Information to Users

Total Page:16

File Type:pdf, Size:1020Kb

Information to Users INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9401224 The rhetoric of Black English Vernacular: A study of the oral and written discourse practices of African American male college students Campbell, Kermit Ernest, Ph.D. The Ohio State University, 1993 Copyright ©1993 by Campbell, Kermit Ernest. All rights reserved. UMI 300 N. ZeebRd. Ann Arbor, MI 48106 THE RHETORIC OF BLACK ENGLISH VERNACULAR: A STUDY OF THE ORAL AND WRITTEN DISCOURSE PRACTICES OF AFRICAN AMERICAN MALE COLLEGE STUDENTS DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Kermit Ernest Campbell, B.A., M.A. ***** The Ohio State University 1993 Dissertation Committee: Approved by A. Lunsford S. Games B. Moss Adviser J Department of English Copyright by Kermit Ernest Campbell 1993 To My Parents ii ACKNOWLEDGMENTS I express sincerest appreciation to Dr. Andrea Lunsford for her guidance and insight throughout the research. Many thanks go to the other members of my advisory committee, Drs. Beverly Moss and Sara Games, for their comments and suggestions. I gratefully acknowledge the technical assistance of Laura Brown and Robyn Lyons. To my friends and family, I offer sincere thanks for your continual support. To my brothers and sisters in Christ, I thank you for your fellowship and prayer. And, above all, I thank my five informants, their teachers, and their counselors for granting me a welcome entree into their communities, into their lives. iii VITA November 29, 1960 .......................Born - Freeport, Texas 1984 ................................................B.A., The University of Texas, Austin, Texas 1985-1986 ..................................... Foreign Teacher, South China Institute of Technology, Guangzhou, China 1988 ................................................M.A., Department of English The University of Houston, Houston, Texas 1988-Present................................. Teaching Associate, Department of English, The Ohio State University, Columbus, Ohio PUBLICATIONS "Toward a Concept of Black English Vernacular Rhetoric." Rhetoric in the Vortex o f Cultural Studies: Proceedings o f the Fifth Biennial Conference of the Rhetoric Society of America. Ed. Arthur Walzer. Minneapolis: Burgess Publishing, 1993. FIELDS OF STUDY Major Field: English iv TABLE OF CONTENTS ACKNOWLEDGMENTS.............................................................. iii VITA.............................................................................................. iv LIST OF FIGURES....................................................................... viii CHAPTER PAGE I. INTRODUCTION.......................................................... 1 Re-conceiving, Re-contexualizing BEV............... 3 As Viewed Through Screens ............................... 6 Invisibility, Racial Fragmentation, and The Rhetoric of BEV .................................................. 11 II. LANGUAGE, LITERACY, AND AFRICAN AMERICAN STUDENTS: A REVIEW OF RELATED LITERATURE .. 17 The Linguistic Differences Hypothesis ............. 21 The Cultural Differences Hypothesis ............... 26 The Language Resource H ypotheis ................. 32 Studies of African American R hetoric ............... 34 Vernacular Forms of Discourse ....................... 39 Vernacular Tropes ............................................ 49 Conclusion ........................................................ 51 III. "IF HE AIN'T BLACK, WHAT IS HE THEN?": A GRAD STUDENT DOING ETHNOGRAPHIC RESEARCH . 54 BEV in the University........................................ 58 The F o lk ............................................................ 59 The First Time A round ...................................... 64 This Time A round ............................................ 72 Collecting the Lore of the F o lk ....................... 72 Making Sense of It A ll...................................... 79 IV. FROM INNER-CITY HOOD TO THE HALLS OF ACADEME: AFRICAN AMERICAN STUDENTS IN TRANSITION........................................................ 86 From the Hood ............................................... 87 The Student A thletes ................................... 100 . To the "Hallowed" H alls ....................... 112 1 year, 7months, & 5 Days in the Life of ... 113 "We gotta see you?": T utoring ............. 131 Hangin'Out and Shootin'Hoops ................. 138 Quarter I I ...................................................... 140 V. VERNACULAR AND ACADEMIC DISCOURSE PRACTICES: MOTHER WIT MEETS ALMA MATER..................................................................... 142 "Into Slang" or "Slangin'"...................... 145 From the Laughing Barrel: Euphemism and M etaphor ........................................................ 147 "Dissin"1 and "Raggin' On": 1990s Style Signifying................................................ 