Survey of Selected Crafts, Part XIV, Vol-XIV, Rajasthan
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A Case Study of Batik in Java and Santiniketan
Universiteit Leiden Journey of Textile Designs: A Case Study of Batik in Java and Santiniketan Master Thesis, Asian Studies (60 EC) 2015-16 Name of student: Deboshree Banerjee Student Number: s1684337 Date: 1st September 2016 Supervisors: Prof. dr. N.K. Wickramasinghe-Samarasinghe Prof. dr. P.R. Kanungo Table of Contents Table of Contents ....................................................................................................................... ii List of Figures and Tables......................................................................................................... iv Abstract ...................................................................................................................................... v Chapter 1: Introduction .............................................................................................................. 1 1.1. Textiles: A Medium of Cultural Studies ......................................................................... 1 1.2. Diffusion Theory ............................................................................................................. 3 1.3. Literature Review: Javanese and Santiniketan Batik ...................................................... 4 1.3.1. Javanese Batik .......................................................................................................... 5 1.3.2 Santiniketan Batik ..................................................................................................... 7 1.4. Proposed Hypothesis ...................................................................................................... -
Handicrafts-And-Khadi-Industry
LOCATION OF INDUSTRIES-LoGENERAL STUDIES PAPER 1 HANDICRAFTS AND KHADI INDUSTRY The handloom, industry has been one of the oldest industries in India. Although the industry was ruined was ruined during the British colonial rule.it got tremendous boost after India attained independence, especially hen the Five-Year Plan started. The industry today provides employment to about 10 million people and contributes over 23 per cent of the total cloth production in the country . The handloom industry is widely distributed in the country, mostly concentrated in small towns and rural areas. Tamil Nadu, Odisha, Uttar Pradesh, Assam and Andhra Pradesh Account for over 50 per cent of the production capacity. Among other states Manipur, Maharashtra , West Bengal, Nagaland, Kerala, Rajasthan, Haryana, Jammu and Kashmir, Madhya Pradesh and Karnataka are important for handloom industry. Problems of Handloom and Khadi Industries The handloom and khadi industry faces a number of problems. These include the following: 1. The raw materials available for this industry are neither adequate nor of satisfactory quality. 2. The craftsmen employed in this industry belong to poor families and have no technical skills. 3. The technology used in these industries is old and obsolete. 4. The goods produced y these industries are no match to the modern fast changing fashions and designs. 5. These industries have to face competition from mill-made cloth. 6. These industries lack capital as few facilities exist for providing cheap credit. The Kutch embroidery of Gujarat or Zari-Zardozi and Chikankari of Uttar Pradesh, wooden toys of Karnataka or bamboo craft of Assam, puppets of Rajasthan or Sikki, Tikuli and Madhubani arts of Bihar are not only the traditional arts of the respective provinces but also form an important source of alternative income for the artisans. -
The Relationship of Current Textiles to the Cultural Heritage of India
