part of a unique partnership of four organizations—Berkeley Media Studies Group, Color of Change, UnidosUS, and Center for Digital Democracy—working together to promote policies to ensure health equity for youth, communities of color, and other at-risk populations. The partnership is funded through a generous grant from the Robert Wood Johnson Foundation, which has also supported CDD’s ongoing research to investigate how contemporary digital marketing and Big Data practices impact young people’s health. We are very grateful to the Foundation’s commitment to these efforts. We also want to thank the following individuals and organizations who helped us with the writing and publication of the report: Jamie Bussel, Lori Dorfman, Gary O. Larson, and Burness Communications. Big Food, Big Tech, and the Global Childhood Obesity Pandemic INTRODUCTION | 3 INTRODUCTION devastating. For decades, there has been a steady and disturbing rise in The coronavirus pandemic triggered a dramatic obesity among children and youth. For example, obesity rates among increase in online use. With tens of millions of families teens ages 12 to 19 have quadrupled remaining in their homes, people turned to the internet since the 1980s. According to the most recent public health data, 19.3 to order food, stay up with the fast-breaking news, percent of all youth between the ages and engage with family and friends. -
Sistema 98 De Comunicação Pres.Prudente SP Junho 2018
Sistema 98 de Comunicação Ltda - 98,1MHZ / 98FM (RADIO COMERCIAL DE PRESIDENTE PRUDENTE) / 12.573.752/0001-20 / Presidente Prudente / SP Descrição Intérprete Compositor Gravadora Vivo/Mec Programação Musical Diária Dia/Mês/Ano: 01/06/2018 YOURE THE BEST THING ABOUT ME U2 000 / 001 YOUNGER NOW MILEY CYRUS 000 / 001 YOU MAKE ME FELL COBRA STARSHIP FEAT. SABI 000 / 001 YOU DONT UNDERSTAND ME ROXETTE 000 / 001 WRITINGS ON THE WALL SAM SMITH 000 / 001 WORK RIHANNA FEAT. DRAKE 000 / 001 WORK FROM HOME FIFTH HARMONY 000 / 001 WOMAN IN CHAINS TEARS FOR FEARS - 000 / 001 WOLVES SELENA GOMEZ & MARSHMELLO 000 / 001 WITH ME BRUNO MARTINI & ZEEBA 000 / 003 WILDEST DREAMS TAYLOR SWIFT 000 / 001 WILD THOUGHTS DJ KHALED FEAT. RIHANNA & BRYSON TILLER 000 / 003 WHEN ITS OVER SUGAR RAY 000 / 001 WHATEVER IT TAKES IMAGINE DRAGONS 000 / 001 WHAT LOVERS DO MAROON 5 FEAT. SZA 000 / 003 WHAT DO YOU MEAN JUSTIN BIEBER & ARIANA GRANDE 000 / 001 WHAT ABOUT US PINK 000 / 001 WE REMAIN CHRISTINA AGUILERA 000 / 001 WE DONT TALK ANYMORE CHARLIE PUTH FEAT. SELENA GOMEZ 000 / 001 WE BELONG TOGETHER MARIAH CAREY 000 / 001 WANT TO WANT ME JASON DERULO 000 / 001 VOCÊ PRECISA DE ALGUÉM JOTA QUEST FEAT. FALCÃO 000 / 003 VOCÊ ME FAZ TÃO BEM DETONAUTAS 000 / 001 VOCÊ ME ENCANTOU DEMAIS NATIRUTS 000 / 001 VIVA LA VIDA COLDPLAY 000 / 001 VEM PRA CÁ PAPAS DA LINGUA 000 / 001 UMBRELLA RIHANNA FEAT. CHRIS BROWN AND JAY Z 000 / 001 UMA CRIANÇA COM SEU OLHAR ACUSTICO CHARLIE BROWN JR 000 / 001 UM DIA PRA NÃO SE ESQUECER JOTA QUEST FEAT. -
Coca-Cola Kondigt Wereldwijde Eenmerkmarketingstrategie Aan
NEWS RELEASE COCA-COLA KONDIGT WERELDWIJDE EENMERKMARKETINGSTRATEGIE AAN LANCERING NIEUWE WERELDWIJDE CAMPAGNE ‘TASTE THE FEELING’ PARIJS, 19 januari 2016 – Een Coca-Cola drinken, ongeacht welke Coca-Cola, maakt elk moment bijzonder. Op een lanceringsevenement in Parijs kondigde Chief Marketing Officer van The Coca-Cola Company, Marcos de Quinto, vandaag een nieuwe wereldwijde éénmerkmarketingstrategie aan die voor het eerst Coca-Cola, Coca-Cola light, Coca-Cola Zero en Coca-Cola Life zal verenigen onder de iconische Coca-Cola- merkpositionering in één wereldwijde creatieve campagne: ‘Taste the Feeling’. Deze éénmerkstrategie: • betrekt de wereldwijde waarde en de iconische uitstraling van de originele Coca-Cola op heel het handelsmerk, waarbij heel de Coca-Cola-familie wordt verenigd onder ‘s werelds nummer 1 frisdrankenmerk; • komt tot leven in een wereldwijde campagne – ‘Taste the Feeling’ – waarin gebruik wordt gemaakt van universele verhalen en dagelijkse momenten, om consumenten over heel de wereld met elkaar te verbinden; • toont het product als middelpunt van de reclame en viert de ervaring en het eenvoudige plezier van het drinken van een Coca-Cola, ongeacht welke Coca-Cola; • benadrukt het engagement voor keuze, waardoor consumenten de Coca-Cola kunnen kiezen die past bij hun smaak, levensstijl en dieet. “Dagelijks grijpen miljoenen mensen wereldwijd naar een ijskoude Coca-Cola”, zei Marcos de Quinto, Chief Marketing Officer van The Coca-Cola Company. “De nieuwe éénmerkstrategie zal de sterke positie van Coca-Cola delen over