154 Just Talkin': Old folks, Mamas, and They Southern W ays ......................................... 167 "A nigguh always got a story": Narrating from Experience...................................................... 175 VI. VERNACULAR DISCOURSE AND THE ACADEMIC WRITING OF AFRICAN AMERICAN STUDENTS . 192 Talkin' Black on White: Vernacular Voice in W riting..................................................... 196 Pullin' Jacks and Rockin' Coke: The Semantics of Invention ............................................. 206 Troping through Repetition and Rhyme . 214 Rappin1 in Writin1 ................................... 215 Narration: Imitating Community Voices ... 220 The Signifyin' Voice in P ro se................. 225 vi "Trope-a-Dope": Figuring the Signifying Monkey in P ro se............................................ 236 Signifying as Self-Affirmation....................... 242 VII. ORALITY AND LITERACY REVISITED: A CONCLUSION........................................................ 252 Reviewing Key Questions.................................... 257 Sketching a Model of BEV R hetoric ................. 265 Restructuring the Comp Class and More 270 BIBLIOGRAPHY...................................................... 273 APPENDIX A. Interview Transcription: Patrick 288 vii LIST OF FIGURES FIGURES PAGE 1. A reproduction of Roger Abrahams's taxonomy of the relationships between the major ways of speaking on the street ................................................ 47 2. The configuration of Wanda Mitchell's English 052A class on September 30, 1991. Students are identified by race, gender, and, when appropriate, name .... 115 3. The configuration of Wanda Mitchell's English 052A class on a typical day. Students are identified by race, gender, and, when appropriate, name .... 115 4. Kathy Simmons's English 052A class configuration on November 15, 1991. Students are identified by race, gender, and, when appropriate, name .... 119 5. Kathy Simmons's English 052A class configuration on November 4, 1991. Students are identified by race, gender, and, when appropriate, name .... 119 6. The configuration of Lou Taylor's English 052A class on October 15, 1991. Students are identified by race, gender, and, when appropriate, name .... 125 7. The configuration of Lou Taylor's English 052A class on a typical day. Students are identified by race, gender, and, when appropriate, name .... 125 8. Kate Martin's English 052A class configuration on October 11, 1991. Students are identified by race, gender, and, when appropriate, name .... 128 viii 9. Seating arrangement of students before Kate Martin's English 05 2A class began on November 19, 1991. Students are identified by race, gender, and, when appropriate, nam e ..................... 128 10. The configuration of athletic study tables on a typical evening. Informants and researcher are identified by name. Other athletes are identified by sports affiliation, monitors by title, and tutors by race and gender.................................................... 135 11. Schematic diagram of BEV rhetoric. At the crossroads between black vernacular and standard English discourses emerges the rhetoric of
Recommended publications
  • WHITTIER • COLLEGE R October 26,2000 &
    • Wait...What Are • New Courses foi • Radiohead Rules! • Football Ties for Those Blue Bins For? January and Spring First Place in SCIAC Students debate the merits of recycling Interested in wilderness, sculp­ We couldn't get tickets, but we Poets go 2-0 in the Conference and wonder where our environment is tures, U.F.O.s, medicine or went to the concert anyway. with a win over Occidental. headed. bookmaking? WHITTIER • COLLEGE r October 26,2000 & John Qrtaikaf Quaker The Voice Of The Campus Since 1914 http://www.whittier.edu/qc Students Hold Forum to Discuss Alleged Discrepancies impeach Collard, but to inspire appointed, including the majority • FORUM activism on campus. of the Executive Council, have "Apathy makes me sick," he that much of a similar opinion that said. it won't make a difference." by Amy Stice "I'd be happy if we had this Another anonymous group QC News Editor forum and at the end everyone posted responsive fliers in the hated us, but at least they'd have mailroom on Wednesday, Oct. 25 Fliers calling for the impeach­ an opinion," junior forum orga­ criticizing the forum's organiz­ ment of senior COR President nizer Travis Nass said. "[Proceed­ ers. These fliers directly attack Jonathan Collard were distribut­ ing with impeachment] depends the organizers—calling them "The ed to campus mailboxes on Mon­ Anti-Social Club for Non-Con­ on the forum turnout. If we're Field oxidated. day, Oct. 23 by an anonymous convinced at the forum that COR forming Conformists of the Con­ group of students, protesting that is doing what they're supposed to servative Liberal Movement"— the Council of Representatives and that Collard's actions are ap­ and "invite you to stand up against (COR) is not adequately repre­ propriate, we wouldn't [sic].