AN ABSTRACT OF THE THESIS OF STEPHANIE ANN WEGNER for the Master of Science (Name) (Degree) in Clothing and Textiles presented on August 4, 1967 (Major) (Date) Title: THE RELATIONSHIP OF CURRENT TEXTILES TO THE CULTURAL HERITAGE OF INDIA Abstract approved: Redacted for privacy Clara W. Edaburn Textiles are one material aspect of Indian life influenced by the nationalistic movement. They fit into a larger attempt to create a united and singular image of the country. As the creator of a national image, the central government encourages belief in ancient philoso- phies which hold beauty as a creed. Village life is idealized. Direction of the textile industry reflects self -pride and typifies nationalism, as idealistic goals are set and realistic advice of foreigners is disregarded, India, in aiming for new heights, attempts to relate historical achievements to the present. Her interest in the past calls for continuity of its spirit, rather than imitation of its objects. How- ever, as village life has been quite static, ancient forms as well as attitudes from that level of society continue to exist, represented by , the textiles. This makes it easy for the nationalist to encourage relationships to cultural heritage through current goals and products. The dominant place of religion, the caste system, and the arts explain why textiles of India have developed and remained as a craft. The handloom weaver is protected by a cottage industry plan. The Indian says the acceptance of modern methods of dyeing and machine spinning are an example of the ancient tendency for assimilation of outside influences into the tradition. -
University College of Commerce & Management
UNIVERSITY COLLEGE OF COMMERCE & MANAGEMENT STUDIES MOHANLAL SUKHADIA UNIVERSITY, UDAIPUR. ELECTORAL LIST- 2016-17 B.COM. FIRST YEAR S. No. Name of Applicant Father Name ADDRESS 1 AAFREEN ARA ASHFAQ AHMED 113 nag marg outside chandpol 2 AAFREEN SHEIKH SHAFIQ AHMED SHEIKH 51 RAJA NAGAR SEC 12 SAVINA 3 AAISHA SIDDIKA MR.ABDUL HAMEED NAYA BAJAR KANORE THE-VALLABHNAGER DIS-UDAIPUR 4 AAKANKSHA KOTHARI PRAVEEN KUMAR KOTHARI 5, KANJI KA HATTA, GALI NO.1, OPP. SH DIG JAIN SCHOOL 5 AAKASH RATHOR ROSHAN LAL RATHOR 17 RAMDAWARA CHOWK BHUPALWARI UDAIPUR 6 AANCHAL ASHOK JAIN 61, A - BLOCK, HIRAN MAGRI SEC-14, UDAIPUR 7 AASHISH PATIDAR KAILASH PATIDAR VILL- DABOK 8 AASHRI KHATOD ANIL KHATOD 340,BASANT VIHAR,HIRAN MAGRI,SEC-5 9 AAYUSHI BANSAL UMESH BANSAL 4/543 RHB COLONY GOVERDHAN VILAS SEC. 14 UDAIPUR 10 AAYUSHI SINGH KACHAWA SHAKTI SINGH KACHAWA 1935/07 NEW RAMPURA COLONY SISARMA ROAD 11 ABHAY JAIN PRADEEP JAIN 18, GANESH GHATI, 12 ABHAY MEWARA SUBHASH CHANDRA MEWARA 874, MANDAKINIMARG BIJOLIYA 13 ABHISHEK DHABAI HEMANT DHABAI 209 OPP D E O SECOND GOVERDHAN VILLAS UDAIPUR 14 ABHISHEK JAIN PADAM JAIN HOUSE NO 632 SINGLE STORIE SEC 9 SAVINA 15 ABHISHEK KUMAR SINGH KHOOB SINGH 1/26 R.H.B. colony,Goverdhan Vilas,Udaipur(Raj.) 16 ABHISHEK PALIWAL KISHOR KALALI MOHALLA, CHHOTI SADRI 17 ABHISHEK SANADHYA DHAREMENDRA SANADHYA 47 ANAND VIHAR ROAD NO 2 TEKRI 18 ABHISHEK SETHIYA GOPAL LAL SETHIYA SADAR BAZAR RAILMAGRA 19 ABHISHEK SINGH RAO NARSINGH RAO 32-VIJAY SINGH PATHIK NAGAR SAVINA Page 1 of 186 20 ADITYA SINGH SISODIA BHARAT SINGH SISODIA 39, CHINTA MANI -
Unit 1 Reconstructing Ancient Society with Special
Harappan Civilisation and UNIT 1 RECONSTRUCTING ANCIENT Other Chalcolithic SOCIETY WITH SPECIAL Cultures REFERENCE TO SOURCES Structure 1.0 Introduction 1.1 Sources 1.1.1 Epigraphy 1.1.2 Numismatics 1.1.3 Archaeology 1.1.4 Literature 1.2 Interpretation 1.3 The Ancient Society: Anthropological Readings 1.4 Nature of Archaeology 1.5 Textual Sources 1.6 Summary 1.7 Glossary 1.8 Exercises 1.0 INTRODUCTION The primary objective of this unit is to acquaint the learner with the interpretations of the sources that reveal the nature of the ancient society. We therefore need to define the meaning of the term ‘ancient society’ to begin with and then move on to define a loose chronology in the context of the sources and their readings. It would also be useful to have an understanding about the various readings of the sources, a kind of a historiography of the interpretative regime. In order to facilitate a better understanding this unit is divided into five sections. In the introduction we have discussed the range of interpretations that are deployed on the sources and often the sources also become interpretative in nature. The complexity of the sources has also been dealt with in the same context. The new section then discusses the ancient society and what it means. This discussion is spread across the regions and the varying sources that range from archaeology to oral traditions. The last section then gives some concluding remarks. 1.1 SOURCES Here we introduce you to different kinds of sources that help us reconstruct the social structure. -