    [Show full text]
  • Recent Publications in Music 2010
    Fontes Artis Musicae, Vol. 57/4 (2010) RECENT PUBLICATIONS IN MUSIC R1 RECENT PUBLICATIONS IN MUSIC 2010 Compiled and edited by Geraldine E. Ostrove On behalf of the Pour le compte de Im Auftrag der International l'Association Internationale Internationalen Vereinigung Association of Music des Bibliothèques, Archives der Musikbibliotheken, Libraries Archives and et Centres de Musikarchive und Documentation Centres Documentation Musicaux Musikdokumentationszentren This list contains citations to literature about music in print and other media, emphasizing reference materials and works of research interest that appeared in 2009. It includes titles of new journals, but no journal articles or excerpts from compilations. Reporters who contribute regularly provide citations mainly or only from the year preceding the year this list is published in Fontes Artis Musicae. However, reporters may also submit retrospective lists cumulating publications from up to the previous five years. In the hope that geographic coverage of this list can be expanded, the compiler welcomes inquiries from bibliographers in countries not presently represented. CONTRIBUTORS Austria: Thomas Leibnitz New Zealand: Marilyn Portman Belgium: Johan Eeckeloo Nigeria: Santie De Jongh China, Hong Kong, Taiwan: Katie Lai Russia: Lyudmila Dedyukina Estonia: Katre Rissalu Senegal: Santie De Jongh Finland: Tuomas Tyyri South Africa: Santie De Jongh Germany: Susanne Hein Spain: José Ignacio Cano, Maria José Greece: Alexandros Charkiolakis González Ribot Hungary: Szepesi Zsuzsanna Tanzania: Santie De Jongh Iceland: Bryndis Vilbergsdóttir Turkey: Paul Alister Whitehead, Senem Ireland: Roy Stanley Acar Italy: Federica Biancheri United Kingdom: Rupert Ridgewell Japan: Sekine Toshiko United States: Karen Little, Liza Vick. The Netherlands: Joost van Gemert With thanks for assistance with translations and transcriptions to Kersti Blumenthal, Irina Kirchik, Everett Larsen and Thompson A.
    [Show full text]
  • Celebrity and Race in Obama's America. London
    Cashmore, Ellis. "To be spoken for, rather than with." Beyond Black: Celebrity and Race in Obama’s America. London: Bloomsbury Academic, 2012. 125–135. Bloomsbury Collections. Web. 29 Sep. 2021. <http://dx.doi.org/10.5040/9781780931500.ch-011>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 29 September 2021, 05:30 UTC. Copyright © Ellis Cashmore 2012. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 11 To be spoken for, rather than with ‘“I’m not going to put a label on it,” said Halle Berry about something everyone had grown accustomed to labeling. And with that short declaration she made herself arguably the most engaging black celebrity.’ uperheroes are a dime a dozen, or, if you prefer, ten a penny, on Planet SAmerica. Superman, Batman, Captain America, Green Lantern, Marvel Girl; I could fi ll the rest of this and the next page. The common denominator? They are all white. There are benevolent black superheroes, like Storm, played most famously in 2006 by Halle Berry (of whom more later) in X-Men: The Last Stand , and Frozone, voiced by Samuel L. Jackson in the 2004 animated fi lm The Incredibles. But they are a rarity. This is why Will Smith and Wesley Snipes are so unusual: they have both played superheroes – Smith the ham-fi sted boozer Hancock , and Snipes the vampire-human hybrid Blade . Pulling away from the parallel reality of superheroes, the two actors themselves offer case studies.
    [Show full text]
  • The Inheritance CONNECTICUT ROOTS, CONNECTICUT CONNECTICUT with DEEP
    NEWS / CULTURE / HEALTH / COMMUNITY / TRAVEL / FASHION / FOOD / YOUTH / HISTORY / FEATURES CONNECTICUT VOICE CONNECTICUT CONNECTICUT VOICETM WITH DEEP CONNECTICUT ROOTS, The Inheritance BROADWAY’S WHAT’S IN A NAME? IN A WORD, GAY EPIC EVERYTHING IN HIS OWN WORDS SPRING 2020 GEORGE TAKEI SHARES HIS STORY more happy in your home There have never been more ways to be a family, or more ways to keep yours healthy — like our many convenient locations throughout Connecticut. It’s just one way we put more life in your life. hartfordhealthcare.org Let’s go over some things. Did you know we have a mobile app? That means you can bank from anywhere, like even the backseat of your car. Or Fiji. We have Kidz Club Accounts. Opening one would make you one smart Motherbanker. Retiring? Try a Nutmeg IRA. We have low rates on auto loans, first mortgages, & home equity loans. Much like this We can tiny space squeeze we have in even smallfan-banking-tastic more business fantastic deals here. BankingAwesome.com loans. We offer our wildly popular More-Than-Free Checking. And that’s Nutmeg in a nutshell. And, for the record, we have to have these logos on everything, cuz we’re banking certified. TWO-TIME ALL-STAR JONQUEL JONES 2020 SEASON STARTS MAY 16TH! GET YOUR TICKETS: 877-SUN-TIXX OR CONNECTICUTSUN.COM EXPERIENCE IT ALL Book a hotel room on foxwoods.com using code SPIRIT for 15% OFF at one of our AAA Four-Diamond Hotels. For a complete schedule of events and to purchase tickets, go to foxwoods.com or call 800.200.2882.
    [Show full text]
  • (Anesthesia) Pulling Teeth Metallica
    (Anesthesia) Pulling Teeth Metallica (How Sweet It Is) To Be Loved By You Marvin Gaye (Legend of the) Brown Mountain Light Country Gentlemen (Marie's the Name Of) His Latest Flame Elvis Presley (Now and Then There's) A Fool Such As I Elvis Presley (You Drive ME) Crazy Britney Spears (You're My) Sould and Inspiration Righteous Brothers (You've Got) The Magic Touch Platters 1, 2 Step Ciara and Missy Elliott 1, 2, 3 Gloria Estefan 10,000 Angels Mindy McCreedy 100 Years Five for Fighting 100% Pure Love Crystal Waters 100% Pure Love (Club Mix) Crystal Waters 1‐2‐3 Len Barry 1234 Coolio 157 Riverside Avenue REO Speedwagon 16 Candles Crests 18 and Life Skid Row 1812 Overture Tchaikovsky 19 Paul Hardcastle 1979 Smashing Pumpkins 1985 Bowling for Soup 1999 Prince 19th Nervous Breakdown Rolling Stones 1B Yo‐Yo Ma 2 Become 1 Spice Girls 2 Minutes to Midnight Iron Maiden 2001 Melissa Etheridge 2001 Space Odyssey Vangelis 2012 (It Ain't the End) Jay Sean 21 Guns Green Day 2112 Rush 21st Century Breakdown Green Day 21st Century Digital Boy Bad Religion 21st Century Kid Jamie Cullum 21st Century Schizoid Man April Wine 22 Acacia Avenue Iron Maiden 24‐7 Kevon Edmonds 25 or 6 to 4 Chicago 26 Miles (Santa Catalina) Four Preps 29 Palms Robert Plant 30 Days in the Hole Humble Pie 33 Smashing Pumpkins 33 (acoustic) Smashing Pumpkins 3am Matchbox 20 3am Eternal The KLF 3x5 John Mayer 4 in the Morning Gwen Stefani 4 Minutes to Save the World Madonna w/ Justin Timberlake 4 Seasons of Loneliness Boyz II Men 40 Hour Week Alabama 409 Beach Boys 5 Shots of Whiskey
    [Show full text]
  • Ice Cube Hello
    Hello Ice Cube Look at these Niggaz With Attitudes Look at these Niggaz With Attitudes Look at these Niggaz With Attitudes Look at these Niggaz With Attitudes {Hello..} I started this gangsta shit And this the motherfuckin thanks I get? {Hello..} I started this gangsta shit And this the motherfuckin thanks I get? {Hello..} The motherfuckin world is a ghetto Full of magazines, full clips, and heavy metal When the smoke settle.. .. I'm just lookin for a big yellow; in six inch stilletos Dr. Dre {Hello..} perculatin keep em waitin While you sittin here hatin, yo' bitch is hyperventilatin' Hopin that we penetratin, you gets natin cause I never been to Satan, for hardcore administratin Gangbang affiliatin; MC Ren'll have you wildin off a zone and a whole half a gallon {Get to dialin..} 9 1 1 emergency {And you can tell em..} It's my son he's hurtin me {And he's a felon..} On parole for robbery Ain't no coppin a plea, ain't no stoppin a G I'm in the 6 you got to hop in the 3, company monopoly You handle shit sloppily I drop a ki properly They call me the Don Dada Pop a collar, drop a dollar if you hear me you can holla Even rottweilers, follow, the Impala Wanna talk about this concrete? Nigga I'm a scholar The incredible, hetero-sexual, credible Beg a hoe, let it go, dick ain't edible Nigga ain't federal, I plan shit while you hand picked motherfuckers givin up transcripts Look at these Niggaz With Attitudes Look at these Niggaz With Attitudes {Hello..} I started this gangsta shit And this the motherfuckin thanks I get? {Hello..} I started
    [Show full text]