Subject: EVOLUTION of SOCIAL STRUCTURE in INDIA: THROUGH the AGES Credits: 4 SYLLABUS
Subject: EVOLUTION OF SOCIAL STRUCTURE IN INDIA: THROUGH THE AGES Credits: 4 SYLLABUS Introductory & Cultures in Transition Harappan Civilisation and other Chalcolithic Cultures, Hunting-Gathering, Early Farming Society, Pastoralism, Reconstructing Ancient Society with Special Reference to Sources, Emergence of Buddhist Central And Peninsular India, Socio-Religious Ferment In North India: Buddhism And Jainism, Iron Age Cultures, Societies Represented In Vedic Literature Early Medieval Societies & Early Historic Societies: 6th Century - 4th Century A.D Religion in Society, Proliferation and consolidation of Castes and Jatis, The Problem of Urban Decline: Agrarian Expansion, Land Grants and Growth of Intermediaries, Transition To Early Medieval Societies, Marriage and Family Life,Notions of Untouchability, Changing Patterns in Varna and Jati, Early Tamil Society –Regions and Their Cultures and Cult of Hero Worship, Chaityas, Viharas and Their Interaction with Tribal Groups, Urban Classes: Traders and Artisans, Extension of Agricultural Settlements Medieval Society & Society on the Eve of Colonialism Rural Society: Peninsular India, Rural Society: North India, Village Community, The Eighteenth Century Society in Transition, Socio Religious Movements, Changing Social Structure in Peninsular India, Urban Social Groups in North India, Modern Society & Social Questions under Colonialism Social Structure in The Urban and Rural Areas, Pattern of Rural-Urban Mobility: Overseas Migration, Studying Castes in The New Historical Context, Perceptions of The Indian Social Structure by The Nationalists and Social Reformers, Clans and Confederacies in Western India, Studying Tribes Under Colonialism, Popular Protests and Social Structures, Social Discrimination, Gender/Women Under Colonialism, Colonial Forest Policies and Criminal Tribes Suggested Reading: 1. Nation, Nationalism and Social Structure in Ancient India : Shiva Acharya 2. -
Treasure Troves of Indian Crafts
Craft Traditions of India Past, Present and Future Textbook in Heritage Crafts for Class XII ISBN- 978-93-5007-139-7 First Edition February 2011 Magha 1932 ALL RIGHTS RESERVED No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, PD 5T VSN electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. This book is sold subject to the condition that it shall not, by way © National Council of Educational of trade, be lent, re-sold, hired out or otherwise disposed of Research and Training, 2011 without the publisher’s consent, in any form of binding or cover other than that in which it is published. The correct price of this publication is the price printed on this page, Any revised price indicated by a rubber stamp or by a sticker or by any other means is incorrect and should be unacceptable. OFFICES OF THE PUBLICATION DEPARTMENT, NCERT NCERT Campus Sri Aurobindo Marg New Delhi 110 016 Phone : 011-26562708 108, 100 Feet Road Hosdakere Halli Extension Banashankari III Stage Bangalore 560 085 Phone : 080-26725740 Navjivan Trust Building P.O.Navjivan Ahmedabad 380 014 Phone : 079-27541446 ??.?? CWC Campus Opp. Dhankal Bus Stop Panihati Kolkata 700 114 Phone : 033-25530454 CWC Complex Maligaon Guwahati 781 021 Phone : 0361-2674869 Publication Team Head, Publication : Neerja Shukla Department Chief Production : Shiv Kumar Officer Chief Editor : Shveta Uppal Chief Business : Gautam Ganguly Manager Printed on 80 GSM paper with NCERT watermark Editor : Vijayam Published at the Publication Department Sankaranarayanan by the Secretary, National Council of Educational Research and Training, Production Assistant : ? Sri Aurobindo Marg, New Delhi 110 016 and printed at ........................................ -
Living Traditions Tribal and Folk Paintings of India