  • (2001) 96- 126 Gangsta Misogyny: a Content Analysis of the Portrayals of Violence Against Women in Rap Music, 1987-1993*
    Copyright © 2001 Journal of Criminal Justice and Popular Culture All rights reserved. ISSN 1070-8286 Journal of Criminal Justice and Popular Culture, 8(2) (2001) 96- 126 GANGSTA MISOGYNY: A CONTENT ANALYSIS OF THE PORTRAYALS OF VIOLENCE AGAINST WOMEN IN RAP MUSIC, 1987-1993* by Edward G. Armstrong Murray State University ABSTRACT Gangsta rap music is often identified with violent and misogynist lyric portrayals. This article presents the results of a content analysis of gangsta rap music's violent and misogynist lyrics. The gangsta rap music domain is specified and the work of thirteen artists as presented in 490 songs is examined. A main finding is that 22% of gangsta rap music songs contain violent and misogynist lyrics. A deconstructive interpretation suggests that gangsta rap music is necessarily understood within a context of patriarchal hegemony. INTRODUCTION Theresa Martinez (1997) argues that rap music is a form of oppositional culture that offers a message of resistance, empowerment, and social critique. But this cogent and lyrical exposition intentionally avoids analysis of explicitly misogynist and sexist lyrics. The present study begins where Martinez leaves off: a content analysis of gangsta rap's lyrics and a classification of its violent and misogynist messages. First, the gangsta rap music domain is specified. Next, the prevalence and seriousness of overt episodes of violent and misogynist lyrics are documented. This involves the identification of attributes and the construction of meaning through the use of crime categories. Finally, a deconstructive interpretation is offered in which gangsta rap music's violent and misogynist lyrics are explicated in terms of the symbolic encoding of gender relationships.
    [Show full text]
  • Rap in the Context of African-American Cultural Memory Levern G
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Empowerment and Enslavement: Rap in the Context of African-American Cultural Memory Levern G. Rollins-Haynes Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES EMPOWERMENT AND ENSLAVEMENT: RAP IN THE CONTEXT OF AFRICAN-AMERICAN CULTURAL MEMORY By LEVERN G. ROLLINS-HAYNES A Dissertation submitted to the Interdisciplinary Program in the Humanities (IPH) in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Dissertation of Levern G. Rollins- Haynes defended on June 16, 2006 _____________________________________ Charles Brewer Professor Directing Dissertation _____________________________________ Xiuwen Liu Outside Committee Member _____________________________________ Maricarmen Martinez Committee Member _____________________________________ Frank Gunderson Committee Member Approved: __________________________________________ David Johnson, Chair, Humanities Department __________________________________________ Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to my husband, Keith; my mother, Richardine; and my belated sister, Deloris. iii ACKNOWLEDGEMENTS Very special thanks and love to
    [Show full text]
  • Music-Based TV Talent Shows in China: Celebrity and Meritocracy in the Post-Reform Society
    Music-Based TV Talent Shows in China: Celebrity and Meritocracy in the Post-Reform Society by Wei Huang B. A., Huaqiao University, 2013 Extended Essays Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication (Dual Degree in Global Communication) Faculty of Communication, Art & Technology © Wei Huang 2015 SIMON FRASER UNIVERSITY Summer 2015 Approval Name: Wei Huang Degree: Master of Arts (Communication) Title: Music-Based TV Talent Shows in China: Celebrity and Meritocracy in the Post-Reform Society Examining Committee: Program Director: Yuezhi Zhao Professor Frederik Lesage Senior Supervisor Assistant Professor School of Communication Simon Fraser University Baohua Wang Supervisor Professor School of Communication Communication University of China Date Defended/Approved: August 31, 2015 ii Abstract Meritocracy refers to the idea that whatever our social position at birth, society should offer the means for those with the right “talent” to “rise to top.” In context of celebrity culture, it could refer to the idea that society should allow all of us to have an equal chance to become celebrities. This article argues that as a result of globalization and consumerism in the post-reform market economy, the genre of music-based TV talent shows has become one of the most popular TV genres in China and has at the same time become a vehicle of a neoliberal meritocratic ideology. The rise of the ideology of meritocracy accompanied the pace of market reform in post-1980s China and is influenced by the loss of social safety nets during China’s transition from a socialist to a market economy.
    [Show full text]
  • Alumni Petition: USJ the U.S
    FRANCHISE EXPERTS BELIEVE DUBAI TO BUILD WORLD’S BIGGEST SING MY MACAU NEEDS GLOBAL VISION SHOPPING CENTER SONG WORLD Experts from the European Dubai ruler has laid out plans for a TOUR KICKS franchising industry think that Macau project known as Mall of the World OFF IN has a great advantage and offers that will include a climate-controlled MACAU many opportunities for businesses street network and a theme park P2 P7 P18 PHOTOSHOP MON. 07 Jul 2014 T. 28º/ 34º C H. 55/ 90% Blackberry email service powered by CTM MOP 5.00 2101 N.º HKD 7.50 FOUNDER & PUBLISHER Kowie Geldenhuys EDITOR-IN-CHIEF Paulo Coutinho “ THE TIMES THEY ARE A-CHANGIN’ ” WORLD BRIEFS SAUTEDE’S CASE INDONESIA A strong earthquake has hit off the coast of western Indonesia, but there were no immediate reports of injuries or damage. Alumni petition: USJ The U.S. Geological Survey says the magnitude-6.0 quake hit Saturday at a depth of 30 kilometers. It was centered 88 kilometers (55 miles) southeast P5 of Sinabang, a town on the ‘betrayed its soul’ east coast of Simeulue Island, which lies off the west coast of Sumatra island. In 2004, a massive earthquake off Sumatra triggered a tsunami that killed 230,000 people in a dozen countries. AP PHOTO PHILIPPINES A strong typhoon was blowing over the Pacific Ocean in the northeastern Philippines and may induce heavy rains, but is too far off to hit land, officials said. Typhoon Neoguri was blowing with sustained winds of 185 kilometers per hour and gusts of 220 kph late yesterday about 840 kilometers off Cagayan, a rice- and tobacco-producing province.
    [Show full text]
  • The Evolution of Commercial Rap Music Maurice L
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research.
    [Show full text]
  • Press Release
    Press Release China’s hit reality show ‘Sing My Song’ back at The Venetian Macao Singer-songwriters from season 1 and 2 and celebrity mentors took to the stage of the Cotai Arena (Macao, March 19, 2015) – With The Venetian® Macao as the main sponsor, smash hit reality TV talent show “Sing My Song” returned to The Venetian® Macao’s Cotai Arena Thursday night to film "SONGS OF SPRING" 2015 SING MY SONG WORLD TOUR – MACAO. The concert which featured 16 contestants and two celebrity mentors will be broadcast on CCTV-3. The Macao concert is also the opening show of Sing My Song World Tour in 2015. Produced by Star China International Media Co. Ltd. and Starry Productions, “Sing My Song” has somewhat reinvented the musical reality genre by requiring contestants to perform their own compositions rather than covering other artists’ songs. The celebrity mentors on the night were renowned singer-song writer Tanya Chua and accomplished singer Emil Chow. The duo took the stage with the top 16 singer-songwriters from the studio-based talent show to perform some of their original songs as well as cover versions of some classic tunes such as “Missing is a kind of disease” and “Red high heel.” The very vocal crowd was absolutely thrilled by the wonderful performance. This reality TV series has revitalized the Chinese music industry and brought together the most talented singer-songwriters from China and abroad, including Singapore and the United States. The singer-songwriters who appeared as part of Sing My Song 2015 Macao Concert were all contestants from season 1 and 2 of the show.
    [Show full text]