Figure 1.1 Madhubani painting, Bihar Source: CCRT Archives, New Delhi LIVING TRADITIONS Tribal and Folk Paintings of India RESO RAL UR U CE LT S U A C N D R O T R F A E I N R T I N N G E C lk aL—f z rd lzksr ,oa izf’k{k.k dsUn Centre for Cultural Resources and Training Ministry of Culture, Government of India New Delhi AL RESOUR UR CE LT S U A C N D R O T R F A E I N R T I N N G E C lk aL—f z rd lzksr ,oa izf’k{k.k dsUn Centre for Cultural Resources and Training Ministry of Culture, Government of India New Delhi Published 2017 by Director Centre for Cultural Resources and Training 15A, Sector 7, Dwarka, New Delhi 110075 INDIA Phone : +91 11 25309300 Fax : +91 11 25088637 Website : http://www.ccrtindia.gov.in Email : [email protected] © 2017 CENTRE FOR CULTURAL RESOURCES AND TRAINING Front Cover: Pithora Painting (detail) by Rathwas of Gujarat Artist unknown Design, processed and printed at Archana Advertising Pvt. Ltd. www.archanapress.com All Rights Reserved No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the Director, CCRT. Photo Credits Most of the photographs used in this publication are from CCRT Archives. We also thank National Museum, New Delhi; National Handicrafts & Handlooms Museum (Crafts Museum), New Delhi; North Zone Cultural Centre (NZCC), Patiala; South Central Zone Cultural Centre (SCZCC), Nagpur; Craft Revival Trust, New Delhi and Sanskriti Museum, New Delhi for lending valuable resources. -
Art Libraries and Cultural Heritage: Select, Collect and Connect
Date submitted: 01/05/2009 Weaving a knowledge tapestry of traditional crafts for modern fashion designers: An Indian experience Dr Sanjeev Kumar Deputy Director, NRC National Institute of Fashion Technology New Delhi, India. Nandini Dutta Head Resource Centre National Institute of Fashion Technology New Delhi, India Meeting: 201. Art Libraries WORLD LIBRARY AND INFORMATION CONGRESS: 75TH IFLA GENERAL CONFERENCE AND COUNCIL 23-27 August 2009, Milan, Italy http://www.ifla.org/annual-conference/ifla75/index.htm Abstract The fashion products of India are created through fusion of modern technologies and traditional craft skills. Crafts are not only bearer of Indian heritage but also the foundations of modern design innovations. This paper discusses the central role of the crafts as sources of inspiration for the Indian fashion designers. It highlights the role of the National Resource Centre (NRC) with its network of Resource Centres of the National Institute of Fashion Technology (NIFT) in collecting and preserving heritage resources through the applications of ICTs. The initiatives of NRC in developing a digital National Design Repository (NDR) with its constituents are discussed in details. The development of Shilpakala Jnana Kosha, a digital repository of tacit craft knowledge of artisans with applications of KM technologies has also been explained. The objectives of these initiatives of NIFT are to preserve the endangered traditional skills from extinction, infuse a process of revival and optimize utilization of traditional crafts in contemporary fashion design. Introduction The soul of Indian fashion design lies in its rich cultural heritage. Indian civilization with its immense diversity and a history spanning centuries has developed its own language of colour, structure and form expressed in innumerable rituals, objects, art forms and performances. -
Annual Report
JAIPUR VIRASAT FOUNDATION HERITAGE BASED SOCIAL AND ECONOMIC DEVELOPMENT ANNUAL REPORT 2004-2005 Painting of the historic walled city of Jaipur commissioned by JVF -A CITY FESTIVAL TO DRIVE DEVELOPMENT- -A CONSERVATION BASED DEVELOPMENT INITIATIVE- -A VISION FOR SUSTAINABLE DEVELOPMENT IN THE INDIAN CONTEXT- For its first three formative years (2002 - 2005), JVF has developed its objectives, strategies and structure under the umbrella of the Jaipur Heritage International Festival. For this report we present our activities under seven headings: Virasat Andolan (advocacy, awareness, community participation) Arts (conserving and documenting regional traditional arts) Buildings (conserving the historic built environment) Crafts (conserving traditional skills) Development (Best Practices to generate cultural industries) Education (engaging young people in the vision) Festival (to showcase the vision and demonstrate its economic potential) The seven headings represent the holistic nature of ongoing JVF activities. From 2005, JVF will engage increasingly with the built heritage and then with crafts. The seven headings provide the structure under which projects will be conceived and managed. As a citizens' initiative in response to the visible impact of modernisation on traditional communities and the consequent loss of cultural heritage, it is hoped that the pioneering work of JVF may grow as a model for other cities of India to help build a more equitable and sustainable future. pg.3 VIRASAT ANDOLAN JVF is committed to creating a heritage (virasat) movement (andolan ) among the people of Jaipur through advocacy, awareness programmes and engaging the community at all levels and opportunities. Regular meetings are held with experts and stakeholders, and every opportunity is taken to spread the virasat message and engage local people in the value and relevance of the region's extraordinary heritage. -
National Institute of Ayurveda
NATIONAL INSTITUTE OF AYURVEDA VACANCY NOTIFICATION No. 2/2019 SCREENING TESTS TO SHORTLIST CANDIDATES FOR INTERVIEW/SELECTION TO THE POSTS OF ACCOUNTANT, LIBRARIAN, JUNIOR STENOGORAPHER(ENGLISH), LIBRARY ASSISTANT, MEDICAL LAB. TECHNOLOGIST & PHYSIOTHERAPIST Screening Tests to shortlist Candidates for Interview/Selection to the above Posts notified in Vacancy Notification No. 2/2019 will be held on 29th March 2020 (Sunday) in this Institute as per the following Schedule: POST SCHEDULE OF TESTS IN NIA REPORTING TIME Accountant 29-3-2020 Sunday 10-00 AM To 11-30 AM 8 AM Librarian 29-3-2020 Sunday 10-00 AM To 11-30 AM 8 AM Jr. Stenographer (English) 29-3-2020 Sunday 1-30 PM To 3-00 PM 12 NOON Library Assistant 29-3-2020 Sunday 1-30 PM To 3-00 PM 12 NOON Medical Lab. Technoligist 29-3-2020 Sunday 1-30 PM To 3-00 PM 12 NOON Physiotherapist 29-3-2020 Sunday 1-30 PM To 3-00 PM 12 NOON The List of Candidates found eligible and called for the above Screening Tests are given below. They have also been informed by Speed Post. The candidates should report at the Reporting Time given against above with the Call Letter sent to their Address and also Proof of Identity like Aadhar Card, Voter ID Card, Driving Licence etc. without which candidates will not be permitted to appear in the Test. The Instructions for the Screening Test will be posted on the Website soon (www.nia.nic.in). Candidates are advised to watch the Institute Website for any further Information/Notice regarding Recruitment to these Posts. -
Crafts of India &Amp
CORNELL UNIVERSITY LIBRARY ""'""'"" '"'"^ N 7301.C7T" .Qeylon ^''*iii3rliS iiin iii?r.!!!!'.$..S!!.,.'M?. ..* . 3 1924 022 942 985 Cornell University Library The original of tliis book is in tlie Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http ://www. arch i ve . o rg/detai Is/cu31 924022942985 Cbe MotlO ot art Serleg THE ARTS AND CRAFTS OF INDIA isf CEYLON UNIFORM FOLUMES THE ARTS &' CRAFTS OF ANCIENT EGYPT By Professor W. M. FLINDERS FETRIE THE ARTS .St. CRAFTS OF OLD JAPAN By STEWART DICK THE ARTS &» CRAFTS OF OUR TEUTONIC FOREFATHERS By Professor G. BALDWIN BROWN THE ARTS &> CRAFTS OF INDIA &> CEYLON BY ANANDA K. COOMARASWAMY D.SC. (LONDON), 7.L.S., F.G.S., M.R.A.S,, FELLOW OP UNIVERSITY COLLEGE, LONDON AUTHOR OP MEDI^eVAL SINHALESE ART; THE INDIAN craftsman; ESSAYS IN NATIONAL idealism; INDIAN DRAWINGS; ETC. ''\ CONTAINING TWO HUNDRED &• TWBNTY-FIVE ILLUSTRATIONS T. N. FOULIS LONDON &• EDINBURGH 1913 3 N 730/ C77 Published October.October, 1 91 PRINTED BY NBILL AND CO., LTD., EDINBURGH PREFACE The purpose of this book, like that of Professor Flinders Petrie in the same series, is to facilitate the understanding of the art it illustrates. It is intended for ordinary persons rather than for archaeological specialists, The pages are not burdened with refer- ences; but no statement has been made without care- ful consideration or specific authority. The value of a small book must depend on its suggestiveness ra- ther than on its completeness: but it must not be for- gotten that what is here said is but a mere summary of a vast Subject: each sentence could be expanded to a chapter, each chapter to a monograph.